Religious Prints from the Renaissance

Historic prints illustrating Christian themes, including Christ's miracles and birth. The style is detailed and traditional, highlighting biblical narratives through etching.

Priest with two altar boys for an altar, Sébastien Leclerc (I), 1661 print Numbered in the bottom right: 14. France paper etching / letterpress printing altar with altar-piece. priest (Roman Catholic). chalice

Christ heals a leper, anonymous, anonymous, 1536 print paper Christ healing lepers

Birth of Christ, Anonymous, Anonymous, 1536 print paper story of the birth of Christ (Luke 2:1-20)

Christ on the cross with longinus who puts him in his side, anonymous, c. 1550 - c. 1600 print paper letterpress printing crucified Christ with Mary, John, and Mary Magdalene - DD - the three crosses. Longinus pierces Christ's side with a lance

Holy Fides, Michel Wolgemut (workshop of), 1493 print A flower chalice with a holy woman, recognizable by the Nimbus around her head. The text identifies her as the holy fides. The print is part of an album. paper letterpress printing martyr(s) (often with palm-branches). saints

Priest with two altar boys for an altar, Sébastien Leclerc (I), 1661 print Numbered in the bottom right: 175. France paper etching / letterpress printing altar with altar-piece. priest (Roman Catholic)

Bela, Michel Wolgemut (workshop of), 1493 print A flower chalice with a bearded man, turned left. The man has a flower in his hand. The text identifies him as Bela, the eighth son of Nachor. The performance is a fragment of the family tree of Christ in the Liber Chronicarum. The print is part of an album. paper persons from the Old Testament (not in biblical context, nor occurring in legendary/historical extensions included in Division 71)

Priest blessing the host and the miswijn for an altar, Sébastien Leclerc (I), 1661 print Numbered in the bottom right: 20. France paper etching / letterpress printing altar with altar-piece. priest (Roman Catholic)

Priest with two altar boys for an altar, Sébastien Leclerc (I), 1661 print Numbered in the bottom right: 14. France paper etching / letterpress printing altar with altar-piece. priest (Roman Catholic). chalice

Christ In the Temple, Anonymous, Anonymous, 1536 print paper story of the twelve years old Christ in Jerusalem (Luke 2:41-52)

Priest with two altar boys for an altar, Sébastien Leclerc (I), 1661 print Numbered in the bottom right: 31. France paper etching / letterpress printing altar with altar-piece. priest (Roman Catholic)

Temptation of Christ, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing 'command these stones to become loaves of bread' ~ temptation of Christ in the wilderness

Priest with two altar boys for an altar, Sébastien Leclerc (I), 1661 print Numbered in the bottom right: 12. France paper etching / letterpress printing altar with altar-piece. priest (Roman Catholic)

Holy Tomas in a roll work Framing, Virgilius Solis, 1568 print Numbered at the top right: 7. Nuremberg paper engraving / etching scrollwork, strapwork ~ ornament. the apostle Thomas; possible attributes: book, chalice, girdle, heart, lance or spear, scroll, square, stones. death of Thomas: he is brought out of the city by four soldiers, who kill him with their lances

Christ speaking with the Jews who want to stonen Him, Anonymous, Anonymous, 1536 print paper attempts to stone Christ (John 8:59, 10:31-33)

Priest with two altar boys for an altar, Sébastien Leclerc (I), 1661 print Numbered in the bottom right: France paper etching / letterpress printing altar with altar-piece. priest (Roman Catholic)

Priest with hostie and two altar boys for an altar, Sébastien Leclerc (I), 1661 print Numbered in the bottom right: 13. France paper etching / letterpress printing altar with altar-piece. priest (Roman Catholic). Communion ~ Holy Mass

Annunciatie Virgil, 1524 - 1562 print Nuremberg paper engraving / etching the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Priest for an altar with two altar boys, Sébastien Leclerc (I), 1661 print Numbered in the bottom right: 5. France paper etching / letterpress printing altar with altar-piece. priest (Roman Catholic)

