Religious Medallions and Artifacts

Detailed depictions of antique religious medallions illustrating biblical scenes, saints, and artistic craftsmanship from different centuries.

Nativity Altarpiece, Church Interior, Altar

Italian 15th Century, Coronation of the Virgin; Adoration of the Magi Coronation of the Virgin; Adoration of the Magi

Saint. Archangel Michael Monastery in San Damiano and Our Lady of Różana

Goldsmith's art, 13th century. Processional cross in red jasper, gold and gems. Donated by Otto Visconti to Abbot Paolo da Besana, 1296. Back side. Detail: Saint Paul the Apostle.

Miniature Altarpiece with the Crucifixion early 16th century Netherlandish Mary, Jesus mother, her head covered with a veil and her back to us, is almost lost in the crowd at center. Saint John gently places his hand at her back, protecting her from the clamor of men and horses. Close to the Cross, the Roman centurion Longinus touches his eye, which, according to the Golden Legend, was miraculously cured by blood and water that dripped from Jesus side.The left wing shows Abrahams sacrifice of his son, understood by Christians to presage the Crucifixion; at right, the healing power of the Crucifixion is compared to Gods favor toward the Israelites. With Moses they gather beneath a great bronze serpent that has been set atop a pole at Gods command, with the promise that a mere glance at the serpent would cure poisonous snake bites. In the roundel below is Christs Resurrection on Easter Sunday. In the left wing, Samson carries away the doors of the city of Gaza, a remarkable display

Nativity second half 19th century-early 20th century probably French. Nativity 461543

. Chimney piece in a room of a dollhouse; Leading the biblical history of Christ who blesses the children or literally 'come to itself. The scene takes place for the temple in a mountainous environment. Signed: J. v. Wood (still vague).

. Enameled and gold-plated plate of red copper, rectangular with triangular point above, from a reliquium, it was one of the narrow edges. On an engraved golden fond, with pattern of Romanesque tendrils, the apostle Petrus in a scraper of blue email is about a green robe in an arcade. Narrow yellow edges walk along the plowature of the copper lines of the Champlevé. He is wearing the key in the left hand, in the judge a book. The face, hands and the book are saved and engraved in red copper, the bare feet are plated. The disc-shaped aure skin is black email with a decor of white and yellow discs with brown-red core. Copper nails serve to the connection of the cabinet and are visible along the entire edge with heads. Also on the back traces of the bandage, namely by two rivets with double-headed crossbands of copper.

Quatrilobed Plaque: The Annunciation, c. 1350-1400. Spain, Catalonia, 14th century. Translucent enamel (basse-taille) on silver; overall: 8.3 x 8.3 cm (3 1/4 x 3 1/4 in.). These plaques were probably originally placed at the end of the arms of a processional cross. They are decorated in an enameling technique called basse-taille in which colorful translucent enamel pastes are fused over an engraved and chased silver plaque.

Shah of the Cross; Micha Küchmeister (Grand Master; 1414-1422); 1416-1422 (1416-00-00-1422-00-00);

SPAIN - LA RIOJA. Monasterio de Yuso; tesoro: marfiles tallados de arquetas / relicarios (s. XI)

Plaque with the Pentecost ca. 1150-75 South Netherlandish The Acts of the Apostles recounts how they were infused with the Holy Spirit fifty days after Easter, an event celebrated by the feast of Pentecost. In this plaque, the use of gilding and of enamel over metal foil creates a shimmery effect appropriate to this mystical scene. Along with others of the same dimensions including three in the main building of the Metropolitan Museumit once decorated an imposing church furnishing, such as an altar, candlestick, or large cross. Listen to experts illuminate this artwork's story Listen Play or pause #56. Plaque with the Pentecost Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Plaque with the Pentecost 470307

The Attarouthi Treasure - Chalice. Culture: Byzantine. Dimensions: Overall: 7 13/16 × 6 3/16 in., 12.4oz. (19.9 × 15.7 cm, 351g)Diam. of foot: 3 3/16 in. (8.1 cm)Diam. of knop: 1 5/16 in. (3.3 cm)Capacity of cup: 1100 ml. Date: 500-650.With a youthful Christ with cruciform halo flanked by a deacon saint with censer (probably Saint Stephen) and a youthful saint with staff,and the Virgin Mary in orant pose flanked by archangels, under arcadesInscribed in Greek: For his salvation Diodoros of the village of Attaroutha has offered this.The Virgin stands with her hands lifted in prayer. The orant pose--hands raised to heaven--is the earliest position for prayer in the Christian church. Museum: Metropolitan Museum of Art, New York, USA.

