Religious Iconography in Art

Featuring depictions of saints and religious figures, these images emphasize the rich tradition of frescoes and religious art in Italy, documenting historical and cultural significance.

Figure on Pilaster, Polyptych of the Misericordia, Piero della Francesca, 1445-1462, Museo Civico, Sansepolcro, Tuscany, Italy

Campania Caserta Ventaroli S. Maria in Foro Claudio1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Salerno Nocera Inferiore S. Antonio4. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Albano Laziale Santa Maria della Rotonda7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Ventaroli S. Maria in Foro Claudio3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Anguillara Sabazia S. Francesco5. Hutzel, Max 1960-1990 Post-medieval: Architecture (15th century) including ruins of cloister. Fresco cycle of Madonna and Child with two angels (13-14th century). Several views of church exterior, and extensive coverage of interior frescoes, both before their restoration in l960, and afterwards, in l983. General Notes: Hutzel sent us two sets of prints (57 in one, 72 in the other) made from the same set of negatives but assigned different numbers. These two have now been synthesized into one sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic

Figure on Pilaster, Polyptych of the Misericordia, Piero della Francesca, 1445-1462, Museo Civico, Sansepolcro, Tuscany, Italy

Campania Caserta Capua Museo Campano81. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Tuscany Siena Montalcino Museo Civico47. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Monterubbiano Polyptych, by Alemanno Pietro, 15th Century, tempera, cm 146 x 33

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)03. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Tuscany Siena Poggibonsi S. Lucchese26. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Cori Annunziata3. Hutzel, Max 1960-1990 Two views of the church exterior and one of a holy water stoup. All remaining views are of the frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saint Nicolas of Myra. Dated: 1470s. Dimensions: sheet: 29.3 x 21.2 cm (11 9/16 x 8 3/8 in.). Medium: woodcut, hand-colored in red, sand, green, olive, and tan, on blue paper. Museum: National Gallery of Art, Washington DC. Author: Italian 15th Century.

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory46. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Castel Sant'Elia S. Elia79. Hutzel, Max 1960-1990 Exterior photos of views, the facade, the portal and many architeectural details. Interior views of nave, with its carved pulpit with details and its ciborium/baldacchino with details. There are many photos of Byzantine, Romanesque and early Renaissance style paintings. Sculpturally, there are photos of capitals, architectural details and inscriptions. Object Notes: Hutzel photo campaign notes: September 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Plaque with Christ in Majesty ca. 1160-70 South Netherlandish The style and technique of this plaque are close to the one with the Baptism of Jesus (17.190.430) also in this case, suggesting that it may have been part of the same altar or pulpit.. Plaque with Christ in Majesty 464413 South Netherlandish, Plaque with Christ in Majesty, ca. 116070, Champlev enamel, copper alloy, gilt, Overall: 5 13/16 x 3 9/16 x 1/8 in. (14.7 x 9 x 0.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.425)

Plaque from a Cross with the Winged Man of Saint Matthew ca. 1185-95 French. Plaque from a Cross with the Winged Man of Saint Matthew 464633 French, Plaque from a Cross with the Winged Man of Saint Matthew, ca. 118595, Copper: engraved, stippled, and gilt; champlev enamel: dark and light blue, deep turquoise, translucent dark and opaque medium green, yellow, red, rose, and white., Overall: 4 15/16 x 3 3/8 x 1/8 in. (12.6 x 8.6 x 0.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.772)

Campania Napoli Naples S. Lorenzo Maggiore44. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

William of Wykeham portrait .

Lazio Rieti Farfa (environs) Abbey of S. Martino2. Hutzel, Max 1960-1990 Views of ruins of the Abbey complex and crypt on the mountain of S. Martino near Farfa. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Master of the E-Series Tarocchi (Italian, active c. 1465), Iupiter (Jupiter), c. 1465, engraving with gilding

Lazio Rieti Rieti Museo Civico13. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the e

The Majesty, by Martini Simone, 1313 - 1315, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala del Mappamondo. Detail. Tondo with Daniel headgear: headdress halo: aureole sheet inscription geometric decoration green red white black yellow gold brown hues: shades.

