Religious Scenes In Art

Historical engravings depicting biblical events, such as sacrifices and evangelism, rich in detail and illustrating significant religious narratives.

Manoach and his wife see the angel take off in the flame of their sacrifice, Caspar Luyken, 1708 print Nuremberg paper etching Manoah's sacrifice; the angel ascends in the flames

Francis in the wilderness. The sacred Francis of Assisi in a landscape with a crucifix in the hands. In the background a mountainous landscape and a franciscan walking on a path. Latin text in two columns in undermarge.

Sacrificial sacrifice; History of Abraham; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Abraham lifts his knife to sacrifice his son Isaac, but an angel prevents him from it. On the right is a ram in the bushes entangled, which will be sacrificed in Isaak. On the right in the landscape are Abraham and Isaak on their way to the sacrificial place, after they left the donkey and servants. Under the show a reference in Latin to the Bible text in Gen. 22. This print is part of an album.

Saint John the Evangelist. Engraving by Burnford after G. Freman.

Manoach and his wife see the angel take off in the flame of their sacrifice, Caspar Luyken, 1708 print Nuremberg paper etching Manoah's sacrifice; the angel ascends in the flames

De Israelieten vluchten uit Egypte.A group of Israeli men, women and children on the run. They all carry an urn. On the right is the old Moses to indicate his right hand. A woman has been kneeling for him.

Landscape with Mary Magdalene; Landscapes with saints. Maria Magdalena is kneeling in a landscape with a crucifix in her one hand and a opened book in the other hand. This print is part of an album.

Paul of Theben, Saint.

Emmausgoers; ET Factum EST VT DUM COLLOQUERENTUR, ET SE MUTUO ROGITARENT, IPSE IESUS ACCEDERET, ET UNA ITER FACERET CUM IPSIS; Passion, resurrection and ascension of Christ; Spacious bible. Christ meets two students and walks with them to the village of Emmaüs. They don't recognize Christ. The two men are dressed as pilgrims. On the left a water-rich landscape. Under the show the title in Latin, four four-line verses in Dutch and a reference to the Bible text in Luc. 2:13.

. Mary Magdalene in the wilderness. She kneels for a crucifix for the cave in which she lives. A mountainous landscape in the background.

Johannes doopt Christus in de Jordaan; De praedicatione Iois et Baptismo Christi; Vitae passionis et mortis Jesu Christ.Johannes Christ in the Jordaan. Another scene from the Bible story is shown in the landscape: Johannes preaches for a crowd in the presence of Holy Trinity.

Temptation of Christ in the wilderness; Christvs Tentatvr in Deserto.

Landscape with the vision of the H. Francis of Assisi. On Monte Alverna has Franciscus a vision of a seraphy with six wings. Franciscus dressed in a simple monk trick kneel down and looks at the seraphy. In the background a landscape with the San Damianokerk in Assisi.

Adam and Eva hide for God.

The penitent John the Baptist; S. Ioannes; The penitent saints. In a rocky environment, John prays the Baptist, a child, kneeling for a cross that rests against a tree. Under the show a caption in Latin. This print is part of a series of five prints of penitent saints.

Balaam and the donkey; History of Moses after the Exodus; History of Balaam; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Balaam mowing his donkey to ride and beat her with a club, but she is stopped by an angel with a sword. There are three fighters in the landscape behind Balaam. Under the show a reference in Latin to the Bible text in Num. 22:21. This print is part of an album.

Bootless Mary Magdalene. Maria Magdalena praying for a crucifix at a cave. Her arm is based on a skull. Altheaded, Mary Magdalena has focused her look at a cross behind her, held up by angels in the air.

Sadeler, Raphael (I), Johann (I), Vos, Maerten de, München, Sylvae Sacrae Monumenta, Male anchorites and hermits, Saint Cyriacus the anchorite, verso lower left - stamped, St. Cyriacus, an early Christian anchorite from Palestine. He sits before a cave in a wooded landscape. A river flows beside him. St. Cyriacus reading a bible and wearing a large pointed hat., print, prints, width 198 mm, height, 166 mm, South Netherlandish, 1560, print maker, printmaker, 1594 - 1594, paper, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1550 - 1600-08, publisher

Holy Johannes van Bohemen as a recluse, Johann Sadeler (I), After Maerten de Vos, 1594 print Saint John (Ivan) van Bohemen, a recluse from the ninth century AD, for a cave in a mountainous landscape. He is attacked by numerous demons. The recluse prays kneeling for a crucifix München paper engraving male saints (with NAME). anchorite, hermit. cave, grotto. devils in purely fantasy shape. mountains

Landscape with John the Baptist. Sloping river landscape with praying John the Baptist. In addition to the kneeling figure is a lamb.

