Religious Scenes of Christ

Intricate engravings depicting scenes from the life of Christ, including prayer, divine encounters, and crucial moments in Christian theology, surrounded by heavenly figures.

Christ in the Hof van Gethsemane, Zacharias Dolendo, after Karel van Mander, 1596 - 1598 print Christ prays on the Mount of Olives and an angel appears for him. The disciples that would watch with him fell asleep. In the background you can see the soldiers who want to imprison Christ and pull from the city to the mountain. Print from a series of 13 prints and a title print manufactured by Z. Dolendo and J. de Gheyn II. paper engraving Gethsemane, Mount of Olives, 'Oelberg' (Matthew 26:36-56; Mark 14:32-52; Luke 22:39-53; John 18:1-12)

Maria, Joseph and Antonius van Padua as a conveyor for souls in the purgatory. At the top of Maria and Joseph. On the right among them Antonius from Padua dressed in Pij. Surrounding several angels and naked announcing figures. One of the angels pours a liquid from a vase over the crowd in purgatory.

Christ on the Mount of Olives, from The Passion Lucas Cranach the Elder German. Christ on the Mount of Olives, from The Passion 434493

Christ praying on Mount of Olives; Roman soldiers entering through garden gate in far background, after Dürer ca. 1500-1534 Marcantonio Raimondi Italian. Christ praying on Mount of Olives; Roman soldiers entering through garden gate in far background, after Dürer 342718

. Christ has his divine being to Peter, James the several and John. He is surrounded by heavenly rays. Moses (left) and Elijah (right) appear next to him. The fifth print of an eight-language series with scenes from the life of Christ depicting its most important virtues.

Bundele, Christ on the Mount of Olives, 1491-1900, engraving on paper.

. Christ appears as a gardener to Mary Magdalene in a garden with a stone balustrade. Mary Magdalena kneels for him. Behind her the two other holy women. On the left in the background the angel is on the empty grave. The print has a Latin caption with a text from the Bible.

Christ in the Hof van Gethsemane, Zacharias Dolendo, after Karel van Mander, 1596 - 1598 print Christ prays on the Mount of Olives and an angel appears for him. The disciples that would watch with him fell asleep. In the background you can see the soldiers who want to imprison Christ and pull from the city to the mountain. Print from a series of 13 prints and a title print manufactured by Z. Dolendo and J. de Gheyn II. paper engraving Gethsemane, Mount of Olives, 'Oelberg' (Matthew 26:36-56; Mark 14:32-52; Luke 22:39-53; John 18:1-12)

Christ in the court of Gethsemane; Passion of Christ. Christ prays on the olive mountain and an angel appears for him. The disciples that would wake with him fell asleep. In the background, all the soldiers can be seen who want to take Christ caught and pull from the city to the mountain. Print from a series of 13 prints and a title print manufactured by Z. Dolendo and J. de Gheyn II.

Francesco Denanto, The Holy Family with Saint Sebastian and Saint Roch The Holy Family with Saint Sebastian and Saint Roch

Aanbidding door de herders, anonymous, after Cornelis Cort, after Marco Pino, in or after 1568 - c. 1618 print In the middle, Maria and Joseph are kneeling for the child on a bundle of straw on the floor. There is a lamb next to Christ. A group of shepherds kneels in worship around it. The shepherd right plays a bagpipe. Angels in the air on a cloud. At the rear left the columns of an antique building. Rear right, in a rolling landscape, the proclamation to the shepherds. Rome paper engraving adoration of the Christ-child by the shepherds; Mary and Joseph present (+ angel(s))

Christ in the court of Getemane; The passion. Christ prays in the court of Getemane. An angel appears to him and shows him a chalice. In the foreground three sleeping disciples. The group of soldiers arrives by the city gate right.

Aanbidding door de herders.In the middle, Mary and Joseph are kneeling for the child that lies on a bundle straw on the floor. There is a lamb next to Christ. A group of shepherds kneel in worship around it. The shepherd looks for a bagpipe. In the air angels on a cloud. Right rear the columns of an antique building. At the left rear, in a rolling landscape, the proclamation to the shepherds.

