Religious Illustrations and Scenes

Dramatic historical engravings depicting key biblical events, including the coronation of Mary and martyrdom, illustrating themes of faith and sacrifice.

Coronation of Mary, Cornelis Schut I, 1618 - 1655

Adoration of the Magi 1598 Raphael Sadeler I Netherlandish. Adoration of the Magi 398984

Sacrifice of Noah after the flood. After the flood noah and his family offer a bull on an altar. God approves the sacrifice and appears in heaven. The fourth print from a nineless series with scenes from the Old Testament.

Return of the flight to Egypt. Maria with the Christ child on a donkey. Joseph is walking next to it. Two angels lead the donkey. Above between the branches of the trees floating angels that pick fruits and give it to Christ.

. Maria stands with spread arms on the wooden floor of a stable. Angels for her show her the child that lies in a canvas. Above her head musicing angels. Right, through a doorway, Jozef with crossed arms for his chest.

Tombination and Ascension of H. Petronilla, Jacob Frey (i), After Guercino, 1731 print With caption in Latin. print maker: Romeafter drawing by: Romeafter painting by: Vaticaanstad paper etching / engraving the virgin and martyr Petronilla - apotheosis, glory, triumph of female saint

Queen Amata and her daughter Lavinia dancing with the bacchants; Working from Vergilius. Queen Amata and her daughter Lavinia dancing with the bacchants. In the air, Alecto is flying towards Juno, accompanied by her peacock, from a cloud of the dance scene.

The five way and the five foolish virgins are awakened by an angel; Parable of the five way and the five foolish virgins; Parabola V. VirginVM Typis AEN: Expressa. The five way and the five foolish virgins have fallen asleep because the groom was waiting for himself. They are awakened by an angel who evokes that the groom comes. In the margin a four-line caption, in two columns, in Latin that refers to the sleeping virgins and the voice that raises them. This print is part of an album.

Sacrifice of Manoach, Cornelis Massijs, 1549 print Manoach and his wife throw themselves down at the altar, where Monach sacrificed a goat. The Archangel Gabriël, who announced the man coach and his wife the birth of a son, sails in the flames of the sacrifice to heaven. Antwerp paper engraving Manoah's sacrifice; the angel ascends in the flames

Last judgement. Christ is troning as a judge on a cloud in heaven at the last judgment. He makes a speaking gesture and is surrounded by angels, kings, church fathers and his apostles. Above him the pigeon of the Holy Spirit flies and God lies with the globe on a cloud. Under the angels, women and men are attacked by all kinds of devils and animals and carried for hell. Presentation consisting of two parts.

H. Sebastiaan. The dying Sebastiaan lies with a body pierced by arrows on the ground. He is supported by the Holy Irene and a few angels. Two putti lifts his hand. In the background the Roman soldiers who are responsible for his death.

Holy family with the archangel Michaël and the young John the Baptist, 1582 print Maria is sitting on her lap with the Christ child. Joseph and the young John the Baptist are on the right. On the left, the archangel Michaël is triumphantly on a conquered devil. Michaël has a rocket in one hand and a scale in his other hand. The Christ child grabs the scales. print maker: Italyafter painting by: Bolognaafter painting by: Bologna paper engraving Holy Family with John the Baptist (as child). Holy Family, and derived representations. the Archangel Michael (often in armour with sword or lance). Balance, Equilibrium

Diepenbeeck, Abraham van, Antwerp, Galle, Cornelis (II), Trinity, verso - stamped, God the Father and Christ sit on a cloud, The Holy Spirit, in the form of a dove, hovers between them. The Trinity is surrounded by the choir of angels and by saints and martyrs., print, book illustration, prints, height 301 mm, width 198 mm, South Netherlands, 1615 - 1678-10-18, print maker, printmaker, 1650 - 1653, paper, engraving, engraving (printing process), Work conception, 1596-05-09 - 1675

