Religious Iconography and Ascensions

A collection of engravings depicting religious figures such as Mary and Christ, surrounded by angels and disciples, emphasizing themes of ascension and transfiguration.

Ascension of Mary, Michel Dorigny, After Simon Vouet, 1647 print paper engraving / etching the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels. armorial bearing, heraldry

Maria with child on a crescent lake; B. Maria de Remediis; Standing Maria's with child. Crowned Mary with child standing on a crescent nickel. On either side four angels and a choir of cherubs in the air. Under the show a Latin text.

Copper engraving by Antoine Masson depicting the Assumption of Mary, showing figures, composition, and religious iconography, created using engraving techniques.

Transfiguration on the Berg Tabor, Cornelis Cort, After Rafaël, 1602 print Christ floating in a jet wreath of light. Next to him Elia and Moses, as symbols of the old law. The apostles are at the top of the mountain in the blinding light. At the foot of the mountain another scene with the apostles in conversation with the scribes. A father brings his sick son to Christ to heal him. Rome paper engraving the Transfiguration: Moses and Elijah appear on either side of Christ on Mount Tabor (Matthew 17:1-13; Mark 9:2-13; Luke 9:28-36)

Ascension of Christ; Passion of Christ. Christ is lined to heaven by a cloud. People look up in astonishment. In the margin a caption in Latin that refers to the show.

Transfiguration of Christ, Hieronymus Wierix, After Maerten de Vos, 1593 print For the eyes of Peter, James and his brother John, Christ changes form. Then Moses and Elijah also appear. From heaven the voice of God sounds the Father. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving the Transfiguration: Moses and Elijah appear on either side of Christ on Mount Tabor (Matthew 17:1-13; Mark 9:2-13; Luke 9:28-36)

Ascension of Christ: Divinity, Johann Sadeler (I), After Maerten de Vos, 1585 - 1588 print Christ on a mountain. He is surrounded by a cloud that will take him to heaven. His students and his mother, the Virgin Mary, kneel around him. The seventh print of an eight -part series with scenes from the life of Christ who depict his most important virtues. München paper engraving the Ascension (Christ surrounded by radiant light or in a mandorla). Divinity, 'Divinità' (Ripa)

Annunciation, Cornelis Galle (II), After Abraham van Diepenbeeck, 1650 - 1653 print Maria kneels for a desk, her finger in a book. The angel proclaims her the birth of her son. He points to the Holy Spirit in the form of a pigeon floating above him. Angels sprinkle rose petals on Maria. Antwerp paper engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Ascension of Mary, Michel Dorigny, After Simon Vouet, 1647 print paper engraving / etching the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels. armorial bearing, heraldry

Arrest of Christ. Christ, with a rope around his neck and his hands bound, soldiers are arrested and removed. The apostles run away in the background. At the top of a group of devils. With various elements from the show are letters. The print is part of an album.

The HolyTrinity. Artist: Albrecht Dürer, German, 1471-1528

God the Father with the body of Christ, Cornelis Galle (II), 1638 - 1678 print God the Father with the body of Christ in his lap. Above them the Holy Spirit floats in the form of a pigeon. Two angels with the passion tools on both sides. Antwerp paper engraving God the Father standing or seated, holding the body of Christ, 'Pitié-de-Notre-Seigneur', 'Not Gottes'

The Virgin Surrounded by Many Angels 1518 Albrecht Dürer German. The Virgin Surrounded by Many Angels 387733

Innozenz III., Pope.

Baptism of Christ in the Jordaan, Johannes Sadeler (Possible), After Cornelis Cort, After Francesco Salviati, in or after 1575 - 1650 print Christ stands with his feet in the water of the river, the hands folded in front of the chest. John the Baptist pours water over his head. Above him the Holy Spirit in the form of a pigeon and God as an old man, with angels in a luminous cloud. Four angels watch. paper engraving baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends. angels

Rome, Lafreri, Antonio, Raphael, Cort, Cornelis, Transfiguration on Mount Tabor, verso - stamped, Christ floating in a halo of light. Next to him Elijah and Moses, as symbols of the Old Law. The apostles lie on the top of the mountain in the blinding light. At the foot of the mountain another scene with the apostles talking to the scribes. A father brings his sick son to Christ to be healed., print, prints, height 618 mm, width 395 mm, Northern Netherlands, 1533 - 1578, print maker, printmaker, 1573 - 1573, third quarter 16th century, paper, engraving, engraving (printing process), 1483-04-07 - 1520-04-07, after, after a painting by, Publication (Event), Publication, Italian, 1512 - 1577, publisher