Copy of Martin Luther, Full Length. Artist: After Lucas Cranach the Younger (German, Wittenberg 1515-1586 Wittenberg). Dimensions: Sheet: 12 1/2 × 5 1/16 in. (31.8 × 12.8 cm).In this copy, Luther is taken out of the landscape he is originally showed in in the Lucas Cranach the Younger entitled "Martin Luther, Full-Length in a Landscape." (See Hollstein). Museum: Metropolitan Museum of Art, New York, USA.

Pascual Ortoneda / Altarpiece of La Secuita, 15th century. Museum: Museu Diocesà de Tarragona.

Umbria Terni Montefranco S. Bernardino1. Hutzel, Max 1960-1990 Post-medieval: Architecture, fresco fragments, fresco paintings, architectural sculpture, painting, sculpture, tomb sculpture Object Notes: Some of the architecture exterior and interior derive from ancient/medieval structure, but are here filed with Post-Medieval for sake of unity of collection. Hutzel provides text which describes the location as "Monzano" German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Maude Valle, Santos Retablos, 1936 Santos Retablos

Saint Francis far left panel. Dated: c. 1470/1480. Dimensions: overall (far left panel): 31 x 12.4 cm (12 3/16 x 4 7/8 in.) framed: 43.5 x 16.8 x 4.4 cm (17 1/8 x 6 5/8 x 1 3/4 in.). Medium: tempera and distemper on panel. Museum: National Gallery of Art, Washington DC. Author: Cosme Tura.

BOTTICELLI, Alessandro di Mariano dei Filipepi, also called Sandro (1445-1510). ITALY. Florence. Church of All Saints. Renaissance art. Quattrocento. Fresco.

Canopy project representing a saint Jean Gaspard Jules Or Johann Caspar Julius Gsell (1814-1904). Verrière Project Representing in Saint. Pencil.

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory35. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saint Catherine of Alexandria, with an Angel right panel. Dated: probably 1340. Dimensions: painted surface: 88.1 × 41.5 cm (34 11/16 × 16 5/16 in.) overall: 92 × 44.1 cm (36 1/4 × 17 3/8 in.). Medium: tempera on panel transferred to canvas. Museum: National Gallery of Art, Washington DC. Author: Pietro Lorenzetti.

Fresco cycle in the Scrovegni Chapel, by Giotto, 1304 - 1306, 14th Century, fresco. Italy, Veneto, Padua, Scrovegni Chapel. The vault, decorative band, bust of saint halo: aureole red gold blue background stick quadrilobate panel.

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)52. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Seggiano Parish church7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Bassiano Santuario del SS. Crocifisso5. Hutzel, Max 1960-1990 Medieval: Architecture, frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo08. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Subiaco S. Francesco0. Hutzel, Max 1960-1990 Exterior views of 14th c. church portals, facade and cloister. Interior views of simple francescan nave, altars, chapels, and refectory, with comprehensive coverage of panel paintings and frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory1. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Deruta (Umbria - PG), Municipal Art Gallery. Perugino, Eternal Father with Saints Rocco and Romano (at the feet of the saints the view of the city of Deruta), detached fresco, datable to 1477-78

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo29. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

St Apollonia, detail from the frescoes behind St Michael's altar, left transept in Cremona cathedral, Cremona, Lombardy. Italy, 14th century.

Falconara Marittima, località Castelferretti (Italia, Marche - provincia di Ancona), chiesa di Santa Maria della Misericordia. Parete di fondo, San Paolo, affreschi metà del XV secolo (1450-55), Maestro di Castelferretti (Giambono di Corrado da Ragusa)

Drawing, Saint Luke in a Niche; Jan van der Straet, called Stradanus (Flemish, 1523-1605); Italy; pen and brown ink, brush and wash over black chalk on laid paper; 15.2 x 10.5 cm (6 x 4 1/8 in.)

