Religious Historical Depictions

A series of prints illustrating significant biblical moments, including the entombment of Christ and encounters with saints, depicted in intricate detail.

Graflegging van Christ, Giles Sadeler (2), after Federico Barocci, 1591 - 1615 print The body of Christ is worn by three men, including Joseph from Arimatea and Nikodemus, to his opened tomb. Behind them, Maria mourns with two women. In the front, a woman with folded hands, Maria Magdalena (). The torture tools are in the front left. In the distance the three crosses on a rock. Under the performance an eighthritige, Latin text and below the assignment, also in Latin. In the middle of the coat of arms of Cardinal Borromeo. print maker: Italyafter painting by: UrbinoVerona paper engraving Christ's entombment (possibly by angels)

The Holy Laurentius. Saint Laurentius stands with staggered arms, while a poor dressed young man gets the knot out of the cord of his dalmatics. An old man behind him points aside, where the fire will be burned under the grid on which Laurentius will be tortured. Two richly dressed men, one in oriental costume, the other in Western clothing, looking at Laurentius. Above them a angel floats. Two Romans are in the background under a balance of balance. Right a statue of a male nude. Under the disclosure an eight arrangement fresh in Latin.

Graflegging van Christus, anonymous, after Hendrick Goltzius, 1596 - 1667 print Christ is placed in a grave in a cave by a number of men. The Maria's and the Apostle John are crying. In the foreground the crown of thorns and the ointment pot of Maria Magdalena. Netherlands paper engraving Christ's entombment (possibly by angels). Christ's body on or in the grave

Graflegging van Christ, Giles Sadeler (2), after Federico Barocci, 1591 - 1615 print The body of Christ is worn by three men, including Joseph from Arimatea and Nikodemus, to his opened tomb. Behind them, Maria mourns with two women. In the front, a woman with folded hands, Maria Magdalena (). The torture tools are in the front left. In the distance the three crosses on a rock. Under the performance an eighthritige, Latin text and below the assignment, also in Latin. In the middle of the coat of arms of Cardinal Borromeo. print maker: Italyafter painting by: UrbinoVerona paper engraving Christ's entombment (possibly by angels)

. The H. Severinus is in a church for a bed with the corpse of the Silvanus priest. He blesses Silvanus, who gets up from death. Believers scissors around them. The print has a Latin caption and is the tenth print of a 60-part series with the saints of Bavaria.

Connection Coring of Christ; The passion. Christ is between soldiers on the square in front of the Pilatus courthouse. He wears a cloak and gets a stick as a scepter in his hand, soldiers printing the thorns crown on his head and bystanders react mockingly by kneeling for him.

Worship by the Kings, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print Worship of the Christ child by the three kings. Under the performance is a quote from the Bible text mat. 2. This print is part of an album. paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Connection Coring of Christ; The passion. Christ is between soldiers on the square of the Pilatus courthouse. He wears a cloak and gets a stick as a scepter in his hand, soldiers printing the thorns crown on his head and bystanders react mockingly by kneeling for him.

Jesus and Samaritanka; Quartley, John (fl. Ca 1835-1867), Doré, Gustave (1832-1883); non ante 1873 (1873-00-00-1899-00-00);

. Christ and his students around a table. Christ blesses the food. A devil pulls his rug to Judas.

Death of the Virgin, no. 11 from The Life of theVirgin. Artist: Jacques Callot, French, 1592-1635

Gravestone of Christ; The passion. Christ is placed in a cave by a number of men in a grave. The Maria's and the apostle John are crying. In the foreground the thorns crown and the ointment of Mary Magdalene.

Connection Coring of Christ; The passion. Christ is between soldiers on the square of the Pilatus courthouse. He wears a cloak and gets a fake scepter in his hand, soldiers press the thorns crown on his head and bystanders react mockingly by kneeling for him.

Visiting Prisoners, from The Seven Acts of Mercy 1735-1776 France. Etching in black on cream laid paper . François Hutin

Revival of Lazarus. A man and a woman help the old Lazarus out of his grave. After Christ called him, Lazarus was woken up to life again. The bystanders in the cave look with disbelief to the old man.