Ezra drinks the cup of knowledge and wisdom, Anonymous, After Maerten de Vos, 1643 print Ezra went to the field with five men and is offered a fiery cup from God from which he drinks. This is the cup of knowledge and wisdom. The five men write down the words that Ezra says afterwards. Under the performance a reference in Latin to the Apocryphard Bible text in 4 Ezra 14. Amsterdam paper engraving other scenes from Ezra and Esdras

Christ in the Hof van Getsemane. Christ prays in the court of Getemane. An angel appears from heaven with a chalice. His students are sleeping in the background. In the distance, Judas and the soldiers come to the gate. With various elements from the show are letters. The print is part of an album.

Saint Paul preaching at center, standing in a crowd in a columned interior, pointing upwards toward putti who hold a scroll 1681-1725 Arnold van Westerhout. Saint Paul preaching at center, standing in a crowd in a columned interior, pointing upwards toward putti who hold a scroll. Arnold van Westerhout (Flemish, Antwerp 1651-1725 Rome). 1681-1725. Etching and engraving. Prints

Ezra drinks the cup of knowledge and wisdom, Maerten de Vos, 1585 print Ezra went to the field with five men and is offered a fiery cup from God from which he drinks. This is the cup of knowledge and wisdom. The five men write down the words that Ezra says afterwards. Under the performance a reference in Latin to the Apocryphard Bible text in 4 Ezra 14. Antwerp paper engraving other scenes from Ezra and Esdras

Albrecht Dürer (German, 1471-1528), Christ in Limbo, 1512, engraving

Resurrection of Christ, Cornelis Galle (I), 1586 - 1650 print Christ is rising from the grave. He wears a palm branch and a cross with a banner in his hands. Light shines from his head. The soldiers who keep watch at the grave shy back for the light. Last print from a series of 13, with performances from the suffering story of Christ. Southern Netherlands paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Baptism of Christ, Dirck Volckertsz. Coornhert (attributed to), after Maarten van Heemskerck, 1549 print Christ is baptized by John the Baptist in the Jordaan. Above their heads the pigeon of the Holy Spirit. Angels hold Christ's clothes on the bank. Haarlem paper etching baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends

Landscape with the vision of the H. Francis of Assisi. On Monte Alverna has Franciscus a vision of a seraphy with six wings. Franciscus dressed in a simple monk trick kneel down and looks at the seraphy. In the background a landscape with the San Damianokerk in Assisi.

Michael and the fall of the rebellious angels; Qvis vt Devs. The Archangel Michael, in his one hand a shield with the symbol of God the Father and in his other hand a lightning bolt, throws the rebellious angels from heaven with other angels.

Proclamation to the shepherds; Quia Natvs Est Vobis Hodie Salvator. An angel proclaims the birth of Christ to the shepherds. The print has a Latin caption with explanation.

Adam and Eva are grieving to the death of Abel; Adam and Eva. Adam and Eva find the Dead Abel at the sacrificial place. Both are on their knees for the corpse of their son and grazing. In the background the sacrifice of Abel and Cain and the murder of Abel.

The triumph of the Eucharist about philosophy, science, poetry and nature (right record), Nicolaes Lauwers, after Peter Paul Rubens, c. 1626 - 1652 print Faith (fides), a young woman with a chalice with host in her hand, triumphs on a two -wheeled car pulled by angels. In addition to faith, the globe that indicates the Catholicity is referring to the spread of faith around the world. Prisoners are carried behind the cart. The woman with the many breasts is nature. The old man leaning on his stick is the personification of philosophy, Socrates. The man with the book and astrolabium may be a personification of the sciences. The acclaimed figure behind him is possibly the poetry. The prisoners surrender powerless to the faith that takes them as a victor and brings them to the light. Antwerp paper engraving Catholicity ~ characteristic of the True Church. Church (and Religion) vs. Philosophy and Science. Fides (faith) as Roman personification. 'Natura' (allegorical figure or scene; or as D

