Religious Scenes and Symbolism

Artistic engravings depicting key biblical moments such as the crucifixion and martyrdom, rich in symbolism and detail.

Worship by the shepherds, Nicolas Chaperon, After Rafaël, 1649 print print maker: Franceafter painting by: Vaticaanstadpublisher: Paris paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present

Adoration by De Herders, Etienne Picart, After Nicolas Poussin, 1642 - 1721 print France paper engraving / etching adoration of the Christ-child by the shepherds; Mary and Joseph present

Copper engraving and etching by Philipp Joseph Tassaert, created between 1750 and 1803, depicting the stoning of Saint Stephen with figures in a narrative religious scene.

Crucifixion, Michel Aubert, After Peter Paul Rubens, 1722 print print maker: Francepublisher: Paris paper engraving / etching the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

. Moses and Aaron on the left in the foreground, one of them seen on the back. Pharaoh is sitting on his throne under a canopy. The staff of Aaron and the stages of Pharaoh's wizards have changed in dragons or snakes and the staff of Aaron devours the stages of the wizards. At the rear left a gate, including a human crowd. At the bottom of a reference to ex. 7: 10-12 and the title of the print in Hebrew, English, German, Latin, French and Dutch.

Copper engraving by Aegidius Sadeler the Younger, created between 1590 and 1627, depicting the grave of Christ with figures, tomb, and religious symbolism.

Etching by Flaminio Torri from 1640-1661 depicting Maria with the child in glory, surrounded by saints and the patron of Bologna, emphasizing religious composition.

Worship by the shepherds, Nicolas Chaperon, After Rafaël, 1649 print print maker: Franceafter painting by: Vaticaanstadpublisher: Paris paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present

Stoning of the apostle Paul; Acts of the Apostles. Paul is pelted by the inhabitants of Lystra with stones. In the background Paul heals a lame at the gate of Lystra. With a Latin caption with a Bible passage from the acts of the apostles (hand. 14). The last print of a five-part series.

Two biblical performances from ex. 17 and 32. In the Battle of Israel against Amalekites, Joshua Amalek beats, and the Israelites dance and kneel for the Golden Calf. Two representations of one plate, each with a title in Dutch and French. Numbered at the bottom right: 30.

Christ with the redeemed Refaldet before his mother

. Allegorical grave monument for the pastor Lucas Reeder. For the memorial, which is decorated with a swan and a skull, there are personnifications of learning, friendship and faith. On the right is a stork and is an enclosed incense vessel. The personification of envy is stabbed by the wisdom.

Etching by Lodovico Mattioli depicting the prophets Hanna and Simeon recognizing Jesus, created between 1680 and 1740.

Heilige Drie-eenheid tronend op de wolken.Christ, God's father and pigeon of the Holy Spirit thrown on the clouds in the sky. Left kneel a man and a woman for them. In the foreground different female saints, among others Catharina with the wheel and agnes with the lamb. Behind it sustains the church fathers, and behind them the evangelists with their animals.

Arminius asks the Druïden council; History of germanicus. The druids ask the gods to assist the Germanic surrounding Arminius in his fight against the armies of the Roman General Germanicus. The chief priest points to heaven with his staff. Four lightning rays fall from heaven. The print is part of the History of General Germanicus.

. Allegorical grave monument for the pastor Lucas Reeder. For the memorial, which is decorated with a swan and a skull, there are personnifications of sadness, faith and loyalty. On the right is a stork and is an enclosed incense vessel. The personification of envy is stabbed on the left.

Healing at the bath of Betzata / Christ and his students on Sabbath in the Korenvelden, Pieter Tanjé, 1791 print Two biblical performances. Upstairs: Christ heals a man who has been sick for thirty -eight years, at the bath of Betzata. Below: Christ walks with his students on Sabbath through the cornfields and his students pick and eat ears. The Pharisees appeal to him because they think that no ears should be picked on Sabbath. Among the performances a reference to the Bible texts and the titles in Dutch and French. Amsterdam paper etching / engraving Christ says to a paralytic man: 'Rise, take up your pallet (bed)'. discussion with Pharisees about the plucking of corn

Circumcision of Christ, Johann Sadeler (I), 1581

. In the foreground the Jewish people who collect water in jugs and scales. On the second plan, Moses strikes with its staff against a rock, so that water flows out. In the background the tent camp of the Jews in the desert. The print has a Latin inscription and is the second print of a six-part series about the history of Moses and the Jewish people in the desert after the Exodus.

