Religious Relief Sculptures

Various relief sculptures depicting biblical scenes such as the Annunciation and Adoration of the Shepherds, showcasing intricate details and historical significance.

Francesco di Simone Ferrucci (Italian, 1437 - 1493), The Adoration of the Shepherds, c. 1475-1485, terracotta

Jaume Cascalls (active 1341-1377/1379) or workshop. Relief depicting the Annunciation, mid 14th century. Alabaster. Provenance unknown. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

Francesco di Simone Ferrucci (Italian, 1437 - 1493), The Adoration of the Shepherds, c. 1475-1485, terracotta

St. John Nepomucene. Balcewicz, Franciszek Wacław (fl. ca 1748-1760), graphic artist

Unknown photographer, grave stele (without date): View. Photo on cardboard, 29.9 x 23.3 cm (including scan edges) unbek. Fotograf : Grabstele

SPAIN - Páramos de Burgos (district) - Castille and Leon - BURGOS. del Rey Hospital (University); chapel door relief (Sant James pilgrimage way to Santiago)

The Virgin and Child with Four Saints. Dated: 15th century. Dimensions: overall: 12.2 x 7.8 cm (4 13/16 x 3 1/16 in.) gross weight: 127 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Venetian 15th century.

SPAIN - Castille and Leon - BURGOS. Burgos; Hospital del Rey / Universidad; puerta de la iglesia con relieves de motivos jacobeos / peregrinos

Saint Julien cathedral, Le Mans, France. 16th century relief in the sacristy

Asia, anonymous, c. 1600 - c. 1620 Wife Asia is sitting on a seat on the victory car drawn to the left by two drum medaries. In the right hand she keeps a scepter, a pearl necklace in the left; She has a jewelry box on the lap. Next to the seat, the side rail of which consists of a boxing leg and where there is an eagle on the backrest, there is a vase and an opened bag, above which the (indefilable) content comes out. In the background a landscape with a few buildings and a bridge, including water flows. The bottom of the relief has been chamfered into an elongated panel. Mechelen alabaster (mineral). wood (plant material). stucco. gilding (material) gilding Wife Asia is sitting on a seat on the victory car drawn to the left by two drum medaries. In the right hand she keeps a scepter, a pearl necklace in the left; She has a jewelry box on the lap. Next to the seat, the side rail of which consists of a boxing leg and where there is an eagle on the backrest, there is a vase and an opene

Panel with the Marriage of the Virgin and Joseph early 16th century French Until 1950 this panel lined the Great Hall of Highcliffe Castle in southern England. Constructed in the 1830s for Lord Stuart de Rothesay, the castle was furnished in part with stonework acquired form the ruined royal abbey at Jumièges in Normandy, where the panels might also have originated. In all likelihood they once decorated the backs of choir stalls ordered in 1501 by the abbot of Jumièges. Carved on The Cloisters' thirty-five oak panels (50.147.1-38) are scenes from the lives of the Virgin and Christ, each set under an elaborate canopy of single or double arches. The exuberant latticework surrounding the arches provides an almost encyclopedic display of pinnacles, crockets, spirals and other fanciful decorations. As in many late medieval works, the figures are foreshortened within their inhabited surroundings, adding depth and drama to the composition.. Panel with the Marriage of the Virgin and Joseph 47

Adoration Of The Magi 1599 Pier Paolo Olivieri (1551-1559 Italian) Stone

Tableau relief of St. Michael by Mestre San Mateo. Dated 14th Century

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The Flagellation. Dated: late 15th - early 16th century. Dimensions: overall: 13.5 x 9.9 cm (5 5/16 x 3 7/8 in.) gross weight: 397 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: MODERNO.

Bartolomé Ordóñez / Detail of the screens of the access to the set of chairs, Barcelona Cathedral, 1517.

Jesus in the garden of Gethsemané; The suffering of Christ; The copper passion. Rectangular, gold-plated bronze plaque with a representation of Jesus in the garden of Gethsemané.

