Religious Saints Illustrations

Historic illustrations of Christian saints like Judas Thaddeus and Saint Catherine, depicted with attributes indicating their roles and stories.

SAINT JOHN THE EVANGELIST In the background he is being boiled alive in a cauldron of boiling oil by the emperor's orders, yet he feels no pain and survives ! Date: 1ST century

The apostle Judas Thaddeus; The apostle James minor; Christ and the apostles. Judas Thaddeus with one of his atributes: the passer.

Saint Catherine, Theodoor Galle, 1581 - 1633

. Rome's holy Ursula. In her hands she carries an opened book, a palm branch and an arrow (of her martyrdom). The print has a Latin caption and is part of a series about female saints

Prophet Isaiah; Isaias Propheta; Prophets; Propraetarum. The prophet Isaiah standing with long beard. His left hand leaning on a writing tablet. Title in undermarge and numbered at the bottom left: 8.

Sacred Euphrasia of Constantinople as hermit, Christoffel van Sichem (II), After Abraham Bloemaert, 1644 print Amsterdam paper letterpress printing female saints. anchorite, hermit

Early Christianity overcomes time and late Christianity is crowned through the world, Jan Luyken, 1701 print The personification of early Christianity (with attributes torture instruments and a Bible) in the foreground. She is on the symbols of time (a winged hourglass) and of worldly power and wealth (a crowned globe with a money grant). Cherubs fly above her. To the right behind her, the personification of late Christianity is crowned by the personification of the world. Amsterdam paper etching the early Christian Churches, e.g. Armenians, Copts, Syrians. the Church symbolized. Vice, Evil, Sin; 'Peccato' (Ripa). Worldliness; 'Appetito' (Ripa). cupids: 'amores', 'amoretti', 'putti'

Bouthern Maria Magdalena in the cave for Crucifix, Boetius Adamsz. Bolswert, after Abraham Bloemaert, c. 1610 - c. 1615 print paper etching the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

. The sacred emerentiane of Rome. She is wearing the stones with which she is stoned in her rug. In her hand a palm branch. The print has a Latin caption and is part of a series about female saints

Apostle Johannes with a chalice, Agostino Carracci, 1583 print print maker: Italypublisher: Venice paper engraving the apostle John the Evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll

SAINT JOHN THE EVANGELIST In the background he is being boiled alive in a cauldron of boiling oil by the emperor's orders, yet he feels no pain and survives ! Date: 1ST century

Geloof (Fides), anonymous, after Jacob Matham, after Hendrick Goltzius, 1601 - 1652 print The personalized faith; A female figure with a crucifix and a Bible. Amsterdam paper engraving Faith, 'Faith'; "Fed ',' Faith Catholic ',' Fed Christian ',' Fed Christian Catholic Church '(Ripa) ~ One of the Three Theological virtues

APOSTEL Paulus, Nicolas de Son, 1627 - 1649 print The apostle Paul, standing in a landscape, with a sword in one hand and a book in the other hand. Made as a counterpart at a performance of the Apostle Peter. Reims paper etching / engraving the apostle Paul of Tarsus; possible attributes: book, scroll, sword

The personification of early Christianity (with the attributes of torture instruments and a Bible) in the foreground. She stands on the symbols of time (a winged hourglass) and of worldly power and wealth (a crowned globe with a money purse). Above her, cherubs fly. Behind her on the right, the personification of late Christianity is crowned by the personification of the world., Early Christianity overcomes time and late Christianity is crowned by the world Title page for Godfrey Arnold, True Image of the First Christians, Volume 2, 1701 True Image of the First Christians , print maker: Jan Luyken, (mentioned on object), publisher: Jacobus van Hardenberg, (mentioned on object), bookseller: Barent Visscher, (mentioned on object), Amsterdam, 1701, paper, etching, h 274 mm × w 169 mm

Prophet Elia; Elias; People from the Old Testament. The prophet Elijah. On the second plan a burning sacrificial block with the vision of Elia's Ascension with two fiery horses. The twenty-five print of a 39-part series with the subject of people from the Old Testament.

