Religious Statues from the Netherlands

Statues of saints and a young woman created in the North Netherlandish style, characterized by detailed attire and graceful poses, evoking a sense of devotion.

Angel, Master Tilman (attributed to workshop of), c. 1470 - c. 1480 Cologne oak (wood) Cologne oak (wood)

Dancing Girl ca. 1740-44 Vienna. Dancing Girl 207121

Antoine Louis Barye, Two Young Lions, model 1832 1838, cast by 1873 Two Young Lions

Statuette early 17th century French, Avon. Statuette 198706

Cigar Store Indian. Dated: c. 1937. Dimensions: overall: 50.7 x 38.4 cm (19 15/16 x 15 1/8 in.). Medium: watercolor, colored pencil, graphite, and heightening on paperboard. Museum: National Gallery of Art, Washington DC. Author: Walter Hochstrasser.

Boddhisatva, 386-535, Terracotta, China, 4th-6th century

DET-PROFETA-RETABLO DE SAN BENITO-1526-RENACIMIENTO ESPAÑOL-MANIERISMO. Author: ALONSO BERRUGUETE (1488-1561). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN.

Manufacture of Niderviller (n. - D.), Bust of Bacchus and Piédouche (title of the whole), 1793. Porcelain, cookie. Petit Palais, Museum of Fine Arts of the City of Paris.

Aimé-Jules Dalou (1838-1902). "Boy butcher". Patinated plaster. Museum of Fine Arts of the City of Paris, Petit Palais. Clerk, butcher boy, patina patina, apron

After Antoine Coysevox, Louis II de Bourbon, Prince de Condé, 1877 1901 Louis II de Bourbon, Prince de Condé

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia83. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Vincenzo Gemito, Jean Louis Ernest Meissonier, 1879 Jean-Louis-Ernest Meissonier

Edmond Lachenal (1855-1948). Sada Yakko (1871-1946), Japanese dancer and actress (front). Museum of Fine Arts of the City of Paris, Petit Palais. 71786-1 Japanese actress, dancer, figurine, face, blue dress, statuette

Bronze portrait bust of a boy late 2nd century B.C.-2nd century A.D. Greek or Roman Portrait bust of a boy.. Bronze portrait bust of a boy. Greek or Roman. late 2nd century B.C.-2nd century A.D.. Bronze. Hellenistic or Imperial. Bronzes

Bust of Maria. On base.

Ramon Amadeu / Manger figure, 19th century. Museum: Museu de la Garrotxa.

Chess figure Pachołek Skirmuntt, Helena (1827 1874)

The Swoon of the Virgin, anonymous, c. 1510 - c. 1520 Antwerp oak (wood) Antwerp oak (wood)

Portrait of King-Stadtholder William III 1650-1702, full length, Jan Blommendael, 1676

Figure of Mars. Campagna, Girolamo (1549-1625), atelier, Aspetti, Tiziano (1559-1606), atelier

Modello or sketch for porte montre (watch stand), c. 1780, 18 1/4 x 6 1/4 x 6 1/4 in. (46.36 x 15.88 x 15.88 cm), Terracotta, France, 18th century, House clocks had been popular additions to wealthy homes since the 1500s, but portable pocket watches were a new and head-turning achievement in the 1700s. Their proud owners showcased them in precious watch stands when not in usethe 1700s equivalent of iPhone chargers. This one exhibits a relief showing the figure of Cupid with two pierced hearts and kissing birds, suggesting that when the watch was put into its stand at night, it was time for love.

Maria's imitation. .

A Gentleman of the Zorzi Family. Dated: 1570/1580. Dimensions: overall: 90.2 x 61.6 x 32.3 cm (35 1/2 x 24 1/4 x 12 11/16 in.). Medium: terracotta. Museum: National Gallery of Art, Washington DC. Author: Alessandro Vittoria.

