Religious Scenes in Prints

Historic religious prints illustrating biblical events like the baptism of Christ, the Holy Trinity, and the ascension of Mary, featuring angels and heavenly themes.

Resurrection of Christ, Balthasar Caymox, Anonymous, 1606

Baptism of Christ. Francesco Rosaspina (Italy, Monte Scudolo, 1762-1841)Francesco Parmigianino (Italy, 1503-1540). Italy, 1788. Prints; etchings. Etching and color aquatint

Four angels stop the four winds, Gerard van Groeningen, 1563 - 1574 print With swords, four angels control the four winds of the earth. Another angel drops with a cross from heaven. He then blesses the front heads of good Christians with the seal of the living God (op. 7: 1-8). Antwerp paper etching / engraving the four winds are restrained by four angels. sealing of the tribes of Israel, the 144-thousand

Triumph of the Holy Trinity (La Gloria), Cornelis Cort, After Titian, 1566 print The holy trinity in the middle of the clouds: God as a sitting old man with globe, Christ as a sitting man with globe, the Holy Spirit in the form of a pigeon. Angel choirs and figures from the Old Testament worship the trinity. In the middle of Noah with the Ark in his hands and Moses with the stone dining. paper engraving Trinity in which God the Father and Christ are represented as persons, the Holy Ghost as dove (+ donor(s), supplicant(s), whether or not with patron saint(s)). angels in adoration. persons from the Old Testament (not in biblical context, nor occurring in legendary/historical extensions included in Division 71). story of Noah. Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law

Ascension of Maria, c. 1600 - 1652 print Mary floats up on a cloud and worn by angels. Downstairs are the apostles and some women around the open grave. The print is part of an album. paper engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Resurrection of Christ, Balthasar Caymox, Anonymous, 1606

Ascension Day. The Ascension of Christ in the presence of the apostles. Christ is surrounded by a ring of angels and clouds. Text in undermarge.

Resurrection of Christ, Antonie Wierix (II), After Maerten de Vos, 1588 print Christ rises from his grave. The soldiers who lie around the grave wake up and flee. In the margin a two -way caption in Latin. Antwerp paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

God appears for Abraham, Dirck Volckertsz. Coornhert (attributed to), after Maarten van Heemskerck, 1549 print God appears before Abraham and discusses with him the covenant that he wants to enter into with the people of Abraham. In the background, Ismael and all male members of the tribe are circumcised, one of the conditions of the covenant with God. The print is part of a series about the history of Abraham. paper etching circumcision, the sign of the covenant ~ story of Abraham (Genesis 17). Ishmael and all the men of the household are circumcised

Crossing, Paulus Pontius, After Peter Paul Rubens, 1632 print Christ falls to Golgota while wearing his cross. A Roman soldier encourages him to get up. The two criminals are running for him. Veronica knew the sweat from his face with a cloth. Bystanders look sad. Antwerp paper engraving Christ collapsing ~ carrying of the cross. Christ meets Veronica, who has a cloth to wipe Christ's face

Artist: Albrecht Dürer, German, 1471-1528, The HolyTrinity, Woodcut, sheet: 39.3 × 28.5 cm (15 1/2 × 11 1/4in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Allegory on Old and New Testament, François van Bleyswijck, after Frans van Mieris, 1729 print Allegory on old and New Testament with father time and muses with different attributes such as Schrifrol, possibly with the Ten Commandments, Book and globe. On the ground is a knocked down image of Pan as a sign of idolatry. Above this group, Christ as Salvator Mundi in Stralenkrans is surrounded by a few monstrous animals. paper engraving / etching Father Time, man with wings and scythe. (story of the) Muses; 'Muse' (Ripa). 'Salvator Mundi', making a blessing gesture; an orb in his hand or at his feet

Worship of the animals and the grapes of the gramship, Ieronimus Greff von Frankfurt, after Albrecht Dürer, 1502 print The beast with ten crowned horns and seven cups rice out of the sea. A second beast, with horns of a lamb, had fire descended from heaven and led man to kneel and worship the seven -member beast. Above the vision of the grapes of the Gramschap, in which Christ is broadcasting on a cloud and angels with sickles to harvest the vineyard. paper the leopard-like beast with seven heads comes out of the sea and is worshipped together with the dragon. the Son of Man (Christ) with the sickle