Angel praying with outstretched arms to God, Jan Luyken, Barent Bos, 1714

Wise Virgin with burning oil lamp in landscape, Niklaus Manuel Deutsch, 1518 print Wise Virgin standing in landscape with long raised hair. She holds a burning oil lamp. paper the wise and the foolish virgins ~ parable of Christ (Matthew 25:1-13)

Saint Silvia of Rome as a hermal; Sancta Sylvia. .

Madonna on the crowbar. Leaf from book. Crowned Mary with Christ Child on her arm standing on a crescent nickel.

Rochus of Montpellier, Saint.

The apostle John; Christ and the apostles. Johannes de Evangelist

Geloof (Fides), Jacob Matham (attributed to), after Hendrick Goltzius, 1601 - 1652 print The personalized faith; A female figure with a crucifix and a Bible. Amsterdam paper engraving Faith, 'Faith'; "Fed ',' Faith Catholic ',' Fed Christian ',' Fed Christian Catholic Church '(Ripa) ~ One of the Three Theological virtues

Apostle Andreas with a cross, Agostino Carracci, 1583 print print maker: Italypublisher: Venice paper engraving the apostle Andrew; possible attributes: book, X-shaped cross, fish, fishing-net, rope, scroll

Poverty (paupertas); The fortunes of life. Shabby dressed woman with bundle on her back, a blessed child on the chest, standing in the rain. In addition to her a child with a basket. In the background a bare landscape with a church on the left. Nr. 6 From series virtues and vices that determine the fortunes of life.

Juno. The goddess Juno with a scepter in her hand, behind her is a peacock.

Saint John, from "The Four Evangelists" 1539 Heinrich Aldegrever German. Saint John, from "The Four Evangelists" 428375

Holy Romula, Anonymous, After Pieter de Jode (I), After Jan van Mechelen, in or after 1626 print Title and name day in STUDMARGE. Antwerp paper engraving female saints

Holy Mary as a Hermitess Sancta Maria Neptis Abrahae , print maker: Christoffel van Sichem (II), Abraham Bloemaert, publisher: Pieter Jacobsz. Paets, Amsterdam, 1644, paper, letterpress printing, h 155 mm × w 105 mm

Apostel Simon, 1591 - 1592 print The apostle Simon, standing by a tree in a mountainous environment, in the right hand a book, a saw in the left hand. Under the show a rule of Latin text. This print is part of a series of 14 prints, each consisting of an image of an apostle, Christ or Paul with typical attributes and a caption in Latin. paper engraving the apostle Simon Zelotes (or Simon the Canaanite); possible attributes: book, saw, scroll. 'remissionem peccatorum' ~ articles of faith

Saint Juliana of Nicomedy. She tramples a devil under her feet. In her hand a palm branch. The print has a Latin caption and is part of a series on female saints, Saint Juliana S. Jvliana Female saints (series title) Speculum Illustratum Virginum (series title), print maker: Theodoor Galle, David Teniers, (mentioned on object), publisher: Theodoor Galle, (mentioned on object), Antwerp, 1581 - 1633, paper, engraving, h 153 mm × w 98 mm

Ursula, saints.

You shall not use the name of the Lord your God in vain: the second commandment, Jan Luyken, 1685 print Woman presses an index finger on her lips and points to the air. Numbered at the top right: Foli 221. paper etching putting a finger to the lips, 'Silentium'; 'Silentio' (Ripa). index finger forwards, pointing, indicating (+ indicating, pointing at). 'you shall not take the name of the Lord your God in vain' ~ separate representation of the third of the ten commandments

Ascension of Maria, Carlo Maratta, 1635 - 1713 print Maria, sitting on clouds, is taken to heaven by angels. Rome paper etching the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Gift of learning; Spiritvs scientiae; Seven gifts of the Holy Spirit. In a niche the female personification of the gift of learning, one of the seven gifts of the Holy Spirit. She is wearing a crown of leaves and in her right hand she has a caduceus. Around her head a radiant sun.