Domenico Campagnola, The Descent of the Holy Spirit, 1518 The Descent of the Holy Spirit

The Raising of Lazarus, with Christ standing at left ca. 1729 Simon Vallée. The Raising of Lazarus, with Christ standing at left. Simon Vallée (French, born ca. 1700). ca. 1729. Etching and engraving. Prints

Graflegging van Christus, anonymous, after Cornelis Cort, after Giulio Clovio, 1580 print Before the opening in a rock, the body of Christ lies on a stone, supported by Mary and John. Maria Magdalena kneels at his feet. Joseph of Arimatea and Nicodemus are slightly behind them. In the background a hilly landscape with the mountain of Golgotha on the left. Rome paper engraving Christ's entombment (possibly by angels)

The Entombment. Dimensions: image (lunette): 60.2 x 35.6 cm (23 11/16 x 14 in.). Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: Aegidius Sadeler II after Federico Barocci.

Worship of the shepherds, anonymous, after Jan Luyken, 1712 print Amsterdam paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present

The Healing of the Sick, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence) 1611-19 Jacques Callot French. The Healing of the Sick, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence). Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze. Jacques Callot (French, Nancy 1592-1635 Nancy). 1611-19. Engraving; second state of two (Lieure). Prints

Worship of the Christ child through the three kings.

Photo production of drawing Raphael from Windsor Castle, the result around Jesus.

Gijsbrecht II van Amstel and De Graaf van Gelder injured to the chapter brought to the election of a new bishop, 1227.gijsbrecht II (OR Gijsbert) van Amstel and the Graaf van Gelder, Injured During the Battle of Ane on July 27, 1227, Are Brought To The Chapter On Stretchers To Bring Out Their Vote To The Election Of A New Bishop As A Successor For The Bishop Otto II Dated Bishop.

H. Hieronymus saves a child. Saint Hieronymus heals a child in a wonderful way. The family of the child looks at the saint.

. The shepherds visit the holy family and kneel before the Christ child. A sheep is in the foreground. In the margin a caption in Latin.

Leiden, Vliet, Jan Georg van, Raising of Lazarus, verso lower left - stamped, print, prints, height 374 mm, width 295 mm, Northern Netherlands, 1610 - 1668, print maker, printmaker, 1628 - 1637, paper, papier, etching, etchings, engraving, engraving (printing process)

Etching by Anton Joseph von Prenner depicting the Visitation, showing Mary and Elizabeth meeting with attendants in biblical composition, including gestures, drapery, and architectural elements.

Solomon death bed. Solomon is located on his deathbed and is surrounded by women who pray and graze.

Jakob blessing Ephraim and Manasse, Reinier Vinkeles (I), After Jacobus Buys, 1797 print The old Jacob blesses Ephraim and Manasse, the sons of Joseph. He does this with crossed hands and predicts a great future for Ephraim, the youngest son of Joseph. Amsterdam paper etching / engraving Jacob blesses Manasseh and Ephraim with arms crossed; Joseph may be shown trying to uncross them or expressing (with Asenath) his disapproval

The holy Elisabeth van Hungary visits the sick. The holy Elisabeth of Hungary surrounded by sick people. In the background a look through to a space with sick people in bed.

. Mary and the students of Christ are in a room. The pigeon of the Holy Spirit appears in the midst of the group. Above the heads of the apostles and Maria fiery tongues, symbolizing the outpouring of the Holy Spirit in their hearts. The print has a Latin caption.

Revival of the daughter of Jainus. Christ helps the life-spaned daughter of Jainus getting up from her bed. Her parents and three apostles look.