Figure of a Jew. Fabryka fajansów Aleksandra Rogala-Lewickiego w Pacykowie (1912-1939), factory

Saint Stephen, 1502-1508. Tilman Riemenschneider (German, c. 1460-1531). Lindenwood with polychromy and gilding; overall: 93.5 x 35 x 23.5 cm (36 13/16 x 13 3/4 x 9 1/4 in.).

Bliżej Kultury unknown

Angel. Artist: Workshop of Ignaz Günther (German, Altmannstein 1725-1775 Munich). Culture: Southern German. Dimensions: 10 3/4 x 8 in. (27.3 x 20.3cm). Date: ca. 1760-70. Museum: Metropolitan Museum of Art, New York, USA.

Limestone funerary monument with a seated woman 2nd-1st century B.C. Cypriot Woman seated, with folded hands, wearing tunic, cloak, and veil.. Limestone funerary monument with a seated woman 242040

Jules Dalou (1838-1902). Hoche. Bronze. After 1900. Museum of Fine Arts of the City of Paris, Petit Palais. 79088-6 Bronze, standing, general French, statue, back view, 20th XXth XX 20th 20th 20th century

A Burgher of Calais (Jean d'Aire) Modeled 1889 France. Plaster . Auguste Rodin

National Museum of Ancient Art. Saint Lucy. 15th century. Polychrome limestone..

Chinoiserie group 1750-55 Derby Porcelain Manufactory This figure group is a representation of "hearing" from a set of the five senses: hearing, seeing, smelling, tasting, and touching. The figures, wearing brightly colored Chinese-style clothes, illustrate a fanciful European vision of the exotic East.. Chinoiserie group 203570

Bust of Christ, c. 1470-1500. Workshop of Andrea del Verrocchio (Italian, 1435-1488). Painted terracotta and wood; overall: 57.2 x 53.3 x 29.2 cm (22 1/2 x 21 x 11 1/2 in.).

Friedrich-Elias Meyer (1723-1785). Summer or Ceres. Porcelain, 1755-1760. Paris, Cognacq-Jay museum. 79170-9 Allegorie, Roman divinity, epis ble, summer, leaf, flower, porcelain, season, statuette, hold, 18th 18th 18th 18th 18th 18th century

The Grand Dauphin. Dated: model 1688/1699, cast c. 1699. Dimensions: overall (with base): 57 x 21.3 x 48 cm (22 7/16 x 8 3/8 x 18 7/8 in.) accessory size: 11.8 x 19.7 x 39.5 cm (4 5/8 x 7 3/4 x 15 9/16 in.) gross weight (sculpture): 31.000 lb gross weight (support): 11.000 lb. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: after Martin Desjardins.

man with toga, bronze statuette, republican roman period, 127 - 27 b. C., Museu Municipal de Ciutadella. Bastió de sa Font, Ciutadella, Menorca, Balea...

Sculptress at Work; Femme Sculpteur au Travail. Emile Antoine Bourdelle (1861-1929). Bronze with green patina. 50.5cm high. Conceived in 1906; cast at a later date. The model for this sculpture was Cleopatre Sevastos, a Greek pupil of the artist who eventually became his mistress causing him to divorce his first wife Stephanie van Parys.

Female term figure ca. 1750-55 Saint James's Factory. Female term figure. British, London. ca. 1750-55. Soft-paste porcelain. Ceramics-Porcelain

'Equestrian Portrait of Louis XIV'. France, 19th century (after the model of 1699). Dimensions: height 107 cm. Museum: State Hermitage, St. Petersburg.

Figure of a seated Chinese man. Culture: French, possibly Mennecy or Sceaux. Dimensions: Height: 7 5/16 in. (18.6 cm). Factory: Possibly Mennecy or; Possibly Sceaux. Date: porcelain ca. 1755-65, mounts 1745-49. Museum: Metropolitan Museum of Art, New York, USA.

