Religious Illustrations and Scenes

Dramatic historical engravings depicting key biblical events, including the coronation of Mary and martyrdom, illustrating themes of faith and sacrifice.

Coronation of Mary, Cornelis Schut I, 1618 - 1655

Samuel Bottschild created a draft of the Resurrection of Christ, possibly for a ceiling, using feder in gray, black-gray, brown, and blue-gray gavings.

Copper engraving and etching by Christoph Schwarz from 1550-1630 showing Christ on the cross with figures beside him. The print emphasizes composition, gestures, and religious symbolism in early modern European prints.

Parable of the wise and foolish virgins Wise and Foolish Virgins Twenty-four scenes from the New Testament (series title), the wise and foolish virgins, parable of Christ (Matthew 25: 1-13), Jan Luyken (mentioned on object), Amsterdam, 1681, paper, etching, h 120 mm × w 70 mm

Descent in the pre-assigned; The Great Passion. Christ, a staff with a vane in hand, frees souls from a dungeon. Devilish being try to hinder Christ, but without success. This print is part of the 'De Grote Passie' print series, consisting of a title print and 11 scenes from the suffering story.

The good Samaritan tending to a wounded man while a priest and Levite walk away. Line engraving by L. Masson after G. Freman.

Theology and Metaphysics, Marcantonio Raimondi (School of), After Rafaël, 1500 - 1599 print Two women, personifications of theology and metaphysics, are on clouds. Theology points to heaven, metaphysics points to a scroll or banderol that holds an angelic being above her. Behind them a second angel, based on a pedestal or pole. paper engraving Theology; '' (Ripa). Metaphysics, Metaphysica '; 'Metafisica' (Ripa)

Ascension, Nicolas Beatrizet, After Rafaël, 1541 - 1565 print The apostles are kneeling on the floor. They look up at Christ who rises. Besides Christ two angels. print maker: Italyafter design by: Italypublisher: Rome paper etching / engraving the Ascension (Christ surrounded by radiant light or in a mandorla)

Annunciation, Nicolaes de Bruyn, 1622 print print maker: Netherlandspublisher: Amsterdam paper engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Giovanni Francesco Romanelli chalk drawing depicting the stoning of St. Stephanus with God and Christ on clouds above and Jerusalem in the background.

Albrecht Dürer (1471-1528). The little passion on wood: the Last Judgment (Bartsch 52). 1510. Museum of Fine Arts of the City of Paris, Petit Palais. 77216-29 Catholic art, Chretian art, religious art, Christianity, Holy History, Christian iconography, Religious Iconography, New Testament, Passion of Christ, Renaissance, Life Christ, Engraving

Brown and gray wash drawing from around 1730 depicting Abraham worshiping three angels in a biblical scene.

Adoration of the Shepherds. Pieter Perret (Holland, active Spain, 1555-circa 1625). Holland, 1591. Prints; engravings. Engraving, laid down

Last judgment, Crispijn van de Passe (I), After Maerten de Vos, 1580 - 1588 print Christ sits on the rainbow as a judge, his feet resting on the globe. He is surrounded by cherubies, saints and apostles. On earth, people stand on their grave and are divided among the angels and the devils. The print has an ornamental edge that is decorated with cherubs, trumpet -blowing angels and devils. On the framework in the edge a four -line caption in Latin that refers to the last judgment. Print from a series of eight with the last judgment and the seven works of mercy. paper engraving comprehensive representation of Last Judgement: Christ (with sword and lily), often surrounded by elders and sometimes accompanied by Mary and John the Baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the Passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils

The Annunciation. Cornelis Cort (Holland, Hoorn, 1533-1578)After Titian (Tiziano Vecellio) (Italy, Venice, circa 1489-1576). Holland, circa 1566. Prints; engravings. Engraving

Mystical marriage of Saint Catharina, Agostino Carracci, After Paolo Veronese, 1582 print Maria travels with the Christ child on their lap. Christ is about to slide a ring on the finger of Saint Catharina of Alexandria. In the foreground on the left a group of music -making angels. Above a group of floating angels and putti. paper engraving the mystic marriage of St. Catherine of Alexandria with the infant Christ: the Christ-child puts a ring on her finger

God looks on unimpressed as Adam blames Eve for the transgression. Engraving by P.I. Drevet, c. 1720, after N. Coypel.