Adoration of the Kings, Nicolaes Lauwers, after Peter Paul Rubens, 1619 - 1652 print Mary holds the Christ child so that the kneeling king can kiss his foot. In the foreground two boys with precious gifts. The other two kings are on the right to worship with the Christ child. A group of men are stopped on the stairs. Antwerp paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Maria Magdalena Oints the feet of Christ, Joseph Wagner, After Benedetto Luti, After Giovanni Battista Cipriani, 1746 - 1780 print Christ is sitting at the table with a number of apostles. Maria Magdalena is anointing the feet of Christ. Reference to Bible text in Submarga. Numbered below: Ab No. 6. print maker: Veniceprint maker: Italyafter painting by: Italyafter drawing by: Florencepublisher: VeniceVenice paper etching / engraving Christ's feet are anointed by Mary (Magdalene)

Last supper (left leaf). Five disciples at the table at the last supper. Left a woman brings a dish with food inside. Judas keeps the bag with silver pieces on the right.

The temptation of the H. Antonius. The H. Antonius is kneeling for an altar stone on which a crucifix, an hourglass, a skull and a pile of books. Devil and monstrous beings pull him to his rug and attack it in all kinds of ways. For him the pig. Behind him a beautifully dressed lady who offers him a glass of wine. An old woman with devil wings tries to seduce him to her to look. At the top of the cave a flying devil that plays a cakes.

Solomon death bed. Solomon is located on his deathbed and is surrounded by women who pray and graze.

Maria and the apostles mourn Christ, Philips Galle (attributed to workshop or), after Jan van der Straet, 1547 - 1612 print Central to a living room De Apostelen, Maria and some women. They cry and mourn for the death of Christ. The print has a Latin caption. print maker: Antwerpafter design by: Florencepublisher: AmsterdamAmsterdam paper engraving disciples awaiting the return of Christ

Maria with the Saints Antonius of Padua and Francis of Paola.

Outpouring of the Holy Spirit Pentecoste (title on object), Mary and the disciples of Christ are sitting in a room. The dove of the Holy Spirit appears in the midst of the group. Above the heads of the apostles and Mary, fiery tongues burn, symbolizing the outpouring of the Holy Spirit in their hearts. The print has a Latin signature., Pentecost: the Holy Ghost descending upon (Mary and) the apostles, sometimes Paul and / or representatives of the nations present (Acts 2: 1-4), anonymous, Antwerp, 1614 - 1676, paper, engraving, w 193 mm × h 303 mm

Doornenkring van Christus, Nicolaes de Bruyn, 1618 print Christ sits among soldiers on the square of the Pilatus courthouse. He wears a cloak and gets a stick as a scepter in his hand, soldiers press the crown on his head and bystanders react mockingly by kneeling in front of him. Netherlands paper engraving the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Christ's Entrance into Jerusalem, from The Passion of Christ, plate 2 1664 Grégoire Huret French. Christ's Entrance into Jerusalem, from The Passion of Christ, plate 2 645186

Priest Alexander Sauli shares bread to Corsica. The later denominated priest Alexander Sauli shares bread to a group of arms on the street in Corsica. A pilgrim is behind Alexander. People in the foreground. In the background a group of clergymen around a table where they consume a meal.

Allegory on dying. Allegory on dying with dying woman assisted by clergymen and grieving family, she is welcome in heaven. On a table is an open book with the AMOR dei text. In the background in the dark, men and women are guilty of eating and drinking too much and attaching to valuable possessions such as jewelry. There are traces of pernicious activities such as a card game and a board game. They see behind what happens to them when they die: the soul of a woman in bed is taken by the devil and demons waiting in the purgatory. Under the show, quotes from the Bible texts are Apocalypse 14 and Psalms 33.

The infant Jesus grabs at the gold offered to him by the Magi. Engraving by S.A. Bolswert after Sir P.P. Rubens.

. In a stable Maria and Joseph show the Christ child to the three ways. The three offer the child their gifts. On the right, members of their consequence are increasing. In the margin a two-legged text in Latin.

Adoration of the Magi, Nicolaes de Bruyn, 1643

Flight into Egypt Robert van Audenaerde Flemish. Flight into Egypt 400618

Judas receives silver pieces for his betrayal. Judas Iskariot visits the high priests who want to take Christ caught. They pay him thirty silver pieces for his betrayal.

Queen Vashti is banned. Queen Vashti, the woman of King Ahasveros (Xerxes), is sent away. There are a man and a dog in the foreground.