Mystical marriage of Saint Catharina, Agostino Carracci, After Paolo Veronese, 1582 print Maria travels with the Christ child on their lap. Christ is about to slide a ring on the finger of Saint Catharina of Alexandria. In the foreground on the left a group of music -making angels. Above a group of floating angels and putti. print maker: Italyafter painting by: Venice paper. paper engraving the mystic marriage of St. Catherine of Alexandria with the infant Christ: the Christ-child puts a ring on her finger

King Alfred the Great in military dress is visited in a dream by the goddess of science with stars in her hair, while winged sylphs gambol in the clouds. Etching by J.A. Minasi after B. Pernotin.

Rome, unknown, Italy, Salimbeni, Ventura, Tota pulchra es amica mea et macula non est in te, Cant. 4, Destination of the Virgin Mary, verso - stamped, God the Father and angels appear to the Virgin Mary on clouds. Title in Latin in bottom margin., print, prints, width 219 mm, height, 164 mm, print maker, printmaker, 1590 - 1590, paper, papier, etching, etchings, Work conception, Italian, 1568-02 - 1613, after print by, Publication (Event), Publication, publisher, uitgever

All Saints Prosecution Service, Theodoor Galle (Possible), After Peter Paul Rubens, c. 1612 - c. 1616 print All the saints are collected around the throne of Christ, God and the Holy Spirit (including the Holy Sebastiaan, St. Joris. The H. Catherina of Constantinople, etc.). Maria stands next to the trinity. The print has a Latin caption. Antwerp paper engraving Devotion: All Saints Picture, 'All Saints' Day'

Annunciation. Artist: Hendrick Goltzius, Dutch, 1558-1617

Man on deathbed, his soul is picked up by an angel. Dying man is in bed with mourning figures on his side. An angel comes to get his soul and tries to keep Satan and other demons at a distance. The reference to the two lines from the Psalms book are not related to the performance.

De Annunciation, 1594 print The angel Gabriël announces the birth of Christ to Mary, who sits on her knees with a reader. A pigeon drops from heaven, surrounded by angels. At the bottom left of the performance an assignment in Latin; Four Latin verses under the performance. This print is part of a series of six prints with scenes from the early life of Maria. They are called the 'masterpieces', because Goltzius has simulated the work of various illustrious predecessors. paper engraving the Annunciation: Mary kneeling

Etching by an unknown engraver depicting the acceptance of the cross, showing a figure carrying or receiving a cross in a religious context.

Jacques Callot, The Resurrection The Resurrection

Antwerp, Galle, Joannes, Rubens, Peter Paul, Cornelis (I), Theodoor, Omnes Sancti, All Saints' Day, verso middle - stamped, All the saints are gathered around the enthroned Trinity of Christ, God and the Holy Spirit (including St. Sebastian, St. George, St. Catherine of Constantinople, etc.). Mary stands next to the Trinity. The print has a Latin caption., print, prints, height 305 mm, width 196 mm, print maker, printmaker, 1614 - 1676, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1571 - 1633, after print by, 1576 - 1650-03-29, 1577-06-28 - 1640-05-30, after design by, Publication (Event), Publication, 1600 - 1676-09-20, publisher

Ascension of Maria, Bernard Picart (Possible), 1683 - 1733 print Maria sits on a cloud and is worn by cherubins to heaven. Around the grave of Maria the collected apostles who pray for her soul and look up to heaven. paper etching / engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

. Christ is being held to heaven. Around him are students and Maria. The print is part of a series of scenes from the old and New Testament.

Christ in the court of Getemane; Fall and redemption of humanity through the life and passion of Christ. Christ prays to God in the court of olives. His three students are sleeping in the meantime. An angel appears in the clouds to comfort it. In the background, Judas rejects the soldiers where Christ prays. The print is part of a thirty-part series with prints about the fall and Christ's passion.

. Around Maria's grave collected apostles to pray for her soul. In the clouds above them Maria is carried by angels to heaven. In the margin a line of text in Latin.