Saint Antonius discovers the body of the Holy Paul's Hermemite. Saint Antonius discovers the body of the holy Paul's hieremite, some angels hold the body, in the background the two lions dig the grave. In the air in the distance, two angels carry the soul of the Holy Paul to heaven.

Offer by Abraham, Johann Sadeler (I), After Chrispijn van den Broeck, 1575 print Abraham with the kneeling Isaac in the foreground. Abraham wants to discolor his son Isaac with a sword. An angel stops him. The eighth print of a 39-part series with the subject of people from the Old Testament. Antwerp paper engraving the sacrifice of Isaac (Genesis 22). Abraham (not in biblical context); possible attribute: knife

Death of Moses, Johannes Wierix, After Maerten de Vos, 1582 - 1583 print Moses dies at the top Nebo van Mount Pisga after God has shown him the land that he will give Abraham, Isaac and Jakob. Archangel Michaël Weert the Devil, who is twisting with him for the body of Moses, which will be buried on the plain of Moab. At the top of the mountain, Moses is received by God in heaven. Two Bible quotes from Deut in the margin. 34 And from Judas, in two columns, in Latin. Antwerp paper engraving the contest of St. Michael and Satan for the body of Moses on Mount Nebo (Jude 9)

Print, Christ on the Mount of Olives (Agony in the Garden), from the Great Passion; Albrecht Dürer (German, 1471-1528); Germany; woodcut on laid paper; 39.6 x 28.7 cm (15 9/16 x 11 5/16 in.)

The Descent from the Cross, from The Fall and Salvation of Mankind through the Life and Passion of Christ, plate 27 1548 Dirck Volckertsz Coornhert Netherlandish. The Descent from the Cross, from The Fall and Salvation of Mankind through the Life and Passion of Christ, plate 27 405359

Holy Family with Elisabet and John the Baptist. Maria is sitting on a throne with the Christ child on her lap. The child hands over a palm branch to a saint. Joseph looks behind the throne from a distance. An angel leans on the backrise of the throne and holds flowers above Mary. Elisabet and the young John the Baptist are kneeling in the foreground. John points to the Christ child. In the context in the margin a two-person caption in Latin.

Flight to Egypt with Engel, Monogrammist BE, 1580 print Mary is sitting on a donkey with the Christ child. The donkey is led by an angel. Joseph walks in the foreground with a stick. There are two putti in a tree that offer the child fruits. In the background a landscape with a ruin. Italy paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass. landscape with ruins. angels

Copper engraving by Marcantonio Raimondi depicting an angel appearing to Joachim, created in the first half of the 16th century.

Anna te Three with Joseph and Joachim, Hans Burgkmair (I), 1512 print Anna takes the Christ child in her arms of Mary's shot while Joseph and Joachim watch. In heaven, the pigeon floats as a symbol of the Holy Spirit surrounded by angel's heads. paper 'Anna selbdritt' with Joseph and Joachim present

CREANT OF MARIA, Cornelis Schut (I), 1618 - 1655 print Groups of people, including the apostles, saints, bishops, the pope and the soldiers who were present at the crucifixion of Christ look up at the clouds how two angels Marries crown. The Christ child is sitting on her lap. The figures in the upper right corner represent God and Christ. Under the print two text rules in Latin from the Litany of the Saints. paper etching coronation of Mary by one or more angels

Christ in the Hof van Getsemane, Adriaen Huybrechts (I), After Martin Schongauer, 1584 print Christ prays kneeling and keeps his eyes focused on an angel. In the foreground the sleeping Peter, James and John. Right right is approaching Judas with a money pouch and soldiers behind him. At the top left a text in Latin. Antwerp paper engraving Christ's prayer in the Garden of Gethsemane during the night. sleeping; unconsciousness