Christ heals a sick, anonymous, anonymous, 1590 print paper miracles of Christ ~ healing the sick

Saint Laurentius, Michel Wolgemut (workshop of), 1493 print A flower challenge with the martyr Laurentius. He has a nimbus on his head and a rectangular grid in his left hand. The print is part of an album. paper letterpress printing martyr(s) (often with palm-branches). the martyr and deacon Laurence of Rome; possible attributes: book, censer, cross, dalmatic, gridiron, palm, purse (or cup with golden coins)

Collection, 1523 Christ is imprisoned and taken by soldiers. Print is part of a book. Amsterdam paper Christ is imprisoned and taken by soldiers. Print is part of a book. Amsterdam paper

Cross, 1600 - 1699 print Netherlands paper letterpress printing Christ disrobed.

Christ on the cross with longinus that puts him in his side, anonymous, 1591 print Maria and Maria Magdalena are left. paper letterpress printing Longinus pierces Christ's side with a lance. crucified Christ, with particular persons under the cross

Visioen from Jeremiah announcing the fall of Jerusalem, Anonymous, After Hans Sebald Beham, 1530 - 1533 print paper Jeremiah prophesying the destruction of Jerusalem Jerusalem

Februari, anonymous, 1600 - 1699 print paper letterpress printing February ~ other concepts (+ with Pisces (February)). Christ in a boat with the apostles, talking or sleeping

Priest with two altar boys for an altar, Sébastien Leclerc (I), 1661 print Numbered in the bottom right: 33. France paper etching / letterpress printing altar with altar-piece. priest (Roman Catholic)

Pope in Bloemkelk, Michel Wolgemut (workshop of), 1493 print A flower challenge with a pope. He is wearing a tiara and has a staff with a double cross in his hands. The Nimbus around his head says that the pope has been declared holy. The performance is part of the succession popes in the Liber Chronicarum. The print is part of an album. paper letterpress printing pope

Veronica shows the Sudarium to Maria and Johannes, 1523 Veronica shows the Sudarium, the sweat cloth with the print of the face of Christ, to Mary and John. Print is part of a book. Amsterdam paper Veronica shows the Sudarium, the sweat cloth with the print of the face of Christ, to Mary and John. Print is part of a book. Amsterdam paper

Cross, 1600 - 1699 print Netherlands paper letterpress printing first fall ~ Christ carrying the cross.

Beor and Balaam, Michel Wolgemut (workshop of), 1493 print Two flower skins with two men. The text identifies them as Beor and Balaam, sons of US. The performance is a fragment of the family tree of Christ in the Liber Chronicarum. The print is part of an album. paper letterpress printing persons from the Old Testament (not in biblical context, nor occurring in legendary/historical extensions included in Division 71)

Averroes, Michel Wolgemut (workshop of), 1493 print A flower chalice with a man. He is wearing a hood. The text identifies him as anverroes, an Islamic lawyer, doctor and philosopher. The print is part of an album. paper letterpress printing

Cross, 1600 - 1699 print Netherlands paper letterpress printing the erection of the cross: Christ is nailed to the cross which lies on the ground.

Holy Bartolomeus in a roll work Framing, Virgilius Solis, 1568 print Numbered at the top right: 6. Nuremberg paper engraving scrollwork, strapwork ~ ornament. the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff. Bartholomew flayed alive

Kruisiging van Christ, Virgil, 1558 print Nuremberg paper the crucifixion of Christ: prelude to Christ's death on the cross (Matthew 27:34-44; Mark 15:23-32; Luke 23:33-43; John 19:18-24)

Bilha and her two sons, Michel Wolgemut (workshop of), 1493 print Three flower skins with three figures. The text identifies them as Bilha (a woman of Jakob) and her two sons Naftali and then. The performance is a fragment of the family tree of Christ in the Liber Chronicarum. The print is part of an album. paper letterpress printing persons from the Old Testament (not in biblical context, nor occurring in legendary/historical extensions included in Division 71)

Koning Rezin, Michel Wolgemut (workshop of), 1493 print A flower chalice with a king, turned to the left. The man has a scepter in his hands. The performance is part of the Suri Kings Survation in the Liber Chronicarum. The text identifies it as Rezin (or Rasin). The print is part of an album. paper letterpress printing king. persons from the Old Testament (not in biblical context, nor occurring in legendary/historical extensions included in Division 71)

Cross, 1600 - 1699 print Netherlands paper letterpress printing Christ meets Veronica, who has a cloth to wipe Christ's face.