Drawing, Madonna Enthroned with Saints; Italy; watercolor on paper

The Agony of Christ on Mount Olive 1569 Monogrammist SM German. The Agony of Christ on Mount Olive 417588

Allegory of the Immaculate Conception, with Adam, Eve, kings, priest, soldier and Moses tied at the bottom of a fig tree, and the Virgin sitting on cloud overhead, surrounded by angels 1611-12 Philippe Thomassin. Allegory of the Immaculate Conception, with Adam, Eve, kings, priest, soldier and Moses tied at the bottom of a fig tree, and the Virgin sitting on cloud overhead, surrounded by angels. Philippe Thomassin (French, Troyes 1562-1622 Rome). 1611-12. Engraving. Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Prints

Resurrection of Christ; The passion. Christ floats at the entrance to his grave with a victory banner in hand. The three Maria's are located at the entrance to the grave and sitting an angel on the roadside stone. A few soldiers are scared and a couple are sleeping on the floor.

Drawing by Benedetto Luti on blue-gray paper, using pen, wash, and white heightening, showing Christ appearing to Saint Barbara in her dungeon.

Job covered with ulcers History of Job (series title) Historia Jobi (...) (series title) Thesaurus sacrarum historiaru m veteris testame n ti, elega n tissimis imaginibus expressu m excelle n tissimoru m in hac arte viroru m opera: now n c primu m in luce m editus (series title), In heaven Satan asks God whether he may test Job. Then Satan pours out his disaster about Job. Job is sitting on the dung heap and his skin is covered with ulcers. His wife urges him to curse God, but Job does not. In the background the robbery of Jobs cattle. Below the performance a reference in Latin to the Bible text in Job 2. Print is part of an album, the 'sons of God' with Satan gather again before God (Job 2: 1-6), Job on the dunghill (Job 2: 7-13), Jan Snellinck (I), Antwerp, 1579, paper, engraving, h 215 mm × w 266 mm

Couple threatened by father time and death. A partially covered couple in intimate embrace for the entrance to a cave. The man points to the mirror image of the woman that can be seen in the mirror that father keeps them. Behind them in the cave is death. In the margin a caption in Latin.

. The body of Christ is grown by men and women. In the middle Mary Magdalena with her ointment pot. In the foreground the thorns crown, the nails of the cross and the open sarcophagus.

God creates Adam and Eve in paradise (below). God creates the heavens and the earth and places the globe between the sun, moon and stars (above). This central scene (#1) is framed by numbered scenes depicting the life of Christ. On the left, from bottom to top: the annunciation (no. 2), the birth of Christ (no. 3) and the crucified Christ (no. 4). Right, from top to bottom: the resurrection of Christ (no. 5), the ascension (no. 6) and the Last Judgment (no. 7). Below, from left to right: Pentecost, with the outpouring of the Holy Spirit (no. 8), Holy Communion (no. 9), forgiveness of sins (no. 10) and the Resurrection (no. 11). Above: the adoration of the Trinity. Below each representation is a caption in Latin. In the upper corners the female personifications of Faith (left) and Strength (right). In the lower center in a cartouche an inscription in Latin, Creation of Adam and Eve and scenes from the life of Christ., print maker: anonymous, 1600 - 1699, paper, engraving, h 264 mm × w 1

Duivels in de onderwereld.Devils, demons and death in the underworld. In the crosses of the ornamental frame harpies.

. The cross death of Christ on Mount Golgota. Left and right of him the criminals who are crucified with him. Stefaton keeps the sponge for the face of Christ. Various bystanders and spectators in the foreground. In the background there are Maria Magdalena, Maria and the Holy John. In the margin a four-line caption, with an assignment, in Latin.

Christ in the Hof van Getsemane. Christ prays to God in the court of Getsemane and gets a vision. In the background two of his students lie to sleep.