Death of Moses, Johannes Wierix, After Maerten de Vos, 1582 - 1583 print Moses dies at the top Nebo van Mount Pisga after God has shown him the land that he will give Abraham, Isaac and Jakob. Archangel Michaël Weert the Devil, who is twisting with him for the body of Moses, which will be buried on the plain of Moab. At the top of the mountain, Moses is received by God in heaven. Two Bible quotes from Deut in the margin. 34 And from Judas, in two columns, in Latin. Antwerp paper engraving the contest of St. Michael and Satan for the body of Moses on Mount Nebo (Jude 9)

Pinechas kills Zimri and Kozbi. The Israelite Zimri took the Midjanitian woman Kozbi to his tent. The high priest Pinechas has followed them to the tent and both stuck with a spear. A companion of Pinechas keeps the tent cloth up.

Allegory on the redemption of humanity. Adam and EVA are met by personifications of the three divine virtues under the dining of the law. Each of them points to a scene in the background. Hope (SPES) points them to the birth of Christ, love (charitas) on the crucified Christ and faith (Fides) points to the resurrection of Christ. In the air the pigeon of the Holy Spirit and on the clouds God the Father, flanked by peace (Pax) and Justice (Justitia). A Bible quote from 1 Tim in the margin. 2 in Latin.

The martyrdom of H. Laurentius; S. Laurentius. The Deacon Laurentius is roasted above a fire. He focuses half to turn around. In the foreground, servants are working on the fire further on with a bellows and extra fuel. The Roman prefect faces a balcony from a chair. A large group of spectators around Laurentius. In the air two angels with a palm branch and a laurel wreath.

Martyrdom of St. Lawrence, Paulus Mondekens, 1600 - 1699.

Collection of Christ, Christoffel van Sichem (II), After Hendrick Goltzius, 1657 print Christ is captured by a group of soldiers. Judas kisses him on the cheek. In the foreground, Peter lifts his sword to take the ear of Malchus off. Amsterdam paper the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. Peter draws his sword and cuts off Malchus' ear

Babylon whore. A beautifully dressed and snapped woman drives a beast with seven cups and ten horns. An army riders appear from heaven. In addition, two angels, one of whom has a millstone. On the right in the background you can see how a city goes into flames.

The Coronation of the Virgin; surrounded by nine vignettes with scenes from the life of Christ and the Virgin by 1575 Engraved by Giorgio Ghisi Italian. The Coronation of the Virgin; surrounded by nine vignettes with scenes from the life of Christ and the Virgin 367707

Allegory on the redemption of humanity, Antonie Wierix (II), 1565 - Before 1604 print A Jesuit kneels in a landscape, for an open Bible, and looks up at the Christ child that has appeared for him. He is accompanied by an angel. At the trees on either side the skeletons of Adam and Eva. Above them in heaven the trinity, surrounded by the Virgin Mary, angels and various saints. Entirely at the bottom of the damned in hell. In the margin a two -way caption and an assignment in Latin. Antwerp paper engraving regular clerics, e.g. Jesuits, Redemptorists. Adam and Eve (not in biblical context) - (other) specific aspects, e.g. allegorical and symbolical aspects of male persons from the Old Testament (not in biblical context). (human) skeleton. Christ-child (with attributes). hell represented as cave or grotto. heaven represented in the air, with clouds (in concentric circles) and light (+ Holy Trinity)

Worship of the shepherds. The shepherds kneel and bow in worship about the manuschind's manger in the presence of Mary and Joseph. Above the group in the stable angels appear on a cloud. There is a Latin fresh under the show.

Holy Rochus heals the plague sufferers, François Perrier, 1600 - 1650 print France paper etching St. Roch heals (or administers to) the plague-stricken in a hospital. plague

Last Judgment, Martino Rota, After Titian, 1576 print Christ sits on the rainbow as a judge, his feet rest on clouds. He is surrounded by saints, angels and cherubins. Under the damned, hell are withdrawn by devils. Assignment in Latin in STUDMARGE. Italy paper engraving Last Judgement

Freiburg, Baldung Grien, Hans, Body of Christ carried up by angels, verso lower left - stamped, The dead body of Christ is carried up to heaven in a cloth by small angels. On the right floats an angel with the crown of thorns as a reference to the Passion of Christ. In the original print God the Father and the Holy Spirit are depicted in the halo above the choirs of angels. This fragment is missing here, it may have been deliberately removed and replaced by an empty halo with pen in brown on an inset piece of paper., print, prints, height 221 mm, width 153 mm, German, 1484 - 1545-09, print maker, printmaker, 1515 - 1517, first quarter 16th century, paper, papier, houtsnede

Copper engraving by Arnold Loemans depicting the Ascension of Mary, produced between 1625 and 1673, showing Mary ascending with surrounding figures.