Saint Catharina of Alexandria. Saint Catharina of Alexandria standing with her foot resting on a broken wheel, in her left hand a sword and a palm branch in her right hand

Holy Matthew with Engel, Anonymous, After Chrispijn van den Broeck, 1534 - 1640 print Italy paper engraving the apostle and evangelist Matthew (Mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword

Saint Matthew, from The Four Evangelists 1539 Heinrich Aldegrever German. Saint Matthew, from The Four Evangelists 428373

Venice, Bertelli, Orazio, Italy, Carracci, Agostino, Christ, Mary, John the Baptist and the Apostles, Apostle Andrew with a Cross, print, prints, height 108 mm, width 63 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1583 - 1583, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, publisher, uitgever

Jael, Nicolaas Braeu, after Jacob Matham, 1671 - 1705 print Jaël with the tent nails and hammer in her hands. In the background you can see how Jaël the Canaanitic army commander Sisera hits a tent nail. In oval with a frame of bay leaves. paper engraving Jael takes a nail of the tent and a hammer. Jael kills the sleeping Sisera by hitting the nail through his temples

Maria with a wreath of stars; Christ, Maria, John the Baptist and the Apostles ..

Mary Magdalene. Mary Magdalene, praying with a skull in the left hand. On the left a putto and her ointment. On the right a crucifix. The print has a Latin caption.

Geloof, Zacharias pain, after Jacques de Gheyn (2), c. 1596 - c. 1597 print Personification of faith: Woman with folded hands, the eyes closed, standing in front of a hilly landscape. Her right foot rests on the mirror (from Superbia), the snake (from Invidia) and the sword (from Mars/War). On the left on the ground coins (wealth), right charm and lazarus valve (poverty). In the background, a group of discussing women on the back of the background. No. 7 From series Virtues and vices that determine the fortunes of life. Leiden paper engraving Vicissitudes of Life. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. Vice, and the Seven Deadly Sins

Tenhemeling of Johannes van het Kruis, Antonie Wierix (III), 1622 - 1624 print Saint John of the cross is led to heaven on a cloud. He has folded his hands in prayer and looks up to the heavenly rays. In the margin a twelve -line poem, in two columns, in Latin. Antwerp paper engraving the Carmelite friar and mystic John of the Cross; possible attributes: book, chains, cross, crucifix, eagle, lily, pen - apotheosis, glory, triumph of male saint

De Annunciation, Jacob Folkema, 1702 - 1767 print Maria looks up from her book when the angel Gabriël visits her to announce the birth of Christ. A pigeon flies in the air, the Christian symbol of the Holy Spirit, with flowers scattering and right. paper etching the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Holy Helenus as a hermit; Sanctus Helenus; Hermiters; Ad sacrum speculum (...) Patribus that Ales.

De ziel wijst naar de sterrenhemel.A kneeling man, the personification of the soul, points to the starry sky. This print depicts a detail of a drawing by Jan Luyken entitled: Christ and the soul consider the starry sky.

. The personified faith; A women's figure with a crucifix and a Bible.

Saint Dorothea, c. 1590 - c. 1610 print Saint Dorothea. Part of a series of 24 performances of female martyrs (Martyrologium). The performances are equipped with edges with flowers and animals. paper engraving the virgin martyr Dorothea of Caesarea; possible attributes: basket of roses and apples, child with basket of roses, garland of roses, roses in hand or lap. flowers. birds

Silver Statuette of the Risen Christ, from the Wittenberg Reliquaries Lucas Cranach the Elder German. Silver Statuette of the Risen Christ, from the Wittenberg Reliquaries 624279

Judas Iskariot hangs up, Willem Isaacsz. van Swanenburg, after Abraham Bloemaert, 1611 print Judas Iskariot is sitting under a tree and ties a rope around his neck. There is a money pouch next to him. On the right in the distance he hangs on a tree. Under the performance is a six -line, Latin text with a description of the scene. paper engraving Judas hanging himself

Peace, from Virtues and Vices 1596-97 Zacharias Dolendo Netherlandish. Peace, from Virtues and Vices. Vices and Virtues. Zacharias Dolendo (Netherlandish, 1561-ca. 1604). 1596-97. Engraving; first of two states (New Hollstein). Prints

Muze Calliope with garland standing in Nis; Gods and muses and young women.