. Jupiter drives in his car to heaven, drawn by two peacocks. The signs of Sagittarius and fish indicate which people belong to the sphere of sphere of Jupiter. The people who were born under this zodiac sign are worldly or ecclesiastical rulers. An emperor is crowned by the pope, surrounded by cardinals and bishops. On the left a judge on his throne. Hunted in the background. At the bottom of the margin a text in Latin about the children of Jupiter.

Child with guardian angel. A little boy is taken by a guardian angel that points to cherubs in the air. Text in undermarge.

Ezra, angel and appearance of a woman. Ezra lying, with angel (uriel) who points to a appearance of a woman. Four performances around the main performance with other episodes from the Apocryphal Book Ezra. In three frameworks referrance to the passages from Ezra 4.

The seven virtues; Mythological and allegorical performances. The seven personalized virtues in a landscape. In the foreground is seen on the back, caution (prudentia), with two hoses and a hand mirror, and with a second face on her mind. Right in the foreground is strength (fortitudo), with a column. In the middle is love (caritas) with two children. On the right is moderate (temperantia), which fluid from a can pour into a glass. In the background, justice (Justitia) is with sword and scales and faith (fides) with crucifix and goal. On the left the chained hope, with an anchor at her feet. At the bottom left of a mentied 7.

Christ in the Hof van getemane, Jerome Wierix, after Bernardino Passer, 1593 print Christ prays in the court of Getsemane. An angel with a chalice appears from heaven. His students are sleeping in the background. Judas enters the garden through the gate and the soldiers points the place where Christ prays. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Christ's prayer in the Garden of Gethsemane during the night

Birth of the Virgin, Sante Bartoli Pietro, After Francesco Albani, 1645 - print Anna is in a bed on the right in the background after giving birth to Mary. In the foreground, a group of women is busy taking care of the newborn. Angels cash the scene from the air. Italy paper etching / engraving birth of Mary

Kruisoprichting.Christ is nailed to the cross. At the top hangs a paper with its name in different languages. Expulsions and soldiers are right in the ground. The people look. Left comes the soldier that runs the execution of Christ ride on horseback. In the background you can see how his soldiers carry one of the murderers, while a second is already tied to the cross. On the right the grieving Maria Magdalena surrounded by women and children. In the background John the Evangelist and Maria. In the margin a two-legged caption with an assignment in Latin.

The proclamation to the Herders, Jan Saenredam, After Abraham Bloemaert, 1575 - 1607 print paper engraving annunciation of Christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air

Flight to Egypt, Anonymous, After Rafaël, 1493 - 1570 print Mary and the Christ child sit up and a donkey and Joseph leads the way. Two angels bend a tree to Mary and the child so that they can reap the benefits. paper engraving the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass. angels

. Devils on boof paws drag or wear naked men and women towards the fires of hell. The print has a Latin caption and is part of a four-part series over the four extremes.

Faith, Hope, and Charity. Jacob Matham (Holland, Haarlem, 1571-1631). Holland, 1590. Prints; engravings. Engraving

Poor bed of the poor Lazarus, Theodoor Galle (Possible), 1581 - 1633 print Lazarus is lying on a straw bed and blows his last breath. Three angels in the air who take the poor Lazarus to heaven. The print has a Latin inscription and is part of a series about parable of the rich man and Lazarus paper engraving Lazarus dies: his soul is carried into Abraham's lap by angels

Virgil Solis, The Last Judgment The Last Judgment

Proclamation to the shepherds, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1611 print paper engraving annunciation of Christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air. dog

Christ on the olive mountain. Christ prays at a rock in the court of Getemane, while leaving the disciples behind him.

. Christ's body is achieved by Nikodemus, Joseph and two unknown men from the cross. Maria, Johannes and Maria Magdalena are sitting on the floor and grieving. The performance is caught in an oval frame with a peripheral panel. Print from a series with the passion of Christ.

Resurrection of Christ; Passion of Christ; Passionis et resurrectionis. Christ rises from his grave. The soldiers who are scared and flights around the grave. On the right in the background the arrival of the three holy women at the grave. In the margin a caption in Latin. Print from a series of fifteen with the passion of Christ.