Paulus in Rome / Johannes on Patmos, Pieter Tanjé, 1791 print Two biblical performances. Upstairs: Paul speaks with the Jews in his own home in Rome, where he is guarded by a soldier. Below: An angel sent by Christ appears to John on Patmos. Among the performances a reference to the Bible texts and the titles in Dutch and French. Amsterdam paper etching / engraving Paul preaches and tells his story to Jews while guarded by soldiers. an angel sent by Christ appears to John on Patmos

. Two biblical performances. Upstairs: Jacob blessed from his bed his twelve sons. Below: Jacob is buried by his sons in Machpela in Canaan. Among the performances a reference to the Bible texts and the titles in Dutch and French.

Holy Servatius van Maastricht worn by angels to heaven, Theodoor Schaepkens, 1837 print paper etching Servatius, Bishop or Tongeren and Maastricht; Possible attributes: Clog (Wooden Shoe), Dragon, Eagle, Key

David continues the Amalekites after burning Ziklag and David orders the Amalekiet to kill to killed Saul, Jacob Folkema, 1791 print Two Biblical performances from 1 Sam. 30 and 2 Sam. 1. David continues the Amalekites after burning Ziklag, and David orders the Amalekiet to kill that he killed Saul. Two performances of one plate, each with a title in Dutch and French. Fully numbered at the bottom right: 55. publisher: Amsterdampublisher: Dordrecht paper etching the Amalekites defeated by David. David finds Ziklag burned. the messenger who brought David the message of Saul's death is put to death by one of David's soldiers

Joseph tells his dreams of Enjoef sold by his brothers; Joseph tells Zynen dream to zyne brooding / les Songes de Josephjoseph by Zyne Brooding Verkat / Joseph Vendu Par Ses Fréres.two Biblical Performances from Gen. 37. Numbered at the Bottom Right: 18.

Mary with child and a holy, dominic custos (attributed to), after ferraù fenzoni, c. 1579 - c. 1615 print Mary with the child in her arms. Angels around her. A saint with a monk, rosary and book worship Maria and the child. Augsburg paper engraving Madonna (or Mary without Christ-child) as patroness or protectress, e.g. of a confraternity or lay order

Maria with child worshiped by saints, William Unger, after Peter Paul Rubens, 1847 - 1932 print Germany paper. etching Mary and the Christ-child with John the Baptist (as child). Madonna accompanied by saint(s). the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Doornenkring van Christus, Hieronymus Wierix, 1563 - Before 1619 print Two soldiers with sticks push the crown on the head of Christ. A third soldier is about to hit Christ in the face. In the margin a three -fitting Bible quote from Joh. 19 in Latin. Antwerp paper engraving the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Moses at the burning blackberry bush Enmoses, Aaron and the Egyptian wizards; Moses by Den Braambos / La Vision du Buisson Ardentmozes, Aaron, and the wizards of Egypt / Moïse, Aaron, & Les Enchanteurs d'Egypt.two Biblical Performances from EX. 3 and 7. Numbered at the bottom right: 26.

Two biblical performances from 1 could. 1 and 3. Salomon is anointed to King, and Salomon's case-law. Two representations of one plate, each with a title in Dutch and French. Numbered at the bottom right: 60.

Kruisafname in Bewening Van Christus, François Chauveau, After Nicolas Poussin, 1623 - 1676 print France paper etching Christ is laid down ~ descent from the cross. the mourning over the dead Christ

Presentation of Christ in the Temple, John Baptist Jackson, After Paolo Veronese, 1745 print paper presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39)

Copper engraving by Schelte Adamsz. Bolswert from 1630-1645 depicting Mary preaching, showing figures, gestures, and composition.

. The King Philip V of Spain at a throne is raised by Victoria, goddess of victory. For the throne, an African woman knives with an elephant slurf on her head and a map of the city of Oran in Algeria in her hand. She symbolizes the Spanish conquest of Oran in 1732. The church with a papal tiara on the head offers the king a chalice. Due to the arcuate window in the background, a fleet for a coast can be seen. Putti show a cloth with a text in Latin in the foreground.