Cruz Relicario del fuste de la Veracruz, siglo XIV. Iglesia parroquial Santa Pau.

Plaque: The Crucifixion with Angels and Saints, c. 1400-1425. Northern Italy, Padua, 15th century. Verre églomisé (reverse gilded glass, engraved and painted); overall: 19.4 x 9.4 x 0.4 cm (7 5/8 x 3 11/16 x 3/16 in.). Small glass plaques like this were often combined with plaques of painted wood and framed within elaborate architectural reliquaries or small altarpieces. The decorative technique, called verre églomisé, is a process in which the reverse side of a glass is gilded and then engraved with designs. The pelican, shown above the cross piercing its breast to feed its young, became a common symbol of Christ's sacrifice on the cross.

Shah of the Cross; Micha Küchmeister (Grand Master; 1414-1422); 1414-1416 (1414-00-00-1416-00-00);

Cruz, siglo XIV, proveniente del monasterio de Sant Joan de les Abadesses, Museu Episcopal Vic (MEV).

CAMARA SANTA DIPTICO GOTICO DE MARFIL ESCENAS LA PASION. Location: CATEDRAL DE SAN SALVADOR-INTERIOR. Oviedo. ASTURIAS. SPAIN.

Manuel Capdevilla / Cruz altar, Monasterio de Montserrat, siglo XX. Colección privada. Author: MANUEL CAPDEVILA.

Shah of the Cross; Pawe von Russdorf (Grand Master; 1422-1441); 1425-1441 (1425-00-00-1441-00-00);

PLACA QUE NARRA LA VIDA DE BUDA - ORFEBRERIA HINDU. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Half of a Prayer Bead with the Prayer of the Rosary. Culture: Netherlandish. Dimensions: Diam. 1 3/16 × 1/4 in. (3 × 0.6 cm). Date: early 16th century.The paired medallions of this relatively modest carving not only illustrate the use of boxwood prayer beads but also seem to echo the recommendation of the fifteenth-century Dominican theologian Alanus de Rupe for praying the Rosary. He advised that the first fifty prayers be said before an image of the Virgin and Child and the second fifty before an image of Jesus crucified. Here, the robe of the woman kneeling in prayer, a string of beads in hand, touches that of Mary, and Jesus looks straight at her. Does she kneel before a statue, an image in her own head, or a miraculous apparition In the companion image, Mary, Saint John, and Mary Magdalene mourn the death of Jesus. Devotion has caused the collapse of time and space. Museum: Metropolitan Museum of Art, New York, USA.

Circular Box (Pyxis) with the Miracle of Christs Multiplication of the Loaves 6th century Byzantine In this depiction of the Miracle of the Loaves (Mark 8:1-6), an enthroned Christ is flanked by Saints Peter and Paul. Other disciples carry the loaves of bread he has miraculously produced to feed the multitude, loaves that the early church associated with the bread of the Eucharist. It is possible that containers like this were used in connection with the Divine Liturgy.. Circular Box (Pyxis) with the Miracle of Christs Multiplication of the Loaves 464317

Miniature Mountain with Shoulao (God of Longevity), the Eight Daoist Immortals, Scholars on Horseback, Monkey with Peach, and Deer with Mushroom of Immortality 1500-1599 China. Ivory .

Shah of the Cross; Konrad von Erlichshausen (Grand Master; 1441-1449); 1442-1449 (1442-00-00-1449-00-00);

Icon with Saint Demetrios. Culture: Byzantine. Dimensions: Overall: 7 3/4 x 4 3/4 x 3/8in. (19.7 x 12.1 x 1cm). Date: 950-1000.Standing erect, a spear in his hand and a shield at his side, Saint Demetrios is shown ready to protect the Christian faithful. The name of the popular Byzantine military saint is inscribed in two parts in Greek. Martyred in Thessalonike, the second most important city of the empire in the early centuries of the church, he has long been the patron saint of that metropolis. Images of saints in military dress are rare in Early Byzantine art (they appear on the chalices of the Attarouthi Treasure) but typical of the Middle Byzantine period. The cleft in the base of the frame may have supported a standard for carrying the image in processions or into battle. The holes drilled through the back indicate that it may have been used in the Latin West as a cover for a book. Museum: Metropolitan Museum of Art, New York, USA.