Ikona: Św. Barbara. nieznany warsztat prawosławny (988-2000), factory

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo22. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Christ or disciple. unknown c. 1475-1500 Tapestry Dimensions: H 5' x W 18" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: American Art Association (Tolentino Sale) 4/22/1924. American Art Association (Macomber Sale) 12/10-12/1936. French & Co. purchased from Mr. Blank, invoiced 12/31/1936; sold to Dr. Robert Gerard 9/10/1966. Group of men, including bare-foot figure of Christ or disciple Fragment of tapestry. French & Co. stock sheet in archive, 18823 also lists: 40562

France, Midi-Pyrenees, Gers,32 , Simorre, fortified church, painting from 14th century

Umbria Perugia Vallo di Nera S. Maria5. Hutzel, Max 1960-1990 Medieval: Exterior, architecture and architectural sculpture (12th-13th centuries). Post-medieval: Fresco painting, partially destroyed after 1973 earthquake (12th-17th centuries) General Notes: Hutzel sent sheet from earlier photo campaign of same site, comprising 92 prints. Sheet indicates mainly painting material. Able to locate only 3 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Visso environs S. Valentino2. Hutzel, Max 1960-1990 Small church in the environs of Visso. Photos of interior only, with emphasis on the 14th-16th century frescoes. Object Notes: Hutzel photo campaign notes are undated. Negatives are missing, but prints do not match with S. Francesco negatives, for which there are no prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Assergi S. Maria Assunta3. Hutzel, Max 1960-1990 Medieval: Architecture, views of restoration, crypt, silver urn, tomb Post-medieval: Architecture, frescos, views of restoration, sculpture, tabernacle German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Philip of Swabia (February 1177) (21 June 1208) from the noble family of the Hohenstaufen was Roman-German King from 1198 until his assassination in 1...

Retablo-Santa Rita. Dated: c. 1937. Dimensions: overall: 36.3 x 28.5 cm (14 5/16 x 11 1/4 in.) Original IAD Object: As shown. Medium: watercolor, colored pencil, graphite, and heightening on paperboard. Museum: National Gallery of Art, Washington DC. Author: Majel G. Claflin.

Six Angels. Artist: Jacopo di Cione (Italian, Florence, active ca. 1360-1400). Dimensions: Top left 9 3/4 x 3 7/8 in. (24.8 x 9.8 cm); center left 11 1/8 x 5 1/4 in. (28.3 x 13.3 cm); bottom left 9 7/8 x 3 7/8 in. (25.1 x 9.8 cm); top right (9 3/4 x 3 7/8 in. (24.8 x 9.8 cm); center right 11 1/8 x 5 1/4 in. (28.3 x 13.3 cm); bottom right 10 x 3 7/8 in. (25.4 x 9.8 cm). Date: ca. 1365.The series of six angels (1975.1.65a-f) are mounted with the frame of a panel depicting the Crucifixion (1975.1.65) and are fragments of an altarpiece; however their current arrangement does not reflect that of the original altarpiece but rather a reconfiguration by a 19th-century collector. The Crucifixion originally formed the altarpiece's central pinnacle while the Six Angels originally comprised pilasters. The altarpiece was probably painted for Santa Maria degli Angeli, the Camaldolese church of Florence, perhaps for the chapel founded in 1365 and dedicated to Ognissanti (All Saints), which was funde

Tuscany Siena Montalcino Museo Diocesano57. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bulto St. Rocce. Dated: 1935/1942. Dimensions: overall: 67 x 29.2 cm (26 3/8 x 11 1/2 in.) Original IAD Object: 18"high. Medium: watercolor, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: E. Boyd.

Tuscany Siena Montalcino Museo Diocesano0. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fresco, Church of Santa Maria Maggiore, Florence (UNESCO World Heritage List, 1982), Tuscany, Italy, 14th century.

Solomon, detail from the predella of the Maesta' of Duccio Altarpiece in the Cathedral of Siena,, 1308-1311, by Duccio di Buoninsegna (ca 1255 - pre-1319), tempera on wood, 212x425 cm.