Reception of a new member of the Bentvueghels, ca. 1700. Receipt and initiation of a new member of the Bentvueghels, ca. 1700. Members of the bibles, the group of Dutch artists in Rome, dressed up as bacchants with a priest who with a Stick point to the new member. In the caption 2 times 7 lines in Dutch.

Etching by an unidentified engraver from the 16th-17th century depicting scenes of idolatry, showing worshippers, statues, and religious imagery in historical context.

Transfiguration: beauty; Formontas; Virtues of Christ; Virutes Iesu Christi Filii Dei Vivi. Christ has his divine being to Peter, James the several and John. He is surrounded by heavenly rays. Moses (left) and Elijah (right) appear next to him. The fifth print of an eight-language series with scenes from the life of Christ depicting its most important virtues.

Exit of the Holy Spirit, Johann Sadeler (I), After Maerten de Vos, 1587 - 1589 print Maria and the students of Christ are praying in a room. The pigeon of the Holy Spirit appears in the middle of the group. Above the heads of the apostles and Mary are fiery tongues, signs of the outpouring of the Holy Spirit in their hearts. The print has a Latin Bible quotation as a caption and is the thirteenth print of a fifteen -part series about the life of Christ and the Virgin Mary. Frankfurt paper engraving Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4)

. Father time opens a curtain that reveals a landscape with the last judgment. On the left in the foreground an angel who leads a young man and points to the final judgment. Above her head a burning flame as a symbol of belief. On the right in the foreground a sleeping young man amidst all kinds of resources. Death is approaching behind him. On a plinth under the show the title in Dutch.

Two biblical performances. Above: Christ is taken from the cross. On the right mary and the women are grieved. Under: Christ's friends are relieved his body. Among the performances a reference to the Bible texts and the titles in Dutch and French.

Christ with the teachers in the temple, Abraham de Blois, after Arnold Houbraken, 1728 print Twelve -year -old Christ is in the temple between scholars and asks them questions. Maria and Joseph find him there. Under the show is the title in six languages. print maker: Amsterdampublisher: The Hague paper engraving Christ's dispute with the doctors in the temple; he counts his arguments on his fingers

Two biblical performances from Neh. 4 and EST. 5. Rebuilding the walls of Jerusalem, and Esther visits King Ahasveros. Two representations of one plate, each with a title in Dutch and French. Numbered at the bottom right: 70.

Maria with the child and the Holy Francis of Paola

Godschalk undergoes his punishment and burns his books, Reinier Vinkeles (I), 1807 print Part of the twelve bishops watches how the punishment they imposed by Godschalk are undergone. Godschalk burns books after he is beaten with the rod. Amsterdam paper etching / engraving rod, birch ~ punishment at school. torture (+ judge). burning of books. archbishop, bishop, etc. (Roman Catholic)

Baptism of Christ (left part), Jean Pesne, After Nicolas Poussin, 1680 - 1694 print publisher: ParisFrance paper etching baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends

Saint Agatha, c. 1590 - c. 1610 print Holy Agatha. Part of a series of 24 performances of female martyrs (Martyrologium). The performances are equipped with edges with flowers and animals. paper engraving the virgin martyr Agatha of Catania; possible attributes: breasts on dish, burning house, loaf, taper or candle, tongs. flowers

Moses strikes water from the rock ...

Circumcision of Christ, Gerrit de Broen (II) (Possible), After Bernard Picart, c. 1711 - c. 1720 print Christ is circumcised eight days after birth. Joseph holds Christ on his lap and a priest performs the circumcision. In another room the women wait separately from the men. Illustration from the New Testament, under the show a title in Greek, English, German, Latin, French and Dutch. Amsterdam paper engraving circumcision of the Christ-child by the priest in the temple (Luke 2:21)

Copper engraving and etching by Antonio Baratti showing Christ preaching to his disciples, created between 1744 and 1787.