Double -sided gingerbread form: image of Madonna with children XVIII-XIX century (1790-00-00-1810-00-00);

Triptych with the Mandylion 1637 The Kremlin Armory Workshops, Moscow The frame honors the acheiropoieta, "not made by human hands," icon of Christ. The narratives on the doors tell its history from Christs leaving his image on the cloth with which he wiped his face on his way to Calvary through the cloths role as the protector of the kingdom of Edessa (in modern Turkey) and then its transfer to the Byzantine imperial capital in 944. In 1380 Muscovite armies, following the image on a battle standard, defeated the Mongols at the famous battle of Kulikovo. This elegant later work demonstrates the icons continuing importance to the Muscovite court.. Triptych with the Mandylion. Russian Painter , early 17th century. Russian, Moscow. 1637. Silver, partly gilt, niello, enamel, sapphires, rubies, spinels, pearls, leather, silk velvet, oil paint, gesso, linen, mica, pig-skin, woods: Tilia cordata (basswood or linden), white oak

Zu Miao (Ancestral Temple) was built during the reign of Emperor Zhezong (1076 - 1100 CE), the 7th emperor of the Song Dynasty (960 - 1276 CE). The temple is dedicated to Beidi, the Northern God, who is said to have power over the waters of Guangdong. Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty. It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.

This monster - who is traditionally identifed with the demon Kala - protected the entrances to Hindu and Buddhist temples against evil spirits. The stone was once placed above the entrance to one of the 240 small temples around the large Buddhist templecomplex of Candi Sewu. The monstrous head is flanked and venerated by a religious seer on each side.

Bell Głonka (Prussian coat of arms, with a pastor) Zygmuntów Tower, Wawel Cathedral, Krakow

P Yta - N. Mary Miss Trocka; Czapli Ski, Miko Aj (Fl. Ca 1710-1750); around 1750 (1745-00-00-1755-00-00);

Pointed oval seal of the collegiate church Church of Our Dear Lady on the Liebfrauenberg in Frankfurt am Main, Frankfurt, Germany, digitally restored reproduction of a 19th century original, exact original date not known, Europe

Two saints figures (probably not original), c. 1520 Two saints figures (probably not original) from the Breda Monstrans (BK-1981-2). Breda silver (metal) gilding Two saints figures (probably not original) from the Breda Monstrans (BK-1981-2). Breda silver (metal) gilding

Abruzzo, L'Aquila, Pescocostanzo, Basilica, Italy, 20th century, photo, photography, Europe

Emperor Xiaowen and his entourage worshipping the Buddha ca. 522-23 China Together with a companion piece showing an empress and her attendants (now in the Nelson-Atkins Museum of Art, Kansas City), this depiction of an emperor and his entourage once adorned the Central Binyang Cave (also known as Cave 3) in the Longmen complex, near Luoyang, in Henan province. It was positioned centrally on the northeast wall between a group of protective semidivinities above and a narrative debate scene below. Xuanwu commissioned the construction of the Central Binyang Cave in honor of his father, the emperor Xiaowen (r. 471-99), and his mother, the dowager Wenzhou (d. 494); the emperor and empress in the reliefs are therefore believed to refer to his parents. A figure wearing court garments and holding a tasseled baton leads the procession. He is followed by a smaller figure wearing armor and another who stands before the emperor, holding an incense burner. The trees originally indicated the point a

Our Lady of the Immaculate Conception

Plaque from a Tantric Ritual Apron (Chakrasamvara and Vajravarahi at Center) 16th century or later Nepal. Plaque from a Tantric Ritual Apron (Chakrasamvara and Vajravarahi at Center) 38711

Our lady of the immaculate design Basilica Notre Dame de Fourvire in Lyon Poncet, A.