Christ prays kneeling and keeps his eyes on an angel. In the foreground the sleeping Peter, James and John. Behind him on the right approaches Judas with a moneybag and behind him soldiers. Top left a text in Latin, Christ in the court of Gethsemane., print maker: Adriaen Huybrechts (I), (mentioned on object), Martin Schongauer, Antwerp, 1584, paper, engraving, h 165 mm × w 114 mm

Christ on the Cross 1508 Albrecht Dürer German. Christ on the Cross 391129

The dream of St Joseph, who is sleeping at the right, the Virgin and Child by a cross surrounded by angels and many putti and with God the Father above ca. 1635-37 Pietro Testa Italian. The dream of St Joseph, who is sleeping at the right, the Virgin and Child by a cross surrounded by angels and many putti and with God the Father above. Pietro Testa (Italian, Lucca 1612-1650 Rome). ca. 1635-37. Etching. Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Prints

In the foreground St. Rochus and Adrian. The second one has put his foot on the anvil in the middle and points to his pestilence. In the background Saint Sebastian, pierced by arrows. At the back in the middle possibly St. Francis, and on the right St. Christopher, several saints., print maker: Antoine Sallaert, (mentioned on object), 1635, paper, etching, h 137 mm × w 93 mm

Christ in the Breepreken, Anonymous, After Maerten de Vos, 1560 - 1600 print Christ has broken the doors of the pre -bored. He holds the banner of the resurrection and takes the hand of Adam, who comes from a cave together with others. Eva can be seen behind Adam. Above three demons. Under a one -line explanation in Latin. print maker: Low Countriesafter design by: Antwerp paper engraving Christ arrives at the entrance of hell and breaks the door(s)

. The body of Christ is worn to the grave. In the foreground three women by grief overeating. In the background Golgotha with the three crosses. In the air an angel with the thorns crown.

Four angels control the four winds of the earth with swords. Another angel descends from heaven with a cross. He then blesses the foreheads of the good Christians with the seal of the living God (Op. 7:1-8), Four angels hold the four winds against Angelici Caetv's stant mvndi ad qvattvor ora, Revelation of John (series title)., print maker: Gerard van Groeningen, Antwerp, 1563 - 1574, paper, etching, engraving, h 269 mm × w 249 mm

The torture of St. Laurentius, Anonymous, After Cornelis Cort, After Titian, in or after 1571 print Saint Laurentius is lying on a grid and is roasted. Soldiers get wood in front of the fire, raise the fire and stab with a spit in Laurentius. In the background a statue of Mary with an angel in her hand. Two angels look from heaven at the torture of Laurentius and already bring him the palm branch, the sign of the martyr. Rome paper engraving martyrdom, suffering, misfortune, death of St. Laurence

Christ in the Hof van Getsemane. Christ prays in the court of Getsemane and asks God if this cup may pass by. An angel presents him the cup. Petrus, Johannes and Jacobus sleep in the foreground. In the background, Judas leads a group of soldiers through the gate inside.

Copper engraving by Israhel van Meckenem depicting the capture of Christ, created around 1480, showing figures, posture, and interaction.

Virgin and Child with Saints Made 1517 Italy. Engraving in black on ivory laid paper . Domenico Campagnola

A 1460 copper engraving by Cristofano di Michele, known as il Robetta, depicting the Baptism of Christ with his Godfather, showing detailed figures, composition, and Christian iconography.

Preaching from John the Baptist; The life of John the Baptist. Landscape with Johannes sitting on stone, book in left hand, pointing right hand. Group of men, women and children listens.

State and gravity of Christ. Christ is teen by his family and friends and laid in a tomb.

Maria appears to the Holy Hieronymus. Saint Hieronymus scares his prayer by the appearance of Mary and Angels in the air. In addition to Hieronymus, there are a book, his cardinal hat and a lion.