Graflegging van Christ, Giles Sadeler (2), after Federico Barocci, 1591 - 1615 print The body of Christ is worn by three men, including Joseph from Arimatea and Nikodemus, to his opened tomb. Behind them, Maria mourns with two women. In the front, a woman with folded hands, Maria Magdalena (). The torture tools are in the front left. In the distance the three crosses on a rock. Under the performance an eighthritige, Latin text and below the assignment, also in Latin. In the middle of the coat of arms of Cardinal Borromeo. paper engraving Christ's entombment (possibly by angels)

IMACH STORM IN THE OLD CHURCH IN AMSTERDAM, 1566, Reinier Vinkeles (I), After Jacobus Buys, 1780 - 1795 print Beauty storm in the Oude Kerk in Amsterdam, 1566. The wife Weyn Ockers throws her slipper to a crucifix. Netherlands paper etching iconoclasm Old church

Adoration of the child by two shepherds, Henricus Wilhelmus Couwenberg, after Charles van Beveren, 1830 - 1845 print Amsterdam paper steel engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

Pastor Johannes Florianus in Brussels as heretic tied in a bag and thrown into a well, 1585, 1783 print Johannes Florianus, Reformed pastor in Brussels, is tied in a bag and thrown into a well, 1585. Netherlands paper etching violent death, being killed; being mishandled and maltreated; seeking death. execution of heretic, e.g. by burning at the stake, 'auto-da-fé' Brussels

Holy Women at the Graf, Gilliam van der Gouwen, After A. Houbraken, 1728 print An angel is sitting on the tombstone and focuses on the three holy women (Matt. 28: 3-5). The print has a Greek, Latin, French, English, German and Dutch caption. print maker: Amsterdampublisher: The Hague paper engraving / etching angel(s) addressing the holy women ~ Resurrection of Christ

Ezekiel and Moses, Prophets of the Old Testament; Title page for Johannes Lundius, shrines of religions, and plain of the old jooden, 1726; Sanctuates religions, and plain of the old jews. In the middle at an increase is Moses. He puts his hand on the head of a man. Next to him is the prophet Ezekiel. He points to a portrait of the risen Christ, whose coming he predicted. In the background the four apocalyptic animals from his vision. In the foreground different putti that show prints with performances from elements from the Jewish religion.

Incaleider Atahualpa is converted to the Catholic faith, Reinier Vinkeles (I), After Jacobus Buys, 1788 print Spaniards try to convert the Incaleider Atahualpa to the Catholic faith. He has his ear against the Bible. For him, a spiritual holds a crucifix. Amsterdam paper etching / engraving extinct, 'historical' peoples (with NAME). Native peoples of South America. Europeans: Spaniards. ancient American script (Maya, Aztec, Inca). crucifix ~ personal devotion. the Bible as a book Peru. Tawantinsuyu

Olav points some praying men to the sun, Reinier Vinkeles (I), 1806 print Olav points some Norwegians to the sun as proof of the power of God. In the background, a man with his bat destroys the image of Thor, providing the powerlessness of this God. Amsterdam paper etching / engraving index finger forwards, pointing, indicating. kneeling figure. ruler, sovereign. insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral). spur

Burial of Christ, c. 1810 print paper etching Christ's entombment (possibly by angels)

Martyrdom of Tomas, 1577 - 1582 print Apostle Tomas is stabbed to death with spears by Indians. Part of the depicted Indians has been presented as original inhabitants of America, with fee and other attributes. To the right next to the scene of his torture death, he is shown again, reading in a book, a spear in his hand. Twice two lines of Latin under the performance. This print is part of a series of thirteen prints of Christ (unnumbered) and the apostles (numbered), more specifically of the tortures they have undergone. paper engraving death of Thomas: he is brought out of the city by four soldiers, who kill him with their lances. the apostle Thomas; possible attributes: book, chalice, girdle, heart, lance or spear, scroll, square, stones - martyrdom, suffering, misfortune, death of male saint. Asiatic races and peoples: Indians. Native peoples of the Americas India

David gets his two women and the loot back from the Amalekites, 1720 - 1728 print David invades the camp of the Amalekites with his men. The Amalekites are eating and drinking the captured things at the Philistines and in Judah. David takes over everything, including his two women. Under the show is the title in six languages. print maker: Amsterdampublisher: The Hague paper engraving David finds the Amalekites feasting

Ezekiel and Moses, Prophets of the Old Testament, Jan Goeree, 1726 print In the middle of an elevation is Moses. He puts his hand on the head of a man. Next to him is the prophet Ezekiel. He points to a portrait of the risen Christ, whose arrival he predicted. In the background the four apocalyptic animals from his vision. In the foreground different putti that show prints with representations of elements from the Jewish religion. Amsterdam paper engraving anthropomorphic symbols of the evangelists. Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. Ezekiel (not in biblical context); possible attributes: book or scroll, double wheel. cupids: 'amores', 'amoretti', 'putti'. Ezekiel (not in biblical context); possible attributes: book or scroll, double wheel

Two biblical performances from 2 Kron. 24 and 36. Zechariah is constantly commissioned by the king, and Nebuchadnézar destroyed Jerusalem. Two representations of one plate, each with a title in Dutch and French. Numbered at the bottom right: 69.