Christ stripped of his clothing, Elias van den Bossche, After Christoph Schwarz, after Johann Sadeler (I), 1600 - 1620 print Christ is on the cross. A number of soldiers pull his clothes off his body. There are all the nails and a hammer next to him. The crowd watches. Under the show a Latin verse of four lines. print maker: Southern Netherlandspublisher: Cologne paper engraving the erection of the cross: Christ is nailed to the cross which lies on the ground

Transfiguration of Christ on the Berg Tabor, Master of the Dice (attributed to), After Rafaël, c. 1530 - c. 1560 print Transfiguration of Christ on the Tabor Mountain with Moses and Elijah on his sides. In his divine form, Christ shows himself to the apostles that are shocked. On the left in the foreground a sitting apostle with a book. Italy paper engraving the Transfiguration: Moses and Elijah appear on either side of Christ on Mount Tabor (Matthew 17:1-13; Mark 9:2-13; Luke 9:28-36)

The Adoration of the Shepherds with the Christ Child at center and angels above 1570-1600 Cherubino Alberti (Zaccaria Mattia) Italian. The Adoration of the Shepherds with the Christ Child at center and angels above 652671

Love; Charitas; Six Christian virtues. Female Personification of Love (Caritas). She is sitting on a stone and is surrounded by five children. One of the children has a burning heart. In the background, the prophet Elia is fed by a widow and her child.

Appearance of justice to King Saul, Simon Fokke, 1766 print King Saul jumps up with fright from his throne when the personification of justice appears. He is struck by a lightning bolt that fires righteousness together with a putto. To the right of the throne is a blindfolded man with dagger, symbol of spiritual or moral blindness, and Minerva who holds a wild boar, symbol of lust and gluttony. On the right in front of the throne is a woman with a pelican on her lap, symbol of Christ's self -sacrifice on the cross. On the left points a veiled woman with the all -seeing eye David on the shocked Saul above her head. The print is part of a series about the story of David and Saul. Amsterdam paper etching David as a young man at Saul's court

TheNativity. Artist: Bartolomeo Biscaino, Italian, 1629-1657

Last Judgment, Johannes Wierix, after Pieter van der Borcht (I), 1570 print Christ sits on the rainbow as a judge. He is surrounded by cherubies and saints. On earth, people get up from their grave. Antwerp paper engraving comprehensive representation of Last Judgement: Christ (with sword and lily), often surrounded by elders and sometimes accompanied by Mary and John the Baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the Passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils. 'Majestas Domini': Christ in mandorla seated on a rainbow or sphere and accompanied by the Tetramorph

Resurrection of Christ. Christ floats at the entrance to his grave with a victory banner in hand. The three Maria's are located at the entrance to the grave and sitting an angel on the roadside stone. A few soldiers are scared and a couple are sleeping on the ground. The print is part of an album.

Adam and Eva kneel for Maria. Adam, with death, and Eva, with the winged snake, kneel for Maria in the clouds behind her. Maria is surrounded by the community of saints and through Putti. At the top of God the father who spreads his hands blessingly and the Holy Spirit.

Martyrdom of a saint, Cornelis Schut (I), 1618 - 1655 print A beheaded man is on the floor. Two small children extend their arms to him. A woman shrinks from him. The executioner, with a sword that was still pulled, looks at the chopped head. An angel with a laurel wreath flies above the decapitated. In the background, a large crowd, including some soldiers, watches. paper etching saints

Christ on the Cross, Johannes Wierix, after Pieter van der Borcht (I), 1572 print Cross -killing of Christ on Golgota. Christ hangs on the cross. Left and right of him the crucified criminals. A soldier tries to let Christ drink from a sponge baptized in sour wine on a stick. Among the cross, women mourning Mary and Maria Magdalena. Antwerp paper engraving / letterpress printing crucified Christ with Stephaton and/or Longinus. one of the soldiers (Stephaton) gives Christ vinegar on a sponge attached to a pole or lance