Attributed to Daniel Lysons, 1762-1834, British, Brass Plate of a Kneeling Man, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

CODICE ALBENDENSE - MOZARABE - FOL 428 R - SIGLO X - DETALLE DEL REY EGICA (687/702). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Relief sculpture in St Stephans Cathedral in Vienna

NAIPE CARTA DEL JUEGO TAROCCO 'SOTA'. Location: VICTORIA AND ALBERT MUSEUM. LONDON. ENGLAND.

St. Francis, Polyptych of the Misericordia, Piero della Francesca, 1445-1462, Museo Civico, Sansepolcro, Tuscany, Italy

American 20th Century, Plate 41 Saint Barbara From Portfolio Spanish Colonial Designs of New Mexico, 1935 1942 Plate 41: Saint Barbara: From Portfolio Spanish Colonial Designs of New Mexico

Prophet from a Throne of Solomon ca. 1390-1410 French or South Netherlandish Uncommonly refined and gemlike in its painterly finesse, this stained-glass fragment with a prophet is related stylistically to the work of André Beauneveu (1335-1401/3), a gifted sculptor, painter, and illuminator from the South Lowlands, who was employed by King Charles V of France; Louis de Mle, comte de Flandres; Philippe le Hardi, duc de Bourgogne; and Jean, duc de Berry, among others. A close parallel to the figure styleparticularly to the treatment of the hair and facial featuresmay be seen in the prophets depicted in the psalter of Jean, duc de Berry (Bibliothèque Nationale de France, ms. Français 13091), illuminated by Beauneveu about 1386 in either Paris or Bourges. A more striking comparison can be made to the limestone standing prophet wearing an apronlike mantle, probably executed by Beauneveu himself shortly after 1392 for the Sainte-Chapelle in the palace of Bourges. Although Beauneveu also d

RETRATO DE REY NAZARI-BOVEDA CENTRAL-S XV- EPOCA NAZARI-PINTURA CRISTIANA SOBRE CUERO. Location: ALHAMBRA-SALA DE LOS REYES. GRANADA. SPAIN.

Ecce Homo. nieznany malarz polski, painter

Relief sculpture in St Stephans Cathedral in Vienna

Effigy of Álvaro de Luna, born circa. 1390 died 1453. Spanish nobleman and favourite of Juan II of Castille. From the book Spain A Summary of Spanish History from the Moorish Conquest to the Fall of Granada 711 to 1492 by Henry Edward Watts published 1893.

Lazio Roma Rome S. Croce in Gerusalemme06. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Luco dei Marsi S. Maria delle Grazie. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture Post-medieval: Architecture, architectural sculpture, frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Italy - Latium region - Anagni (Frosinone province). 13th century. Cathedral of Anagni, dedicated to Santa Maria, crypt. King David. Fresco detail

Detalles del Retablo Mayor de la Prioral de Sant Pere, 1576-1634. Museu de Reus.

Portrait of Lysbeth van Duvenvoorde. Long have I yearned for the man who would open his heart.’ With these words, inscribed in Middle Dutch on the Sshaped banderole, Lysbeth of Duvenvoorde expressed her feelings for her husband. She hailed from a noble Dutch family and in 1430 married the knight Simon van Adrichem, a bailiff and dike-reeve of the Rhineland waterboard around Leiden. This portrait was painted that same year.

Lazio Viterbo Castel Sant'Elia S. Elia85. Hutzel, Max 1960-1990 Exterior photos of views, the facade, the portal and many architeectural details. Interior views of nave, with its carved pulpit with details and its ciborium/baldacchino with details. There are many photos of Byzantine, Romanesque and early Renaissance style paintings. Sculpturally, there are photos of capitals, architectural details and inscriptions. Object Notes: Hutzel photo campaign notes: September 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Turkey, Istanbul, Kariye Museum, fresco

CISNEROS, CARDENAL (FRANCISCO XIMENEZ). ECLESIASTICO Y POLITICO ESPA¿OL. TORRELAGUNA 1436-1517. ANONIMO . PINTURA SOBRE TABLA. MUSEO DE SANTA CRUZ. TOLEDO. Author: FRANCISCO DE COMONTES.