Circumcision; Rijn, Rembrandt Van (1606-1669); around 1625-1626 (1601-00-00-1700-00-00);Christ, New Testament, circumcision, Christ, New Testament, religious performances

Twelve years old in the temple, John Greenwood, after Rembrandt van Rijn, 1739 - 1792 print Twelve -year -old Christ is in the temple between scholars and asks them questions. paper engraving Christ's dispute with the doctors in the temple; he counts his arguments on his fingers

The birth of the Virgin Mary. Engraving by R.V. Audenaerd after A. Carracci.

Tranking of Christ. For the opening in a rock, the body of Christ lies on a stone, supported by Maria and Johannes. Maria Magdalena kneels at his feet. Joseph of Arimatea and Nicodemus are slightly behind them. In the background a hilly landscape with the Golgotha mountain left.

Worship of the shepherds; Life of Mary. The worship by the shepherds (Luke 2: 8-20). The shepherds are shear around the Christ child, which is in a manger. Maria is next to the child. In the background the announcement of the birth of Christ to the shepherds by the angel Gabriel. The print has a Latin caption.

Maulbertsch, Franz Anton, Christ and the Centurion of Capernaum, verso - stamped, In Capernaum a Roman centurion kneels before Christ with the request to heal his slave, who was seriously ill at home. Christ makes a gesture of blessing., print, prints, height 421 mm, width 324 mm, 1724-06-08 - 1796-08-08, print maker, printmaker, 1734 - 1796, paper, etching, etchings, drypoint, dry needle

Antwerp, Aertssens, Hendrik, Netherlands, Bolswert, Boëtius Adamsz., Bloemaert, Abraham, Amsterdam, Sacra Eremus Ascetriarum, Hermits, Sancta Euphraxia, Saint Euphrasia of Constantinople as a hermit, verso center bottom - stamped, Saint Euphrasia of Constantinople kneels in prayer in her hermitage cell while a devil tries to tempt her. On the verso is a fragment of French text from the edition., print, book illustration, prints, height 143 mm, width 90 mm, South Netherlands, 1580 - 1633-03-25, print maker, printmaker, 1590 - 1612, fourth quarter 16th century, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, North Netherlands, 1566-12-25 - 1651-01-27, after a design by, Publication (Event), Publication, publisher, 1622 - 1663

Christ and Barabbas for Pontius Pilatus, Daniel Nikolaus Chodowiecki, 1785 print paper etching choice between Christ and Barabbas

An angel directs a dying man's attention towards an image of the Agony in the Garden of Gethsemane. Etching.

Heilige Bruno Bij de Preek van Raymond Diocrès, François Chauveau, After Eustache Lesueur, 1623 - 1676 print print maker: Parisafter painting by: Parispublisher: ParisFrance paper engraving / etching the founder of the Order of the Carthusians, Bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s). pulpit, ambo, chancel. preaching (in general)

Saint Peter rescued by an angel from prison. Engraving by G.A. Lorenzini after F. Petrucci after G.F. Barbieri, il Guercino.

Adoration by De Herders, Jan Punt, After Jacob de Wit, after Peter Paul Rubens, 1749 print Worship by the shepherds. Under the octagonal performance a verse in Latin from Luc. 2:16. Amsterdam paper etching / engraving adoration of the Christ-child by the shepherds; Mary and Joseph present Carolus Borromeuskerk

Entombment, Jan Harmensz. Muller, 1613 - 1622

Clair-obscur woodcut by Alessandro Gandini showing Christ and others at the host meal in the House of Pharisees, depicting figures, gestures, table, and interior elements, created around 1540-1550.

English family album with pictures of people, traveling, cricket and artwork, Anonymous, Dating c. 1860 - c. 1870.

Christ collapses under the cross at Kruisbagen; Stazione III Cade Sotto La Croce La Prima Volta; Cross roads; Via crucis. Christ collapses under the weight of the cross that he bears on his shoulders on the road to Golgotha. In the margin below the show are under the title of two Italian rules text.

. The three kings and their effect worship the Christ child. A king kneels for the child. On the left the stable with the OS and the donkey. The star's sky.