Paus Vigilias, Michel Wolgemut (Workshop of), 1493 print A flower challenge with a pope. He is wearing a tiara and has a Bible and a staff with a double cross in his hands. The performance is part of the succession popes in the Liber Chronicarum. The text identifies the man as Vigilius. The print is part of an album. paper letterpress printing pope

Cross, 1600 - 1699 print Netherlands paper letterpress printing third fall ~ Christ carrying the cross.

Christ instructs his disciples, 1600 - 1699 print Netherlands paper Christ explaining his doctrine to the apostles and disciples

Ahia, Michel Wolgemut (workshop of), 1493 print A flower chalice with a man. He wears a hood on his head. The text identifies him as the prophet Ahia. The print is part of an album. paper letterpress printing persons from the Old Testament (not in biblical context, nor occurring in legendary/historical extensions included in Division 71)

Mary to the materlosa mater, 1523 Maria is sitting on the floor with folded hands. Her heart is pierced with a sword. Joseph is sitting next to her. Print is part of a book. Amsterdam paper Maria is sitting on the floor with folded hands. Her heart is pierced with a sword. Joseph is sitting next to her. Print is part of a book. Amsterdam paper

Cross, 1600 - 1699 print Netherlands paper letterpress printing Christ bewailed by women of Jerusalem; sometimes he consoles them.

Cross, 1600 - 1699 print Netherlands paper letterpress printing the dead Christ in Mary's lap.

The five wise and the five silly virgins are awakened by an angel, 1589 - 1611 print The five wise and the five silly virgins fell asleep because the groom was delayed. They are awakened by an angel who shouts that the groom is coming. In the margin a four -line caption, in two columns, in Latin that refers to the sleeping virgins and the voice that arouses them. This print is part of an album. paper engraving when the bridegroom arrives, all wake up and the foolish virgins ask the wise virgins oil for their lamps

Martelaar Maximilian, Michel Wolgemut (workshop of), 1493 print Half a man bishop. He has a nimbus on his head and a crooked apartment in his hands. The text identifies it as the Martelaar Maximilian. The print is part of an album. paper letterpress printing archbishop, bishop, etc. (Roman Catholic). saints

Enoch and his wife, 1493 print A flower chalice with an old man with a beard and a woman on the right. The performance is a fragment of the family tree of Christ in the Liber Chronicarum. The text identifies the man as Enoch. The print is part of an album. paper letterpress printing persons from the Old Testament (not in biblical context, nor occurring in legendary/historical extensions included in Division 71)

Boaz, Michel Wolgemut (workshop of), 1493 print A flower chalice with a man with turban, turned his head to the left. The text identifies him as Boaz, son of Salman. The performance is part of the family tree of Christ in the Liber Chronicarum. The print is part of an album. paper letterpress printing persons from the Old Testament (not in biblical context, nor occurring in legendary/historical extensions included in Division 71)

Abisag kneels for David, Anonymous, After Hans Sebald Beham, 1530 - 1533 print paper the Israelites lead Abishag before David