H. Johannes de Evangelist, Johannes Wierix, after Chrispijn van den Broeck, 1559 - Before 1585 print Landscape with the apostle Johannes the Evangelist. In his hand he keeps the chalice. At his feet the eagle stands with an ink jar in his beak. Antwerp paper engraving the apostle John the Evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll

Sadeler, Johann (I), Vos, Maerten de, Antwerp, Virtues overcome vices, Precatio, Prayer (Precatio) overcomes Hypocrisy (Fucus), verso lower left - stamped, The personification of Prayer (Precatio), with her hands folded. She looks at the apparition of the Holy Spirit as a dove in the upper right corner. Prayer tramples the personification of Hypocrisy (Fucus), a monk with a rosary and a dagger. Around him lie attributes of the Roman Catholic Church., print, prints, height 141 mm, width 85 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher

De H. Rochus.The Holy Rochus standing with a pilgrim staff. Behind his legs a dog lies with an apple in his mouth. The dog brought Rochus fresh food daily when he suffered from the plague.

William III with the covenant between wisdom and peace, 1689, 1689 print King William III oversees the covenant between wisdom and peace, 1689. With the caption of six lines. Northern Netherlands paper etching / engraving symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). 'Sapientia', Wisdom; 'Sapienza divina' (Ripa) ~ one of the seven gifts of the Holy Ghost

St. Genevieve n.d. Gilles Rousselet French. St. Genevieve 385164

Apostle Johannes de Evangelist with miskelk and eagle, Marcantonio Raimondi, After Rafaël, 1517 - 1527 print paper engraving the apostle John the Evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll

H. John the Evangelist; Christ and the twelve apostles. Landscape with the apostle John the Evangelist. In his hand he holds the mislect. At his feet, the eagle is in his beak with an ink pot.

Personification of Faith: woman with folded hands, eyes closed, standing before a hilly landscape. Her right foot rests on mirror (of Superbia), serpent (of Invidia) and sword (of Mars/War). On the ground to the left, coins (Wealth), on the right, mendicant cap and lazarus valve (Poverty). On the right in the background a group of women discussing. No. 7 from series of virtues and vices that determine the fortunes of life., Faith The Fates of Life (series title), print maker: Zacharias Dolendo, Jacob de Gheyn (II), (mentioned on object), publisher: Jacob de Gheyn (II), (mentioned on object), Leiden, c. 1596 - c. 1597, paper, engraving, h 230 mm × w 167 mm

Holy Elisabet of Hungary with jug and bird in frame with ornaments; S Elisabeta; Heroines. Holy Elisabet of Hungary with jug and bird. Frame with curl ornaments and different animals such as a cat loving to a mouse, monkeys and rabbits on which two boys hunt. At the top, two small angels are blowing on a trumpet.

Heilige Adolius Tarcensis, Frederick Bloemaert, After Abraham Bloemaert, after 1636 - c. 1670 print Saint Adolius Tarcensis prays standing for a crucifix. Print from a series of 80 prints and a title print with hermits from the 2nd to the 6th century. paper engraving male saints (ADOLIUS OF TARSUS)

Christ in the Garden, from The Passion of Christ, plate 7. Artist: Grégoire Huret (French, Lyon 1606-1670 Paris). Dimensions: Sheet: 19 5/8 × 13 11/16 in. (49.9 × 34.7 cm). Series/Portfolio: The Passion of Christ. Date: 1664. Museum: Metropolitan Museum of Art, New York, USA.