Landscape with reading Hieronymus, 1565 print The saint Hieronymus is sitting on a rock in a mountainous landscape. Next to him a book and an hourglass. The lion, his attribute, strolls between the rocks. paper engraving the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Johannes predikend.John the Baptist preaches under a tree for a group of audience. He points to a man (Christ) in the background.

Saint Hieronymus in de Wildernis, Monogramist SPF, c. 1600 - c. 1699 print The saint Hieronymus in the wilderness, kneeling for a crucifix. There are a skull and a book in front of him. On the left a lion looks at its own mirror image in a lake water. Italy paper engraving / etching the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone. St. Jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; a skull (and other 'Vanitas' symbols), sometimes a scorpion and a snake beside him

Jacob is struggling with the angel. In the background the river Jabbok and Jacob's fellow travelers (Gen. 32:24). The print has a Hebrew, Latin, French, English, German and Dutch caption., Jacob wrestles with the angel (or man) till daybreak, Jacob's thigh is put out of joint, Jacob sends his family and caravan across the river.. An angel with a trumpet praises them. In the background the Holy Spirit as a dove and the Lamb of God. The print has a Greek, Gilliam van der Gouwen (mentioned on object), 1728, paper, etching, w 216 mm × h 353 mm

. The H. Afra dies a martyrdom of the stake while a crowd watches. An angel drops out of heaven to record her soul. The print has a Latin caption and is the sixth print of a 60-part series with the saints of Bavaria.

The Calling of St. Peter and St. Andrew. Vellert, Dirk Jacobsz, Mistrz DV z gwiazdą (Star) (fl. ca 1511-1547), graphic artist

De Boetvaardige Maria Magdalena, Anonymous, after Jacques Callot, 1632 - 1699 print In a rocky environment, Maria Magdalena, kneeling on a rock, a cross and a book next to her on the floor. Under the performance a caption in Latin. This print is part of a series of five prints of penitent saints. France (possibly) paper etching the penitent St. Mary Magdalene (often before a cave, possibly at La Sainte-Baume hill): her long hair covers her (naked) body, she reads, meditates or raises her tear-filled eyes towards heaven

Antonius the Great as a recluse, Johann Sadeler (I), After Maerten de Vos, 1583 - 1588 print The H. Antonius the Great for a crucifix in a ruin. He reads in a Bible and is plagued by devils and a beautiful woman with a mirror. Antwerp (possibly) paper engraving St. Antony Abbot visits St. Paul the Hermit in the desert. anchorite, hermit

Elijah and the widow of Sarefat; History of Elia; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Elia meets the widow of Sarefat and her son, who gather wood together outside the city gate. In the background, Elia prays for the boy who died and is awakened to life again. Outside at the door is the widow. Under the show a reference in Latin to the Bible text in 1. 17: 9. This print is part of an album.

Human sacrifice in the forest, 1658 - 1660 print Human sacrifice in the forest. Is part of the eight illustrations in: Johan Picardt, short description of some forgotten and hidden antiquities ... in the Antiquiteet-Rijcke Landschap Drenth, Tymon Houthaak, Amsterdam 1660, fol. 67. Netherlands paper etching human sacrifice ~ non-Christian religions. Germanic and Scandinavian religions. extinct, 'historical' peoples (with NAME) Drenthe. Netherlands

The Temptation of Christ by the Devil. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Christoffel Jegher after Sir Peter Paul Rubens.