Body of Christ worn up by angels, Hans Baldung Grien, 1515 - 1517 print The dead body of Christ is worn by small angels in a cloth to heaven. On the right, an angel floats with the crown as a reference to the passion of Christ. On the original print, God the Father and the Holy Spirit is shown in the jet wreath above the angel choirs. This fragment is missing here, possibly it is deliberately removed and replaced by an empty jet wreath with pen in brown on a used piece of paper. Freiburg paper Christ lamented by angels

Offer van Isaak. On the right abraham with a knife in hand, about to sacrifice his son Isaac. Top left God surrounded by angels, of which a hand of Abraham stops. In addition to Abraham an angel with the RAM that Abraham sacrificed instead of Isaac.

Christ in the Hof van Getsemane. Christ prays in the court of Getsemane and asks God if this cup may pass by. An angel presents him the cup. Petrus, Johannes and Jacobus sleep in the foreground. In the background, Judas leads a group of soldiers through the gate inside.

Resurrection of Christ. Christ floats above the opened sarcophagus. The soldiers who are scared around the grave.

Piéta, weduwe Hieronymus Cock, after anonymous, c. 1570 - c. 1600 print Mary with the body of Christ in her lap. Next to her are two angels with the passion tools. Under the show a Latin prayer to Mary. Antwerp paper engraving the dead Christ in Mary's lap

Betrayal of Judas; The IVDAE Proditione. Judas - With devil on the head - the soldiers lead to Christ. In the background you can see how Judas Christ coasts on the Wang. At different elements from the show are letters that correspond to the legend in the margin.

The Holy Trinity late 16th century Anonymous, German, 16th century German. The Holy Trinity 352289

Saint Lawrence at the Stake ca. 1700-29 Anonymous. Saint Lawrence at the Stake. Anonymous. ca. 1700-29. Engraving; reduced copy. François I Chéreau (French, Blois 1680-1729 Paris). Prints

The Crucifixion, Execution, of Jesus of Nazareth, Christ, Good Friday, Golgotha, Crucifixion, 1563, Holland, Historical, digitally restored reproduction from a 19th century original

Adam and Eve at work outside of earthly paradise; Adam and Eva. Adam and Eva and their children Cain and Abel in the wilderness outside of earthly paradise. Adam edits the ground with a spade. Eva spider wool. Cain and Abel harvest vegetables. In the background their cabin.

Ascension of Maria, Anonymous, After Titian, 1500 - 1599 print The Ascension of Mary in the presence of the apostles. Maria is surrounded by clouds and angels who carry her to heaven. Under her the apostles are around the empty grave. Italy paper the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Chalk and feather drawing by Stefano Torelli depicting the Assumption Day, executed with gray lavation on a sheet folded six times.

Imprisonment of Christ; Passeling story. Christ is kissed by Judas and imprisoned by soldiers. Peter wavers his sword to his right hand. Fourded from a series of twelve.

Graphite drawing by Johannes Thomas of a guardian angel allegory, with gray layers and white highlights, depicting a celestial figure in protective gesture.

Christ in Limbo (reverse copy) n.d. Bundele German. Christ in Limbo (reverse copy) 391155

Mary is welcomed into the heavens by a bevy of angels, while flowers drop from the skies onto the disciples below Date: circa 30

Photo production of a part of the frescoes on the wall of the Sixtine Chapel in Vatican City by Michelangelo, representing the last judgment with Peter and Saints, c. 1875 - c. 1900 photograph Sixtine Chapel (Vatican) cardboard. photographic support albumen print Last Judgement. saints. the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara Sixtine Chapel (Vatican)

Offers scene. A large group of men, women and children around an altar with a sacrificial fire. In addition to the altar, the priest is.

Reconciliation from Jakob and Esau. The Jakob and Esau brothers fall into the poor. Right, behind Esau is his army. On the left the kneaded women, children and servants of Jacob. Below the show are two couplets in Latin.