Triumph of the Faith, Johannes Wierix, 1559 - Before 1591 print Landscape with faith, behind her the cross. She holds a palm branch in one hand, in the other hand the reins of the bit with which she controls the heresy. Hereside is trampled by faith. She is struggling on the ground, in the midst of worldly symbols. On the left in the background, a man is picking grapes on a field with vines. On the right in the background a field with Korenaren. At the top of the sky a tetragram, symbol of God the Father. In the margin a six -line caption, in two columns, in Latin. print maker: Antwerppublisher: Paris paper engraving triumph of the Church (or Religion). tetragram (in Roman or Hebrew script) ~ symbol of God the Father. vineyard. ear of corn

Penitent St. Mary Magdalene, Willem Isaacsz. van Swanenburg, Cornelis Gijsbertsz. Plemp

Medes - King Darius; The four kingdoms. Darius, King of Medes, stands with crown and scepter next to an angel and a bear. The four wind directions are blowing in the background.

Praag, Sadeler, Aegidius, Winghe, Joos van, Barra, Johan, Christ and twelve apostles, Ite in mundum etc. Marci ulto, Christ makes a blessing gesture, verso below - stamped, print, prints, height 201 mm, width 123 mm, 1581 - 1634, print maker, 1591 - 1629, fourth quarter 16th century, first quarter 17th century, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, Northern Dutch, 1544 - 1603-12-18, after a design by, Publication (Event), Publication, Southern Dutch, 1570 - 1629, publisher

The Virgin and Child on a Cresent Moon. 1553. Aldegrever, Heinrich, 1502-. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Saint Genevieve. Engraving by E. Fessard, 1757, after C.J. Natoire.

Lucia, Saint.

An angel comfort Hagar. Hagar, handkerchief in hand, looks up to an angel in a cloud above her.

Apostle Tomas with halberd; S. Thomas; Christ and Maria and Saints.

Landscape with Christ, Antonie Wierix (II), After Maerten de Vos, 1601 - 1652 print Christ stands next to the cross and shows the wound in his side. In the background a face on a city in a hilly landscape. Numbered in the bottom left: I. in the margin a three -faced Bible quote from Mat. 28 In Latin. Antwerp paper engraving Christ showing his wounds

Gualfardo of Verona (Wolfhard of Augsburg) kneeling in front of an angel. Engraving, 17--.

Rome, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Christ, Mary and the apostles, Qui conceptus est de spiritu sancto natus ex Maria virgine, Saint John, verso - stamped, Saint John with book and chalice with snake. In the background on the left John who is immersed as a martyr in a cauldron of boiling oil. In the background on the right John on Patmos., print, prints, height 525 mm, width 382 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher

Ascension of Maria. Mary, sitting on clouds, is taken by angels to heaven.

Man of Sorrows, Hieronymus Wierix, 1593

Boetvaardige H. Maria Magdalena; Magdalena; Zondaars uit het Oude en Nieuwe Testament.Maria Magdalena kneels at a tree. She holds an opened book. For her stand a ointment pot and a cross. Her knee is a skull. Her ascension is shown in the distance. Under the show there is a six-line, Latin text in which the resemblance to the parable between Mary Magdalene and Venus.

The Virgin with the Starry Crown, Albrecht Dürer, German, 1471-1528, Engraving on laid paper, The Virgin stands on a crescent, wearing a crown of stars. She holds the Child in her left arm and presents fruit to Him., Germany, 1508, figures, Print, Print

Holy Helenus as a recluse, Christoffel van Sichem (II), After Abraham Bloemaert, 1644 print Amsterdam paper letterpress printing saints. anchorite, hermit

Saint Mark, from The Four Evangelists 1539 Heinrich Aldegrever German. Saint Mark, from The Four Evangelists 428374

Saint Justina, 1 of 25 plates from the series Martyrologium Sanctarum Virginum (Female MartyrSaints). Publisher: Adriaen Collaert, Flemish, 1560-1618

A late 15th-century copper engraving by Israhel van Meckenem depicting Saint Agnes, showing her in devotional posture with detailed Gothic line work and religious iconography.