Noble lady in contemporary (modern) clothing of the Kingdom of Naples, Christoph Krieger, After Cesare Vecellio, 1598 Because the Kingdom Naples consists of seven provinces, there are various clothing styles. The noble ladies wear high closed robes and richly embroidered overclocking from colored silk. Under the skirts, the fardegaline is worn (so that the skirt takes on the shape of a bell) instead of a body, a wambuis with sleeves of gold or silver-colored side that is attached to the skirt with knots. It is called 'Robba'. High pleated remedy around the neck, veil in the hair. paper Because the Kingdom Naples consists of seven provinces, there are various clothing styles. The noble ladies wear high closed robes and richly embroidered overclocking from colored silk. Under the skirts, the fardegaline is worn (so that the skirt takes on the shape of a bell) instead of a body, a wambuis with sleeves of gold or silver-colored side that is attached to the skirt with knots. It is called '

The Annunciatie, Jan Pigllis, 1594 - 1632 print paper. ink etching the Annunciation: Mary kneeling

Pope Stefanus VI, Michel Wolgemut (Workshop of), 1493 print A flower challenge with a pope. He is wearing a tiara and has an open book and a staff with a double cross in his hands. The performance is part of the succession popes in the Liber Chronicarum. The text identifies the man as Stefanus VI. The print is part of an album. paper letterpress printing pope

Vision of Isaiah in which the sun, moon and stars at the same time in the sky, Anonymous, after Hans Sebald Beham, 1530 - 1533 print paper Isaiah's prophecies

Jawan and his wife, Michel Wolgemut (workshop or), 1493 print A flower challenge with a man and woman with a headgear, identified as Jawan and his wife. The performance is a fragment of the family tree of Christ in the Liber Chronicarum. The print is part of an album. paper letterpress printing persons from the Old Testament (not in biblical context, nor occurring in legendary/historical extensions included in Division 71)

Flight to Egypt, 1523 Maria is sitting with the Christ child in her arms on the donkey, which is led by Joseph. Print is part of a book. Amsterdam paper Maria is sitting with the Christ child in her arms on the donkey, which is led by Joseph. Print is part of a book. Amsterdam paper

Standing Christ, Anonymous, 1495 print Christ standing within an architectural frame. Low Countries paper particular types of adult Christ (without others)

Dionysius van Paris, Michel Wolgemut (workshop of), 1493 print A flower chalice with a beheaded bishop. His head is on a book on his lap. The text identifies him as the Martelaar Dionysius of Paris. The print is part of an album. paper letterpress printing martyr(s) (often with palm-branches). violent death, being killed; being mishandled and maltreated; seeking death. archbishop, bishop, etc. (Roman Catholic). the bishop of Paris, Denis (Dionysius); possible attributes: chains, (upper part of) head in hands

Visitation and Christ heals a deaf man who spoke poorly, monogram miss (16th century), c. 1550 print Performances according to descriptions of the visitation and a healing in Marcus 7:32. This is described in the States translation as: And they brought a deaf to him, who spoke in a sheer, and prayed to him that he put his hand on him. In the new Bible translation 21: There someone was brought to him that deaf Was and was inadequate, and they begged him to put this man's hand on. Netherlands paper Mary and Elisabeth shaking hands. healing of a deaf man in Decapolis (Mark 7:31-37). deaf, deafness

Opwekking Lazarus, Salvatore Castiglione, 1645 print Christ arouses Lazarus from the dead. Lazarus comes up from his grave. A group of spectators reacts surprised and surprised. Italy paper etching the raising of Lazarus ('Lazarus, come out')

Ascension in a roll work Framing, Virgilius Solis, 1568 print Nuremberg paper engraving the Ascension (Christ surrounded by radiant light or in a mandorla). scrollwork, strapwork ~ ornament

Church father Gregorius the Great, Anonymous, After David Teniers (II), 1700 - 1799 print Church father Gregorius the Great, dressed in the papal robe and with the pontifical staff in his hand, reads in a book. Low Countries paper etching St. Gregory the Great as Doctor of the Latin Church, with book, pen, and dove (divine inspiration)

Christ instructs his disciples, 1600 - 1699 print Netherlands paper Christ explaining his doctrine to the apostles and disciples

Protestant Church, Dirck De Bray, 1645 - 1694 print Northern Netherlands paper sermon ~ Holy Mass. Protestant Churches and denominations. interior of church