Collection of Christ, Karel van Mallery, 1581 - c. 1645 print Christ is taken prisoner on the Mount of Olives after being betrayed by Judas. On the left is Christ with his students behind him and the soldiers who come to imprison him fall on the ground. Imagination of the Bible verses Joh. 18: 6. Under the performance three lines in Latin. Antwerp paper engraving the arrest of Christ ~ Garden of Gethsemane

Our Father in Heaven, let your name be sanctified, Johannes Wierix, After Maarten van Heemskerck, 1569 - 1573 print Kneaded men and women pray towards heaven. In the clouds the trinity, surrounded by angels. On the earth you can see that believers perform the works of mercy: give the hungry food, the thirsty to drink, the sick and prisoners, dress the nudes, the stranger house and burial the dead. The Latin caption is the first part of prayer the Lord's Prayer. Antwerp paper engraving 'hallowed be thy name' ~ the Lord's prayer. the (seven) Acts of Mercy. the Holy Trinity, 'Trinitas coelestis'; Father, Son and Holy Ghost ~ Christian religion

Allegorical performance on the victory of Queen Ester and the way they brought the practices of Haman to the light. A woman is helped by force up and presented to the truth. Truth gives her a laurel wreath. In the background a blindfolded person warrows storm.

Adam and Eva are grieving to the death of Abel; Adam and Eva. Adam and Eva find the Dead Abel at the sacrificial place. Both are on their knees for the corpse of their son and grazing. In the background the sacrifice of Abel and Cain and the murder of Abel.

The worship of the Kings, Joan Catello, 1550 - 1700 drawing paper. ink pen adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Christ is on the mountain and teaches his students. At the bottom of the margin a reference to the Bible text and the title in Greek, English, German, Latin, French and Dutch.

Triumph of Governor Starrenburg, Gaspar Bouttats, 1683 print Governor Starrenburg is central to the print. He wears armor and stands on the weapons and banners of overcome Ottoman fighters. Next to him on the ground are the truncated heads of some of these Ottoman soldiers. He is accompanied by hope, faith and love on the stairs of the Hemelberg, where a triumphal arch awaits him. A cartouche at the top of the print has a Latin motto. The print has a Dutch caption: 'Here Ghy Sterenbergh with a Volmaeckt Ghemoedt. Champion of the Ryck, and Van't Onnoosel bleeds. Go on the stairs of honor, climb in Hemels, now that he has been used for east-yerck Godts. The hope gives him must, love drives him. And does Doot't Waer Gheloof Den Mahomet Vefaen '. Antwerp paper etching the Three Theological Virtues. the heavens (celestial bodies). armour. Asiatic races and peoples: Turks. head of a beheaded person

Christ Appointing St Roch as the Patron of Plague Sufferers. Pontius engraving reproduces a more than fourmetre-high altarpiece in Sint-Martinuskerk in Aalst (Belgium). Engravings offered a solution for those unable to travel to Aalst. That such prints were intended not only for collectors, but could actually play a substantial role in the daily life of believers, emerges from the caption: ‘Saint Roch, pray for us.

Imprisonment of Christ; The Judae Praditione. Christ is captured on the Olives after being betrayed by Judas. On the left is Christ with his students behind him and the soldiers are falling on the ground. Imagination of bibleers Joh. 18: 6. Under the show three rules in Latin.

Saint Sebastian tied to a tree. The H. Sebastiaan is tied to a tree by soldiers. In the background, archers are ready to shoot at him. A putto in the air with a palm branch and a crown. The print has a Latin caption.

Giovanni Balducci depicts the birth of Mary using chalk and feather, brown lavings and white highlights, on blue paper.

. The martyrdom of the Saint Apollonia: her teeth are pulled out, while her stake is prepared in the foreground.

Woodcut and type print by Lucas Cranach the Elder from 1522 illustrating the throne, twenty-four elders, and the lamb opening the book in the New Testament, Luther Bible, Revelation of John 4:2-7 and 5:1-7.