The Temptation of Jesus 1644-52 Wenceslaus Hollar Bohemian Jesus sits beneath a tree at the right and points to his lips while Satan points to the ground.. The Temptation of Jesus 360742

Three pilgrims say goodbye to each other, Jan Luyken, 1687 print Print on top left marked: Foli 236. Amsterdam paper etching pilgrimage, pilgrim(s) under way. waving farewell ~ departure on a journey (+ variant). embracing each other, kissing

Angel appears to Moses. A man, very likely Moses, kneels for angel that appears to him in a tree. In the background two shepherds with their herd.

Elijah and the angel; Oudtestament representations. In a rocky landscape with tree artets and a water feature, a angel is shown on the left in the foreground that wakes up the kneeled Ellia and pointing to a piece of bread and a jug with water.

Landscape with the Holy Onuphrius, 1560 - 1600 print The Holy Onuphrius prays in the wilderness for a crucifix. He holds a rosary in his hand. This print is part of an album. paper engraving the hermit Onuphrius; possible attributes: chalice and host, cross, crown (or coins), at his feet, raven, two lions

The temptation of Christ. .

Jeroboam and the prophet Achia; History of Jeroboam and Rechabeam; Thesaurus Sacrarum historiarum Veteris Testamenti (...). The prophet Achia has torn its cloak in twelve pieces and hand over ten pieces to Jeroboam. The torn mantle symbolizes the split of the Jewish people. Jeroboam became king of ten of the twelve tribes. Under the show a reference in Latin to the Bible text in 1. 11.

Return from Egypt. Joseph and Maria return from Egypt with the young Christ. In the air God the Father and the Holy Spirit as a pigeon. Numbered bottom left: 4.

Rest on the Flight Into Egypt. Maria and Joseph sitting under a tree. Maria gives the Christ child's chest, Joseph loves the grazing donkey and offers Maria a fruit.

Elijah visited by an angel in the desert.

Christ heals a leper; Dominica XIII. Post PenteCost. A leper that suffers from skin strey kneels Before Christ. Christ stretches his hand to clean the man. At different elements from the show are letters that correspond to the legend in the margin.

Saint Francis of Assisi in the wilderness, kneeling in front of a crucifix. Engraving by F. Villamena.

Mary of Egypt, 1 of 24 prints from the series Solitudo Sive Vitae Foeminarum Anachoritarum (Female Hermits inLandscapes). Publisher: Adriaen Collaert, Flemish, 1560-1618 After: Maarten de Vos, Flemish, 1532-1603

Christ appears to Maria Magdalena, Lodewijk Joseph Fruytiers, 1723 - 1782 print Landscape with Christ and Mary Magdalena. Christ makes a blessing gesture to Magdalena who is in a kneeling attitude for him. An angel in the background. Verso A prayer card for Everardus Houthuyzen from Amsterdam, died in 1790. parchment (animal material) engraving Mary Magdalene kneeling before Christ, who is usually represented as a gardener with a hoe and/or a spade; 'Noli me tangere'

Holy family with donkey and cherubins, Herman van Swanevelt, 1643 - 1655 print A landscape with tree parties and a water feature are displayed. In the foreground, Mary with Christ sits in her arms on a donkey. Joseph walks behind the donkey and holds a staff in his left hand. Three cherubins can be seen on the left hill and there is a round temple on the right hill. Paris paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Israelite women hats the herd; Donne Israelite Che Pascono La Greggia; New and Old Testament. Three Israelite women with a child and a herd in a landscape. One of the women milks a cow. Text in undermarge.

Achia divides his coat into twelve pieces and hands ten to Jeroboeam, Jan Saenredam, after Abraham Bloemaert, 1604 print The prophet Achia has torn his cloak in twelve pieces and hands ten pieces to JeroBeam. The torn cloak symbolizes the split of the Jewish people. JeroBeam became king of ten of the twelve tribes. The print has a Latin text in the lower margin. paper engraving meeting of Jeroboam and the prophet Ahijah; Ahijah rends his garment in twelve pieces, ten of which he gives to Jeroboam

The hermit Iosaphat, Josaphat, Christian saint, from Sylvae Sacrae by Rafael Sadeler (c. 1600), Historical, digitally restored reproduction from a 19th century original.

John the Baptist preaches to the crowd. John the Baptist stands, wrapped in a simple robe and with a staff in hand, on an improvised job grinder and appeals to a crowd of people.

While the holy family rest on the way to Egypt, an angel bends a palm tree to provide them with dates. Etching.