San Giovanni di Capistrano. Santi Buglioni (Italy, Florence, 1494-1576). circa 1550. Sculpture. Glazed earthenware

Boy with leaves and box 19th century China Two boys each holding a lotus or a leaf in one hand and a box in the other are popular images symbolic of harmony and union. Known as the Two Immortals of Harmony (He-He Erxian)in reference to the characters for these virtues, both of which are read hethis pair is also thought to have been inspired by the legendary Tang dynasty (618-907) Buddhist monks Hanshan and Shide. (pair with 42.90.31a, b). Boy with leaves and box 60682

. Meissen porcelain manufactory modeled by Johann Joachim Trader (1706-1775), with Peter Reinicke (1715-1768) and Friedrich Elias Meyer (1723-1785) Meissen, c. 1750Hard Paste Porcelain

The Meeting of Joachim and Anna, c. 1470 On a ground, Joachim and Anna are slightly diagonally opposite each other as a closed group; Joachim with the left leg forward, the upper body to her, Anna resting on the left leg and the right just aside. He has put both arms around Anna's shoulders for a hug, she tends to receive the kiss with his head, while she supports his left elbow with the right hand and put the other confidentially on his back. Wrinkles on Joachims forehead, in his eyes and mouth, as well as on the neck, point to his advanced age. He is wearing a high hat on the wavy hair and a tabbestone, which is fed and deposited with fur. Anna's rug is also fed with fur. She wears an old -fashioned headscarf with frowned edge, over which a cloth is folded that is held together under the chin with a pin. Northwest Brabant (possibly) oak (wood) On a ground, Joachim and Anna are slightly diagonally opposite each other as a closed group; Joachim with the left leg forward, the upper body

Mount

Napoleon na koniu. Michałowski, Piotr (1800-1855), painter

Personnage Fhinin ". Porcelainment. Ere Kangxi (1662-1723). Paris, Museum Cernusks.

Amor Caritas. Augustus Saint-Gaudens; American, born Ireland, 1848-1907. Date: 1897. Dimensions: 131.4 × 80.7 cm (51 3/4 × 31 3/4 in.). Bronze. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Image of hard-baked pottery; "Old Age" by Ralph Wood. Image of hard-baked pottery, with a multicolored decoration. The image represents an old man with a stool under his right arm and a stick in his left hand. The image represents "The Old Age" and was designed by Ralph Wood.

Girl dummy board. Culture: British or Dutch. Dimensions: Overall: 38 5/8 × 13 × 7 3/4 in. (98.1 × 33 × 19.7 cm). Date: ca. 1690. Museum: Metropolitan Museum of Art, New York, USA.

Charles Kotra (1859-1942). Portrait-charge of Louis-François Person Dumaine dit Dumaine (1831-1893), actor. Role of Jean Valjean in "Les Misérables". Terracotta. Paris, Carnavalet museum. 74058-16 Actor, French comedian, derision, modeling, portrait-load, sculptor, terracotta, 19th 19th 19th 19th 19th 19th century, caricature

Europe, Portugal, Lisbon, Estrela, National Museum of Ancient Art, St.Michel

Jeanne D'Arc Dubois, Paul. "Jeanne D'Arc". Metal wax.

Museo de Bellas Artes, Bilbao, Spain.

Chalcedony portrait bust of a young woman ca. A.D. 130-140 Roman The woman's hairstyle closely resembles that found on life-sized marble portraits of Roman matrons of the period, who closely followed the fashions of the imperial court.. Chalcedony portrait bust of a young woman 248001

Portrait of Lieutenant Colonnel Jacqueminot Thomas, Emile Eugene. "Portrait of Lieutenant Colonnel Jacqueminot". Plaster.

National Museum of Ancient Art. Saint James. 15th century. Polychrome limestone..