Engel offers faith a crown, Jan Luyken, 1697 - 1699 print The personification of faith (fides) looks at an angel who raises a crown on an open book. Faith rejects the kneeling woman with symbols of secular and spiritual power, science and wealth to the right of her. Amsterdam paper etching angels. Fides (faith) as Roman personification. crown (symbol of sovereignty). Authority, Power; 'Dominio', 'Giurisdittione' (Ripa) (+ personification). symbolic representations, allegories and emblems ~ science, 'Scientia'; 'Scienza', 'Studio' (Ripa). Wealth, Opulence; 'Opulenza', 'Richezza' (Ripa)

H. Augustinus receives a vision. He is wearing the bishop's robbery and his miter is next to him, at a few books. Two angels support him. One of the angels points to heaven. Augustine sees the throne Christ, a tetragram and the Holy Spirit (a pigeon) and angels with various attributes. In the margin a caption in Latin.

. Ascension of Maria with apostles. In Margin Latin inscription.

Wszyscy Święci w MNK Dorigny, Nicolas (1658 1746), Mara, Carlo (1625 1713)

Landscape with figures from the Old Testament, Bernard Picart, 1720 print Allegorical representation with figures from the Old Testament. Left Adam and Eva, Isaac and Abraham and Noah. On the right Moses and Aaron and King David. Christ travels on a cloud in heaven, surrounded by the symbols of the four evangelists. Above his head, the flame of troubles burns. He trampled death (as a skeleton). In heaven a tetragram as a symbol of God the Father. Amsterdam paper etching / engraving Adam and Eve (not in biblical context). the sacrifice of Isaac (Genesis 22). the dove returns with an olive-branch ~ story of Noah. Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. Aaron (not in biblical context); possible attributes: attributes of Aaron: censer, dressed as high priest or bishop, ointment jar, rod or flowering wand. David as musician, usually playing the harp. the four symbols of the evangelists, 'the apocalyptic beasts'. 'Salv

Mary with child, Saint Francis and Saint Hieronymus, Girolamo Rossi (I), After Ludovico Carracci, 1632 - 1664 print Maria stands on a crescent moon with the Christ child in her arms. Saint Francis and the Holy Hieronymus with musician angels are on clouds around. Caption in Latin in Submarge. Italy paper etching Madonna accompanied by saint(s). angels. the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone. founder of the Order of Friars Minor (Franciscans), Francis(cus) of Assisi; possible attributes: book, crucifix, lily, skull, stigmata

Mary with Saints, Pieter Nolpe, After Titian, 1623 - 1653 print There is Maria on the clouds, where she is crowned and flanked by cherubies and putti with palm branches. She is worshiped by five male saints and a female saint. Among them are the holy Sebastian with an arrow in his chest and Peter with his key. Amsterdam paper etching / engraving Madonna (i.e. Mary with the Christ-child) in the air, or on the clouds (+ angel(s)). saints. the martyr Sebastian; possible attributes: arrow(s), bow, tree-trunk. the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara

Maria hands the Christ child to H. Franciscus van Paola, Michel Lasne, after Peter Paul Rubens, 1600 - 1667 print paper engraving the hermit and founder of the (Franciscan) Minim Friars, Francis of Paola; possible attributes: inscription 'Charitas' on breast, discipline, skull, staff

Kruisafneming, Benoît Audran (I), After Charles Le Brun, 1671 - 1721 print print maker: Francepublisher: Paris paper etching / engraving descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

Hendrik Goltzius, The Annunciation, 1594 The Annunciation

Maria with saints. On the clouds, Mary is where she is crowned and flanked by cherubs and putti with palm branches. She is worshiped by five male saints and a female saint. Among them are the Holy Sebastian with an arrow in his chest and Peter with his key.