Holy Genoveva van Paris, Gilles Rousselet, After Laurent de la Hire, 1646 - 1647 print France paper engraving / etching the virgin Genevieve (Genofeva, Genovefa); possible attributes: angel, book, candle (or taper), crown, crook, demon, distaff, medallion

St John, from The Four Evangelists Made 1539 Germany. Engraving in black on ivory laid paper . Heinrich Aldegrever

Mary's genade scene with child and scepter standing under canopy, Barbier, 1753 - 1799 print Devotion print with Mary refuge of sinners in the parish church in Uffelt (Oeffelt). paper engraving miraculous statues of Mary or the Madonna Oeffelt

Maria, a star witness on the head, with a child on the crescent nickel. Maria with long curly hair and a star witty on the head, standing on a crescent lake, surrounded by a beams, the Christ child on the left arm.

Fine H. Maria Magdalena, Willem Isaacsz. van Swanenburg, after Abraham Bloemaert, 1609 print Maria Magdalena kneels with a tree. She holds an open book. In front of her is an ointment pot and a crucifix. There is a skull with her knee. Her Ascension is shown in the distance. Under the performance is a six -line, Latin text in which the parable between Maria Magdalena and Venus is referred to. print maker: Leidenafter design by: Utrecht (possibly)publisher: Amsterdam paper engraving the assumption of St. Mary Magdalene: she is lifted up to heaven by angels; sometimes a hermit looks up at her. the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge - portrait of female saint. landscapes

Print, The Holy Family with Butterfly; Designed by Albrecht Dürer (German, 1471-1528); Germany; engraving on off-white laid paper

Prisca, saint.

Christkind in the clouds, Cornelis Bloemaert (II), After Abraham Bloemaert, c. 1630 - c. 1633 print The Christ child is on the clouds, surrounded by cherubies, and aiming the eyes to the cross that he wears in the left hand. paper engraving Christ-child (with attributes)

Angel with tablet; Theological virtues; VirtVTV TheOLOGICARũ. Angel with tablet on which the serene title and the name of the print maker in Latin.

Kroning Van Maria Op Maansikkel, Simone Cantarini, 1622 - 1648 print Maria stands on a crescent moon and is crowned by two putti. Under her three cherubs. Italy paper etching Madonna on the crescent of the moon (sometimes called Queen of Heaven) (in mandorla). coronation of Mary by one or more angels

The penitent Maria Magdalena, Hieronymus Wierix, 1563 - Before 1619 print The penitent Maria Magdalena prays for a crucifix in a cave. For her a scourge, a skull and her ointment pot. In the margin a caption in Latin. Antwerp paper engraving the penitent St. Mary Magdalene (often before a cave, possibly at La Sainte-Baume hill): her long hair covers her (naked) body, she reads, meditates or raises her tear-filled eyes towards heaven

Sibille Van Cumae, Jan Luyken, 1684 print Sibille van Cumae. In the background two men in front of the entrance of a cave and the imagination of the Annunciation. Print at the top right marked: page: 747. Amsterdam paper engraving / etching Cumaean sibyl. the announcement of Christ's birth (Luke 1:26-38). cave, grotto

Sibyl of Samos, Jan Luyken, Timotheus ten Hoorn, 1684

Personification of the soul shows the throne world its heart; The soul shows her heart to the world.

This 1546 copper engraving by Sebald Beham depicts Christ in a globe, showing figure, gesture, and symbolic world representation.

The Samaritan woman, Jan Saenredam, After Hendrick Goltzius, 1575 - 1726 print The Samaritan woman at the well, a water jug in her hand. In the background the encounter between Christ and the Samaritan woman at the source. The print has a Latin caption and is part of a press series with famous women from the New Testament paper engraving the woman of Samaria (John 4:4-42). Christ and the woman of Samaria: sitting at Jacob's well he asks her for a drink from her jug

Saint Silvia of Rome as a hermal; Sancta Silvia; Kluizenaars; Sacra Eremus Ascetriarum.

Giuseppe Palmieri, Vision of the Immaculate Conception, 1732 Vision of the Immaculate Conception

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