Religious Scenes in Art

Illustrations depicting biblical narratives including miracles and blessings, showcasing artistic interpretations of religious themes through different periods.

Christ blesses the children, Léopold Flameng, After Rembrandt van Rijn, 1866 print Aken paper etching / drypoint Christ blessing children brought by their mothers, usually with some disciples disapprovingly looking on (Matthew 19:13-15; Mark 10:13-16; Luke 18:15-17)

Herman de Ruiter demands the lock of the final guardian, 1570. Herman De Ruiter demands dressed up as a monk The Loevestein slot from the final guardian, December 9 1570.

Thaddeus and Joanna meet the resurrected Lazarus. A man seems to be shocked by a man approaching. A woman points the shocked man on the other man.

Photo production of a painting by Domenichino, representing the communion of the saint Hieronymus, Anonymous, After Domenichino, c. 1860 - c. 1900 photograph Part of photo album with recordings of sights and artworks in Rome. photographic support albumen print the Last Communion of St. Jerome: he is attended and supported by younger priests, one of whom is about to administer the sacrament; usually St. Paula is present

Resurrection of Azarza (big p

Christ blesses the children, Léopold Flameng, After Rembrandt van Rijn, 1866 print Aken paper etching / drypoint Christ blessing children brought by their mothers, usually with some disciples disapprovingly looking on (Matthew 19:13-15; Mark 10:13-16; Luke 18:15-17)

Copper engraving by Claude Drevet from 1717-1781 depicting the Mocking of Christ, showing figures, gestures, and religious setting.

Engraving by Pieter Schenk from 1676-1711 depicting the Adoration of the Shepherds. The print shows the Holy Family with infant Jesus, shepherds, gesture, attire, and composition in 17th-18th century European style.

Etching by Jacob Matthias Schmutzer depicting St. Johannes Nepomuk, showing posture, robes, and symbolic elements, produced between 1748 and 1811.

Nicolas Henri Tardieu's print shows the twelve-year-old Jesus in the temple, created between 1694 and 1749 using copper engraving and etching. It focuses on religious figures, temple interior, and gestures.

Christkind surrounded by saints and church fathers, G. Frank, after Hans Canon, 1869 - 1913 print Germany paper. etching / engraving Christ-child carrying the cross. John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff. crown (symbol of sovereignty). royal mantle (symbol of sovereignty). book

Adoration of the Kings: Family, Johann Sadeler (I), After Maerten de Vos, 1585 print The three kings have followed a star to the stable. They greet the Christ child and offer gifts. The second print of an eight -part series with scenes from the life of Christ who depict his most important virtues. Cologne paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh). family life

Man makes a woman court while reading a book together, L. Linsen, 1839 - 1856 print paper engraving awakening love. chapel (interior of the house). curtains

Etching by Louis Audran from 1690-1712 showing Christ healing the blind in Jericho, with figures and architectural details.

Adelgunde shows repentance at the altar, Daniel Nikolaus Chodowiecki, 1795 print With a small men's head in the margin. Berlin paper etching Literature. Altar with altar-Piece. Penitent, sudden; 'Penance', 'repentance', 'repentance of the apati', 'Purgation of sins' (Ripa)

Etching by Ventura Salimbeni depicting Saints Anna and Joachim alongside the engagement of Mary, created in 1590.

I am the bread of life / He put his hands upon them

Young woman kneels for altar with Crucifix, Corneille Seghers, 1824 - 1869 print paper etching fixed altar. one person praying. adult woman

Photo production of a print to a painting, representing the worship of the wise. .

Germanic general Arminius Coasts a injured square for the holy oak, Daniel Nikolaus Chodowiecki, 1782 print paper etching religious functionaries ~ Germanic and Scandiavian religions. Germanic and Scandinavian religions. (military) flags and standards. trees: oak. victory ~ armed conflict. helmet. protective weapons: shield

Sint -Nicolaas van Tolentijn, Jean Théodore Joseph Linnig, 1825 - 1891 print paper. steel engraving the Augustine hermit, Nicholas of Tolentino; possible attributes: book, crucifix, (entwined with lilies), lily, (basket with) loaves, two doves (on a dish or flying away), star (on his breast)