Preparatory Design for a Stained Glass Window, Virgil and Horace, Edward Burne-Jones, 1833-1898, British, undated, Graphite and watercolor on moderately textured, cream wove paper, Sheet: 22 5/8 x 22 5/8 inches (57.5 x 57.5 cm) and Frame: 29 1/2 x 28 x 2 inches (74.9 x 71.1 x 5.1 cm), buildings, clouds, columns, drapery, drapes, historical subject, Ionic, men, robes, stained glass, togas, windows

The Entombment first half 15th century British. The Entombment. British. first half 15th century. Alabaster with paint and gilding. Made in Nottingham, England

Leaf from a Diptych with the Adoration of the Magi ca. 1300-1325 French. Leaf from a Diptych with the Adoration of the Magi 467475

Lazio Frosinone Veroli S. Andrea Apostolo, Cathedral. Hutzel, Max 1960-1990 Views of metalwork objects housed in Treasury of S. Andrea Apostolo, including busts, reliquaries, crosses, polittico, boxes. Antiquities: relief sculpture; busts General Notes: Museum, which contains Treasury, is located in the last chapel of the right nave. Thirteen views of (non-metalwork) sculpture from Museum have been assigned numbers at end of Treasury sequence, but there are no negatives corresponding to these prints, nor is there authoritative evidence that these objects are housed in the Cathedral Museum. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque m

Detail of the bronze main portal of Milan Cathedral by the sculptor Lodovico Pogliaghi, Milan 1857 S. Maria del Monte, Varese, 1950, with scenes from the life of Mary. Detail of the bronze main door of the Milan cathedral by sculptor Lodovico Pogliaghi, Milan 1857, S. Maria del Monte, with scenes from the life Marias.Milan, Lombardy, Italy, Europe

Descent into Limbo. Culture: French or South Netherlandish. Dimensions: Overall: 16 1/2 x 10 1/4 in. (41.9 x 26 cm). Date: late 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Augustus and the Tiburtine Sibyl 16th century Caradosso (Cristoforo Caradosso Foppa). Augustus and the Tiburtine Sibyl. Italian. 16th century. Bronze. Medals and Plaquettes

Bliżej Kultury unknown

"Les Arts et les Sciences", Sculpture by François Jouffroy, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

The Four Cardinal Virtues: Prudence. Dated: c. 1550/1600. Dimensions: overall: 207 x 66 cm (81 1/2 x 26 in.). Medium: undyed wool warp, dyed wool and dyed silk. Museum: National Gallery of Art, Washington DC. Author: Netherlandish 16th Century.

Reliquary Czycki, il. Z: Aleksander Przedziecki, Edward Rastawiecki, "Patterns of the Redium Art and from the Rebirth Age after the end of the 17th century in former Poland" (Warsaw, 1855-1858), Series 2, z. IX, tab. J; EPKOWSKI, Ludwik (1829-1905), Walter, H., Fajans, Maksymilian (Warsaw; Litographic and photographic insole; 1853-1892), Fajans, Maksymilian (1825-1890), Przedziecki, Aleksander (1814-1871) , Rastawiecki, Edward (1804-1874), Unger, Józef (Warsaw; Drukarnia, Publisher, Ksi Garnia; 1841-Ca 1877); 1855-1858 (1855-00-00-1858-00-00);

Panels from an organ case in the church of Saint Vitus in Naarden.These ten figures adorned the medieval organ in the church of Saint Vitus in Naarden. Each figure holds a weapon and a coat of arms on a strap. Some are dressed as knights with a breastplate and a helmet, others as princes or noblemen. They may represent the Counts of Holland. All the shields would have originally been painted.

Christ appears to Mary Magdalene (Noli me tangere). Brussels, early 16th century and 19th century (shrine). Oak, polychrome. Schnu_tgen Museum. Cologne, Germany.

Panel. unknown, creator

Golden panel from st. Ursula, detail. Cologne, c. 1170. Painting: 15th century and 1844. Oak, gilt copper, cast bronze, with enamel, stucco and opaque paint. Museum Schnu_tgen. Cologne, Germany.

Retablo de Santa María la Blanca, 1343, Monasterio de Sant Joan de Les Abadesses.

Tomb in the cloister of St. Paul's Cathedral, Münster, North Rhine-Westphalia, Germany, Europe

LIBRO DE HORAS-FLAGELACION. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Judith with the Head of Holofernes. Dated: c. 1480. Dimensions: overall: 34.8 x 20.2 cm (13 11/16 x 7 15/16 in.). Medium: pen and dark brown ink with black chalk and white heightening on olive-brown prepared paper laid down on canvas. Museum: National Gallery of Art, Washington DC. Author: Follower of Andrea Mantegna.