Passion Set: The Treason of Judas, 1596-98. Zacharias Dolendo (Dutch, 1561-1604). Engraving;

Leeping and burial of Christ, Raphaël Sadeler (I), After Pompeo Cesura, 1570 - 1632 print Christ is taught by his family and friends and placed in a tomb. unknown paper engraving lamentation over the dead Christ by his relatives and friends (Christ usually without crown of thorns)

Christ in the borgest, Crispijn van de Passe (I), 1601 print After his death, Christ descends into the pre -borter. He reaches the gates of hell and reaches the hand to Old Testament figures. Two devils watch. The show is caught in an oval frame with an edge writing in Latin. Print from a series with the passion of Christ. Cologne paper engraving Christ arrives at the entrance of hell and breaks the door(s)

Residents of Nazaret expel Christ from the city, Antonie Wierix (II), After Maerten de Vos, 1593 print When those present in the Synagogue of Nazaret heard that none of them were cleaned from skin ravels, but the Syrian Naaman, they ignited in great anger. On this they float out of the city, to the edge of the mountain on which their city was built to put him into the abyss. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Christ, having been chased out of Nazareth, passes unharmed through the multitude

Worship by the shepherds, Christoffel van Sichem (II), After Abraham Bloemaert, 1581 - 1658 print The shepherds worship the Christ child in the manger. Maria is sitting on her knees and shows the child. Joseph is at the OS. Angels are on the clouds. Amsterdam paper adoration of the Christ-child by the shepherds; Mary and Joseph present

Invitation from the prophet to the godsman; Story of the Naughty Godsman. The god man is under a tree. A prophet from Betel comes by on a donkey and invites him to come and eat in his house (1 Kings 13: 11-18). Although God has banned him, the Godsman agrees. The print has a Dutch caption in rhyme and is part of a four-part series about the Naughty Godsman.

Flight to Egypt. The holy family flight to Egypt. Joseph is at the forefront of the donkey to the reins. Maria follows with the Christ child. Two angels kneel before Christ and offer him a basket of fruit. In the margin two lines in Latin and a caption with an assignment in Latin.

Descent from the Cross 1543 Attributed to Master IQV. Descent from the Cross 368739

Saint Antonius discovers the body of Saint Paul de Heremiet, 1582 print Saint Antonius discovers the body of Saint Paul de Heremiet, some angels hold the body, in the background the two lions dig the grave. In the air in the distance, two angels wear the soul of Saint Paul to heaven. paper etching St. Antony Abbot buries St. Paul the Hermit. St. Antony Abbot sees the soul of St. Paul the Hermit being carried to heaven by angels

Commissioning; Pieta; Passion of Christ. The dead body of Christ, which has just been collected from the cross, is supported by the grieving Maria and John kneels next to her. Maria Magdalena coastes the hand of Christ while Joseph Van Arimatea holds the canvas with which he took Christ of the Cross. Nikodemus is ready to balming the body. Two small shields at the top left wear the judge enhancing and ducal weapon of Saxony.

The wonderful retirement (right part). Christ multiplies the loaves and the fish, in the midst of his disciples and spectators. In the background a landscape with a river and houses.

Invitation from the prophet to the godsman; Story of the Naughty Godsman. The god man is under a tree. A prophet from Betel comes by on a donkey and invites him to come and eat in his house (1 Kings 13: 11-18). Although God has banned him, the Godsman agrees. The print has a Dutch caption in rhyme and is part of a four-part series about the Naughty Godsman.

Rest on the Flight into Egypt, Jan Ditmaer, after Maerten de Vos, 1548 - 1603 print Holy family resting on the flight to Egypt. Maria with child sitting at Palmboom with angels. Joseph with donkey in the background. Four lines of Latin text in the end margin. paper engraving the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

The agony in the garden; the apostles slumber while the soldiers and priests approach. Engraving by J. Sadeler, 1582, after M. de Vos.