Punishment of the children who mock Elisa, Anonymous, After Schelte Adamsz. Bolswert, after Peter Paul Rubens, after Nicolaes Ryckmans, after Pieter de Jode (II), 1630 - 1702 print Elisa is scolded by children on the way to Betel because of his bald head and he curses them. Two bears then devour the children. To the Bible text in 2 Kon. 2: 23-24. Under the show a title in Latin. Amsterdam paper engraving the cursing of the children: when Elisha is on his way some children mock him for his baldness; Elisha curses them (2 Kings 2:23-25). two bears come out of the woods and tear the children who were mocking Elisha to pieces

Jesus served by angels 1652 Wenceslaus Hollar Bohemian. Jesus served by angels 360741

Elia fed by Raven, Jan Luyken, 1712 print Amsterdam paper etching Elijah fed by the raven(s): while the prophet is living by the brook, ravens bring him food

After Lucas van Leyden, Raising of Lazarus, engraving.

Giovanni Benedetto Castiglione, God the Father and Angels Adoring the Christ Child, c 1655 God the Father and Angels Adoring the Christ Child

Evangelist Marcus; Four evangelists. The Evangelist Marcus is under a tree. He supports his head with his hand. There is a sloped book against a stone for him. There is a lion next to him. A river landscape with buildings and a few figures behind him. Under the show a two-person, Latin text.

Landscape with John the Baptist. Sloping river landscape with praying John the Baptist. In addition to the kneeling figure is a lamb.

Satan tront for the Hellemond and speaks with Christ. Satan tront for the Hellemond and speaks with Christ. This may be about the temptation of Christ in the desert. The Bible text cited (Josua 24) does not belong to the performance.

Johannes de Boper preaches in the wilderness, Cornelis Galle (I), after Jan van der Straet, after 1595 - c. 1612 print John the Baptist is preaching in a tree landscape, seen on the back. There are men, women and children around him. On the right in the background, Christ and his disciples arrive. print maker: Southern Netherlandspublisher: Antwerp paper engraving John the Baptist preaching (perhaps Christ among the bystanders)

Elia is fed by the Raven in the wilderness; Four scenes from the life of the prophets Achia and Elijah. The prophet Elia is sitting on the ground in the wilderness. Two ravens come to bring him food. The print has a Latin text in the sub-margin.

Offer van Isaac, Symon Novelanus (Attricin to), 1577 - print Abraham raises his knife to sacrifice his son Isaac, but an angel keeps him from it. On the left is a ram in the bushes, which will be sacrificed in Isaac. On the right in the landscape, Abraham and Isaac are on their way to the sacrifice after they have left the donkey and servants. At the bottom a reference in Latin to the Bible text in Gen. 22. Cologne paper etching the sacrifice of Isaac (Genesis 22)

Abraham and Isaak en route to the sacrifice. In a landscape with a classical temple, Abraham looks down at his son Isaac. Isaac bears firewood under his arm. In the background a shepherd with a goat and a donkey at a fountain.

Flight to Egypt; GREATED AREGY LANGERS (...). Maria is sitting on a donkey with Christ in her arms. Joseph walks behind the donkey.

Two women look at caterpillars and butterflies; The RYP.

Man digs a deep pit looking into mustard seeds; The Mosterzat.

Merciful Samaritan takes care of the wounded traveler, Jan Luyken, 1712 print Amsterdam paper etching the good Samaritan (Luke 10:30-37)

. The H. Paul of Thebes, the first hermite, in a cave in the wilderness of Thebaïs. He prays to a crucifix. A raven brings him bread.

Landscape with the Merciful Samaritan. In a landscape with ruins of antique buildings, the merciful Samaritan cared for the injured traveler. His servant holds the reins of his horse. On the road, the priest and the Levite can be seen that refused to provide assistance.

Balthasar Moncornet, The Flight of Saint Elizabeth with the Infant Saint John The Flight of Saint Elizabeth with the Infant Saint John

Evangelist Johannes; Four evangelists. The Evangelist Johannes sits like banning under a few trees on the island of Patmos. In his left hand he has a writing spring and the book is revelation under his right hand. In addition to him, an eagle is as a symbol of his inspiration. Behind him the vision of Mary can be seen with the Christ child. Under the show a two-person, Latin text.