Romeyn de Hooghe, Raising of Lazarus with Scenes from the Life of Christ, Dutch, 1645-1708, etching on laid paper

Depiction of Christ on the Mount of Olives by Abraham van Diepenbeeck using brown feather, gray brushwork, and black chalk highlights.

Ascension of Christ; Thesaurus Sacrarum historiarum Veteris Testamenti (...). Christ, with hands raised, is included in heaven. His students and Mary are full of wonder. Under the show a reference in Latin to the Bible text in Luc. 24.

Paid of Christ. .

Holy Family, Cornelis Schut (I), 1618 - 1655

The eight blesses; Octo Beatitudines. Christ speaks, seated in the outdoors in the middle of a number of people, about the eight blesses. To make the show an ornamental edge with imaginations of the various bliss and the associated bible texts. In the four corners of the printing small portraits of the evangelists. Under the show two Latin lines (Matthew 5: 11).

Vision of the rich man in hell. The rich man in hell with demons and devils. In a vision he sees the poor Lazarus on the shot of Abraham. The patriarch dismisses the congregates of the rich man with a hand gesture. The print has a Latin caption from the Bible (Luc. 16).

Paid of Christ. Maria is under a tree and looks up. She supports the head of Christ whose body lies on her on a rock. Maria Magdalena coast Christ's "left hand and John the evangelist is behind her. A few passion tools. The performance is caught in an oval, engraved frame.

Repentance brings truth to light and sees God's justice, Dirck Volckertsz. Coornhert, After Adriaan de Weerdt, 1566 - 1578 print Man tears open his heart. The personification of truth (Veritas), a naked woman with a radiant sun on the forehead, emerges from the earth. Above man appears justice (Justitia), with her attributes (scales and blindfold). Justice shows man a crucifix. If man repentance (Poenitens) shows for his sins, truth comes to light. Due to repentance and truth, man now has a view of God's justice. The print has a Latin and a Dutch caption and is part of a series about the triumph of truth. paper etching / engraving Truth; 'Verití' (Ripa). repentant sinner, sinner turning to Christ. heart symbolism. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues - MM - triumph

Saint Camillus de Lellis: he is presented to Christ on the Cross, who encourages him to found the order of Camillians. Line engraving by D. Miserotti after F. Torelli.

. Men and women worship the, in the eyes of the Christian faith, pagan God Zeus in altars in a temple, they bring sacrifices like a young bull. This idolatry is disrupted by an angel that appears surrounded by light rays and shows a chalice with host to them. This is the left leaf of two loose prints that form a whole. In the margin throughout on both sheets, a Latin fresh is in six lines.

Proclamation to the shepherds. .

Christ in the court of olives; Passion, death and resurrection of Christ; Passio, Mors et resurrection DN. Noostri Iesu Christ. Christ prays to God in the court of olives. Three of his students sleep next to him. In the clouds an angel appears to comfort Christ (Matthew 26: 37-45). In the background, Judas rejects the soldiers where Christ prays. The print has a Latin caption and is part of a series about the life of Christ.

Bergrede, Heinrich Vianden, 1824 - 1899 print Germany (possibly) paper etching Christ's sermon on the mount (Matthew 5-7)

A copper engraving print by Pierre Mignard from 1660-1703 depicting the Baptism of Christ, including figures, river, landscape, and religious symbolism.

The final judgment. Christ as a judge on clouds. He is surrounded by angels, men and women. In the middle of God the Father and the Holy Spirit in the form of a pigeon. Under the corrupt souls are thrown by devils in the Hellemond. In the background on the left, the good souls are guided to the top by angels.

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Collaert, Adriaen, Den Grooten Figuer-Bibel, Icones Revelationum S Iohs Evangeliste in Pathmo, Revelation of John on Patmos, Van den Apocalipsis oft Openbaeringh Iohannis, Adoration of the Lamb on Mount Zion and three preaching angels, bottom right on album page - handwritten in brown ink, The Lamb on Mount Zion surrounded by people. God the Father on his throne, surrounded by the four living creatures and the elders. In the middle three angels: the first holds the everlasting gospel and announces the day of judgment, the second the fall of Babylon. The third angel warns against the worship of the beast and the image, because as punishment one will have to drink the wine of God's wrath. Below the image a reference in Latin to the Bible text in Op. 14:1. This print is part of an album., print, album leaf, prints, 210, height 85 mm, width 78 mm, Southern Netherlands (before 1775), 1560 - 1618-0

