Religious Structures and Tabernacles

Engravings of ornate tabernacles, reliquaries, and altars featuring holy figures, intricate details, and grand architectural styles from various historical periods.

Augsburg, Herz, Johann Daniel (I), Thelott, Jakob Gottlieb, Altars, Altar with Mary on her deathbed, verso - stamped, Design for an altar with a painting of Mary on her deathbed, surrounded by the apostles. Below that a scene with the entombment of Mary. The altar is flanked by four angels with four wings. Putti with garlands and the Assumption of Mary crown the whole., print, ornamental print, prints, ornament prints, height 303 mm, width 174 mm, German, 1708-05-29 - 1760-01-06, print maker, printmaker, 1722 - 1740, paper, etching, engraving, engraving (printing process), Work conception, 1693 - 1754, after a design by, Publication (Event), Publication, publisher

Tabernacle with holy family and child St John; Authels et Retables. At the top right state the letter b.

Reliquary, seen from the side, Pieter Balthasar Bouttats, 1676 - 1755 print An image from a book. A reliquary, from the side. On the first floor a bishop, seated on a chair, with a kneeling man next to him. On the bottom floor a row of bishops and kings. Antwerp paper engraving relics (and reliquaries). archbishop, bishop, etc. (Roman Catholic)

Saint. Wojciech (956 Libice 997 Saint Gaj Near Pasłęka) The Grave of St. Wojciech in the Gniezno Cathedral Woodcut Warsaw

Tabernacle with Blessed Virgin and Child; Authels et Retables. In the middle above the letter b. From a second edition of series with altars and tabernacles.

Grave monument from Amalia van Solms, Peter Fehr, 1691 - 1740 print paper etching / engraving grave-building, monumental tomb. angels. torch. (feigned) picture curtain. armorial bearing, heraldry. ruler, sovereign - BB - female ruler. crown (symbol of sovereignty). ornament ~ cartouche

Augsburg, Herz, Johann Daniel (I), Thelott, Jakob Gottlieb, Altars, Altar with Mary on her deathbed, verso - stamped, Design for an altar with a painting of Mary on her deathbed, surrounded by the apostles. Below that a scene with the entombment of Mary. The altar is flanked by four angels with four wings. Putti with garlands and the Assumption of Mary crown the whole., print, ornamental print, prints, ornament prints, height 303 mm, width 174 mm, German, 1708-05-29 - 1760-01-06, print maker, printmaker, 1722 - 1740, paper, etching, engraving, engraving (printing process), Work conception, 1693 - 1754, after a design by, Publication (Event), Publication, publisher

Design for an occasional decoration of the High Altar in the St. Augustinuskerk in Antwerp, Hendrik Frans Verbruggen, 1707 drawing paper. pencil. chalk. ink pen / brush interior of church. altar. altar accoutrement

Choral bench in a chapel, c. 1657 - c. 1665 print Choral bench in a chapel. Around figures. On both sides, pillars are crowned with flaming balusters. Print is part of an album. Paris paper etching ornaments ~ art. seats of the clergy, choir-stalls

Tabernacle with worship of the kings; Authels et Retables. Above left is the letter b.

Altar with God the Father; Altars. Altar with rocaille ornaments and god the father with globe, in clouds with angels. Left Johannes de Boper with staff and lamb, right Johannes de Evangelist with book, palm branch and eagle. Publisher number 160.

Fantasy monument for the Holy Sacraments Chapel in Brussels. Fantasy monument in baroque style for the sacred sacraments chapel in honor of the Miracle of Brussels. The altar consists of three floors, with images of various saints, two incense vessels and many banners.

This copper engraving by Mathäus Küsel shows a ceremonial fundle for Archduke Sigmund Franz in 1665, highlighting formal attire and figures in procession.

Altar with a reliquary holder; Authels et Retables. In the middle there is a painting with the possession of Christ. Leaf 7 from series of 12 blades with altars and tabernacles. First edition.

Copper engraving by Israhel van Meckenem depicting a monstrance, created in the late 15th century, showing religious and ornamental details.