Caritas fireplace, Anonymous, 1650 - 1700 Fireplace of cast iron, square model. Central the personification of Caritas, a sitting woman with a child on their lap. To the left of her is a child who extends the arms to her. On the right a boy stands on a globe with a cross, a burning heart. The top of the scene is closed with a shell and two draped cloths. The whole is framed with a border, decorated with a pearl edge, on the sides with festons and at the bottom a cartouche with the inscription Anno 1662. The top is shortened during the casting process. Siegerland iron (metal) casting Fireplace of cast iron, square model. Central the personification of Caritas, a sitting woman with a child on their lap. To the left of her is a child who extends the arms to her. On the right a boy stands on a globe with a cross, a burning heart. The top of the scene is closed with a shell and two draped cloths. The whole is framed with a border, decorated with a pearl edge, on the sides with festons and a

ARTE PALEOCRISTIANO. ESPAÑA. SARCOFAGO ESTRIGILADO de mármol blanco, decorado con escenas del NUEVO TESTAMENTO. Detalle del relieve central con la representación de una figura femenina rodeada de dos masculinas. (s. IV d. C.). Procedente de Barcelona. Museu d'Arqueologia de Catalunya. Barcelona.

Maestro de Albesa (segunda mitad del siglo XIV). Retablo de la Virgen. Bajorrelieve con la representación de la Natividad y Presentación de Jesús en el Templo. Piedra caliza policromada y dorada. Procedente de la Cripta de la Colegiata de Sant Pere d'Ager (provincia de Lleida). Museo Nacional de Arte de Cataluña (MNAC). Barcelona. Cataluña. España.

Tours, Blaise, Gabriel, Metal relief exhibited at the Exposition Rétrospective of 1873 in Tours, France, depicting the crucifixion of Christ, photomechanical print, photomechanical impression, page, photographs, photographically illustrated books, height 158 mm, width 114 mm, French, 1827 - 1897-09-04, maker, producer, 1873 - 1873, paper, papier, Woodburytypie

Fireback woman with jug on shoulder pouring into bowl, hob plate cast iron, poured Straight at the base top in bow on which dolphins In the middle woman in classical garb in landscape. With her right hand she pours water from jug into bowl. The edges are decorated with fruit and leaf garlands At the top shell living environment interior heating classic

ARQUETA DE SAN MILLAN - DETALLE DE UN LATERAL - MARFIL - SIGLO XI. Location: MONASTERIO DE YUSO. Rioja. SPAIN.

Overdoor panel with allegory of Science (one of a pair) 18th century French. Overdoor panel with allegory of Science (one of a pair). French. 18th century. Oak, polished. Woodwork

The Entombment. Artist: Valerio Belli (Il Vicentino) (1468-1546). Culture: Italian, Vicenza. Dimensions: 5 7/8 × 4 1/4 in. (14.9 × 10.8 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

MILAGRO DE SAN MAURO - RELIEVE DEL RETABLO DE SAN BENITO - 1526 - MANIERISMO ESPAÑOL. Author: ALONSO BERRUGUETE (1488-1561). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN. SAN MAURO. SAN PLACIDO.

SILLERIA BAJA DE LA CATEDRAL DE TOLEDO - TOMA DEL REINO DE GRANADA - VELEZ RUBIO - 1489-1495 - GOTICO ESPAÑOL. Author: RODRIGO ALEMAN. Location: CATEDRAL-CORO BAJO. Toledo. SPAIN. GONZALEZ DE MENDOZA PEDRO.

CORO S BENITO-DET JUDAS. Author: ANDRES DE NAJERA (S, XVI) RENACIMIENTO ESPAÑOL. Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN. JUDAS ISCARIOTE (3 ac-30 dc).