Armed men invad a church, Anonymous, 1820 - 1899 print Medieval performance. Two monks try to stop the armed men. Central a bishop who is pointed out by a man in armor on another door to flee. On the left a woman who holds the pulse of the bishop. paper etching interior of church. archbishop, bishop, etc. (Roman Catholic). monk(s), friar(s). hacking and thrusting weapons: rapier

Two angels lead a woman for Mary in heaven, Franciscus Andreas Durlet (attributed to), 1844 print paper etching (ascent into) heaven. the Virgin Mary. angels

Saint Lucia; Mirror of honorability; Speculum Pudicitiae. The H. Lucia, kneeling to the left. She reads a book. On the ground for her a dagger and a book on which her two eyes lie. On the background on the right it will be topped with boiling oil. The thirteenth print of a seventeen-part series with female saints.

Saint Louis Mediator between the King of England and his barons / January 23, 1264 (IT)

Children dress for fasting evening, Martin Sylvestre Baptiste, 1833 print This print is part of a cover with six prints. print maker: Parisafter own design by: Parisprinter: Parispublisher: Parispublisher: Londonpublisher: New York (city) paper Shrove Tuesday, 'Mardi gras' ~ non-liturgical celebrations of carnival. children's games and plays

Copper engraving and etching by Johann Georg Wille (1730-1808) depicting the Virgin at rest, showing figure, composition, and religious elements.

ST STANISLAUS KOSTKA (1550 Rostków 1568 Rome) Holy Communion of St Stanislaus Costka Wierix, Antoine (ca 1552 1604)

Shows the moment Christ accepts the cross in an etching by Bernhard Rode, depicting figures, gestures, and surrounding landscape or architecture in 1752.

Copper engraving by Peter Vanderbank from 1669-1671 depicting Christ on the Mount of Olives, emphasizing prayer and solitude in a religious context.

Episode 1: Saint Bernardino's parents pray to God for a son; Episode 2: The Birth of Saint Bernardino; Episode 3: The Young Saint Bernardino performs an act of mercy, from "The Life of Saint Bernardino of Siena" 1610-39 Bernardino Capitelli Each scene of Saint Bernardino's life is numbered with a corresponding description in the lower margin.. Episode 1: Saint Bernardino's parents pray to God for a son; Episode 2: The Birth of Saint Bernardino; Episode 3: The Young Saint Bernardino performs an act of mercy, from "The Life of Saint Bernardino of Siena". "The Life of Saint Bernardino of Siena". Bernardino Capitelli (Italian, Siena, 1590-1639). 1610-39. Etching. Prints

Copper engraving and etching by Gilles Rousselet in 1643 depicting Saint Ignatius of Loyola in front of Mary and the infant Jesus, showing religious figures and symbolic elements.

Pesaro's Family Adoring the Virgin. Gustav Schauer (German, 1826 - 1902)

Willem de Conqueror laid out in the Church of Boscherville; Guillaume Le Conquérant Report Après SA Mort à l'Église Saint-George De Boscherville. Willem de Conqueror (Willem I), King of England, laid out in the Church of Saint-George in Boscherville. At his feet a group of monks kneel, leaves soldiers behind it.

Copper engraving and etching by François Chauveau showing Pope Viktor confirming Carthusian statutes and Bruno of Cologne giving the monastic habit, around 1676.

Christ for Kajafas; Passion of Christ; Passio Domini Nostri IESV Christi. Soldiers take the tanged Christ to the arm. He is tried by Kajafas. The high priest tears his robe and accuses Christ of blasphemy. In the margin a three-legged bible quote from matte. 26 in Latin.

Etching by Giulio Carpioni created between 1640 and 1678 depicting Christ praying on the Mount of Olives, showing biblical and religious figures in a devotional scene.

Maria with child Saint Rosalia, William Unger, After Anthony Van Dyck, 1861 - 1889 print Vienna paper. etching the virgin and hermit Rosalia of Palermo; possible attributes: crucifix, wreath of roses. Madonna (i.e. Mary with the Christ-child) accompanied or surrounded by others. specific aspects ~ St. Peter. specific aspects ~ St. Paul

Christ the Lord in Ogrójiec, a bas relief in the wall at the cemetery of the church of the Blessed Virgin Mary in Krakow Krieger, Ignacy (1820 1889)

Etching by Giovanni Battista Mercati depicting Saints Katharina and Bibiana of Rome, created between 1610 and 1645, showing the saints with devotional gestures, traditional attributes, and religious iconography.