Mausoleum founded in Westminster Abbey for the deceased Queen Maria Stuart, 1695; Mausoleé de Marie Stuart Reine de la Grande Brittany. The Mausoleum (Katafalk) established in the Choir of the Westminster Abbey before the Queen Maria II Stuart buried on January 7, 1695 and was buried on 3 March. At the top of a banderole with 'The Mausoleum'; Under the show a French caption and verse of four rules.

Israhel van Meckenem after Master W with the Key, A Gothic Monstrance, c 1480 A Gothic Monstrance

LEŻAJSK parish Church of the Holy Trinity, formerly the Order of the Holy Sepulchre an altar with the image of the Holy Family sIIding panel of the figure of the Sacred Heart of Jesus at the rood arch a fragment of the interior of the left aisle unknown

Tabernacle on altar; Authels et Retables. Decorated with the Holy Sacrament. Above left is the letter b. From a second edition of series with altars and tabernacles.

Wooden house altar in Tölz, in or after 1875 - c. 1900 photograph Bad Tölz cardboard. photographic support collotype altar. Christ on the cross; only scenes following the crucifixion added - DD - the three crosses. sculpture (+ relief ~ sculpture) Bad Tölz

Altare label in a church in Valbert. Part of Carl Heinrich Photo album Flienschmidt, prison director in Oslebshausen.

Pulpit in the Nieuwe Kerk in Amsterdam, Pieter Holsteyn (II), After Albert Jansz Vinckenbrinck, 1649 - 1673 print View on the between 1649 and 1664 by Albert Jansz. Vinckenbrinck made pulpit in the Nieuwe Kerk in Amsterdam. On the left in the foreground a mother with a child and a standing man on the right. Northern Netherlands paper etching interior of church. pulpit, ambo, chancel new church

Altar with two male figures, Gottfried Bernhard Götz, Joseph Anton Feichtmayer, 1740 - 1745 print Two male figures with a book in their hand are left and right on an altar with rocaille ornaments. Two angels with palm branches above the pillars of the altar. The altar is closed with a cross in a four -pass. Augsburg paper etching / engraving altar. standing figure

Baptismal font in the Onze-Lieve-Vrouwekerk in Dendermonde, Anonymous, c. 1881 - in or before 1889 photomechanical print Dendermondeanwerwerp paper collotype / photolithography baptismal font. interior of church Dendermonde

Daniel Hopfer, Triumphal Altar with Stages in the Life of Christ, 1518 Triumphal Altar with Stages in the Life of Christ

Klomp Johannes Franziskus (1865-1946), St. Francis (and expansion Franciscan monastery), Dortmund (1900-1903): Tabernacle, view, floor plan, intersection 1:10. Ink on cardboard, 95 x 64.2 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): St. Franziskus (und Erweiterung Franziskanerkloster), Dortmund

Two projects for a portable pulpit for the church in Offida, Pen, ink, light green water color and chinese black washes on paper, Vertical composition of two altars. The altar on the left is shown from the front and the altar on the right is shown from the side. The left altar is supported by female gaines and has no canopy. The right altar has a canopy with lambrequins and is supported by columns. The altar on the left has the word 'Prospette' written between the legs and the altar on the right has the word 'Profilo' written between the legs. The bottom of the composition has the inscription: 'Prospetto del pulpito por la Chiesa di Offida/Scala di palmi dieci romani.' On the reverse, 'per / il pulpito.', Rome, Italy, 1750-1800, architecture, Drawing, Drawing

Tombstone of King Stefan Batory in the St. Mary's Chapel in Wawel Ignacy Krieger's photo factory

Prosper monument provided in the church of X.X.Dominans in: Sad souvenir of the fire of Krakow Balicki, Karol (1820 1854)

Confessional with dome, Jean Lepautre, c. 1658 - c. 1670 print The three walls are decorated with Corinthian pilasters. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching confessional ~ part of the confession

Tarnów Department of Nativity of the Blessed Virgin Mary Interior Main altar unsweard on the left a fragment of the tombstone of two Tarnów on the right part of the monument of Janusz Ostrogski Mroczkowski, Tadeusz (1863 1905)

Altar with painting, Jean Lepautre, After 1628 - Before 1666 print In the middle there is a painting of the Annunciation. With rebellion and plan. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Confessional in Nis, Jean Lepaut, c. 1658 - c. 1670 print Nich with ionic pilasters. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching confessional ~ part of the confession

Chapel, Abraham Bosse, After Jean Barbet, After 1638 - Before 1643 print Above the altar is a niche with a pieta and an angel. Page 8 from the second edition of series. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Altar with painting; Altars with plan. Altar flanked by two coupled ionic pilasters, the Ascension of the Virgin is on the painting. With rebellion and plan. From series of 6 sheets, second edition.