Adoration by De Herders, Pieter Verbruggen (II), 1619 - 1691 drawing An entrance with Mary above it with the Christ child worshiped by the shepherds. Above that a banderole with jet wreath. Under 1 1 3 numbered. paper. ink. pencil pen adoration of the Christ-child by the shepherds; Mary and Joseph present

Landscape with sun and star / peace burns weaponig, anonymous, After Aegidius Sadeler (II), 1666 print An emblem with two performances. Above a landscape with a castle and a church and above it a sun and star. Under the personification of peace. She sets fire to weapon at a Christian temple. Behind her people perish through flames and fire from heaven. These are Movies of Maria Emanuela of Portugal and Maria I of England, women of King Philip II. paper engraving / letterpress printing sun represented as face, wheel, etc.. stars. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa)

Evangelist Johannes, Abraham de Bruyn, print The evangelist Johannes. He is against a rock on the island of Padmos. Behind him a landscape. He holds his gospel in his left hand. Next to him is the eagle, the symbolic animal of his gospel. In the air he sees visions of the Apocalypse. paper engraving the apostle John the Evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll. John (writing) on the island of Patmos, possibly the eagle beside him. the Revelation of John, the Apocalypse

Meeting of Joachim and Anna, Michiel le Blon, After Albrecht Dürer, 1597 - 1656 print Joachim and Anna hug each other at the Golden Poort. The print is part of a twelve -part series of prints with scenes from the life of Christ and the Virgin Mary. paper etching meeting of Anna and Joachim at the Golden Gate; they usually embrace or kiss each other (immaculate conception of Mary)

Paus Sixtus IV, Michel Wolgemut (workshop of), 1493 print A flower challenge with a pope. He is wearing a tiara and has an open Bible and a staff with a double cross in his hands. The performance is part of the succession popes in the Liber Chronicarum. The text identifies the man as a Sixtus IV. The print is part of an album. paper letterpress printing pope

Pause Agatho, Michel Wooldum (workshop), 1493 print A flower challenge with a pope. He is wearing a tiara and has an open book and a staff with a double cross in his hands. The performance is part of the succession popes in the Liber Chronicarum. The text identifies the man as an agatho. The print is part of an album. paper letterpress printing pope

Onias III, Michel Wolgemut (workshop of), 1493 print A flower challenge with a man in priest's clothing, turned to the right. The text identifies it as Onias, High Priest. It may be about Onias III, son of Simon II. The performance is part of the sequence priests in the Liber Chronicarum. The print is part of an album. paper letterpress printing persons from the Old Testament (not in biblical context, nor occurring in legendary/historical extensions included in Division 71). high priest ~ hierarchy of priests

Maria Magdalena, anonymous, 1600 - 1800 drawing An image of Maria Magdalena with the ointment pot. She stands on a pedestal with a medallion, garlands and cherubins. paper. ink. pencil pen the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Birth of the Virgin Maria, Michiel le Blon, After Albrecht Dürer, 1597 - 1656 print Anna is in bed, a midwife holds the newborn Maria. A second midwife is sitting on a bench next to Anna's bed. The print is part of a twelve -part series of prints with scenes from the life of Christ and the Virgin Mary. paper etching birth of Mary

Rainerius van Pisa, Michel Wolgemut (Workshop of), 1493 print A flower chalice with a monk. He has an open book in his hands. The text identifies the man as the holy Rainerius of Pisa. The print is part of an album. paper letterpress printing monk(s), friar(s). saints

Maria with Child and the young Johannes the Baptist on a cloud, Odoardo Fialetti, 1583 - 1638 print With the Christ child, Mary sits on a cloud on her lap. The young John the Baptist is kneeling next to it. Three Cherubin's feet at Maria's feet. Below a landscape. Title in the end margin. Italy paper etching Mary and the Christ-child with John the Baptist (as child)

De Heilge Petrus, John Cattini (Attrained to), 1735 - 1800 print Saint Peter in prayer. He reads in a book that lies in front of him. There are also two keys in front of him. In the background a rooster on a wall. Above three cherubs. Italy paper etching the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara. the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara - personal devotion of male saint