Ezra drinks the cup of knowledge and wisdom, 1643 print Ezra went to the field with five men and is offered a fiery cup from God from which he drinks. This is the cup of knowledge and wisdom. The five men write down the words that Ezra says afterwards. Under the performance a reference in Latin to the Apocryphard text in 4 Ezra 14:37. This print is part of an album. Amsterdam paper engraving other scenes from Ezra and Esdras

The Crucifixion The Large Passion. Dürer, Albrecht, 1471-1528. 1498. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Ascension of Maria, Anonymous, 1600 - 1699 print The twelve disciples bend over the empty grave. In the clouds above them, Mary is taken to heaven by Engelen. Netherlands paper the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

The Holy Family 1543 Jean Mignon French. The Holy Family 336810

Winghe, Joos van, Keulen, Passe, Crispijn van de (I), Crucifixion of Christ, The death of Christ on the cross on Mount Golgotha. To his left and right are the criminals who were crucified with him. Stefaton holds the sponge in front of Christ's face. In the foreground are various bystanders and spectators. In the background are Mary Magdalene, Mary and Saint John. In the margin is a four-line caption with a dedication in Latin., print, prent, prints, prenten, height 538 mm, width 386 mm, 1564 - 1637, print maker, prentmaker, 1599 - 1599, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1544 - 1603-12-18

H. Franciscus and Maria protect the earth against the anger of Christ. Because of her intervention, Maria Christ recently reflects the earth with his wrath. The Saint Francis throws itself protectively over the earth. In the background in the landscape The reason for Christ 'wrath: women and children are murdered and a city is on fire.

Triumph of truth, Nicolaes Jansz. Clock (Possible), After Karel van Mander (I), 1558 - 1606 print A street in a city. People stand or kneel before the female appearance of the truth floating above their heads. She wears a palm branch in her right hand and a book in her left hand. An angel choir kneels around her. In the middle of the print there are a cup with grapes (wine), a king's crown (the monarchy), a skull (death and the original sin) and a mirror (vanity) on the ground. The print portrays a scene from the apocryphal book Esdras (chapters 3 and 4). Three servants of King Darius of Persia argued or that wine, the king and the woman is the strongest in the world respectively. Zerubbabel, the last servant (probably the man to the right of the print), wins the discussion with the answer that women are the strongest in the world, but that the truth overcomes everything. As a reward, Zerubbabel can start the recovery of the temple in Jerusalem. The print has a Latin caption with a quo

Adoration by De Herders, Cornelis Schut (I), 1618 - 1655 print Maria changes the winds of the Christ child. Josef stands behind her and looks up to a few putti in the air. The shepherds kneel down at the crib. On the left the donkey. paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present

Sadeler, Johann (I), Vos, Maerten de, Keulen, Scenes from the life of the apostle Paul, Paul on Malta, verso lower left - stamped, In the foreground, Paul is bitten by an adder while making a fire on Malta. Unharmed, he throws the beast into the fire. In the background, Paul is shipwrecked near Malta. With a Latin caption with a Bible passage from the Acts of the Apostles (Acts 28). The fourth print of a four-part series., print, prints, height 262 mm, width 200 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1580 - 1581, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher

Resurrection; The Great Passion. Christ, a staff with a vane in hand, stands out from his grave. A number of sleeping soldiers are around it. This print is part of the 'De Grote Passie' print series, consisting of a title print and 11 scenes from the suffering story.

Christ lying on the cross. A number of soldiers are tearing his clothes from his body. Next to him lie all the nails and a hammer. The crowd looks on. Below the scene a Latin verse of four lines, Christ stripped of his clothes Passion of Christ (series title), print maker: Elias van den Bossche, (mentioned on object), after: Christoph Schwarz, (mentioned on object), Johann Sadeler (I), print maker: Southern Netherlands, publisher: Cologne, 1600 - 1620, paper, engraving, h 282 mm × w 184 mm

Martyrdom of the H. Livinus van Gent. The tongue of the Holy Livinus has been pulled out. A lot holds him to the beard, another man holds the tongs with the tongue. The horse in the background and the soldiers are scared as the sky angels appear and a male figure it lightning. In the middle of an assignment in Latin and a coat of arms.

Circumcision of Christ. The Christ Child is located at Maria on Schoot. A priest is sitting on a stool for her and picks up a knife of a bowl that holds an angel. A second angel also looks. Spectators are on both sides. On the right are the OS and donkey. In the air an angel with a jug. Putti holds the passion tools. Below the image twenty fresh rules.