Lüdecke Carl Johann Bogislaw (1826-1894), altar (without a year): floor plan, torture, 2 scale strips. Ink on transparent, 52.5 x 35.2 cm (including scan edges) Lüdecke Carl Johann Bogislaw (1826-1894): Altar

Altar under ballroom; Altars with plan. The canopy is based on four twisted corintean columns. With rebellion and plan. From series of 6 sheets, second edition.

Project for an Alter, Graphite, pen and ink, brush and watercolor on paper, The Virgin of the Seven Swords is shown in a medallion with rays and cherubim glories. The alter stands before the convex wall. Laterally are balconies and walls with doors., Italy, 1750-1800, religion, Drawing, Drawing

Copper engraving by Jean Dolivar depicting the funeral in the Condé chapel of St. Louis des Jesuites in Paris for the heart burial of Louis II de Bourbon-Condé on December 11, 1686, showing figures, altar, and ceremonial objects.

Monument for the Baptists, Cornelis Brouwer, After Daniël Kerkhoff, 1792 print A monument for the Mennonite municipality. In the middle between the pillars an image of a Baptist church service. Four biblical scenes on either side. In the dome of the monument a medallion with the portrait of Menno Simons. On the columns of the monument two medallions with important elements from the Baptist leather: on the left the sermon and on the right the Supper. Amsterdam paper etching / engraving interior of church. Protestant Churches and denominations. monument, statue. preaching (in general). Communion ~ Holy Mass

Great or Saint Lawrence Church, anonymous (Monumentenzorg), Detail of the choir screen of the Great or Saint Lawrence Church in Rotterdam, verso - stamped, photograph, photo, photos, topography, the Roman Catholic St. Laurentius Church, Detail of the choir screen, Aug. 1911, Rotterdam, recto - handwritten, J. Luiken, 1640-1712, verso - handwritten, R.MUS., height 223 mm, width 167 mm, photographer, 1911 - 1911, photographic paper, photo paper, cardboard, daylight collodion silver print

LEŻAJSK parish Church of Holy Trinity, formerly the Order of the Holy Sepulchre a general view of the chancel interior with the main altar, stalls and a fragment of polychrome vault unknown

Ancient coronation chair and regalia of England, 1820. Opposite page 82. Published in London for John Major. 1st edition. Features insignia, crowns, daggers, swords, and thrones. Engravings included

Copper engraving by Heinrich Ulrich depicting the altar in the Jesuner catch, showing architectural details, religious motifs, and figures.

Raymond Neumann, Decorah Altar, 1935 1942 Decorah Altar

GEOFFREY CHAUCER English poet's tomb in Westminster Abbey. Date: 1340 - 1400

Kuckuck Walther, altar chandelier in a late stroman style. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. II) (July 16, 1901): View. Pressure on paper, 33.4 x 24.4 cm (including scan edges)

Balera with Maria image; Plan et elévation d'un autel sous un baldaquin; XXXIIE CAHIER DU Supplement Suite The Divers Baldaquins Pour La Décoration des Maitres cars; Supplément au recuueil élémentaire d'architecture. Front view and map of a canopy with a triangle surrounded by beams. There are two candlesticks and an altar with a Mariabeeld with Christ child under the canopy. Print number CLXXXIX.

, Passwords Sparat - Maria in SMAGEN - INSEITSION - Sacrament Strause, Bruno Raising Strategy -, Photographs

Ursulaschrijn, c. 1875 - c. 1900 photograph Used cardboard. photographic support albumen print relics (and reliquaries). St. Ursula protecting the eleven thousand virgins with her cloak Used

Monument to the Baptists. A monument for the Baptist Church. In the middle between the pillars an image of a baptist church service. Four biblical scenes on either side. In the monument dome a medallion with Menno Simons portrait. On the columns of the monument two medallions with important elements from the baptismal leather: the sermon on the left and on the right the supper.