Angels wear the holy Cecilia to heaven, François Spierre, after Domenichino, 1649 - 1681 print paper engraving / etching female saints (with NAME). angels

Abraham leaves Haran, Cornelis Visscher (II), after Jacopo Bassano, 1638 - 1658 print Abraham leaves for God's order with Lot from Haran. A procession of people and animals passes through a gate. In the foreground all kinds of household goods, pots and pans. From heaven, God looks at the departure. Biblical show from Gen. 12: 4-5. Haarlem paper etching / engraving Abraham starts out for the land of Canaan with Sarah, Lot and his belongings

Sadeler, Johann (I), Raphaël (I), Vos, Maerten de, Keulen, Scenes from the Old Testament, Sacrifice of Noah after the Flood, verso lower left - stamped, After the Flood, Noah and his family sacrifice a bull on an altar. God approves the sacrifice and appears in heaven. The fourth print from a nine-part series with scenes from the Old Testament., print, prints, width 195 mm, height, 242 mm, South Netherlands, 1560, print maker, printmaker, 1580 - 1580, paper, engraving, engraving (printing process), etching, Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher, 1550 - 1600-08

Offer by Abraham, Jan Punt, After Jacob de Wit, after Peter Paul Rubens, 1747 print An angel keeps Abraham from sacrificing his son on the altar. Under the octagonal performance a verse in Latin from Gen. 22: 11-12. Amsterdam paper etching / engraving when Abraham has his hand raised to kill Isaac, an angel restrains Abraham's hand Carolus Borromeuskerk

Birth of Isaac; History of Abraham. Sara next to the baby shower. She is supported by a few people after she has just gave birth to her son Isaak. A midwife holds the baby. The print is part of a series about the history of Abraham.

A feather and lead handle drawing depicting the Baptism of Christ, with applied white highlights and visible crack at the lower right corner.

Maaltijd in Emmaüs.Christ at a table with two disciples. He is recognized because he blesses the bread and will disappear before the eyes of the students. Imagination of the Bible text: Luc. 24: 30.

Separating the sheep and the bokken and the last judgment; Seven works of mercy; Thesaurus Sacrarum historiarum Veteris Testamenti (...). The Archangel Michael separates the sheep of the bokken. Christ's tront on the clouds, flanked by Maria and Johannes. The dead are led by angels to heaven (left) or led to hell (right). Under the show a reference in Latin to the Bible text.

A drawing by Christian Leberecht Vogel from 1775-80 depicting Christ on the Mount of Olives, executed with gray brush, lavated, white highlights, over chalk traces, showing figure and landscape elements.

Last Judgment, Johannes Wierix, After Michelangelo, After Martino Rota, 1549 - Before 1579 print Christ acts as a judge. He stands on a cloud next to Maria. With his raised arm he makes an imminent gesture. He is surrounded by groups with cherubies, saints and apostles. Entirely at the bottom of the damned people who are taken by Devils to hell and are tortured there. Charon transferring the dead with his boat. At the top a portrait of the painter Michelangelo, at the age of 73. The print was made to its fresco in the Sixtine Chapel in Rome. unknown paper engraving comprehensive representation of Last Judgement: Christ (with sword and lily), often surrounded by elders and sometimes accompanied by Mary and John the Baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the Passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils. Charon, the ferryman

The Assumption of the Virgin, 1517. Domenico Campagnola (Italian, 1500-1564). Engraving;

Last Judgment, Jan Luyken, 1708 print Amsterdam paper etching Last Judgement

The Birth of the Virgin 16th century Anonymous, French, School of Fontainebleau, 16th century French. The Birth of the Virgin 368856

Copper engraving by Pierre Perret, 1583, depicting the conversion of Paul, showing figures, gestures, and biblical narrative from Acts.

Proclamation to the shepherds; Youth of Christ; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. An angel proclaims the birth of Christ to the shepherds who are in the field with their sheep. On the right in the background the stable with Maria and Jozef at De Kribbe. Under the show a reference in Latin to the Bible text in Luc. 2: 8. This print is part of an album.