Baptism of Christ; Theatrum Biblicum (...). Christ is baptized by John the Baptist in the presence of two angels in the Jordaan. One of them points to the Tetragram - Symbol of God the Father - that appeared to heaven after Christ came up from the water. God in the form of a pigeon drops on him. Under the show a reference in Latin to the Bible text in mat. 3:13.

Maria Magdalena in een grot, Johann Sadeler (I), after Gillis Mostaert (I), 1560 - 1600 print The penitent Maria Magdalena as a recluse in a cave. She reads the Bible. Around her a crucifix, a rod and an ointment pot. The print has a Latin caption with an explanation. unknown paper engraving the penitent St. Mary Magdalene (often before a cave, possibly at La Sainte-Baume hill): her long hair covers her (naked) body, she reads, meditates or raises her tear-filled eyes towards heaven

Johannes de prediky prendu beauty hotel after Francesco Molola, 1645 - 1700 print John the Baptist preaches under a tree for a group of listeners. He points to a man (Christ) in the background. In the lower margin text in Italian and a coat of arms. Italy paper etching / engraving John the Baptist preaching (perhaps Christ among the bystanders)

Sixth day of creation: God creates the animals and Adam and Eve. He breathes life into Adam through his nose. In medallion inscribed with a biblical text in Latin from Genesis 2 within rectangular frame, Sixth day of creation: God creates the animals and Adam and Eve From creation to expulsion from paradise (series title), print maker: Nicolaes de Bruyn, (mentioned on object), Maerten de Vos, Netherlands, 1581 - 1656, paper, h 136 mm × w 126 mm

Frans Crabbe van Espleghem, Saint John the Baptist Preaching, possibly c 1530 Saint John the Baptist Preaching

H. Franciscus receives the Stigmata, Cornelis Cort, After Girolamo Muziano, 1567 print Saint Francis receives the stigmata. He is kneeling in a mountain landscape near a waterfall, accompanied by a praying monk. At the top right, in the air the cross of Christ. paper engraving stigmatization of St. Francis of Assisi: in retreat on Mount Alverna, he beholds a vision of Christ on the cross enveloped by wings (like a seraph with six wings); rays passing down to the body of the kneeling saint form the marks of the five wounds of Christ

. On a mountain top, the devil tries to seduce Christ by offering him all the kingdoms of the world. The print has a Latin caption with a Bible text (Matt. 4) and is the second print of a series of four.

Saint Francis of Assisi receiving the stigmata of Christ from a seraph; mount Alverna in the background. Etching by G.F. Grimaldi, 16--.

. Landscape with the portable of the parable of the Merciful Samaritan. In the foreground, the Merciful Samaritan takes care of the injured traveler. In the background the Levite and the priest who destroy the traveler to his destiny. In the distance the inn where the Samaritan leaves the traveler.

Saint Arsenius the Great as a recluse, Raphaël Sadeler (I), After Maerten de Vos, 1594 print H. Arsenius the Great, an early Christian hermit in the desert of Lybia. He is in a hut and reads a Bible. In the background, three women are approaching on a country road. München paper engraving male saints (with NAME). anchorite, hermit. hermitage. landscape with ruins (+ city(-scape) with figures, staffage)

Franciscus receives the Stigmata, Cornelis Cort, After Girolamo Muziano, 1602 print Saint Francis receives the stigmata from Christ. He is kneeling in a mountain landscape near a waterfall and is accompanied by a praying monk with a book. At the top right, in the air, the cross of Christ. paper engraving stigmatization of St. Francis of Assisi: in retreat on Mount Alverna, he beholds a vision of Christ on the cross enveloped by wings (like a seraph with six wings); rays passing down to the body of the kneeling saint form the marks of the five wounds of Christ

. The H. Josaphat, an Indian hermit from the tenth century after Christ, kneels in a forest and pray. A lion meets him. In the background its hermit.

Mary Magdalene and the Apostles Petrus and John at the empty grave. The Apostles Petrus and John the Evangelist at the empty grave. They look inside through the opening. They are followed by Maria Magdalena. With various elements from the show are letters. The print is part of an album.