Priam, king of Troy with generals ; Judgement of Paris. Aerts, Nicaise (the Younger) (Netherlandish (after 1600), act.1613-d. ca.1629) (workshop) weaver c. 1600-1620 Tapestry Dimensions: H 10'10" x W 8'8" Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Brussels Ownership History: Given by King Louis XIII of France to Francesco Barberini, Papal legate to the French Court, for his uncle, Urban XVIII; recorded in the Barberini Palace inventory made by Cardinal Carlo Barberini in Rome on 10/25/1695. Ffoulke coll., 1889. French & Co. purchased from C. M. F. Charles M. Ffoulke, n.d. SS 11513. French & Co. purchased from J. ... Foulke, invoiced 4/28/1926 (date crossed out on stock sheet), inventoried 9/21/1938 (panels a & b only) SS 14144. French & Co. purchased from A la vieille Russie, Inc., 1/19/1967 SS K-171. United States, New York, New York, Sotheby's, May 30, 1987, lot 247. Inscriptions: City mark on lower guard, right; weaver mark on right guard, bottom Pri

triptico con escenas de la vida y muerte de la virgen Maria, Paris, siglo XII, Fundación Calouste Gulbenkian, («Fundaçío Calouste Gulbenkian»), Lisboa, Portugal.

Window with the wedding meal of Esther, Anonymous, After Dirck Volckertsz. Coornhert, c. 1550 - c. 1600 Stained glass rectangular diamond in gray, yellow and brown representing the wedding meal of Esther. There are nine people around a table in a room. There is a wreath in front of the window behind the bridal couple. Northern Netherlands silver stain. glass. lead (metal) Stained glass rectangular diamond in gray, yellow and brown representing the wedding meal of Esther. There are nine people around a table in a room. There is a wreath in front of the window behind the bridal couple. Northern Netherlands silver stain. glass. lead (metal)

The Circumcision, anonymous, c. 1540 - c. 1560 Liège pine (wood). linden. poplar (wood) Liège pine (wood). linden. poplar (wood)

Relief panel in the baptismal font with the Christmas motif of the Adoration of the Magi, 2nd half of the 16th century, St., Saint, Saint

Maastricht, Basiliek van Sint Servaas (Basilica of St Servatius), double relief in the westwork

Symbols for the four seasons on iron tiles at a side portal of the cathedral of Cologne, NRW, Germany, Europe

Lazio Viterbo Oriolo Romano S. Antonio. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, stone inlay. The church of S. Antonio is a foundation of the 16th century. Object Notes: Undocumented Hutzel name. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ivory relief carving depicting consul Basilius

Silversmith's art, Italy, 15th century. Silver altar of the Baptistery of San Giovanni, begun 1367. Detail: Florentine goldsmiths (Leonardo di Ser Giovanni, Betto di Geri, Cristofano di Paolo, Michele di Monte), Stories from the life of Saint John the Baptist: Saint John before Herod.

Przeszo Przyszoci unknown

Two Standing Female Allegorical Figures Anger and Sloth 1533-1583 Italy. Pen and brown ink with brush and brown and gray wash, on ivory laid paper, edge mounted, tipped on to cream laid paper . Circle of Pirro Ligorio

Window with two diamonds: above the chaste susanna and below Saint Lucas, Anonymous, c. 1550 A window with two diamonds: above the chaste Susanna and below Saint Lucas. Susanna is fed in court. Saint Luke sits on a lying winged bull who holds a banderole in his front legs with S. Luke on it. Southern Netherlands glass. lead (metal).. silver stain A window with two diamonds: above the chaste Susanna and below Saint Lucas. Susanna is fed in court. Saint Luke sits on a lying winged bull who holds a banderole in his front legs with S. Luke on it. Southern Netherlands glass. lead (metal).. silver stain

Banquet in an Arbor mid-16th-early 17th century Anonymous, Netherlandish, 16th century Netherlandish. Banquet in an Arbor 348309

Italian 16th Century, The Adoration of the Shepherds, 16th century The Adoration of the Shepherds

Bartolomé Ordóñez / Detalle de las mamparas del acceso a la sillería, 1517. Catedral de Barcelona.

Four Scenes from the Legends of Judas and Pilate. Dated: in or before 1870. Dimensions: overall (rounded top edge): 15.9 x 18.2 cm (6 1/4 x 7 3/16 in.). Medium: pen and black ink with black wash, heightened with white and gold, on gray prepared paper (grisaille). Museum: National Gallery of Art, Washington DC. Author: Georges Hurtrel.

Arqueta relicario de Sant Cugat, siglo XIV. Museo Diocesano de Barcelona.

Russia, St. Petersburg, The Hermitage (aka Winter Palace). Masterpiece work by Raphael (aka Raffaello Santi or Sanzio) the Conestabile Madonna c. 1504. (Editorial Usage Only)

Monument with two standing figures and two stream gods. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 74 mm × w 94 mm. Museum: Rijksmuseum, Amsterdam.