Haskell & Post Publishers, Lakeside Press, Seville Cathedral, Two altars in Seville Cathedral, recto - printed, photomechanical print, page, photos, photographically illustrated books, Chapel of the Conception, Chapel of the Virgin, height 425 mm, width 300 mm, photographer, 1881 - 1886, paper, collotype, photoprint, cliché maker, Publication (Event), Publication, publisher

Graftombe of Philip van Hessen-Philippsthal in the Grote or Sint-Jacobskerk in The Hague, Anonymous (Monumentenzorg) (attributed to), 1890-1910 photograph Big church photographic support. cardboard albumen print interior of church. grave-building, monumental tomb Big church

A 1589 etching by Ambrogio Brambilla depicting the fundle ceremony for Cardinal Alessandro Farnese in the Il Gesù church in Rome on March 22, 1589, showing participants and interior details.

Interior of the Rosslyn Chapel in Scotland, François Joseph Dupressoir, 1837 print Paris paper. church (exterior) - QQ - small church, chapel. interior of church Rosslyn Chapel

Monastery church, interior, Italy. .

Lithograph by Franz Ignaz Trunz depicting a ceremonial fundle for Emperor Franz I of Austria in the cathedral church in Olmütz, created in 1835.

Etching by Daniel Hopfer from 1500-1536 depicting St. Barbara and an altar shrine showing the marriage of St. Katharina, with figures, architecture, and religious iconography.

Cantate in the Sint Jacobs Kerk, 17 June 1836, Huib van Hove BZ, 1836 print De Cantate held in the Jacobikerk, 17 June 1836. Within a colored decorative framework with musical instruments and ecclesiastical ornaments. Part of the series of six unnumbered records of the festivities at the celebration of the second century party (1636-1836) of the Utrechtsche Hogeschool, 12-17 June 1836. This print is part of a cover with eight prints. printer: Rotterdampublisher: Utrecht paper commemoration of the founding of a university. interior of church. choir Utrecht. Jacobikerk

Altar with Christ on cloud; Livre d 'Architecture et d' Bels. Christ holds the cross. Leaf 7 from second edition of series. The numbering of the prints only partially corresponds to that of the first edition.

Interior of the grave of Dominican Martyrs in Arcueil; Intérieur du Tombeau des Martyrs Dominicains. Part of Memorial Album of Roman Catholic clergymen cases during the Commune of Paris.

Wizards at a table and the appearance of a demon, Bernard Picart (workshop or), After Bernard Picart, 1728 print Two wizards are sitting at a table while a demon appears. Two men serve them. The performance is caught in an ornamental list of horns of abundance. Amsterdam paper etching / engraving ornaments ~ art. devil(s) and demons. sorcerer, magician, wizard, warlock

Doksaal with Annunciation and the birth of Christ

Tuscany Grosseto Santa Fiora SS. Fiora e Lucilla, Parish church8. Hutzel, Max 1960-1990 Exterior views show a simple stone facade with a renaissance portal and a Romanesque rose window. Most views focus on the interior decoration by Andrea and Giovanni della Robbia: the dossal in the first altar to the right depicts the penitent St. Jerome, the Coronation of the Virgin, and the Stigmatization of St. Francis; the pulpit depicts the Last Supper, the Resurrection, and the Ascension. Other della Robbia terracottas show the Assumption of the Virgin among angels and the Baptism of Christ. Coverage includes the very Mannerist main altarpiece, an icon of the Virgin and Child (engaged in close eye contact) set in an aedicule, a polychrome statue of St. Anthony Abbot, several crucifixes and a baptismal font. General Notes: SS. Fiora and Lucilla is also called the Pieve (Parish Church). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until hi

Month Met Vogel (Pelikaan), Lucas Cranach (1), 1509 - 1549 print Fragment of book illustration of a monstrance with a bird as an ornament, possibly a pelican. Wittenberg paper ostensorium, monstrance

Burning heart and lamb with cross between columns. The burning heart, the lamb with the cross and a globe with banderol between two columns with the spell non plus ultra. On the left a torch and a book. On the right an anchor, banderole and pigeon.