Transfiguration on the Berg Tabor, Raphael Morghen, After Rafaël, 1768 - 1833 print Christ floating in a jet wreath of light. Next to him Elia and Moses, as symbols of the old law. The apostles are at the top of the mountain in the blinding light. At the foot of the mountain another scene with the apostles in conversation with the scribes. A father brings his sick son to Christ to heal him. Italy paper etching / engraving the Transfiguration: Moses and Elijah appear on either side of Christ on Mount Tabor (Matthew 17:1-13; Mark 9:2-13; Luke 9:28-36)

Baptism of S.a.r. Monseigneur Le Duc de Bordeaux (IT)

Installing Christ by three angels, Anonymous, After Agostino Veneziano, After Andrea del Sarto, c. 1510 - c. 1570 print An angel supports Christ's body, two other angels stand next to them. In the background the bottom of the cross. In the foreground the thorn crown. In the lower margin a Latin text in two columns. after print by: Italypublisher: Antwerp paper engraving lamentation over the dead Christ by his relatives and friends (Christ usually without crown of thorns)

Vatican City, Papal Court, Ciamberlano, Luca, Castello, Bernardo, Italy, Schiaminossi, Raffaello, Mary of the Immaculate Conception, verso - stamped, Mary standing on a globe carried by three angels. She is surrounded by angels with the symbols of the Immaculate Conception including an olive branch, a lily and a spotless mirror. Below Mary a landscape with a number of buildings. Two columns of Latin text in bottom margin., print, prints, height 344 mm, width 195 mm, Italian, 1572 - 1622, print maker, printmaker, 1603 - 1603, paper, papier, etching, etchings, Work conception, 1557 - 1629-10-04, after a design by, Publication (Event), Publication, 1570, publisher, granter of privilege

Pieter de Bailliu after Sir Peter Paul Rubens, Christ on the Mount of Olives Christ on the Mount of Olives

Maria van de Rozenkrans, Gérard Audran, After Domenichino, 1650 - 1703 print print maker: Francepublisher: Paris paper etching / engraving Madonna of the Rosary

Emblem with man learning that he pleases God with good works; Den Wech des century life. An angel shows a kneeling man to perform his good works as a godly person in order to please God. The devil tries to keep him.

Christchild runs between Maria and Joseph with God and Holy Spirit; Iesvs Maria iosep. Holy family with the Christind walking on the hand of Maria next to Joseph. Above them, God trestle in heaven with a globe and floats a pigeon as a symbol of the Holy Spirit, together with Christ they form the Holy Trinity.

The hand of God spans out heaven with a compass while surrounded by angels. Line engraving by Robert Pranker, ca. 1761.

Ascension of Christ, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print Ascension of Christ in the presence of Mary and John and the apostles. Under quote from hand. 1: 9. This print is part of an album. Southern Netherlands paper engraving the Ascension (Christ surrounded by radiant light or in a mandorla)

Houring Maria receives three books, François Spierre, after Pietro da Cortona, 1661 print On clouds, Maria is offered books by religion and piety. Behind them two putti with large keys and a crown, the symbols of the Vatican. paper engraving / etching Mary enthroned. key. Piety, 'Pietas', 'Timor Dei' ~ the Three Theological Virtues

Allegorische voorstelling met schrijfster; Titelpagina voor: Jodocus van Lodensteyn, Uytspanningen, 1739.A writing allegorical figure with a burning and winged heart on her chest. In addition to her a woman with the cross of Christ and a scales. Above them an opened sky with putti on the clouds. On the right in the foreground some putti with musical instruments and books. A city on the horizon.

Folkema, Jacob, Clergyman kneeling before Mary with child, verso - stamped, A clergyman kneels before Mary who sits on a cloud with the Christ child and surrounded by angels. His mitre, a bishop's staff and a cross staff lie on a cushion in the foreground., print, prent, prints, height 127 mm, width 80 mm, Dutch, 1692 - 1767, print maker, printmaker, 1702 - 1767, paper, papier, etching, etsen

H. Theresia mediates for Bernardin Mendozy. .

St. Michael and Archangels (The Seven Archangels) Hieronymus (Jerome) Wierix Netherlandish 1570-1619 View more. St. Michael and Archangels (The Seven Archangels). Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553-1619 Antwerp). 1570-1619. Engraving. Prints

The Assumption of the Virgin, who rises from the tomb surrounded by Apostles 1778 Giovanni Battista Cecchi. The Assumption of the Virgin, who rises from the tomb surrounded by Apostles. Giovanni Battista Cecchi (Italian, Florence 1748/49-after 1807). 1778. Engraving. Prints