A Louis XIV Gobelins Tapestry from the Triomphes des Dieux series, after the designs by Noel Coypel (1628-1707). Woven in wools and silks, Minerva shown standing on a circular plinth. 311 x 257cm.

SILLERIA BAJA DE LA CATEDRAL DE TOLEDO - TOMA DEL REINO DE GRANADA - 1489-1495 - GOTICO ESPAÑOL. Author: RODRIGO ALEMAN. Location: CATEDRAL-CORO BAJO. Toledo. SPAIN.

MARTORELL, Bernat ( -1452). Altarpiece of St. ca. 1450. Gothic art. Tempera on wood. SPAIN. CATALONIA. Barcelona. National Art Museum of Catalonia.

Daniel, Archbishop of Mainz. Artist: Master HKVB. Culture: Southern German or Middle Rhenish. Dimensions: Overall (confirmed): 6 7/8 × 5 × 5/8 in. (17.5 × 12.7 × 1.6 cm). Date: 1568.The subject, Daniel Brendel of Homberg, archchancellor of the Holy Roman Empire for Germany, was prince elector and archbishop of Mainz and primate of the Roman Catholic Church of the countries north of the alpine mountains from 1555 to 1582. The inscription mentions that he was forty-six years old when this portrait was made and serves as a reminder of a faithful life by citing an abbreviated version of the Latin Bible: "In omnibus operibus tuis memorare novissima tua, et in aeternum non peccabis" (In all thy works be mindful of thy last end and thou wilt never sin; Eccles. 7:40). The disposition of the relief reflects a large-scale wall epitaph or memorial en miniature. The object may have been a trial piece to test the artist's talents and to serve as a model for a later tomb project. The archbishop lik

St Paul, diptych, 5th c. ivory. France.

Roundel with the Last Supper 1515-25 North Netherlandish. Roundel with the Last Supper. North Netherlandish. 1515-25. Colorless glass, silver stain, vitreous paint. Made in Amsterdam (), North Netherlands. Glass-Stained

Part of a shield ca. 1560 Italian, Milan. Part of a shield 196527

Vatican Museums, Rome, Italy: example of painting restoration technique

QUEMA DE LIBROS O JUICIO A UN MONJE HERETICO - RELIEVE EN NOGAL- 84x152x12 cm HACIA 1537-1540. Author: JUAN DE JUNI (1507-1577). Location: ARCHAEOLOGICAL MUSEUM. LEON. SPAIN.

Cherubs holding a frame with landscape, docorative fresco in the Coat of arms hall, by Andrea Tibaldi, Landriano Castle, belonged to the Taverna family, Lombardy. Italy, late 16th century. Detail.

Bliżej Kultury unknown

JUAN DE ORTEGA , SAN. SANTO ESPAÑOL. EL SANTO CON PEREGRINOS DEL CAMINO DE SANTIAGO. RELIEVE CENOTAFIO DEL SANTO EN SU MONASTERIO DE BARRIOS DE COLINA (BURGOS) CAMINO DE SANTIAGO.

NM, New Mexico, Santa Fe, Cathedral Church of St. Francis of Assisi, Bronze door panel

Madonna & Child with God the Father Andrea Della Robbia (1435-1525/Italian) National Gallery of Art, Washington D.C.

Saint Jerome. Dated: c. 1477. Dimensions: overall: 55 x 37.3 cm (21 5/8 x 14 11/16 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO DI GIORGIO MARTINI.

The Hebrews in the coils of snakes, bronze panel, 12th century, portal of the Basilica of Saint Zeno, Verona, Veneto, Italy, 14th century, detail.

12/16/2013. Prado Museum. Madrid. Spain. Varez Fisa Room. Photo: De San Bernardo. Archdc.

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LAS DOS MARIAS EN EL SEPULCRO DE JESUS - RELIEVE EN MARFIL (ca 1320) FRANCIA. Location: VICTORIA AND ALBERT MUSEUM. LONDON. ENGLAND. MARY MAGDALENE.

Hood of a Cope. Date/Period: 1500. Silk, gold, linen. Height: 46.50 mm (1.83 in); Width: 46.20 mm (1.81 in). Author: UNKNOWN.