The Crowning with Thorns, pl. 11 from the series Passio, Mors, et Resurrectio, Dn. Nostri Iesu Christi (The Passion, Death, and Resurrection ofChrist). Engraver: Jan Collaert II, Flemish, ca. 1561-ca. 1620 After: Stradanus (Jan van der Straet), Flemish, 1523-1605 Publisher: Philip Galle, Flemish, 1537-1612

Olav points some praying men on the sun. Olav points out a few Norwegians as proof of the power of God. In the background a man with his bat destroys the image of Thor, proving the powerlessness of this God.

The apostle Timothy holds a rolled out text sheet being studied by an angel. Timothy is standing on a pedestal where the frontispiece depicts how he was clubbed to death at Ephesus. Print marked top center: II. Part Fol: 82., Apostle Timothy Saint Timothy at the Seer of the Churches of Asia, at Ephesus, brutally killed by the Hedeans , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 277 mm × w 171 mm

Copper engraving by Guillaume Vallet illustrating the biblical scene of the Holy Family fleeing to Egypt, showing Mary, Joseph, and the infant Jesus with landscape and animals.

Cross instration. Surrounded by a crowd, Christ carries the cross to Golgotha. He supports hands and knees and threatens to succumb to his burden. Soldiers drive it on and pull it further. Next to the cross kneels Maria with folded hands, Simon van Cyrene helps Christ to bear his load.

. Allegorical grave monument for the pastor Lucas Reeder. For the memorial, which is decorated with a swan and a skull, there are personnifications of sadness, faith and loyalty. On the right is a stork and is an enclosed incense vessel. The personification of envy is stabbed on the left.

Rebekka in Eliëzer Bij de Put, Bernard Picart (Possible), After Eustache Lesueur, 1683 - 1733 print Rebekka meets Eliezer, the servant of Abraham, at the well. His camels on the right in the background. In the foreground, his servant pours water from a jug in a pelvis to have the sheep drink. paper etching Rebekah offers Eliezer a drink from her pitcher

King Abimelech gives Sara back to Abraham and the circumcision of Isaac, Jacob Folkema, 1791 print Two Biblical performances from Gen. 20 and 21. King Abimelech gives Sara back to Abraham, and the circumcision of Isaac. Two performances of one plate, each with a title in Dutch and French. Fully numbered at the bottom right: 10. publisher: Amsterdampublisher: Dordrecht paper etching Abraham is summoned before Abimelech; Sarah is given back to Abraham, who is honoured with a thousand pieces of silver and other gifts. Isaac's circumcision

Hemelvaart Van Maria, Giuseppe Camerata (II), After Stefano Torelli, After Annibale Carracci, 1728 - 1803 print Maria is taken to heaven by Engelen. The apostles look from the ground. Numbered below: No. 19. Italy paper etching / engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Mourning of Israelites in Gibea, Quiryn Fonbonne, After Bernard Picart, c. 1690 - c. 1757 print paper etching / engraving messengers of Jabesh-gilead come to Gibeah; the people weep on hearing the news

Christ drives out the merchants from the Temple, Anonymous, After Jacques Jordaens, 1652 - 1702 print Christ drives out the traders from the temple and thereby knocks over a table. The merchants fall on the ground with their money and merchandise. Left in front of the entrance of the temple a woman with a bowl of fruit and flowers on the head. paper etching / engraving merchant, salesman. the Temple (in general) ~ Jewish religion. purification of the temple ('first' and 'second'): Christ driving the money-changers from the temple with a whip (Matthew 21:12-13; Mark 11:15-17; Luke 19:45-46; John 12:12-19)

An etching by Nicolas Dorigny from 1678-1691 depicting Mary with the Christ child appearing to St. Francis of Assisi, illustrating devotional figures and detailed religious composition.