Ascension of Maria, Hans Collaert (I), after Chrispijn van den Broeck, 1576 print Around the grave of Maria the collected apostles who pray for her soul. In the clouds above them, the crowned Mary floats, surrounded by angels who honor her. The print has a Latin caption and is part of a series about the life of Maria. Antwerp paper engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Mystic Marriage of St. Catherine 17th century Grégoire Huret French. Mystic Marriage of St. Catherine 645114

Christ on the Cross, Cornelis Galle (II), After Abraham van Diepenbeeck, 1650 - 1653 print Christ on the cross with Mary and John. Maria Magdalena kneels under the cross and points her hand on the nails in Christ's feet. Antwerp paper engraving crucified Christ with Mary, John, and Mary Magdalene

. Worship of the shepherds. In the air many angels, including three with a banderole and completely at the top of the tetragram and a ray wreath.

. The martyrdom of the Saint Apollonia: her teeth are pulled out, while her stake is prepared in the foreground.

The Holy Trinity (reduced copy) n.d. After Albrecht Dürer German. The Holy Trinity (reduced copy) 391341

The Virgin Mary with the Christ child, saints and martyrs (known as the 'Madonna del Rosario'). Drawing by F. Rosaspina, c. 1830, after D. Zampieri, il Domenichino, 1619-21.

LATORVROROQniacccia Lan Glavctiveier Le Conpend the Concheur General's Mary Miiix, fliam, coixtics, CI. 1855 - In or Bions of 1860 photograph paper albumen print angels singing, making music

Christ appears to the personifications of the continents, Bernard Picart (workshop or), After Bernard Picart, 1718 print Christ travels on a rainbow in heaven, trampling a snake and a skull, which symbolizes evil and death respectively. Above his head, the flame of troubles burns. He proclaims the gospel to the personifications of the continents that look up to him from the earth. The idolatry flees on the right in the background. On the left in the background two surprised men who symbolize Judaism. With an empty margin. Amsterdam paper etching / engraving particular types of adult Christ (without others). continents represented allegorically. Idolatry; 'Idololatria', 'Religione finta' (Ripa). religious and magic concepts, occupations, fashions, realities, general ideas ~ Judaism and Jewry. death's head, skull (symbol of Death)

Hendrik Goltzius, The Annunciation, 1594 The Annunciation

Christ appears on the Jesuit Jacob Ledema, 1611 print Text in Latin in the Cartouche and Submary. paper engraving (adult) Christ appearing to mortals (+ donor(s), supplicant(s), whether or not with patron saint(s))

Martyrdom of Saint Cosmas and Saint Damian. Engraving by P. Simon after S. Rosa.

Triumph of the truth. A street in a city. People stand or kneel for the female appearance of the truth, floating above their heads. She is wearing a palm branch in her right hand and a book in her left hand. An angel choir kneels around her. In the middle of the print there are a cup with grapes (wine), a royal wreath (the monarchy), a skull (death and the original sin) and a mirror (vanity) on the ground. The print depicts a scene from the Apocryphal Book Esdras (Chapter 3 and 4). Three servants of King Darius of Persia argue or that, respectively, wine, king and the woman is the strongest in the world. Zerubbabel, the last servant (probably the man to the right of the center on the print), wins the discussion with the answer that women are the strongest in the world, but that the truth overcomes everything. As a reward, zerubbabel with the recovery of the temple can start in Jerusalem. The print has a Latin caption with a quote from the Apocryphal Book Esdras (3-4).

Antwerp, Sande, Joannes van den, Zierneels, Johannes, Nolin, Jean Baptiste (I), Triomph Der Saelighe Martelaeren van Gorcom den 9 July in the year fifteen hundred and seventy-two killed, BB Martyrum Gorcomiensium nona iulii MDLXXII Brilae passorum apotheosis, Apotheosis of the martyrs of Gorkum, 1572, 1572. The monks and priests are led into heaven by angels to the Holy Trinity of Christ and God and the dove of the Holy Spirit. In the caption the titles and 2 verses of 4 lines in Latin. Made on the occasion of the beatification of the martyrs on November 24, 1675., print, prent, prints, engravings, Frederik Muller Historieplaten, height 463 mm, width 320 mm, print maker, prentmaker, 1675 - 1675, paper, papier, engraving, engraving (printing process), Work conception, 1657 - 1708, after a print by, Northern Netherlands, 1649 - 1678, after, after a painting by, Publication (Event), Publication, publisher

Transfiguration of Christ on the mountain tabor. Transfiguration of Christ on the mountain tabor with Moses and Elijah on his sides, Christ shows himself in his divine form to the apostles that are inhisting back.