The martyrdom of the Holy Justina van Padua (upper half), Agostino Carracci, After Paolo Veronese, 1567 - 1602 print God the Father, Mary and Saint John () Floating on clouds. They are surrounded by putti and musician angels. paper engraving St. Justina of Padua is stabbed in the chest; Christ, Mary, and saints may appear to her. cupids: 'amores', 'amoretti', 'putti'. angels singing, making music

Angels with the body of Christ, Vespasiano Strada, c. 1592 - 1622 print Four angels down the body of Christ in the tomb. Italy paper etching Christ lamented by angels

'Eternally' and 'temporarily' weighted; The scales.

Anonymous drawing depicting the Holy Family with Zacharias and Elisabeth, executed in brown pen with gray wash and traces of lead stylus.

Ascension of Christ, Francesco Bartolozzi, After G. Guarana, 1739 - 1780 print Bottom half of a print printed of two plates. The Ascension of Christ. Mary, the apostles and an angel look up at the rising body of Christ. print maker: Italyafter painting by: Italypublisher: VeniceVenice paper etching / engraving Christ ascends into heaven; apostles (and Mary) beneath

The Virgin seated on clouds being crowned by angels 1530-60 Master of the Die Italian. The Virgin seated on clouds being crowned by angels 396168

The four apocalyptic riders. In the middle an apocalyptic rider with arrow and bow. Around him a rider with balance, one with saber and one with sword. In the background right (on earth) the apostle John with his attribute the eagle, watching the riders in the clouds.

Christ child sleeping on a cross is worshiped by two angels, Abraham Bosse, 1637 print paper etching / engraving Christ-child sleeping on the cross. Christ-child sleeping on the cross (+ angel(s)). flowers: rose. angels

Sacred virgin. A group of figures. Four mature women: Maria, Anna, Maria-Klopas and Maria-Salome. Three adult men: Alpheus, Zebedëus and Joseph. Three children: Christ and possibly John the Evangelist and Simon (later Petrus).

Graflegging van Christ, Giles Sadeler (2), 1624 - c. 1650 print The body of Christ is supported by two angels. In the middle Mary Magdalena with an urn with holy oils. print maker: Praagpublisher: Venice paper engraving Christ's entombment (possibly by angels) (+ angel(s))

Resurrection. The risen Christ floats above the open grave with a banner in his hand. The soldiers are sleeping in the foreground. Some of them look into the grave. On the right the women arrive that the angel sits on the tombstone.

. The third creation day: an angel separates the land of the water from the sea. The country is presented as a naked man with a root in his hand and with a headdress of plants, trees and flowers. The sea is being personalized by a woman with shell in hand and shells in her hair. To the Bible text in Gen. 1: 9-13.

L'Assomption de la Vierge Jean Morin French. L'Assomption de la Vierge 369252

Fall of the damned. Angels throw the damned in hell. Presentation consisting of two parts.

Charles-Joseph Natoire drawing of Maria Immaculata appearing to St. Anna and St. Joachim, executed in black chalk, ink, feather, wash, and watercolor, 1751-1777.

The curses enter hell; The final judgment. Round representation of the arrival of the cursed in hell. Devilish beings pull the souls down. To the show Bible texts in Latin. This print is part of a series of four round prints with last judgment scenes.

H. Gregorius van Nazianze de Jongere, Jan Punt, After Jacob de Wit, after Peter Paul Rubens, 1751 print The Holy Gregorius of Nazianze de Jonge drives a monster with his bishop's staff (the heresy). An angel flies above him. Under the octagonal performance a inscription in Latin. Amsterdam paper etching / engraving St. Gregory of Nazianzus fighting against heresy, trampling Lucifer Carolus Borromeuskerk

Cross direction, left part. The soldier who leads to Christ's execution is coming on horseback. In the background you can see how his soldiers carry one of the murderers, while a second is already tied to the cross.