Rome, Orlandi, Giovanni, Italy, Zuccaro, Federico, Saint Jerome in the Wilderness, verso attachment sheet - stamped, Saint Jerome in a cave before a crucifix. In his hand he holds a stone and in front of him lie a book, a skull and a lion. At the bottom of the crucifix two female saints and the Christ Child. Cherubs float around the crucifix. In the lower margin a Latin text and at the top an Italian text., print, prent, prints, prenten, height 406 mm, width 261 mm, print maker, prentmaker, 1591 - 1591, paper, papier, engraving, engraving (printing process), plaattoon, Italian, 1541 - 1609-07-20, after, after painting by, Publication (Event), Publication, publisher

Anonymous drawing depicting the Assumption of Mary, executed in feather, red chalk, with white highlights and laved techniques, 18th century.

. Christ with the poor crossed on the chest is baptized by John the Baptist in the Jordaan River. God the Father, with a Rijksappel in his hand, let the Sacred Spirit descend into the form of a pigeon on Christ. Left in the foreground makes a figure ready to be baptized by pulling out his sandals and a soldier gets a help from his arms skirt. On the right two angels and a figure that damages after baptism.

Redtel and feather drawing by Nikolaus Gottfried Stuber depicting a vision of Saint Theresa for a ceiling picture draft, using brown laved technique before 1733.

Preaching of John the Baptist, Gerrit Pietersz. Sweelink, 1593 print John the Baptist preaches in the desert. He stands on a rock in the midst of audience. In the background baptism in the Jordaan. In the margin a four -line caption in Latin. Amsterdam paper etching John the Baptist preaching (perhaps Christ among the bystanders). John the Baptist baptizing

Pontius Pilatus shows Christ to the Jews in front of the courthouse, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print Pontius Pilatus shows Christ to the Jews in front of the courthouse. The high priests scream to force his crucifixion. In the margin under a fragment from Bible text Johannes 19. Antwerp paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Allegory on the love of man for God, Jan Baptist Berterham, 1696 - 1721 print Adam gives his heart to God in paradise landscape with animals. In the air the all -seeing eye of God is shown with angels and saints and a horn of abundance comes from the rays as a reward for a man who gave love a place in his life. In a scene in the background we see the crucified Christ with the two criminals and longinus on either side that put his lance in the side of Christ. Bible text from the first letter from John, 4:19 paper etching love towards God; 'Amore verso Iddio' (Ripa). the all-seeing eye, triangle with eye ~ symbol of God the Father. Longinus pierces Christ's side with a lance. 'Cornucopia', Horn of Plenty

. Saint Joris is kneeling on a scaffold, surrounded by soldiers, men with torture tools and spectators. De Beul already keeps the sword ready while a whitening manager binds the holy the poor. He focuses his gaze skywards where angels appear with the martyr crown and a palm branch.

Sacrifice of Manoach, Cornelis Massijs, 1549 print Manoach and his wife throw themselves down at the altar, where Manoach sacrificed a goat. The Archangel Gabriël, who announced the man coach and his wife the birth of a son, sails in the flames of the sacrifice to heaven. Antwerp paper engraving Manoah's sacrifice; the angel ascends in the flames

Pen drawing by Franz Sigrist depicting an angel at the body of Christ, showing figure posture, gesture, and composition using brown ink.

Angel brings bread and water; A saint hermite in the desert. A man (possibly elria) sitting on the floor, gets a loaf of a loaf of an angel. There is a pitcher at his feet.

The fall of Simon the wizard; Paintings and sculptures in Rome. On Petrus prayers, the demons that Simon lose the wizard in the air, so that it deposits for earth. This print is part of (the second state of) a series of 29 performances of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print).