EXTASE VAN H. Theresia, Claude between, After Giovanni Lorenzo Bernini, 1678 print Rome paper engraving St. Theresa kneeling before Christ, interceding for the souls in purgatory

Engraving of the Coronation of the Virgin. Gustavo Reiger (Italian, active Rome, Italy 1860s)

Death of H. Ursula, Charles Onghena, After Hans Memling, 1841 print Reliekeholder decorated with representations from the history of Saint Ursula. Brussels paper etching the virgin martyr Ursula of Cologne; possible attributes: arrow, banner with red cross, cloak of ermine, crown, ship. relics (and reliquaries) Sint-Janshospitaal

Philanthropist in conversation with a priest, Jules David (1808-1892), 1836 print The philanthropist says that God has blessed His work. He asks the priest to distribute his profit between the poor workers. Paris paper priest (Roman Catholic). philantropist. interior of the house

Etching by Georg Kaspar Prenner from 1746 depicting Pope Paul III appointing his nephew Orazio as city prefect of Rome, showing the pope, Orazio, and ceremonial attendants.

An etching by Ludwig Sommerau from 1779 depicting Christ appearing to two disciples in Emmaus, illustrating a biblical post-resurrection event.

Chapel with a man and a woman for a spiritual, Jean Lubin Vauzelle, 1818 - 1819 print Print is part of an album. paper parts of church interior: chapel

Priest in conversation with a king; Jonathan. .

The crucifix, 22nd Lamartine meditation. (Dummy title)

Scene from the life of Pope Adrianus VI: Adriaan becomes a teacher of the later Emperor Charles V, Anonymous, 1845 - 1847 print Priest and rector Adriaan stands to the left of the throne with Emperor Maximilian I. He introduces him to his grandson Karel. The Hague paper audition; ruler giving audience. throne

17th-century etching by Melchior Küsel depicting the Passion of Christ, showing the crucifixion, figures, and religious composition.

Ascension of Maria. Oval presentation of the apostles that stand a grave and looking up, where Maria in heaven is absorbed by angels. Below an angel head with wings.

Church interior with crowd around bishop.

Dina the beautiful Jewish. (Dummy title)

Holy Family in Egypt, Johann Sadeler (I), 1581

Two performances from Julchen Grünthal van Friederike Helene Unger, Daniel Nikolaus Chodowiecki, 1797 print In the margin, a boy with dog and bird is etched in a sketchy way. Berlin paper etching priests ~ hierarchy of priests. weeping. garland, wreath. arm raised upward - AA - both arms or hands

Heilige Lawrence, Simon Guillain (2), after Annibale Carracci, 1646 print print maker: Romeafter painting by: Romeafter drawing by: Romeprinter: Romepublisher: RomeRomeItaly paper etching the martyr and deacon Laurence of Rome; possible attributes: book, censer, cross, dalmatic, gridiron, palm, purse (or cup with golden coins) Our Lady of the Sacred Heart

Copper engraving by Isaac Duchemin created in 1573, depicting a child blessing Jesus, showing figures in devotional postures in a religious interior setting.

Copper engraving by Aegidius Sadeler the Younger depicting Mary with the child Jesus, illustrating maternal care and Christian iconography.

Chinese people at a set table, Pieter Schenk (I) (Possible), After Romeyn de Hooghe, 1682 - 1711 print There are two Chinese men at a set table with pasties and other food, while another holds a cup. Amsterdam paper etching Chinese

Maria Magdalena in De Wildernis, Faustino Anderloni, After Correggio, After Giovita Garavaglia, 1837 - 1847 print Maria Magdalena in the wilderness, sitting with her eyes closed and a crucifix in hand. Next to her are a skull, a book and an ointment bus. Presentation in an oval. In the lower margin text in Italian. print maker: Italyafter painting by: Italyafter drawing by: Italypublisher: Florence paper engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Maria with child surrounded by Paulus, Petrus and Catharina van Alexandria, Louis Alexis Léon de Pellicot, After Garofalo, 1822 - 1834 print paper Madonna accompanied by saint(s). key. hacking and thrusting weapons: sword. wheel (of vehicle). Madonna: i.e. Mary with the Christ-child. specific aspects ~ St. Paul. specific aspects ~ St. Peter