Triumphal trip of Christ with figures from the old and new testament (first part), Nicolas de Larmessin (I), 1687 - 1694 print publisher: ParisFrance paper engraving / etching triumphs (allegorical and symbolic). Adam and Eve (not in biblical context). Abel (not in biblical context); possible attributes: sheep. story of Noah. Aaron (not in biblical context); possible attributes: attributes of Aaron: censer, dressed as high priest or bishop, ointment jar, rod or flowering wand

Bassano, Jacopo, Amsterdam, Visscher, Cornelis (II), Haarlem, Abraham leaves for Sichem, Annunciation to the shepherds, verso - stamped, This print has been used to illustrate two different biblical scenes. Firstly, 'Abraham leaves for Sichem'. Abraham looks at an angel who has appeared in heaven. The angel shows him the way to the city of Shechem, in the region of Canaan. Abraham is surrounded by shepherds and a shepherdess who is milking a sheep. In the background of the hilly landscape lies a village and several shepherds are busy with their cattle. Secondly, the print has been used to illustrate the subject 'The Annunciation to the Shepherds'., print, prints, height 314 mm, width 382 mm, Northern Netherlands, 1629 - 1658-01-16, print maker, printmaker, 1638 - 1658, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Italian, 1515 - 1592-02-14

The Apostles looking at Christ and the Virgin in a Glory of Angels (top left plate) 1546 Léon Davent French. The Apostles looking at Christ and the Virgin in a Glory of Angels (top left plate) 337391

The Mystic Marriage of Saint Catherine.

Annunciation, Hieronymus Wierix, After Hans Verheyden, 1563 - Before 1586 print Maria is kneeling on her desk. She looks over her shoulder at the angel Gabriel. He tells her that she will give birth to a son, which will be called Christ. Above them angels and the pigeon as a symbol for the Holy Spirit. Antwerp paper engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Ascension of Maria, Anonymous, After Giovanni Lanfranco, 1692 - 1762 print Maria rises to heaven on clouds, surrounded by putti and other figures. Above Mary is Christ among the clouds. print maker: Italyprint maker: Italyafter painting by: Romepublisher: Rome paper etching the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

John the Baptist is accompanied by angels when he moves the desert; The life of John the Baptist. John the Baptist as a child, walking with Kruisvaan through a landscape, accompanied by two angels next to him and three above his head. The lamb runs out for him. Under the show a Latin fresh.

Bishop surrounded by seven angels; Dome decorations by Correggio in the S. Giovanni Evangelista in Parma. A bishop on clouds surrounded by seven angels.

Etching by Noël Le Mire depicting the birth of Christ, showing Mary, Joseph, and the infant Jesus with shepherds and symbolic animals in a stable, illustrating biblical nativity scene.

Pope, Alexander .

Vision of John the Evangelist with a throne God and the twenty-four seniors; Revelation (apocalypse). Theme from the Revelation (Apocalypse) by Johannes de Evangelist. John kneels and sees God on a throne in heaven in a vision, in his hand he holds a book and next to him is a lamb with seven horns and seven eyes. There are seven burning torches before the throne. It is surrounded by the four symbols of the evangelists, the OS, eagle, lion and angel. They threaten twenty-four elders with incense scales and golden crowns, these elders are not all displayed on the print.

Saint Mary Magdalen. Reproduction of drawing by B. Luti.

Albrecht Dürer (1471-1528). The veil of the holy face run by an angel (Bartsch 26). 1516. Museum of Fine Arts of the City of Paris, Petit Palais. 77213-22 Chretian art, religious art, bible, Christianity, biblical character, holy character, biblical rear, Christian religion, renaissance, biblical scene, religious scene, life Christ, 16th XVI 16th 16th 16th 16 century, engraving

Adam and Eva are ashamed of their nudity. Adam and Eva are ashamed of their nakedness after they have eaten from the tree of good and evil. They cover with fig leaves and appear embarrassed for God the father as he is looking for them. At the bottom right of the hose with a dragon head. The print is part of an album.

God the Father and Moses on Mount Sinai. God the Father speaks with Moses on Mount Sinai. God is enveloped in clouds with fire. Three tompets put out of the cloud. On the right the camp of the Israelites. The print is part of an album.

The Annunciation, Study after Orazio Samacchini, Forli, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and light brown wash over black chalk on white laid paper, Angel of annunciation comes in from left while Madonna kneels at right, looking back to angel. Setting is curtained interior, with angels and putti on clouds above., Italy, Italy, 1810-20, figures, Sketchbook folio, Sketchbook folio

Christ saves souls from purgatory, Anonymous, After Andrea Mantegna, 1492 - 1550 print Christ stands for the entrance of the pre -bored or purgatory and puts a man's hand. On the left are half -naked men and women who are saved. paper engraving Christ leaving hell: he liberates patriarchs, prophets, kings and other persons from hell, among them Adam, Eve, Moses, David, and John the Baptist

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