N.N.: Altar. Monthly competition May 1843

Graftombe for Humbert -Guillaume de Precipiano, Archbishop van Mechelen, David Coster, in or after 1711 - in or before 1752 print Architectural tomb with columns and burning vases. Three figures on the sarcophagus in the middle. Humbert-Guillaume De Precipiano kneels in worship for Maria with the child. On the right the personification of faith. Above the figures the episcopal weapon. The Hague paper engraving grave, tomb

Chair of the Church of Ligny, vintage engraving. Chair of the Church of Ligny, vintage engraved illustration. Magasin Pittoresque 1845. Copyright: xZoonar.com/PatrickxGuenettex 10673168

Great altar in the Basilica of Our Lady of Dadizele, Belgium, Joseph Casier, c. 1891 - In or Before 1896 photomechanical print Dadizele paper collotype altar with altar-piece Basilica of Our Lady of Dadizele

Tomb of Elisabeth of Morgan in the Oude Kerk in Delft, The Netherlands, Tomb of Elisabeth of Morgan, print maker: Johannes Cornelis Zürcher, Amsterdam, 1804 - 1882, paper, etching, h 227 mm × w 290 mm

Basilica Papale di Santa Maria Maggiore. Tomb of William Roca, Archbishop of Salerno, 1482 - Sacristy of Sainte-Marie del Popolo, Rome. Italy, Europe. Old 19th century engraved illustration from Trip to Rome by Francis Wey, Le Tour du Monde 1870

Italian wood carving of Death of St. Joseph, Franciscan Monastery, Washington, D. C. , Religious facilities, Tichnor Brothers Collection, postcards of the United States

THE FONT IN THE NEW EPISCOPAL CHURCH AT DUNKELD

Epitaaf for Dirk van Assendelft and Adriana van Nassau in the Onze-Lieve-Vrouwekerk in Breda, c. 1875 - c. 1900 photograph Big church cardboard. photographic support albumen print epitaph. anyone who is bitten by a snake is cured by looking at the brazen serpent; the serpent (or dragon) is usually depicted on a tau-shaped cross or on a pillar. interior of church. monument, statue Big church

Grafmonument van Johannes Kerer, Peter Mayyr, 1768 - 1836 print Numbered at the top right: Ad p. 53. Freiburg im Breisgau (Possibly) paper engraving historical persons. armorial bearing, heraldry. insignia of bishop, e.g. mitre, crozier. grave-building, monumental tomb

Graphombe in Church of San Gil Abad Te Burgos ..

Sevilla, Sepulcro de Doña Catalina de Rivera en la Iglesia de la Anunciación. Author: Pacce Gazzini.

Altarpiece of polychrome wood, depicted scenes from the passion of Christ, in the St. Dimpna Church in Geel, Belgium, Anonymous, c. 1882 - in or before 1887 photomechanical print Saint Dimmerkkurk Stink paper collotype / photolithography altar with altar-piece. Passion of Christ Sint-Dimpnakerk

J. Mynde, active 1740-1770, In the Parish Church of St. Laurence in the Jewry, 1752. Engraving.

Choir stall in the Onze-Lieve-Vrouwekerk in Vilvoorde, Anonymous, After Christoffel Plantijn, c. 1876 - in or before 1881 photomechanical print Vilvoordeantwerpfter Design by: Antwerp paper collotype / photolithography seats of the clergy, choir-stalls Vilvoorde

Monument to the Roman Catholic Church, 1792; Roman memorial MDCCXCII. Allegory on the Roman worship. Central the interior of (probably) the church Our rather gentleman in Zolder in Amsterdam, where Cesare Brancadoro, Archbishop of Nisibi, administer the Zimsel to churchgoers, June 1792. Four scenes from the New Testament. On the outside left the seven sacraments, on the right the seven works of mercy. In the open dome Christ who transmits the keys to Peter.