La messe dans une église Espagnole , Priests, Altars, Choirboys, Alphonse Legros (1837-1911)

Photo production of a print of a painting, representing the worship of the sages, Anonymous, After Dieric Bouts (II), c. 1859 - in or before 1869 photograph photographic support albumen print adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Holy family under an apple tree, William Unger, after Peter Paul Rubens, 1861 - 1889 print Vienna paper. etching Holy Family, and derived representations. trees: apple-tree

The beginning; Principium / der Anfang; Subscribe images. The person's personification is in an abandoned landscape with plumes. In her hand she holds two burning globes. A flame is also on her head. Together the flames symbolize the Holy Trinity. Above a three-legged text in Latin and under a three-legged text in German.

Worship by De Engelen, Pierre Brebiette, 1630 print paper etching Madonna: i.e. Mary with the Christ-child. angels in adoration. angel(s) represented as child(ren). sleeping; unconsciousness

Baptism of Christ, Jan Lauwryn Krafft (I), After Peter Paul Rubens, 1765 print Christ is baptized by John the Baptist in the Jordaan. Above Christ's head, God and the Holy Spirit appear in the form of a pigeon. Southern Netherlands paper etching / engraving baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends

Sébastien Bourdon's copper engraving, created between 1654 and 1704, shows Maria with a child accompanied by two angels. The print emphasizes religious iconography and careful composition.

Madonna with Infant and Saint John, by F. Bartolomeo. Robert Howlett (British, 1831 - 1858)

La Passion de Notre-Seigneur Jésus-Christ. Bisson Frères (French, active 1840 - 1864)

Portrait of Abdis Elburg van den Boetselaar, Johan Hendrik Hoffmeister, after Wouter Pietersz I Crabeth, 1843 - 1863 print The person portrayed is kneeling and praying for a table. She has a staff in her hands. Behind her is a dog. print maker: Netherlandsprinter: The Hague paper. historical persons - BB - woman (+ full length portrait). abbot - PP - abbess. one person praying. dog

Print of a medallion with a representation of a wedding ceremony in a church. Print of a medallion. In a church, a man and a woman are connected to the real by a pastor. A number of people watch. In the peripheral a bible verse from SPR. 19:14 And a Bible rivers from Pred. 4: 7-12.

Presentation of a baptism and of Paul who makes Elymas blind, Simon Braun, after Ernst Foerster, After Julius Zimmermann, 1850 - 1859 print München paper. baptism, christening ceremony ~ the first of the seven sacraments. interior of church. the sorcerer Elymas (Elymes, Bar-Jesus), who tries to prevent Paul and Barnabas from speaking, is struck blind by Paul

Christ on the way to the Hof van Getsemane, Daniel Nikolaus Chodowiecki, 1781 print paper etching Christ on his way to (or in) the Garden of Gethsemane (not yet praying). ornament ~ medallion. scroll. crown of thorns ~ instruments of the Passion

Christ arouses the son of the widow in Naïn, Gabriel Huquier, after Claude Gillot, 1705 - in or Before 1732 print print maker: Parisprint maker: Franceafter design by: Francepublisher: Parispublisher: ParisFrance paper etching the son of the widow of Nain is carried out of the city on a bier (Luke 7:11-17)

Sitting man dressed as prince, Célestin François Nanteuil, 1823 - 1873 print paper. king. royal mantle (symbol of sovereignty). crown (symbol of sovereignty). orb (symbol of sovereignty; sphere with cross on top)

The Wedding Procession; Mathew B. Brady (American, about 1823 - 1896); New York, United States; 1859; Albumen silver print

For help asking woman; The Fyne. A devout woman does not want to help the poor woman during her meal, which comes to the door. In the foreground a stool and table with prayer books.