Maria hands the Christ child to Franciscus, Francesco Villamena, After Ferraù Fenzoni, 1597 print In the midst of Engelen, Mary hands the Christ child to the kneeling holy Francis of Assisi. There is a book on the ground. Assignment, coat of arms and Latin text in two columns in the end margin. print maker: Italyafter design by: ItalyVaticaanstadItalyItaly paper engraving the Virgin Mary handing over the infant Christ to St. Francis of Assisi. angels. cherubs, i.e. children's heads with wings

Worship by the shepherds, Laurent Cars, After Carle van Loo, c. 1753 - 1771 print France paper etching / engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

Saint Hieronymus in de Wildernis, Anonymous, After Federico Zuccaro, 1591 print The saint Hieronymus in a cave for a crucifix. He holds a stone in his hand and a book, a skull and a lion. At the bottom of the Crucifix two female saints and the Christ child. Cherubins float around the Crucifix. A Latin text and an Italian text at the top. after painting by: Italypublisher: Rome paper engraving the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone. cave, grotto. cherubs, i.e. children's heads with wings

The Holy Trinity, Albrecht Dürer, 1511 print God keeps the deceased Christ in his arms, while above them the Holy Spirit floats in the form of a pigeon. Around them angels with the passion tools. Nuremberg paper Trinity in which God the Father and Christ are represented as persons, the Holy Ghost as dove. 'Arma Christi'

Birth of Christ. Maria is with the Christ child on your lap for a temple. Joseph is behind her and leans against a wall. An angel adores the Christ child. Upstairs God watch the father and putti.

Christ in Glory with Saints Peter and Paul Artist's working dates 1723-1728 Germany. Pen and black ink with brush and gray wash, and touches of graphite, on cream laid paper, squared in graphite . Johann Franz Caspar

Sacred Christoffel with Christ child. Christoffel gets out of the water on the riverside with the Christ child on his shoulder. The child holds a globe with a cross. On the other side of the river is the hermit with a lantern. Two shields hang in the tree with the judiciary and ducal weapon of Saxony.

Events from the life of Noah, Adriaen Collaert, after Chrispijn van den Broeck, 1579 - 1583 print Noah, together with his family, ships the animals in the Ark. Upstairs, three medallions with images from the life of Noah: left the flood, in the middle of the beaches of the ark on the Ararat Mountains, on the right the sacrifice of Noah to God. The print has a Latin caption in a cartouche. The print is part of a series with scenes from the Bible book Genesis. paper engraving the building of the ark, and the embarkation (Genesis 7:5-9). Noah, his family and the animals leave the ark (sometimes combined with the rainbow of the covenant). the ark is floating on the waters, while life on earth is destroyed ~ story of Noah. Noah's sacrifice; various animals are offered, possibly a lamb, a dove and a ram (often combined with the rainbow of the covenant)

Christ appears in the sky, Gustav Adolph Müller, after Gerard Hoet (I), 1704 - 1767 print Christ appears in the sky, possibly apocalyps 19 (John the Evangelist 14: 14-20) "Grapes of the Gramschap". Nuremberg paper engraving / etching Revelation 19-22

Christ with crown and weeping Maria, Pieter de Jode (I), After Francesco Vanni, 1590 - 1632 print Christ with thorn crown, with a rope around his neck bound to a pillar. A soldier ties his hands on his back. Maria fainted and is supported by a man and a woman. Behind them a weeping woman. In the margin a two -way caption in Latin. Italy paper engraving Christ suffering (with crown of thorns, head usually turned sidewards) (+ Mary). weeping

Maria coronation. Putti crowns Maria, which is on a cloud. She holds a scepter in hand and is surrounded by putti, cherubs and musicing angels.

The Adoration of the Magi. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Pietro Testa.

Elias confronting Baal priests who perform unsuccessful sacrifices, drawn by Abraham van Diepenbeeck using graphite pencil, brown and black chalk, gray washes, and white highlights.