Christus Genest Twee Blinden, Guillaume Chasteau, After Nicolas Poussin, c. 1672 - C. 1674 print paper engraving / etching healing of two blind men, or one (Bartimaeus), sitting near Jericho (Matthew 20:29-34; Mark 10:46-52; Luke 18:35-43)

The presentation of Christ in the Temple, Pietro del Po (attributed to), after Nicolas Poussin, After Charles Mellin, 1620 - 1692 print For a temple, Mary presents the Christ child to the high priest, who is ready to receive it. Other figures look. Engelen and the Holy Spirit float above the form of a pigeon. Italy paper engraving / etching presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39). angels

Two men kneel for a bishop. .

Allegory of faith, Caspar Jacobsz. Philips, after Pieter Wagenaar (II), 1781 print The personification of faith (fides), with a cross and a miscarriage in the hands, her foot on the papal tiara. Above her head, a flame fuels, symbol of divine inspiration. A man points her to the tables of the law. A monk with a mask spied her and laughs. In the background a sacrificial altar, a pyramid, a mosque and a church. A heathen wants to tackle the true faith with a sword. Amsterdam paper etching allegorical and symbolical representations ~ the Church and Religion. (aspects of) Christian Religion or the Church (as institution) ridiculed, criticized, or caricaturized. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues

. Two biblical performances. Above: the body of Saffira is carried away. In the background the dead ananias are carried away. Below: different sick are healed by the apostles. Among the performances a reference to the Bible texts and the titles in Dutch and French.

H. Ambrosius does not allow Emperor Theodosius in the church, William Unger, After Peter Paul Rubens, 1861 - 1889 print Vienna paper. etching St. Ambrose refuses emperor Theodosius admission to the church

Copper engraving and etching by Johann Matthias Kager from 1575-1632 depicting the fire test of St. Kunigunde and the nursing of St. Elisabeth with figures in religious scenes.

Islamic party in an Eastern city, Jacob Folkema, 1735 drawing paper. graphite (mineral). ink pen / brush ritual music and dancing ~ Islam, Mohammedanism. other ritual practices ~ Islam, Mohammedanism. swinging games

Samuel Ointment David, Pietro Aquila, After Rafaël, 1675 print View in a departure where Samuel David Ointment. Behind Samuel are four figures and behind David there are another four figures. In the foreground on the left an altar. Bible verse under the show. Print is part of an album. paper etching Samuel anointing David in the presence of his father Jesse and his brothers

Martelaarschap van H. Paulus, Jacob Folkema, After Giovanni Battista Internari, After Nicolò Dell'abate, 1753 print Saint Paul is kneeling in front of the executioner who will imagine him with a sword. On the left the holy Peter, with his attribute, the keys of heaven and the cross on the ground on the ground on which he will die. At the top of Mary with the Christ child between the clouds surrounded by putti. Amsterdam paper etching / engraving martyrdom and death of Paul. Peter and Paul meet (and embrace) just before their execution. Mary sitting or enthroned, the Christ-child sitting on her knee (Christ-child to Mary's left) (+ angel(s))

. Maria is in an increase under columns with the Christ child on your lap. At her feet Peter stands with an open book. Saint Francis of Assisi and Saint Antonius of Padua are left next to the Christ child. Jacopo and Benedetto Pesaro were knocked into worship in the foreground. Two Putti set up a cross on a cloud. The print is part of a 53-part series of prints to paintings by Titian and Veronese.

Crossing and courtier in Koets, Cornelis Galle, After Nicolaas van der Horst, 1630 print In the foreground a carriage drawn by two horses, which carries a light burden: a musician courty. As an example of wearing a heavy burden, it is depicted above it: Christ who falls while wearing his cross to Golgota. Simon van Cyrene helps him wear. Veronica offers him a canvas to dry his sweat. At the top right a coat of arms of a canon. The print has a caption in Dutch. Print from a book edition in which a scene from the life of Christ is always faced with a worldly situation. Antwerp paper engraving / etching Christ collapsing ~ carrying of the cross. Christ meets Veronica, who has a cloth to wipe Christ's face. animal traction, animal-drawn vehicle (carriage etc.). making music; musician with instrument

Joseph of Arimathea watches as Roman soldiers roll a stone in front of Christ's tomb. Mezzotint by I. Jehner, 1794, after W. Hogarth.