Twelve years old in the temple, anonymous, 1600 - 1699 print In the temple, Christ sits among the scribes and explains the Scripture. Joseph and Mary walk into the temple. paper letterpress printing Christ's dispute with the doctors in the temple; he counts his arguments on his fingers. Christ found by his parents

Parable of the Pharise and the publican in the temple, 1613 Parable of the Pharise and the publican who went to the temple to pray. The Phariseed stood there at the altar and leaves the temple upright. The publican remotely left and did not dare to focus his gaze to heaven. He leaves the temple bent (Luke 18:10). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam 9: paper letterpress printing / etching Parable of the Pharise and the publican who went to the temple to pray. The Phariseed stood there at the altar and leaves the temple upright. The publican remotely left and did not dare to focus his gaze to heaven. He leaves the temple bent (Luke 18:10). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam 9: paper letterpress printing / etching

Decorated letter P with the Apostle Paulus, Anonymous, Anonymous, 1500 - 1599 print paper the apostle Paul of Tarsus; possible attributes: book, scroll, sword. initial

Anaximenes, Michel Wolgemut (workshop of), 1493 print A flower chalice with a man. He is wearing a hood. The text identifies him as the Greek philosopher Anaximenes. The print is part of an album. paper letterpress printing male persons from classical history

New Years Wish with the Christ Child, anonymous, after Erhard Reuwich, 1480 - 1499 print paper Christ-child (with attributes)

Faith alongside altar with lamb on book with the seven stamps, Anonymous, 1740 print The personification of faith with laurel wreath, palm branch and sun on the chest is next to an altar with a Greek book title. On the altar the lamb with paramount on the book with the seven stamps. In the air a pigeon in a triangle and jet wreath as a symbol of the Holy Spirit. paper etching / engraving Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. lamb bearing cross or banner, 'Agnus Dei' ~ symbol of Christ. the vision of the Lamb and the book with the seven seals. Holy Ghost represented as a dove (in flames)

Holy family with the young Johannes de Boper, Simone Cantarini, 1622 - 1648 print Maria and Joseph are sitting. The Christ child is on Mary's lap. In the background is the young John the Baptist with a banner. Italy paper etching Holy Family with John the Baptist (as child)

Two arguing women, Anonymous, 1600 - 1699 print paper fighting. adult woman (+ standing)

Three men, Mathieu Lauweriks, 1874 - 1932 print Three standing men with pointed hats, possibly the three kings. The left man wears a sword and the right a staff. At the bottom four six -pointed stars. transparent paper standing figure. hacking and thrusting weapons: sword. sceptre, staff (symbol of sovereignty). head-gear: hat

Christ A Vieg Bedangelists, Gilliam van the giant, after Philip Tidilan, 1698 - 1715 print Christ standing on a pedestal with title of the book, surrounded by the four evangelists and their symbols. Behind them six scenes from the life of Christ. At the top an angel with banderol with text the eternal gospeli. Amsterdam paper engraving / etching Christ. evangelists, usually with books or scrolls (not in biblical context)

Envoy of King Chiram with message for Solomon, Hans Holbein (II), 1538 print An envoy of King Chiram kneels for King Solomon (Solomon) and offers him a letter. In the margin above the image is the text III regvm v 1 kings 5. paper King Hiram of Tyre sends ambassadors to Solomon

Johannes on the island of Patmos, Anonymous, 1500 - 1700 print Johannes de Evangelist writes his gospel and revelations in a book on the island of Patmos. He looks up to heaven at a appearance of Christ. Next to Johannes de Adelaar and on his left is an ink jar. Netherlands paper engraving John (writing) on the island of Patmos, possibly the eagle beside him

Conversation between John Wilmot and Petrus Ramus, Simon Fokke, 1746 print Count of Rochester John Wilmot stands next to a stone and bends for humanist Petrus Ramus. Mentioned on the stone: July / 1746. paper etching conversation, dialogue; conversation piece