Gottfried Bernhard Gözs drawing depicts a religious allegory of the Immaculate Conception of Mary, executed with brown pen, gray brush, and highlights on blue-gray paper.

St Michael stands upon the defeated devil; St. Peter and St Benedict flank him; above the Virgin and child sit among angelic musicians. Drawing by F. Rosaspina, c. 1830, after I. di P. Francucci.

Holy Family with Sleeping Child worshiped by angels, Putti above them wear the cross, François de Poilly (I), 1632 - 1693 print Paris paper engraving angels in adoration. Holy Family, and derived representations (+ angel(s))

Allegory on the redemption of humanity; HVMANI Generis Redemtio. Christ tramples the devil and death and relieves Adam and Eva from his chains. Above them the pigeon of the Holy Spirit and the tetragram as a symbol of God the Father. On either side an angel with passion tools. In the margin a eight-line caption, in two columns, in Latin.

Allegory on the mercy of Christ; Misericataarvm Domini Effigies. The Merciful Christ, surrounded by symbols of the four evangelists, extends his hands to the Tollenaar and Mary Magdalene. Above them in heaven the Holy Spirit as a pigeon surrounded by musician angels and the Saint Peter (left on the clouds). On the left in the background the parable of the Pharisee and the tollenaar. And further to the background the crucified Christ, flanked by the two criminals. On the right in the background, Mary Magdalena washes the feet of Christ in the house of Simon de Fareeër. In the margin a six-line caption, in two columns, in Latin.

Tronende vrouw met het wapenschild van Leiden.A throne woman holds the coat of arms of the city in her hand and is illuminated by rays that come from the all-seeing eye. It is surrounded by personifications of freedom and religion. To the left before the throne, father is time with the eternity symbol in his hands; Snakes that bite themselves in their own tail. On the right, chambled figures are extraded in the background with a club.

Assumption of Mary, verso - stamped, Mary ascends into heaven standing on a cloud. She is surrounded by angels. The twelve disciples and others bend over the empty tomb in amazement., print, prent, prints, prenten, height 334 mm, width 232 mm, print maker, prentmaker, 1629 - 1700, paper, papier, engraving, engraving (printing process)

Christ on the Cross, Reinier Vinkeles (I), 1785 print Amsterdam paper etching / engraving night. crucified Christ with Mary Magdalene, who usually weeps and embraces the cross - DD - the three crosses. crucified Christ with Mary, John, and Mary Magdalene

Cornelis Cort after Titian, The Annunciation, probably c 1566 The Annunciation

Jacques Callot (1592-1635). "The paintings of Rome, the Pope Boniface VIII with Saint Francis and Saint Crespin adoring the Blessed Virgin and the Child Jesus (Lieure 19, Meaume 170). Chisel. 1608-1611. Museum of Fine Arts of the city of Paris, Small palace. 99593-17 Burin, Gravure

Christ in the court of Getemane; Christ on the olive mountain. Christ prays on a mountain to God. In addition to him, an angel with a wooden cross offers him a goal. Putti with the passion witnesses float above Christ. Peter, James and John are sleeping in the background. Under the show a bishop's weapon with a latin verse of five rules on either side.

Christ and Maria and John the Baptist with Saints Paul and Catharina van Alexandria.

Resurrection of Christ, Magdalena van de Passe, Crispijn van de Passe (I), 1610 - 1638

1 of 12 plates from the series XII. Fidei Apostolici Symbola (The Apostles Creed). Publisher: Adriaen Collaert, Flemish, 1560-1618 After: Maarten de Vos, Flemish, 1532-1603

Crucifixion of Christ, Orazio de Santis, After Pompeo Cesura, 1572 print Christ hangs on the cross that is flanked on either side by an angel. Under the cross are the grieving Maria, John and Knelt Maria Magdalena. Italy paper engraving / etching the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38). bystanders at the foot of the cross, among whom Mary, Mary Magdalene and John the Evangelist; Mary may be shown swooning - DD - only Christ on the cross. angels

Apostle Andreas; Il Glorioso Santo Andrea Apostolo. The apostle Andreas with Adreed Kruis and Angels. In sub-margin text in Italian and a coat of arms.