Rader, Matthäus, Kager, Johann Mathias, Munich, Sadeler, Raphael (I), Bavaria sancta I, Saints of Bavaria I, S. Afra M, Martyrdom of Saint Afra, verso lower left - stamped, Saint Afra dies a martyr's death at the stake while a crowd looks on. An angel descends from heaven to receive her soul. The print has a Latin caption and is the sixth print in a 60-part series on the subject of the saints of Bavaria., print, prints, width 156 mm, height, 220 mm, South Netherlands, 1560, print maker, printmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), etching, German, 1575 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1561 - 1634-12-22, publisher

John the Baptist preaches to the crowd, Hans Collaert (I), 1575 print At the center of Johannes the Baptist is on a rock. In his hands the wicker cross. A crowd is listening around him. Christ has arrived and John the Baptist points to him and speaks the words: "See the Lamb of God" (John 1:36). paper engraving John the Baptist identifies Christ as the Lamb of God ('Ecce Agnus Dei') (John 1:29, 1:36)

Punishment of evil (the passage through the Schelfzee), 1598 - 1604 print Series of ten (originally twelve) allegories of the Christian faith. Each of the allegories consists of a central performance surrounded by a frame in which quotes from the Bible are combined with the imagination of certain events from the Bible. In the margin at the bottom two lines of Latin and the number 10. paper engraving Pharaoh and his army engulfed in the Red Sea (Israelites not or barely visible)

The Virgin Appearing to Saint Jerome. Agostino Carracci (Italy, Bologna, 1557-1602)Tintoretto (Jacopo Robusti) (Italy, Venice, 1518-1594). Italy, 1588. Prints; engravings. Engraving

Drawing by François Verdier showing Jesus attended by angels, executed in black chalk with gray wash and white chalk highlights.

The Saint Carlo Borromeo Before Christ, Mary and Angels. The Saint Carlo Borromeo kneels. An angel floats with a sword for him. Boden men are bodies for Borromeo. Above Waves Maria and Christ on clouds surrounded by angels.

Paul at Malta; Scenes from the life of the apostle Paul. In the foreground Paul is bitten by a viper on Malta when making fire. He throws the beast in the fire. In the background, Paul suffers shipwreck at Malta. With a Latin caption with a Bible passage from the acts of the apostles (hand. 28). The fourth print of a four-part series.

Temptation of Saint Antonius. Saint Antonius along with four horned women in a landscape. The women pull him to his rug and attagine him in all sorts of ways. On the right the pig. God appears the Father.

Appearance of justice to King Saul, Simon Fokke, 1766 print King Saul jumps up with fright from his throne when the personification of justice appears. He is struck by a lightning bolt that fires righteousness together with a putto. To the right of the throne is a blindfolded man with dagger, symbol of spiritual or moral blindness, and Minerva who holds a wild boar, symbol of lust and gluttony. On the right in front of the throne is a woman with a pelican on her lap, symbol of Christ's self -sacrifice on the cross. On the left points a veiled woman with the all -seeing eye David on the shocked Saul above her head. Amsterdam paper etching David as a young man at Saul's court

Let your kingdom come, in or before 1646 print Imagination of the second sentence of the prayer of the Lord's Prayer. Men and women try to get rid of the chains with which the devil, who sits on a globe, holds them. At the top right of the clouds God the Father, accompanied by an angel. The print is part of an album. paper letterpress printing 'thy kingdom come' ~ the Lord's prayer. activities of devil(s). God the Father

Christ with Saint Ambrose, Saint Mary (the Blessed Virgin), Saint Charles Borromeo, and Saint Thomas the Apostle and angels. Etching by P. Aquila after C. Maratta.

Last judgment, Jan Wandelaar, 1725 print Christ travels in heaven. At the front people get up from their grave. Two angels with trumpets separate the blessed and the damned. At the top right state: Page: 369. North Netherlands paper etching / engraving comprehensive representation of Last Judgement: Christ (with sword and lily), often surrounded by elders and sometimes accompanied by Mary and John the Baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the Passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils

Resurrection of Christ. Christ floats above his grave. A group of shocked soldiers in the foreground and on the left. Two angels are at the entrance to the opened tomb. In the background right the three Maria's.

Three Lucchese Saints interceding with the Virgin for the Victims of the plague, ca. 1630-31. Pietro Testa (Italian, 1612-1650). Etching;

Mystical marriage of the Saint Catharina. Maria Tront with the Christ child on his lap. Christ is about to slide a ring on the finger of the Saint Catharina of Alexandria. A group of musicming angels in the foreground. Above right a group of floating angels and putti.