Lucas de evangelist, anonymous, 1500 - 1700 print The evangelist Lucas writes his gospel at a table. He receives inspiration from the Holy Spirit, who flies through the window like a pigeon. On the right is the Os. In the window a vision of Christ on the cross. In the back of the room a easel, palette, painting stick and hat. paper engraving St. Luke writing his gospel, usually a (winged) ox present. St. Luke writing his gospel, inspiratory figure present, e.g.: angel(s), dove, hand of God, Mary

Christkind With Rijksappel makes blessing gesture, Hans Sebald Beham, 1521 print paper engraving Christ-child (with attributes). 'Salvator Mundi', making a blessing gesture; an orb in his hand or at his feet

Last Judgment, Jan Luyken, 1703 - 1762 print Print Maker: Haarlem Publisher: Amsterdam paper etching / letterpress printing comprehensive representation of Last Judgement: Christ (with sword and lily), often surrounded by elders and sometimes accompanied by Mary and John the Baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the Passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils

Gravestone; The little passion; Stupid passion. The died Christ is laid in a grave. Print is part of a book.

Face of Christ, c. 1480 - c. 1510 print Engraving in a handwriting with texts from Sint-Augustinus, ca. 1500. The handwriting was probably compiled for novices of a Dutch AugustewINKER monastery. On a leaf that was deliberately left, an engraving is stuck with the face of Christ. The Christ type of the so far unknown print is very similar to painted versions of the Flemish Masters Van Der Weyden, Memling and Bouts. paper engraving 'portraits' of Christ

Bride Dantiscana, Christoph Krieger, After Cesare Vecellio, 1598 Bride from Danzig, dressed according to the tradition in Silezie: De Lange Haren loose over the shoulders, headgear in the form of a "dogehoed". Covered with decorative sleeves. Rosary in hand. paper Bride from Danzig, dressed according to the tradition in Silezie: De Lange Haren loose over the shoulders, headgear in the form of a "dogehoed". Covered with decorative sleeves. Rosary in hand. paper

Sleeping Christ child on a flaming heart, Hieronymus Wierix, 1563 - Before 1619 print The sleeping Christ child sits on a flaming heart, surrounded by light rays. Antwerp paper engraving Christ-child (with attributes)

God tells Abraham's destination, Orazio Borgianni, After Rafaël, 1615 print Abraham is kneeling on the land in front of his barn. He talks to God who has appeared in heaven. Print Maker: ItalyaFter Painting by: Vatican City paper etching Abraham communicating with God (in general)

Petrus or Paulus healed a man, Pietro Sante Bartoli, After Giovanni Lanfranco, 1665 print A painting with Peter or Paul who heals a crippled man. On the right images of Peter or Paul and three semi-naked figures. Print is part of an album. paper etching healing of a lame beggar at the Beautiful Gate of the temple by Peter and John (Acts 3 - 4:31). the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara. the apostle Paul of Tarsus; possible attributes: book, scroll, sword. life and acts of Peter. Paul and Barnabas heal the feet of a man; the people of Lystra think they are Mercury and Jupiter

Apostel Filippus, in or after 1629 - in or before 1646 print The Apostle Filip, with a rocket as an attribute. Under the performance numbered VII. In addition, a Dutch -language caption with a rule from the credo and a rule of text from Malachi 3. The print is part of an album. paper letterpress printing the apostle Philip; possible attributes: book, cross, dish with snake, lance, scroll, stone, sword

Offer of Cain and Abel; Stupid passion. The brothers Cain and Abel each bring a sacrifice. Cain's sacrifice of grains sheaves is refused, because the smoke goes down. Abel's sacrifice is accepted by God, the smoke goes up. Print is part of a book.

Ark of the covenant with cherubies in the Temple, Anonymous, After Hans Sebald Beham, 1530 - 1533 print paper letterpress printing Cherubim on the Ark of the Covenant in the Tabernacle

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