The gravestone of Christ. Joseph van Arimatea and Nikodemus lay the body of Christ in a stone sarcophagus. Behind them is Maria with two other figures to mourn Christ.

Gijsbrecht van Amstel and the Duke of Gelre are brought into the chapter for the election of a new bishop, 1227, Jacobus Buys, 1784 - 1786, Gijsbrecht II (or Gijsbert) van Amstel and the Count of Gelder, wounded at the Battle of Ane on July 27, 1227, are brought into the chapter lying on stretchers to cast their votes at the election of a new bishop to succeed Bishop Otto II, who was killed at the battle. Design for a print., draughtsman: Jacobus Buys, 1784 - 1786, paper, pen, brush, h 149 mm × w 90 mm

Christ and the scribes, 1663 - 1712 print paper Christ's dispute with the doctors in the temple; he counts his arguments on his fingers

Paid of Christ. Maria and John the Evangelist support the body of Christ. Maria Magdalena dries his foot with her hair. On the left a woman with folded hands. Right possible Nikodemus and Joseph of Arimatea. In the distance the three crosses. This print is part of an album.

Umbria Terni Terni S. Maria Assunta, Duomo7. Hutzel, Max 1960-1990 Exterior views: baroque facade, bell tower, portico, blind gothic portal with a vinescroll archivolt, and preserved main portal with an inhabited vinescroll architrave. Interior views: main altar marble ciborium and altar painting of the Assumption of the Virgin; half-dome fresco of the Trinity; mixed media altarpiece formed by a wooden crucifix hung on top of a painting of the crucifixion with saints Mary and Mary Magdalen; fresco fragments of Saint Anthony Abbot; organ by Bernini, and various paintings. Sacristy: ornate interior with ceiling paintings by Pietro da Cortona; museum with architectural fragments and a tomb effigy; reliquary of St. Valentine in the shape of an arm and hand; gold processional cross; terracotta statue of the Madonna and Child and a stone statue of the Pieta.. Crypt: 10th and 11th-century capitals; Roman and medieval sculptural fragments; and the tomb of St. Anastasia. Also included with the

The Descent of the Holy Spirit. Dated: 1518. Dimensions: sheet: 18.9 x 17.3 cm (7 7/16 x 6 13/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Domenico Campagnola.

The revival of Tabita by the apostle Petrus. Around the dood of Tabita (sometimes also called Dorkas), the apostle Petrus and the former companions of Tabita are listed. Petrus prays and wakes her to life again.

Allegorical show with memorial stone for Jan Nieuwenhuyzen, died in 1806, Ludwig Gottlieb Portman, after Jacques Kuyper, 1806 print Memorial stone for Jan Nieuwenhuyzen, died 25 February 1806. On an altar in a niche the bust of Jan Nieuwenhuyzen, founder of the Society for the Nut of the General. In addition, a framework with the name, birth and death date of Nieuwenhuyzen. On the altar a motto in Latin (he planted nothing there). The bust is honored by the Dutch Virgin. For her the personification of society that covers her tearing face and leans on the altar and her shield. On the other side of the altar, godliness looks up to the bust. Her hand rests on a Bible (salvation), in the other she holds the snake that bites in its own tail (eternity) and a palm branch (peace). A young woman, who symbolizes the youth, sacrifices the altar of gratitude. Love is in the foreground, which points to the bust of the founder. One of the children extends to the fruits from the Hoorn of Abundance (t

The deposition of the body of Christ. Engraving by J. Falck, 1655/1660, after J. Bassano.

The burial of Christ, Dirck van Baburen (attributed to), after Dirck van Baburen, 1617 - 1624 print Joseph of Arimatea and Nikodemus put the body of Christ in a stone sarcophagus. Behind them is Mary with two other figures who mourn from Christ. paper etching Christ's entombment (possibly by angels)

Ancient Greek shepherds dressed in traditional clothing cooking a lamb outdoors. Parnitha mountain Greece, drawing by Proust from A Winter in Athens, 1857-1858 by Antonin Proust (1832-1905) Le Tour du Monde 1862

Refused letter. A messenger, with a bazuin on his back, award a letter a letter. She does not seem to want to take the letter, she has put her arms crossed.