Altar decorated with a performance of the Last Supper, c. 1875 - c. 1900 photograph photographic support altar. the episode of the Last Supper

Chapel and tombstone of Inge I van Zweden in the Kloosterkerk van Varnhem, Willem Swidde, 1692 The print is part of an album. paper etching Varnhem The print is part of an album. paper etching Varnhem

Pulpit in the parish church of Bolzano, Italy, Otto Schmidt, c. 1888 - in or before 1893 photomechanical print This print is part of a cover with twenty prints, two text magazines and a title page. BolzanoViennapublisher: Vienna paper pulpit, ambo, chancel Bolzano

Choral Bank from the Santa Maria in Organo in Verona, Anonymous, 1851 - 1900 photograph Verona paper. cardboard albumen print parts of church interior: choir Santa Maria in organ

Lazio Roma Rome S. Ignazio di Loyola74. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Netherlands, Letter of greeting with crossing of the Red Sea, Moses and the Last Supper, verso - stamped, Letter of greeting with blank cartouche within a decorative frame with representations of the crossing of the Red Sea, Moses and the Last Supper., print, popular print, letter of greeting, prints, popular prints, height 412 mm, width 325 mm, Publication (Event), Publication, publisher, 1700 - 1899, paper, papier, etching, etchings, print maker, printmaker

Franckaert, Jacques (II), Southern Netherlands, Galle, Cornelis (I), Pompa funebris optimi potentissimiq. principis Alberti pii, Funeral of Archduke Albert, 1622, The facade of the Saint Gudula church covered with mourning cloths (plate I), The facade of the Saint Gudula church in Brussels covered with mourning cloths, weapons and four skeletons at the entrance. With a caption of 4 times 2 lines in Latin, Spanish, French and Dutch. Plate I in the series of the funeral of Archduke Albert of Austria in Brussels on 12 March 1622., print, news print, prints, etchings, Frederik Muller Historical Plates, height 249 mm, width 370 mm, 1576 - 1650-03-29, print maker, printmaker, 1623 - 1623, first quarter 17th century, paper, etching, engraving, engraving (printing process), Work conception, 1583 - 1651

Pulpit with Christ with Thorns Crown; Prekchairs; Canzlen Nach Nech Neuer Art (...). Front view and map of a pulpit with wooden handrail. The borque of the pulpit is decorated with a medallion with image of Christ with the thorns crown. The pulpit is closed with a sounding board. In the undermaster a German text.

Klomp Johannes Franziskus (1865-1946), church with interior and rectory in Chropaczow (formerly Silesia pit) (June 26, 1912): View of the high altar 1:20. Ink on transparent, 29.3 x 38 cm (including scan edges)

Tarnowski Chapel at the Łowicz Cathedral. Sierakowski, Józef (1765-1831), draughtsman, cartoonist

Design for a Tabernacle Surmounted by Christ on the Cross and Praying Figures (the Virgin and Saint John). 1512-72 Galeazzo Alessi Italian. Design for a Tabernacle Surmounted by Christ on the Cross and Praying Figures (the Virgin and Saint John). 341915

Manila. A respite from war in the sanctuary of peace: American soldiers asleep in Binondo church after the fighting, Vol. 43, no. 2211, pp. 443. Illustrations, Magazine covers. 1899-05-06. General Research Division. Binondo (Manila, Philippines), Church buildings , Philippines , Manila, Soldiers

Altar with cross and lamb; Altars; VI Cahier des Menuismen. Design for an altar, flanked on either side by two images. Crowned with cross and lamb. Therefore clouds and four angel heads.

Bishop's staff with a throne Mary with Christ child. Upper part of a bishop's staff with a representation of Mary with the Christ child in the curl.

TOMB OF EDWARD II IN GLOUCESTER CATHEDRAL, UK, britain, british, europe, united kingdom, great britain, european

, Stephansdom - inside - Turkish exemption monument, postcard, Carl Karl Ledermann jun, Producer

Album n � 1. Stained glass project for Notre-Dame de DOLE - Circumcision Gsell-Laurent workshop. Album n � 1. Stained glass project for Notre-Dame de D�me: circumcision, 6 saints.

Christ on the cross, with Wyczółkowski at prayer. Wyczółkowski, Leon (1852-1936), graphic artist

Jacopo Ligozzi (artist), Anonymous engraver possibly Domenico Falcini, Lino Moroni (author), Church of the Stigmata (Chiesa delle Stimmate) (plate M), 1612 Church of the Stigmata (Chiesa delle Stimmate) plate M

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