Anonymous. "Saint Hermeland pray for us", 1848 (obverse). Paris, Carnavalet museum. Medal, numismatics

Thailand, Bangkok, Wat Benchamabophit aka The Marble Temple, Doorway Carving depicting Scene from The Ramayana

Bell Głonka (Prussian coat of arms, with a pastor) Zygmuntów Tower, Wawel Cathedral, Krakow

Worshipping Angels. Ugolino di Nerio (Italy, Siena, active 1317-circa 1327). Italy, circa 1325. Paintings. Tempera on panel

Fragment of an aurifries with embroidery of silk and gold thread, anonymous, c. 1500 - c. 1525 Fragment of an aurifries with embroidery. The embroidery has an image of a canopy including a saint (Prophet). The prophet has a stool in the hand, a beard, a flat hat and black -scgoed feet. England (possibly) silk embroidering Fragment of an aurifries with embroidery. The embroidery has an image of a canopy including a saint (Prophet). The prophet has a stool in the hand, a beard, a flat hat and black -scgoed feet. England (possibly) silk embroidering

The Vatopedi monastery, Greece , 1918 - Greece - Fernand Cuville - (September) (French - Le monastère de Vatopedi , Grèce). Christianity, monastery, decorative arts, saint, mosaic, Religion , Art

Saint. Archangel Michael fighting with the Dragon Zwornik sacristy, Wawel Cathedral, Krakow

Cruz Procesional, 1420. Iglesia parroquial de Ribera de Cardós, Lleida.

The resurrection of Christ. Roll, round, stained glass in the colors brown, yellow and red, with presentation of the resurrection of Christ. In the middle (to the right of the rock grave) Christ with the right hand raised and the crossbane in the left hand. In the foreground one sleeping and two awakening warfts. In the background the three holy women on the road from Jerusalem.

Filarete, Antonius Pius and Faustina Joining Hands (reverse), fourth quarter 15th century Antonius Pius and Faustina Joining Hands reverse

Cross 11th century Byzantine. Cross 473289

Inrö with Chinese Sages Playing Go and Walking beneathTrees

Saint and Golgotha (medallion) unknown

The Distribution of the Buddha's Relics. Pakistan, Gandhara region, 2nd-3rd century. Sculpture. Schist

Cruz de Les Perles, siglo XVI. Museu-Tresor de la Catedral de Girona / Museo Tesoro de la Catedral de Gerona.

Archonfrererian of the Holy Family, 19th century Archonfrererian of the Holy Family , XIXth century. Bronze.

Figure of Guanyin Seated on a Lotus Flower Against A Rocky Wall. Image of porcelain on opened pedestal, painted on biscuit in green, yellow and brown. Figure of Guanyin rising from swirling waves, sitting on a lotus against a wall of openwork rocks with bamboo branches; a carp in the waves; On either side of her a woman on a lotus, a man with folded hands (adorants) and two emblems; Top left Guanyin a warrior with sword on a cloud and a mandorla above her head. Three rock points demolished. Email sur biscuit.

25th anniversary of the pontificate of John Paul II (1978-2005) Dousa, stanis Aw

CALIZ DE SAN SEGUNDO - DETALLE DEL ESMALTE DEL NUDO CENTRAL - SANTO - SIGLO XIV. Author: PETRUCCI ANDREA-ORFEBRE (SIGLO XIV). Location: CATEDRAL-INTERIOR. AVILA. SPAIN.

ARCA DE LOS MARFILES:RELICARIO DE SAN JUAN BAUTISTA Y SAN PELAYO-1059:APOSTOLES,S.MIGUEL. Location: COLEGIATA DE SAN ISIDORO. LEON. SPAIN.

. The cross that would originally have been placed on this stand was flanked by the two angels. They point upwards, to where the crucified Christ originally hung, and thus summon the beholder to worship him. The monster heads below them symbolize the demonic evil conquered by Christ.