Three Saints Tomas, Matthew and Filippus, Anonymous, After Chrispijn van den Broeck, 1534 - 1640 print Italy paper engraving the apostle Thomas; possible attributes: book, chalice, girdle, heart, lance or spear, scroll, square, stones. the apostle and evangelist Matthew (Mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword. the apostle Philip; possible attributes: book, cross, dish with snake, lance, scroll, stone, sword

Harrowing of Hell; Christ in Limbo, from The Engraved Passion Made 1512 Germany. Engraving in black on ivory laid paper . Albrecht Dürer

Kroning Van Maria, Agostino Carracci, After Orazio Samacchini, After Lorenzo Sabatini, c. 1579 - c. 1581 print The kneeling Mary is crowned by God the Father and Christ on clouds. Above the crown, the Holy Spirit floats in the form of a pigeon. The clouds are worn by putti. Under a landscape. Text in STUDMARGE. Italy paper engraving the Christ-child crowning Mary ~ Madonna-representations

Christ Before Annas, from the Passion. Artist: Lucas Cranach the Elder (German, Kronach 1472-1553 Weimar). Dimensions: Sheet: 9 3/4 × 6 11/16 in. (24.8 × 17 cm). Series/Portfolio: The Passion.Titled Christ before Caiphas in Hollstein and Bartsch but according to the British Museum the figure of Caiphas is actually Annas because of the presence of an apostle during the hearing that is depicted. Museum: Metropolitan Museum of Art, New York, USA.

The Holy Family with the Three Hares n.d. Albrecht Dürer German. The Holy Family with the Three Hares 387740

The Entombment Made 1563 Italy. Engraving on paper . Giulio Bonasone

Baptism of Christ, Antonie Wierix (II), After Maerten de Vos, 1584 print Christ is baptized by John the Baptist, in the presence of two angels, in the Jordaan. God in the form of a pigeon falls down on Him. In the context under the show a two -way caption in Latin. Antwerp paper engraving baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends

Leef of Christ, Pieter Jalhea Furnius, 1624 - 1679 print Maria, John and the three Marys are kneeling at the body of Christ. Figures are watching left and right, one of them is wearing an ointment pot. For Christ, the Doornenkrans lies on the ground, on the left in the background view of the Golgotha mountain. Under the show is a rule of text in Latin. paper engraving lamentation over the dead Christ by his relatives and friends (Christ usually without crown of thorns)

The Resurrection of Christ Artist's working dates 1644-1693 Germany. Etching in black on cream laid paper . Jonas Umbach, the elder

"Woodcut by Hans Burgkmair from 1524 depicting Christ on the Mount of Olives (Ölberg), showing figures, gestures, and landscape elements in an eight-block composition."

Saint Rochus begs the protection of older nobleman. Saint Rochus leans with a hand on the shoulder of an old nobleman. He holds his other hand on his chest. He looks at heaven. There is a dog behind his legs.

The Lamentation, from The Passion Lucas Cranach the Elder German. The Lamentation, from The Passion 434689

Preaching of Johannes de Boper, Hans Liefrinck (I), After Jan Swart van Groningen, 1558 print Landscape with Johannes sitting on stone, book in the left hand, points with a right hand. Group of men, women and children listens. paper etching John the Baptist preaching (perhaps Christ among the bystanders)

Kruisafname.The body of Christ is taken from the cross by a group of men on ladders, including Joseph of Arimatea, John the Evangelist and Nikodemus. The Maria's mourn under the cross.

Adoration by De Herders, Pieter van der Heyden, 1633 - 1634 print At the foot of a classic structure, the shepherds adore the Christ child, held by a Mary sitting on the ground. To the left of the child, also sitting, Joseph with his staff. In the background a part of a castle on a rock and two men who descend a staircase. Under the performance four Latin verses in two columns. print maker: Antwerppublisher: Amsterdam paper engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

Christ with arms crossed on chest being baptized by John the Baptist in the Jordan River. God the Father, holding an imperial appliance, sends down Holy Spirit in the form of a dove on Christ. In the foreground left, a figure prepares to be baptized by removing his sandals and a soldier is helped out of his armor. On the right, two angels and a figure drying off after baptism.', The Baptism of Christ, print maker: Egidius Horbeck, (mentioned on object), Bartholomeus Spranger, (mentioned on object), Northern Netherlands, 1582 - 1586, paper, etching, engraving, h 281 mm × w 212 mm

The crosshage. .