Albrecht Dürer (German, 1471-1528), The Assumption and Coronation of the Virgin, 1510, woodcut

The Life of our Lord Jesus Christ 1720-1732 France. Etching on cream laid paper . Gabriel Huquier

Italy, Stoning of Saint Stephen, verso attachment sheet - stamped, Saint Stephen in the middle, sitting on his knees. Around him figures throwing stones at him. In the air Christ, cherubim and angels., print, prints, engraving

The Ascension and Christ for God the Father, Jacob Cornelisz van Oostsanen, 1520 print Printed from two blocks. Ornamental frame around show with Mary, John and Apostles looking up at Christ of which only feet and cloak visible. On a cloud of Christ with spread hands for God the Father, cross between them. paper 'Up to the heavens, he is seated at the right hand of the Father "~ Articles of Faith. The Ascension (Christ surrounded by radiant light or in a mandorla)

Maria hands the Christ child to Francis. Mary of angels overlooks the Christian's kneeling Saint Francis of Assisi. There is a book on the floor. Assignment, coat of arms and Latin text in two columns in undermarge.

Grown grown; Tronus Gratiæ / le Trosne de Mercÿ / der Gnaden Thron; The fall and salvation of humanity. A man is led by the divine grace (gratia) for God. He knelt humble. The face of God's father is surrounded by sun rays and cherubs. Between them, Christ is in the role of mediator. The show is clarified in Latin, Dutch, French and German captions in the margin. Left below numbered: 4.

H. Ignatius van Loyola, Cornelis Schut (I), 1618 - 1655 print The Holy Ignatius of Loyola is praised on a market square. Men, women and children throw themselves at his feet. Angels and putti descend from heaven. At the top of the Holy Trinity. Printed from two plates. paper etching / engraving Trinity as three persons. cupids: 'amores', 'amoretti', 'putti'. angels

Reconciliation from Jakob and Esau; History of Jacob. In the foreground Esau and Jacob embrace each other and decide to close the two brothers peace. There are women and children behind Jacob. His soldiers are behind Esau. The print is part of a series about the history of Jacob.

Circumcision of Christ, Cornelis Schut (I), 1618 - 1655 print The Christ child is on Mary's lap. A priest sits on a stool in front of her and picks up a knife from a bowl that an angel holds him. A second angel also watches. There are spectators on both sides. On the right are the ox and donkey. In the air an angel with a jug. Putti holds the passion tools. Twenty verses under the image. paper etching circumcision of the Christ-child by the priest in the temple (Luke 2:21) (+ angel(s)). the instruments of the Passion and the five wounded limbs

The Birth of the Virgin, from The Life of the Virgin ca. 1503 Albrecht Dürer German. The Birth of the Virgin, from The Life of the Virgin 388134

Ascension of Christ, Johannes Wierix, After Bernardino Passeri, 1593 print Christ, with raised hands, is included in heaven. His students look full of wonder. Two angels keep an eye on them. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Christ taken up by a cloud ~ Ascension (+ angel(s))

A copper engraving by Cornelis van Caukercken from 1657 depicting the martyrdom of Saint Livin, showing the saint and surrounding figures in a historical religious scene.

The apocalyptic woman and seven-member dragon. A winged woman, surrounded by a ray wreath, standing on a crescent nickel and with a star witness on the head, is threatened by a seven-member dragon. Angels safely carry her baby to God in heaven. On versose side one Column Latin Bible text in Gothic script.

Christ on the Cross, Anonymous, 1600 - 1700 print Christ hangs on the cross between the two crosses with criminals. The Roman soldier Longinus drives on horseback and puts Christ with his lance in the side. Maria and Johannes are on the right. Low Countries paper etching comprehensive representations of the events on Golgotha during Christ's hanging on the cross, no particular event emphasized. Longinus pierces Christ's side with a lance. crucified Christ with Stephaton and/or Longinus - DD - the three crosses

Entombment of Christ n.d. Claude Gillot French. Entombment of Christ 369522

The angel Gabriel, coming from heaven on a cloud and accompanied by little angels and by the Holy Spirit in the guise of a dove, proclaims the birth of Christ to Mary, who sits in a dormitory on an elevation to a reader. In the foreground slippers, a stew and a basket of sewing utensils. Beneath the performance space is left empty for a caption, Annunciation, print maker: Jacob de Gheyn (II), Abraham Bloemaert, Netherlands, 1593, paper, engraving, h 357 mm × w 282 mm

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