Italian 16th Century, Faith Pointing to Heaven (reverse), 16th century Faith Pointing to Heaven reverse

Double Diptych Icon Pendant early 18th century Amhara or Tigrinya peoples In the seventeenth century, Ethiopian artists were increasingly exposed to forms of expression from Europe. During this period, double-sided diptychs became popular among the nobility as pendant icons worn suspended by a cord around the neck. The subject matter depicted on this example is a standard program for this genre of personal icon, as are the intricately carved cruciform designs that enhance the exterior surfaces of the protective covers.This icon is a classic example of the painting style developed during the late seventeenth century at Gondar, the trading center where King Fasiladas (r. 1632-67) established his capital. Portrayed frontally with slightly turned heads and simple, iconic gestures, the figures are superimposed upon neutral backgrounds. Bodies are delineated with thick black outlines, while faces are composed of flat areas of pink and orange. Curving lines and attenuated arcs are employed to

Gravestone of Muhammad ibn Abi Bakr, died Shawwal A.H. 532/ June/July A.D. 1138 dated A.H. 532/A.D. 1138 The inscription states that it is the tombstone of the Shaykh, the martyr Jamal al-Qura' Muhammad b. Abi Bakr b. Amin al-Muqri' Khwajakak.” Shaykh” identifies the deceased as a scholar, Sufi, or social leader, while martyr” suggests that his death did not occur naturally. The son of a muqri' or Qur'an reciter, Jamal is characterized as al-Qura',” an ascetic. Khwajakak” is related to the Persian word for merchant, possibly his occupation.. Gravestone of Muhammad ibn Abi Bakr, died Shawwal A.H. 532/ June/July A.D. 1138 456222

Cruz de Santa Eulalia, 1383. Catedral de la Santa Creu i Santa Eulàlia de Barcelona.

Francesc Costa, Cruz Procesional, 1414, Iglesia parroquial Santa Coloma de Queralt.

On memory Baptism; 1895 (1895-00-00-1895-00-00);Christ (iconogr.), Christ standing (iconogr.), Baptism, Partage Plus, branches, palm branches, flowers, occasional, roses, secession (style)

Mantuan 16th Century, Pyxis of the Blood of Christ (reverse), 16th century Pyxis of the Blood of Christ reverse

The ancient book The ancient book on a light background Copyright: xZoonar.com/ValeryxxSibrikovx 2485101

Sacred heart of Mosinges church. Symbol of eucharist : bread and vine..

Medal commemorating the 400th anniversary of the Madonna Del Sanguue sanctuary in Johnson, Stefano

Gold Solidus of Constans II (641-68) 654-659 Early Byzantine A cross on steps is thought to represent the great cross that the emperor Theodosius II (r. 408-50) erected on Golgotha, the site of Christ's crucifixion.Coins connected an emperor to his subjects. He paid the army in coins, received taxes in coins, and was responsible for maintaining their weight and purity. These coins of early Byzantine emperors conveyed imperial ideals through inscriptions and images.. Gold Solidus of Constans II (641-68) 462768

Priestess

Case (Inrō) in the Shape of an Ink Stick with Design of God of Longevity (Jurōjin), Reading beneath a Star Constellation (obverse);Twelve-Character Inscription (reverse) 19th century Shibata Zeshin Japanese. Case (Inrō) in the Shape of an Ink Stick with Design of God of Longevity (Jurōjin), Reading beneath a Star Constellation (obverse);Twelve-Character Inscription (reverse) 45448

as. Eliusz (następca Hadriana ; 137), heir to the throne

Token of the Brotherhood of surgeons of Paris, under the invocation of St. Cosmas and Damian, vintage engraved illustration. Magasin Pittoresque 1857.

Shah of the Cross; Konrad von Erlichshausen (Grand Master; 1441-1449); 1442-1449 (1442-00-00-1449-00-00);

Historical illustration from the 19th Century, commemorative coin for Girolamo Hieronymus Savonarola, 1452 - 1498, an Italian Dominican and preacher of repentance

Joseph Hippolyte Guibert (1802-1886), Archbishop of Tours (1857-1871), Archbishop of Paris (1871-1886), Cardinal (1873), 1871 Joseph Hippolyte Guibert (1802-1886), Archbishop of Tours (1857-1871), Archbishop of Paris (1871-1886), Cardinal (1873). Golden bronze, 1871.

Musica votive offering depicting El Dorado ceremony. Figures on raft, Guatavita. Colombia.

Proclamation of the dogma of the Immaculate Conception by Pius IX, 8 December 1854 Proclamation of the dogma of the Immaculate Conception by Pius IX, 8 December 1854 ". Copper | Silver = Argenture. 1854.

Asclepius God of medicine, healing, rejuvenation and physicians. Isolated on white. Copyright: xZoonar.com/unknownx 3515366

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