Figure of a boy with a bird in a cage, Höchst, c. 1767 - c. 1775 Image of porcelain, painted on the glaze in email colors and gold. The image represents a boy, walking with a knapsack over his shoulder and a cage with a bird in his hand. Marked on the bottom with HM and N4. Maximum porcelain. glaze. gold (metal) painting / gilding / vitrification Image of porcelain, painted on the glaze in email colors and gold. The image represents a boy, walking with a knapsack over his shoulder and a cage with a bird in his hand. Marked on the bottom with HM and N4. Maximum porcelain. glaze. gold (metal) painting / gilding / vitrification

Male head with long hair in a red hat - plaster cast of the sculpture by Veit Stoss. unknown, Stwosz, Wit (ca 1447 1533)

Jean-Pierre Dantan (1800-1869), said Dantan the young. "Laurent Cunin, known as Cunin-Gridaine". Plaster, 1840. Paris, Carnavalet museum. Depute, French, politician, plaster, caricature

Portrait of Andries the Grade, Artus Sourceus (I), 1661 The head with hanging mustache and imperial is used to the left; The right hand is kept in front of the chest, the left in the side. A calot rest on the wig, the curls of which hang down to the wide collar. The cloak, which completely covers shoulder and arms, has been struck to the right and is stopped in front of the chest with the right hand, so that only a small part of the wambuis closed with buttons is visible. The whole rests on a plinth. Amsterdam marble (rock) Amsterdam The head with hanging mustache and imperial is used to the left; The right hand is kept in front of the chest, the left in the side. A calot rest on the wig, the curls of which hang down to the wide collar. The cloak, which completely covers shoulder and arms, has been struck to the right and is stopped in front of the chest with the right hand, so that only a small part of the wambuis closed with buttons is visible. The whole rests on a plinth. Amsterda

Natalya Danko, Woman Worker Embroidering a Banner, Designed 1919; manufactured 1923, hard-paste porcelain.

La Petite Pensée Thomas Ball (American, 1819-1911). La Petite Pensée, 1873. Marble, 19 5/16 x 12 3/16 x 7 1/2 in. (49.1 x 31 x 19.1 cm). American Art 1873

Diogenes looking for an honest man ca. 1770-80 Ralph Wood the Younger. Diogenes looking for an honest man. British, Burslem, Staffordshire. ca. 1770-80. Lead-glazed earthenware. Ceramics-Pottery

Sculpture titled 'St Joseph with the Christ Child' by Jose Risueño (1665-1721) a Spanish painter and sculptor of the Baroque period. Dated 18th Century

Chinese, Mandarin, porcelain.

Canopy of a hospital bed with a crowning. Fontana, Jakub (1710-1773), designer, Redler, Jan Chryzostom (fl. ca 1743-1773), woodcarver

Maitreya.. Grès at Cunvele And Crème Ebroary. Paris, Musée Cernali. Friendly, Chinese art, seated, benevolence, benevolent, Chinese Ceramic, Gres, Man, Maitreya, Statuette

Beggar Woman with a Child (Blind Beggar with a Child); Bettlerin mit Kind (Blinde Bettlerin mit Kind). Ernst Barlach (1870-1938). Bronze with brown patina. 35.5cm high. Conceived in 1907 and cast in 1930 in an edition of 10. Numbered 1/10.

Figure of woman on stucco at Panjim Goa India Asia 2011 Copyright: xNitinxKelvalkar/DinodiaxPhotox

Le Baiser Donné (one of a pair) ca. 1755 Höchst Manufactory. Le Baiser Donné (one of a pair) 203214

Air and Fire. Culture: French. Dimensions: Overall (each): 17 × 5 1/2 × 9 in. (43.2 × 14 × 22.9 cm). Date: ca. 1770. Museum: Metropolitan Museum of Art, New York, USA.

Figure from a Crèche: Angel, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 30.9 cm (12 3/16 in.). The practice of creating scenes of the Nativity for the home dates from the early 1700s in Italy, where people began to set up doll-like figures of about a foot or less in height. The custom was particularly popular in Naples around 1800, where crèche scenes (crèche means cradle, or crib) included many figures, whose heads and hands of painted terracotta, stuffed cloth bodies, and clothing adapted from contemporary local costumes gave them an amazingly realistic character.

Angel. Culture: Italian, Naples. Dimensions: H. 17 1/4 in. (43.8 cm.). Maker: Giuseppe Sanmartino (Italian, 1720-1793). Date: second half 18th century.In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem -- the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of t

Russia, Saint Petersburg, State Russian Museum, Sabaoth in Clouds

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