After Sébastien Le Clerc I, The Body of Christ being Covered with Flowersand Perfume The Body of Christ being Covered with Flowersand Perfume

Landscape with the H. Onuphrius; Landscapes with saints. Saint Onuphrius prays in the wilderness for a crucifix. He holds a rosary in his hand. This print is part of an album.

Child dressed as a nar with windmill on hobby horse and angel, Boëtius Adamsz. Bolswert, 1624 print paper engraving games using special objects (marbles, top, hoop, etc.). fool's cap

Lot and his daughters, Anonymous, After Frans Menton, 1643 print Lot is in a cave next to one of his daughters. His other daughter gives his cup full of wine. In the background the fire of the cities of Sodom and Gomorra and the wife of Lot as a salt pillar. Under the performance a reference in Latin to the Bible text in Gen. 19. print maker: Netherlandspublisher: Amsterdam paper engraving Lot's daughters make their father drunk

Water-rich landscape with Jacob and the men of the nearby place Haran at the well. Two men remove the stone from the well for Rachel so that her father's herd can be soaked. Rachel comes with her herd. In the margin a caption in Latin, with Bible reference to Gen. 29.

Elia fed by Raven. Mountainous landscape with Elijah sitting on a rock along the brook kerit. Raven bring him bread and meat. In the margin a caption in Latin.

Rest on the Flight into Egypt, Christoffel Jegher, after Peter Paul Rubens, 1606 - 1640 print Mary rests under a tree with the Christ child in her arms. In the background, Joseph lies against a tree and grazes the donkey into the grass. John the Baptist and two angels play with a lamb in the foreground. One of the angels urges John with a hand gesture to silence and points to the sleeping child. Southern Netherlands paper rest on the flight into Egypt. Holy Family with John the Baptist (as child)

Woman brings her child dead to the grave of Saint Stephen, Jan Luyken, 1701

Woman brings her death child to the grave of Saint Stefanus, Jan Luyken, 1701 print A woman with a dead child in her arms at the grave of Saint Stefanus. She hopes that a miracle will bring her child back to life. Amsterdam paper etching mother and baby or young child. the early Christian Churches, e.g. Armenians, Copts, Syrians. the corpse. the deacon and (proto)martyr Stephen; possible attributes: censer, stones - miracles occurring during handling of relics of male saint. Resurrection; 'Ressurrettione' (Ripa)

PREEDY OF JOHNER THE BASTER. John the Baptist stands between two trees on a hill. People stand and sit at the foot of the hill in the grass and listen to him.

Moses defends the daughters of Reüel at the source. Moses rejected the shepherd who wanted to prevent the daughters of Reüel water from the source to let the herd of their father drink. At the source are the daughters with the herd. Italian text in two columns in undermarge.

An angel feeds back Hagar; Abraham's life. An angel finds Hagar at a source. He sends her back to Sara and Abraham. Print from a series of 12 prints with Abraham's life. All prints have four lines of German explanatory text in the undermaster.

Christ appears to Mary Magdalene. Landscape with Christ and Maria Magdalena. Christ makes a blessing gesture to Magdalena who is in a kneeled attitude for him. An angel in the background. Verso a prayer for Everardus Houthuyzen from Amsterdam, died in 1790.

Apelles van Geneva as a recluse, Johann Sadeler (I), After Maerten de Vos, 1586 - 1588 print The Holy Apelles van Geneva, reading in a Bible, sitting under a tree. In the middle behind a wooden church, on which a blacksmith is built. Antwerp paper engraving male saints (with NAME). anchorite, hermit. church (exterior) - QQ - small church, chapel. fire, oven, furnace ~ interior of industrial structure

Temptation of Christ, Jacob de Wit, 1705 - 1754

Bilam and his donkey, Anonymous, After Philips Galle, After Hans Bol, c. 1550 - c. 1650 print Bilam, on his way to the King Balak to pronounce a curse about the Israelites, is stopped on the way by an angel. The Angel invisible for Bilam blocked the road for Bilam's donkey and threatens it with a sword. Southern Netherlands paper etching an angel holding a sword bars the way and causes Balaam's ass to turn aside; the angel is invisible to Balaam

There is a shepherd in a hill and a shepherd is. .

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