Cain kills Abel, Antonie Wierix (II), 1579 - 1604 print Cain is about to kill Abel with a donkey jawbone. Two sacrificial altars in the background: The sacrifice of Abel is approved by God (the smoke rises), the sacrifice of Cain is rejected (the smoke refers). In the margin a two -way caption in Latin that refers to the proposed. Antwerp paper engraving the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon. the fume of Abel's sacrifice goes straight to heaven, whereas the smoke of Cain's offering is beaten down, with God blessing Abel

Mary is crowned in heaven by God the father and by Christ, above them the Holy Spirit in the form of a dove, Coronation of Mary, print maker: Jacob de Wit, after: Peter Paul Rubens, Amsterdam, 1705 - 1754, paper, etching, h mm × w mm, w 402 mm × 338 mm

Creation of EVA; Liber chronicarum. God the Father creates Eva. Eva rises from the body of a sleeping Adam. The print is part of an album.

Christ shown to the people (Ecce Homo), 1648 print print maker: Netherlandsafter design by: Haarlempublisher: Amsterdam paper letterpress printing Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Resurrection of Christ. Christ rises from his grave with a banner in his hand. The soldiers who are scared around the grave.

Rader, Matthäus, Kager, Johann Mathias, Munich, Sadeler, Raphael (I), Bavaria sancta I, Saints of Bavaria I, SS. Hilaria, Eutropia, Eunomia, Digna. MM, Martyrdom of Saints Hilaria, Digna, Eunomia and Euprepia, verso lower left - stamped, St. Hilaria, St. Digna, St. Eunomia and St. Euprepia and an unknown man at the grave of St. Afra. They are burned alive by soldiers. The print has a Latin caption and is the seventh print in a 60-part series on the subject of the saints of Bavaria., print, prints, width 156 mm, height, 220 mm, South Netherlandish, 1560, print maker, printmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), etching, German, 1575 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1561 - 1634-12-22, publisher

Vestal Virgin Tuccia wears water in a colander to prove her innocence, Jacob Matham, after Bartholomeus Spranger, 1608 print The Vestal Virgin Tuccia, at the Tiber River, depicted by a river god, carries water in a colander to prove its innocence. Illustration of the story of Pliny, Naturalis Historia. Haarlem paper engraving the Vestal virgin Tuccia, accused of fornication, carries water in a sieve to prove her chastity. personification of river Tiber; 'Tevere' (Ripa). kitchen-utensils: sieve. angels Tiber

Christus vor Herodes Ein kraftvoller Barockstich von Gregoire Huret Christus vor Herodes Ein kraftvoller Barockstich von Gregoire Huret Copyright: xZoonar.com/GallóxGusztávx 22521642

The ascension of Mary, draughtsman: Nicolas Joseph Delin, 1751 - 1803, paper, pen, brush, h 715 mm × w 360 mm

Body of Christ worn by angels to heaven, Hans Baldung Grien, 1515 - 1517 print The dead body of Christ is carried by small angels in a cloth to heaven where God the Father and the Holy Spirit Wait for Him in a jet wreath. On the right, an angel floats with the crown as a reference to the passion of Chrsitus. Freiburg paper. ink pen Christ lamented by angels

Woodcut by Matthias Gerung around 1550 depicting a Protestant preacher and an angel, showing gestures, robes, and religious symbolism on paper.

Catharina shows her wounds / Catharina receives the communion of Christ / Raimundus of Capua visits Catharina at home and finds Christ, Pieter de Jode (I), After Francesco Vanni, 1597 print From left to right: Catharina is standing next to the body of a newly decapitated man (Nicolaus perufinus) and shows her wounds to the bystanders. In heaven above them an angel who carries the soul of perufinus to heaven.; Raimundus of Capua celebrates Holy Mass and speaks the blessing about bread and wine. Catharina receives her host from Christ.; Raimundus van Capua, the confessor of Catharina, wants to visit her home and finds himself instead of Catharina Christ himself. In the margin an explanation of the performances in Latin. Tenth print from a series of twelve with life and miracles of St. Catharina van Siena. Italy paper engraving the virgin and Dominican Tertiary, Catherine of Siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, pla