The ivory diptych of Stilicho (right). Detail. Right panel with Stilicho, ca. 395 A.D. Paleo-christian art. Sculpture on ivory. ITALY. LOMBARDY. Monza. Cathedral Treasure.

Noah Building the Ark, 1874. Sir Edward Burne-Jones (d.1898). Angel showing design of the Ark on piece of cloth to Noah on the right.

Martyrdom of Saint Sebastian. Dated: late 15th - early 16th century. Dimensions: overall: 7.6 x 6.5 cm (3 x 2 9/16 in.). Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: North Italian 15th or 16th Century.

The Virgin and Child third quarter 15th century After a composition by Antonio Rossellino Italian. The Virgin and Child. After a composition by Antonio Rossellino (Italian, Settignano 1427-ca. 1479 Florence). Italian, Florence. third quarter 15th century. Gilt bronze. Medals and Plaquettes

Jean-Joseph Carriès (1855-1894). "Floor covering: fragment of the right pillar from the front", in sandstone (before restoration). Museum of Fine Arts of the City of Paris, Petit Palais. 26469-3 Decoration, fragment, face, GRES EMAILLE, Right pillar, Door, Sol Revetement, Face

Vintage Photograph. Tillmann Riemenschneider German Sculptor, Anbetung des Kindes.

Roundel with Susannah and The Elders ca. 1520 Based on a design by Pseudo-Ortkens South Netherlandish. Roundel with Susannah and The Elders. Based on a design by Pseudo-Ortkens (South Netherlandish, active Antwerp and Brussels, ca. 1500-30). South Netherlandish. ca. 1520. Colorless glass, vitreous paint and silver stain. Made in Antwerp or Brussels, South Netherlands. Glass-Stained

Dido's banquet; The history of Dido and Aeneas; The encounter of Alexander and Roxane. A group is sitting around a table in a room. Servants wear eating. One of them donates wine from a canister in the drinking dish of a hearted man, seated in the foreground. It is Achates, the friend of Aeneas, looking forward to his shoulder. Aeneas, also in harness, gesture to the woman next to him, Dido, who has beaten her left arm around a child. This is Cupid in the form of Aeneas' son Ascanias. In addition to Dido, a crown, a scepter and a pearl necklace are on a drapery, which partially cover a seat. Plates and dishes are displayed in a buffet against the rear wall. There are draped curtains, and left and right hang oil lamps on the ceiling. Extremely left a woman plays the harp, rear left, on a balcony play some musicians. In the edges, flowers, fruits, leaf refines and a large variety of birds are shown against a brunette background. The corners are decorated with a shell, volutes and acanthu

Adoration of the Shepherds 1500-1540 Florence. Glazed terra-cotta . Benedetto Buglioni

Korbeel with sculpted men's figure that puts his arm around a female figure, anonymous, c. 1560 - c. 1570 Korbeel of oak. An older man is sculpted on a console -shaped front piece, who wraps his arm around a woman's shoulder. The figures are classically dressed. A cartouche hangs against the bottom, while the top edge is closed with a drapery, an acanthus rose and a women's mask against a cartouche. Coming from the broken house Hasselaarssteeg 3 in Amsterdam. Amsterdam wood (plant material). oak (wood) Korbeel of oak. An older man is sculpted on a console -shaped front piece, who wraps his arm around a woman's shoulder. The figures are classically dressed. A cartouche hangs against the bottom, while the top edge is closed with a drapery, an acanthus rose and a women's mask against a cartouche. Coming from the broken house Hasselaarssteeg 3 in Amsterdam. Amsterdam wood (plant material). oak (wood)

Louis Oscar Roty, France Mourning the President of the Republic (reverse), 1894 France Mourning the President of the Republic reverse

CRUCERO-SEPULCRO DE DOÑA ELENA S XIII DET. Location: CATEDRAL VIEJA. SALAMANCA. SPANIEN.

Jacopo Carrucci, called Pontormo (1494-1556). Italian painter. Scene of sacrifice, ca. 1545. Farnese Collection. National Museum of Capodimonte. Naples. Italy.

Roundel with Susannah and The Elders. Artist: Based on a design by Pseudo-Ortkens (South Netherlandish, active Antwerp and Brussels, ca. 1500-30). Culture: South Netherlandish. Dimensions: Overall (with border): 13 in. (33 cm). Date: ca. 1520. Museum: Metropolitan Museum of Art, New York, USA.

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