Resurrection of Christ, Lucas Kilian, After Joseph Heintz (I), 1606 print Text in Latin in the lower margin. Augsburg paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Triumph of the Holy Trinity, The Holy Trinity on clouds, held up by a group of angels. On the right is God as an old man with a globe and scepter, on the left is Christ with the cross. The Holy Spirit has appeared above them in the form of a dove. From the sky, cherubs watch left and right. In the margin a coat of arms and a caption in Latin, Trinity in which God the Father and Christ are represented as persons, the Holy Ghost as deaf (donor (s), supplicant (s), whether or not with patron saint (s)), angels in adoration, Adriaen Lommelin (mentioned on object), Antwerp, 1664, paper, engraving, h 460 mm × w 345 mm

Christ in the clouds with symbols of evangelists. Christ in the clouds with symbols of evangelists and suffering vehicles. Death on the Globe is among the clouds.

Mystical marriage of the Saint Catharina. Maria Tront with the Christ child on his lap. Christ is about to slide a ring on the finger of the Saint Catharina of Alexandria. A group of musicming angels in the foreground. Above right a group of floating angels and putti.

Luke, from the cycle the Four Evangelists. Aldegrever, Heinrich (1502-1555/1561), graphic artist

Veneration of Mary with the Christ Child with St. Catherine of Alexandria and Barbara H, Raphaël Sadeler (I), 1591

Exit of the Holy Spirit, Cornelis van Caukercken, After Anthony van Dyck, c. 1640 - 1680 print The Holy Spirit drops in the form of a pigeon on the apostles and Mary. They are located in a column hall and above their heads a flame burns as a sign of the Holy Spirit. paper engraving Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4)

Christ in the manger with above Him God the Father and the Holy Spirit, François de Poilly (I), 1632 - 1693 print France paper engraving / etching the Holy Trinity, 'Trinitas coelestis'; Father, Son and Holy Ghost ~ Christian religion. cherubs, i.e. children's heads with wings

Corpent of Maria, Hieronymus Wierix (attributed to), after Chrispijn van den Broeck, 1563 - Before 1619 print In heaven, Mary is crowned by Christ and God the Father. Above them the Holy Spirit in the form of a pigeon. They are surrounded by angels. In the margin a two -way Bible quotation from Klaagl. 4 in Latin. Antwerp paper engraving coronation of Mary by God the Father and Christ

Maria as a queen of heaven, with the Christ child; Worship of the Virgin Mary by saints. Maria like Queen of heaven is with the Christ child on the clouds (Regina Coeli). She triumphs over sin, which is symbolized by the dragon she travels. Among them the H. Dominicus and the H. Catharina van Siena. In the margin a two-legged caption in Latin.

Four evangelists, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print Four evangelists with their attributes in architectural setting. In a cartouche there is a Latin verse of four lines. This print is part of an album. print maker: Southern NetherlandsAntwerpAntwerp paper engraving the apostle John the Evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll. Luke the evangelist; possible attributes: book, (winged) ox, portrait of the Virgin, surgical instruments, painter's utensils, scroll. Mark (Marcus) the evangelist, and bishop of Alexandria; possible attributes: book, (winged) lion, pen and inkhorn, scroll. the apostle and evangelist Matthew (Mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword

Christ on the cross, with Maria, the H. Franciscus and the H. Catharina van Siena, Cornelis Galle (I), After Francesco Vanni, c. 1590 - c. 1613 print Christ hangs on the cross, Catharina of Siena and Francis on the feet of the cross. In front of them is an open book, a skull and a lily branch. Maria is standing next to the cross. She shows her palms and looks towards heaven. On either side of the cross the sun and the month. Under the show a Latin verse. Siena paper engraving the virgin and Dominican Tertiary, Catherine of Siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata. founder of the Order of Friars Minor (Franciscans), Francis(cus) of Assisi; possible attributes: book, crucifix, lily, skull, stigmata. crucified Christ with Stephaton and/or Longinus

Adoration by De Herders, Cornelis Cort, After Taddeo Zuccaro, 1605 print In a room with arched inputs, Maria is in the middle, kneeling for the child. A large group of shepherds around it. Above them an angel with banderole in their hands, surrounded by other angels in a cloud. Two women look through an open window. paper engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

of 4