Martin Luther Statue Sculpture Monument Martin Luther House Lutherstadt Wittenberg Germany

Bliżej Kultury unknown

Niccolo di Tommaso (1346-1376). Italian painter. Trentino. Sant Antonio Abate. Triptych, 1371. Tempera and gold on wood. Detail. Italy. National Museum of Capodimonte. Naples. Italy.

Fragment of an altarpiece, 17th century painting on wood by the Maestro Sassarese. Parish Church of Torralba, Sassari.

Lazio Latina Sezze S. Lucia5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Farfa (environs) Abbey of S. Martino02. Hutzel, Max 1960-1990 Views of ruins of the Abbey complex and crypt on the mountain of S. Martino near Farfa. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Callixtus I., papa .

Silvester I., papa .

Abruzzo, L'Aquila, Celano, Museum, Italy, 20th century, photo, photography, Europe

Czech Rep Plzen/Pilsen City Hall. Town hall facade sgraffito picture Jan Lucern

Lazio Viterbo Capranica S. Maria1. Hutzel, Max 1960-1990 Medieval: Painting. In a side chapel is a painting of Christ Blessing, a work of the Roman school from the 13th century. Post-medieval: Architecture, architectural sculpture, painting. Neo-classical church by Virginio Vespignani, with a colonnaded facade. On the main altar is a tabernacle of holy oil (1439), and the painting of SS. Terenziano, Rocco and Sebastiano in a side aisle is by the school of Pastura. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Basilicata Matera Montescaglioso Abbazia di S. Angelo66. Hutzel, Max 1960-1990 Medieval: Architecture (9th, rebuilt 15th), view of neighboring chiesetta S. Stefano, cloisters; architectural sculpture; frescoes depicting the family of Ufredo Machabeo, lord of Montescaglioso Object Notes: Hutzel photo campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Engaged molding on a polyptych panel ca. 1345 Siena Siena Philip Lehman acquired this "Saint Peter" and 1975.1.14b,"Saint Mary Magdelene", within two years of each other, in 1916 and 1918. By then, the tops had already been altered and the replacements interpreted in different ways. The triangular gables remian on four other panels from the same polyptych in the Pinacoteca Nazionale, Siena. The "Saint John the Baptist" in Siena, along with the two Lehman panels, formed the right side of the altarpiece, and the Siena "Saint Catherine of Alexandria", "Saint Paul", and "Saint John the Evangelist", the left side. The central panel has not been identified. The seven-lobed lancet arch on this panel and 1975.1.14b, a more complicated design than on 1975.1.10b, creates a sense of depth.The angle of the overhanging cusps describes the perspective of Saint Peter's neck and his keys and book.. Engaged molding on a polyptych panel. Siena. Italian, Siena. ca. 1345. Poplar. Gilt; deep brown-orange b

David', c1410. Artist: Lorenzo Monaco. Lorenzo Monaco (1370-1425) was an Italian painter of the late Gothic-early Renaissance age.

Angel with Trumpet by Fra Angelico, (1387-1455)

Lazio Roma Velletri Museo Civico di Velletri42. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Italy. Tuscany. Siena. Cathedral. Crypt. Frescos.

Dante 1450, Castagno, Andrea del

Lazio Rieti Rieti Museo Civico0. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the ea

Catedral de Faras. Fresco con la representación de un arcángel con espada. Detalle. Porche de la entrada sur al templo. Siglos XII-XIII. Galería Faras. Museo Nacional. Varsovia. Polonia.

Statue of King Charles II of Navarra - 1345 - alabaster and polychrome. Author: JAUME CASCALLS (-1378). Location: CATEDRAL-MUSEO DIOCESANO. GERONA. SPAIN. CHARLEMAGNE. PEDRO IV DE ARAGON EL CEREMONIOSO. PEDRO II DE VALENCIA. PEDRO II DE AMPURIAS. PEDRO I DE MALLORCA. PEDRO I DE CERDEÑA. PEDRO III DE BARCELONA.

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo40. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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