Ascension of Christ, Wolfgang Kilian, After Jacopo Tintoretto, 1606 print Text in Latin in the lower margin. Venice paper engraving / etching the Ascension (Christ surrounded by radiant light or in a mandorla)

Calling from Petrus and Andreas. Landscape with river. Petrus and Andreas in boat with fishing net. Christ on the shore.

Paid of Christ. Maria, John and the three Maria's were kneeling at the Body of Christ. On the left and right of this, figures watch, one of them is wearing an ointment pot. Before Christ, the thunder wreath is on the floor, on the left in the background view of the Golgotha mountain. Under the show there is a line of text in Latin.

Lazarus revival. Christ with Larazus at the open grave. Peter loosens the rope around Lazarus wrists. Number of bystanders, including Martha and Maria, looks.

The gravestone of Christ. The body of Christ lying on the graftombe, is supported by Maria. Behind this a group of people. Left nicodemus holding the thorn crown.

Holy Family with the Three Hares. Albrecht Dürer (German, 1471-1528). Woodcut;

Offer from Isaac, Pietro Testa, c. 1645 - 1650 print On the right Abraham with a knife in hand, on the pointing to sacrifice his son Isaac. At the top left God surrounded by angels, one of which stops Abraham. Next to Abraham an angel with the ram that Abraham sacrificed instead of Isaac. paper etching when Abraham has his hand raised to kill Isaac, an angel restrains Abraham's hand. ram

After Andrea del Sarto, Saint Filippo Benizzi Healing a Beggar, c 1510 1520 Saint Filippo Benizzi Healing a Beggar

. The H. Emmeramus is tied to a ladder and dies a martyrdom. His legs and arms are dismissed on the command of the Duke of Bavaria. An angel drops out of heaven to record his soul. The print has a Latin caption and is the eighteenth print of a 60-part series with the saints of Bavaria.

Engelen stop the winds and the sealing of the chosen ones, Ieronimus Greff von Frankfurt, After Albrecht Dürer, 1502 print Four angels stop the four winds, which symbolize the great world rich from ancient times. Another angel brings the sign of God to the front heads of the 144,000 sons of Israel. paper the four winds are restrained by four angels. sealing of the tribes of Israel, the 144-thousand

Copper engraving by Meister IAM von Zwolle, created between 1460-1490, depicting Christ on the Mount of Olives with detailed figures and composition.

Christ prays in the garden of Gethsemane. From heaven appears an angel holding a chalice. In the foreground, Peter, John and James are asleep. In the background, Judas leads a group of soldiers in through the gate. Christ in Garden of Gethsemane Life and Passion of Christ Dominica Passionis Mysteria Typicis Advmbrationibvs Adamussim Effigiata , print maker: Antonie Wierix (II), Maerten de Vos, publisher: Gerard de Jode, Antwerp, 1583 - 1587, paper, engraving, h 205 mm × w 126 mm

De afdaling in het voorgeborchte; De gegraveerde Passie.Christ, a staff with a vane in hand, frees a group of souls from a dungeon. Devils try to prevent this in vain. Adam and EVA are already outside the HELLEPORT. This print is part of a series of 16 prints with scenes from the suffering story.