Graflegging van Christus, Etienne Picart, After Eustache Lesueur, 1686 print France paper engraving / etching Christ's entombment (possibly by angels)

Monnik puts on the kneeling H. Bernardus the monk dress, Claude Mellan, 1608 - 1688 print paper engraving Bernard of Clairvaux, Cistercian monk and abbot; possible attributes: beehive, chained dragon, crucifix, cross with instruments of the Passion, (three) mitre at his feet, white dog

Pentecost unknown

Last Supper, Anonymous, After Jan Luyken, 1712 print Amsterdam paper etching Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Simeon in the temple, draughtsman: Aert Schouman, after: Rembrandt van Rijn, 1720 - 1792, paper, brush, h 515 mm × w 397 mm

Holy Johannes van Diolcus, Frederick Bloemaert, after Abraham Bloemaert, after 1636 - c. 1670 print Saint John had the appearance of Abraham and the beard of Aaron. He visits the sick and heals a boy. Print from a series of 80 prints and a title print with hermits from the 2nd to the 6th century. paper engraving male saints (with NAME)

St. Bernard Receives a Monk's Habit Claude Mellan French. St. Bernard Receives a Monk's Habit 392774

The Parable of the Prodigal Son. Return of the lost son. Illustration for The life of Our Lord Jesus Christ written by the four evangelists, 1853

Giovanni Domenico Tiepolo, Four Saints of the Benedictine Order Four Saints of the Benedictine Order

Two angels bind a cord to Thomas Midden; The life of the Saint Thomas of Aquino. Thomas makes a cross with a goose to the prison wall and prays that he will never feel carnal desire. Two angels then bind him a cord to redeem him from the desire. Print from a series of 30 prints that depict the life story of Thomas from Aquino. The prints, by design of and published by Otto van Veen, are manufactured by C. Boel, E. van Paenderen, C. Galle and G. Swanenburgh

Bl. Gaudencjusz (Radzim Gaudenty, 960 970 Libice 1006 OR After 1018 Gniezno) The First Archbishop of Gniezno Hohneck, W. (fl. 1832 1835), Leopolski, Wilhelm (1828 1892)

The Blessed Herman Joseph. Line engraving by P. Pontius after Sir A. van Dyck.

Christ and Barabbas for Pontius Pilatus, Daniel Nikolaus Chodowiecki, 1785 print paper etching choice between Christ and Barabbas

Graflegging van Christus, anonymous, after Albrecht Dürer, 1507 - 1578 print The body of Christ is placed under a tree by Nikodemus and Joseph of Arimatea in a tomb. The other figures around the grave mourn. The thorn crown is located at Maria's feet. An angel holds up a cartouche with a Latin text. Nuremberg paper engraving Christ's entombment (possibly by angels)

Dispose of the exchangers from the temple. Christ is in the middle of the temple and waves his whip. The traders try to ward off the strokes and flight outwards. With various elements from the show are letters. The print is part of an album.

Saint Mary (the Blessed Virgin) and Saint Joseph with the Christ Child, Saint John the Baptist and Saint Elisabeth. Etching by B. Picart after L. Carracci.

Scourging Christ; Congregata Sunt Superme Flagella. Christ, tied to a pillar, is provided by soldiers. Night scene.

Via crucis - Station XIV, The Entombment, Giovanni Domenico Tiepolo, Italian, 1727 - 1804, Etching on cream laid paper, Only state, Italy, ca. 1749, Print, Print

. Patio with the Holy Family and the Holy Anna. Anna has the Christ child in her arms. Jozef is behind her, sleeping. On the left a crib with two angels. In the foreground a dog. The print has a caption in Latin.

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Charles V (1500-1558). Holy Roman Emperor and Archduke of Austria (1519-1556), king of Spain (1516-1556) and Lord of the Netherlands as titular Duke of Burgundy (1506-1555). Charles V at the monastery of Yuste. Engraving by Weber after a painting by Juliaan de Vriendt (1842-1935). La ilustración. Revista hispano-americana, 1884.

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