Copper engraving by Cornelis Galle the Elder depicting the adoration of the kings, created between 1590 and 1650.

Christ among the teachers, Johann Sadeler (I), 1582

Crucifixion of Christ. Christ on the cross between the two crucified criminals. A soldier has dipped the sponge in vinegar to give Christ drinking. In the foreground soldiers with the clothing of Christ, in addition to a few utensils from the passion such as nozzle, nails and the ladder. On the right Maria with spread arms and John the Baptist. Illustration of the Bible text Luc. 23: 33. Under the show the title in Hebrew, English, German, Latin, French and Dutch.

Copper engraving by Grégoire Huret from 1664 showing Roman soldiers casting lots over Jesus, depicting figures, gestures, weapons, and surrounding environment in a biblical scene.

. Two biblical performances from 1 could. 19 and 2 could. 1. Elijah is awakened by an angel, and a officer sent by King Ahazia is digested by the fire together with fifty soldiers. Two representations of one plate, each with a title in Dutch and French. Quatching the bottom right numbered: 63.

Oded frees the prisoners from the army of Samaria, Nicolas de Beauvais, after Etienne Picart, 1697 - 1763 print France paper etching / engraving Oded, a prophet, meets the returning Israelite army with the Judaean prisoners and exhorts the Israelites to let the prisoners go

Mary worshiped by Saints, Vicente Victoria, After Rafaël, 1684 - 1729 print At the top of Mary with the Christ child in the clouds, surrounded by putti. On the floor is an angel with a wooden plate in the hands. On the left the Humanist Sigismonde de 'Conti and Saint Hieronymus. On the right the saints Francis and John the Baptist. Assignment in Latin in STUDMARGE. print maker: Romeafter painting by: Italypublisher: RomeFlorence paper etching Madonna accompanied by saint(s). angels. cupids: 'amores', 'amoretti', 'putti'. John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff. founder of the Order of Friars Minor (Franciscans), Francis(cus) of Assisi; possible attributes: book, crucifix, lily, skull, stigmata. the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Heilige Bruno Laat de Grande Chartreuse Bouwen, François Chauveau, After Eustache Lesueur, 1623 - 1676 print print maker: Parisafter painting by: Parispublisher: ParisFrance paper etching / engraving / counterproof the founder of the Order of the Carthusians, Bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s)

Death of Ananias and Saffira / Healings by the Apostles, Pieter Tanjé, 1791 print Two biblical performances. Above: Saffira's body is being carried out. The dead Ananias is carried away in the background. Below: Several sick people are healed by the apostles. Among the performances a reference to the Bible texts and the titles in Dutch and French. Amsterdam paper etching / engraving Ananias carried away and buried by young men. Sapphira carried away and buried by young men. disciples healing the sick (in general)

Crossing, Cornelis Galle (I), After Anthony Van Dyck, 1586 - 1650 print Surrounded by a crowd, Christ carries the cross to Golgotha. He supports his hands and knees and threatens to collapse under his burden. Soldiers drive him and continue him. In addition to the cross, Mary kneels with folded hands, Simon van Cyrene helps Christ to bear his burden. Antwerp paper engraving Christ collapsing ~ carrying of the cross

Arrival of the Batavians, Anonymous, 1809 - 1899 print The Batavians are 100 years BC. In the Netherlands. They sail on wooden rafts. paper raft. extinct, 'historical' peoples (with NAME). arrival and return ~ travelling

Worship by the Shepherds, Jan van Orley, 1685 - 1735 print The shepherds look at the Christ child in the stable. Maria and Joseph kneel next to the child on a hay ball. Front left two shepherds who look at a group of music -making angels in heaven. Under the image a Latin verse from Luc. 2. Brussels paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present

Worship of the Kings, Claude Goyyrand, 1630 - c. 1662 print France paper engraving / etching adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Handing over gold and silver barrels and the pharaoh drowns, Simon Fokke, 1791 print Two biblical performances from ex. 12 and 14. Numbered below: 28. Amsterdam paper etching the Egyptians handing over their jewellery and clothing to the Israelites. Pharaoh and his army engulfed in the Red Sea (Israelites not or barely visible)

Martin Luther burns the Popeke Bul. Luther burns the papal bul outside the walls of Wittenberg, 1520.

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