Kruisafneming, anonymous, 1641 print Nikodemus and Josef of Arimatea take the deceased Christ from the cross. Netherlands paper etching descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

Copper engraving by Johan Barra (1598) depicting a child giving a blessing. The print emphasizes gesture, clothing, and detailed linework typical of late 16th-century engraving techniques.

Cross out. Nicodemus and Joseph van Arimathea get the died Christ of the Cross.

Mary with Child and young John the Baptist, Mary is sitting in front of a pilaster with the Christ child on her lap. In the foreground stands the young John the Baptist with his cross staff and reaches for Christ., Mary and the Christ-child with John the Baptist (as child), Gerolamo Imperiale, Italy, 1622 - 1660, paper, etching, h 201 mm × w 159 mm

Crossing, Nikolay Semyonovich Mosolov (attributed to), after Rembrandt van Rijn, 1857 - 1914 print paper. etching / drypoint descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

Frederik Hendrik explains the oath as a Stadholder, 1625. Frederik Hendrik lays down the oath in the states of Holland as a new city center, September 1625.

Etching by Cornelis van Noorde depicting Holy Barbara, produced in 1769, showing the saint in traditional iconography with attributes.

Christ disputes with men in the temple, Henricus Wilhelmus Couwenberg, 1830 - 1840 print Amsterdam paper steel engraving Christ explaining his doctrine

Seated woman who holds a cross, Wijnand Nuijen, 1823 - 1839 print A woman sat on a couch holds a cruciate anchor. Around an architectural accompaniment. Rotterdam paper. parts of ship's exterior: anchor. the cross ~ symbols of Christ. Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues

Cross out. Nicodemus and Joseph van Arimathea get the died Christ of the Cross.

François de Maucroix flanked by the Church and Hymen, 1728 print The poet François de Maucroix on a pedestal is flanked by the personification of the church, dressed as the pope, and the marriage god Hymen, who offers him the yoke of marriage. The show is caught in an ornamental list. paper etching / engraving ornaments ~ art. pope. the Church personified, 'Ecclesia', usually with chalice and banner (+ variant). (story of) Hymen(aeus) (+ attributes)

Enoch and his family in prayer for the meal. For a wooden house, Enoch and his family are around a round table on which scales are located. They say a prayer. In the background a second farm with cattle and two beggars that get a bush. Round representation, at the bottom of rectangular frame a bible text (ECCL.44) in mirror image.

Church interior with three figures, Anonymous, After Geertruida Maria Buys, 1840 - 1843 print On the left is a man on a chair. He reads a book, next to him is his walking stick. Above him is an epitaph. On the right are a man and a woman. The Hague paper. interior of church. epitaph

H. Joris in De H. Cecilia, 1660 print Saint Joris holds a lance. This print is part of an album. paper etching the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword. the virgin martyr Cecilia of Rome; possible attributes: falcon, musical instruments, organ, wreath of roses and lilies. female saints

Faith (fides), Abraham bushes, 1636 print Paris paper engraving / etching the Seven Virtues (symbolized). Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues

Our Lord and the Two Disciples at Emmaus; Nikolaas Henneman (British, 1813 - 1893); London, England; 1847; Salted paper print; 5.7 × 7.8 cm (2 1,4 × 3 1,16 in.)

Mistreatment of Reformed people at Vaals and Aachen, 1764, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print Mistreatment of Reformed by Catholics in Vaals and in three other nearby places, January 1764. Amsterdam paper etching persecution of believers Vaals. Aachen

Conversation with the Samaritan woman, Daniel Nikolaus Chodowiecki, 1785 print paper etching Christ. well

H. Cecilia, anonymous, 1700 - 1799 print Numbered at the top right: 35. paper etching the virgin martyr Cecilia of Rome; possible attributes: falcon, musical instruments, organ, wreath of roses and lilies

. Christ rises from his grave. The soldiers who are scared and flights around the grave. On the right in the background the arrival of the three holy women at the grave. The show is caught in a cartouche.

The children of the Republic are singing / hymns to Jehovah. (IT)

Three pious spells, royal Dis, J.F. Schuster, After Daniel Nikolaus Chodowiecki, 1774 print paper etching proverbs, sayings, etc.

of 3