Maria Crowned by Christ, Anonymous, After Perino del Vaga, After Rafaël, 1651 - 1682 print Mary is crowned by Christ on a cloud party. Above them God the Father and the Holy Spirit as a pigeon. print maker: Italyafter design by: Italypublisher: ParisFranceprint maker: Italyafter design by: Italy paper etching coronation of Mary by Christ. angels

Graflegging van Christ, Giles Sadeler (2), 1624 - c. 1650 print The body of Christ is supported by two angels. In the middle Mary Magdalena with an urn with holy oils. print maker: Praagpublisher: Venice paper engraving Christ's entombment (possibly by angels) (+ angel(s))

Holy Family and Two Music-Making Angels ca. 1588-1592 Jan Muller Netherlandish. Holy Family and Two Music-Making Angels 652304

Allegory of the good death of man, Hieronymus Wierix, after Ambrosius Francken (I), After Willem van Haecht (I), After Godefried van Haecht, 1563 - Before 1619 print An old man is lying on his deathbed, his hands folded in prayer. On his side are faith (fides) and prayer (oratio). Faith points to heaven. A winged heart rises from the mouth of prayer. Love (Charitas) is on the foot end. She hand out money and food to the elderly and children. In heaven, Christ sits on a rainbow, he tramples death and the devil. On the clouds next to him wisdom (sapientia) and hope (spes). In the margin a four -line poem in Dutch, Latin and French. Antwerp paper engraving peaceful dying, happy death. (private) prayer; 'Oratione', 'Preghiere', 'Preghiere a Dio' (Ripa). the Three Theological Virtues. Wisdom; 'Sapienza', 'Sapienza humana', 'Sapienza vera' (Ripa). Christ as (heavenly) judge. Death as skeleton. devil(s) and demons

Priestess Pythia in the temple of Delphi, Priestess Pythia in the temple of Delphi, print maker: Romeyn de Hooghe, (attributed to), Romeyn de Hooghe, (attributed to), Netherlands, 1687, paper, etching, h 142 mm × w 180 mm

Netherlands, Christ on the Cross, verso - stamped, Christ hangs on the cross between the two crosses with criminals. The Roman soldier Longinus rides on horseback and stabs Christ in the side with his lance. On the right are Mary and John., print, prints, height 310 mm, width 257 mm, print maker, printmaker, 1600 - 1700, paper, papier, etching, etsen

Christ in the Garden of Gethsemane, Jacob Matham, Johannes Janssonius, 1615

Crossoprichting, middle part, Hans Witdoeck, After Peter Paul Rubens, 1638 print Christ is nailed to the cross. Beelsknecht and soldiers put the cross straight into the ground. In the background you can see how the people look. With an empty margin. Antwerp paper engraving the erection of the cross: raising of the cross (without Christ)

Baptism of Christ in the Jordaan. Christ is baptized by John the Baptist in the Jordaan (Matthew 3: 13-17). Men who are waiting in a kneeled attitude for their own baptism; They point to the pigeon of the Holy Spirit over the head of Christ.

Assumption of the Virgin Artist's working dates 1656-1700 France. Engraving on paper . Antoine Masson

Michael Wenzel Halbax, Two Soldier Saints Adoring the Host, c 1690() Two Soldier Saints Adoring the Host

Francesco Fontebasso after Sebastiano Ricci (Italian, 1709-1769), Saint Gregoire I Delivering Souls from Purgatory, 1744, etching on laid paper

Frontispiece to the series The Life of Christ n.d. Claude Gillot French. Frontispiece to the series The Life of Christ 369516

Worship by the shepherds. Maria shows the Christ child to a group of shepherds. Joseph is behind Maria. Upstairs God floats the Father.

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