Kruisafname, Domenico Falcini, After Federico Barocci, 1585 - 1631 print The body of Christ is taken from the cross by a group of men on ladders, including Joseph of Arimatea, Johannes the Evangelist and Nikodemus. The Maria's mourn under the cross. Italy paper engraving descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

Albrecht Dürer, Christ in Limbo, 1512 Christ in Limbo

De boetvaardige Hieronymus, Cornelis Cort, after Girolamo Muziano, after c. 1568 - before 1578 print Hieronymus kneels for a crucifix. The lion is sleeping next to him. In addition to the Crucifix a skull and Hieronymus' hat. In the distance a village and a church. paper engraving the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Bewening, Marcantonio Raimondi, after Albrecht Dürer, 1511 - 1534 print Numbered in the bottom right: 25. print maker: Italyafter design by: Germany paper engraving lamentation over the dead Christ by his relatives and friends (Christ usually without crown of thorns). Christ's body supported

Italy, Testa, Pietro, Joseph's dream, verso - stamped, On the right the sleeping Joseph, who is warned in a dream by an angel that he must flee to Egypt with his family. On the left Mary and the Christ Child at a cross. The cross is surrounded by angels and God the Father with the Holy Spirit as a dove. Dedication and four-line Italian text in the lower margin., print, prints, height 363 mm, width 296 mm, Italian, 1612 - 1650, print maker, printmaker, 1621 - 1650, paper, papier, etching, etchings, plaattoon, Work conception, after own design by

The skepping, Martin shocks, c. 1470 - 1491 print Christ is, bound by a pillar, flashed by a group of men. This print is part of a series of twelve prints with scenes from the suffering story. Germany paper engraving flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

Resurrection of Christ, Magdalena van de Passe, After Crispijn van de Passe (I), 1610 - 1638 print Christ rises from his grave. The soldiers who lie around the grave wake up and flee. On the right in the background the arrival of the three holy women at the grave. In the margin a two -way caption in Latin. Utrecht paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers. the holy women (the three Maries) on their way to or at the tomb, to anoint Christ's body

Ascension and coronation of Mary; Life of Mary. The apostles are a blank grave and looking up, where Maria in heaven is crowned by Christ and God. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Mary.

Saint Benedict is driving a demon. A wild flopping, possessed by demons, man is held by two men. In the background left, Saint Benedict, assisted by two men. Two women dive away in the foreground.

Abraham and Sara enter Canaan; History of Abraham. Abraham and Sara enters Canaan with their consequences. In the background, the two pray for an altar that Abraham has erected in honor of God. The print is part of a series about the history of Abraham.

Doornenkring van Christus, Jan Christoffel Jegher, after Antoine Sallaert, 1649 print Soldiers put Christ with sticks a crown on the head. A man kneels in front of him and gives him a reed stick in his hand. Antwerp paper letterpress printing the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Worship by Maria, Jozef and Angels. Worship of the Christ child by Maria, Joseph and two kneeling angels in a landscape. Above their heads putti with a banderole with the text: Gloria in Excelsis Deo.

Residents of Nazareth expel Christ from the city. The inhabitants of Nazareth expel the city to the city, to the edge of the mountain on which their city was built to deposit it in the abyss.

Angels Lifting Virgin and Child 1610-42 Pierre Brebiette French. Angels Lifting Virgin and Child 334207

Mozes breaks the Tables of the Law (third part), Andrea Andreani, After Francesco Vanni, After Domenico Beccafumi, 1590 print Moses holds a stone tablet above his head, ready to throw it on the floor. On the right the Golden Calf that is honored by the people. On the left the Israelites who throw gold jewelry in the fire to forge the Golden Calf of it. print maker: Italyafter design by: Siena paper. ink brush / pen on seeing the idolaters Moses breaks the tables of the law. lute, and special forms of lute, e.g.: theorbo. flute, aulos, tibia

The women of the Gally keep their men to fight each other, Zacharias Dolendo, after Jacques de Gheyn (II), 1606 print The women of Gally keep their men to fight each other. In groups of two, the women are talking to their men. A woman prays her husband to her knees not to start war. In the offing, armies of foot soldiers are ready to go to battle. Page from a book with text on the verso. paper engraving / letterpress printing preparation for battle. peace negotiations

Taking Jesus Christ (Bartsch 4, Volume VI, page 92) Master on the shuttle. The taking of Jesus Christ (Bartsch 4, Volume Vi, page 92). Burin.

Bernardino Poccetti, The Crucifixion The Crucifixion

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