Religious Tapestries and Engravings

A collection of historical religious artworks, including tapestries and engravings depicting Christ's birth, saints, and royal ceremonies with intricate details and vibrant colors.

Commemoration of All Souls from the Vienna Missal: Engraving from Lives of the Saints (November Part 1) by the Reverend Sabin Baring-Gould, published 1898

Martin Luther: Preface to the Revelation of John ( 1522): Vorrede zur Offenbarung Johannes (1522). Apocalypse in figures; Woodcut by Albrecht Durer; Saint John devouring the Book presented by the Angel. The Revelation of Saint John

Bliżej Kultury unknown

Black and white angel, San Cristobal Church, historic Puebla, Mexico. Built in 1600 to 1700's

Studies of saints, attributed to Orcagna, 1913. Artist: Andrea Orcagna

Noah as wine-grower: Noah plants vineyard. unknown c. 1490-1510 Tapestry Dimensions: H 4.15 x W 6.25 m Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: Inventory of Cathedral of Zamora (1558). French & Co. Spain, Zamora, Zamora, Cathedral. Inscriptions: Inscriptions in central field identifying figures not legible in photograph Inscriptions: Inscriptions in upper & lower border banderoles not legible in photograph In landscape, Noah & son Japheth plant vineyard (center) (Genesis 9:18-27) "Father of family" (Pater familias) with 4 figures, 2 include figures of Charity (Caritas) & Labour (Labor) (R, middle ground); sacrifice of Isaac (L of center, background) (Genesis 22); Passion of Christ: Crucifixion of Christ, mystic press, wine tasting (R, background) (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38) (BRD) garland of flowers; (UPR & LWR BRD) banderoles with inscriptions No French & Co. stock sheet in archive, no stock number L'âge

Abruzzo Pescara Loreto Aprutino S. Maria in Piano21. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine

Serenade to the Virgin of Guadalupe, Mexico -- religious group inside a church. Date: circa 1900s

Saint Francis of Assisi (1182-1226)preaching before Pope Honorius III (1148-1227). Engraving, copy of picture of Giooto. 19th century. L.

Ambo, in Orthodox, Catholic and Lutheran churches the elevated place from which the lector, deacon or priest recites the biblical readings or the Gospel, from the Minster in Aachen, Germany, historical, digitally enhanced reproduction from an original around 1860.

Clovis I (ca. 466-511). King of the Franks (481-511). Clovis in the midst of the military chiefs who formed his Treuste, or armed court, dictates the Salic law (code of the Barbarian laws). Engraving after a miniature in the "Chronicles of Saint Denis" (Chroniques de Saint-Denis), 14th-century manuscript. "Moeurs, usages et costumes au moyen-age et a l'epoque de la Renaissance", por Paul Lacroix. Paris, 1878.

Otto II and his wife Theophano are blessed by Christ, ivory carving on a box, reliquary, at the Hotel Cluny in Paris, 1880, woodcut, France, Europe

Martha and Magdalen Ascending the Steps of the Temple 1550-1570 Germany. Chiaroscuro woodcut printed from ochre and black on ivory laid paper . Georg Matheus

Copy of ancient painting. Madonna & baby & (Joseph)(possibly in the Armenian convent). 1934, Middle East

Vintage Photograph. Painting of "The Adoration of the Magi" by Geertgen Tot St. Jans.

PRESENTACION DE JESUS EN EL TEMPLO - SIGLO XV - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. Location: CONVENTO. Toledo. SPAIN. INFANT JESUS. VIRGIN MARY. SAN JOSE ESPOSO DE LA VIRGEN MARIA. SIMEON SACERDOTE.

Roundel depicting a Novice receiving the tonsure. The shaving of the head was a mark of slavery in Roman times and was adapted by the early monks. Dated 7th Century

Bliżej Kultury unknown

Rustam Rescues Bizhan from the Dungeon, Leaf from a Dispersed Shah-nama Series Indian. Rustam Rescues Bizhan from the Dungeon, Leaf from a Dispersed Shah-nama Series, late 16th century. Opaque watercolors, silver, and gold on paper, sheet: 12 x 7 3/4 in. (30.5 x 19.7 cm). Asian Art late 16th century

Vishnu guarded by a snake, 1895.Artist: C Goutzwiller

Campania Caserta Capua Museo Campano11. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Engraving of a Medieval Coronation. A representation of the Coronation of King Henry IV (1366-1413) King of England and Lord of Ireland. Dated 14th Century

Cultural state in the 13th and 14th century, King Wenceslas surrounded by his officials, after a woodcut in a Minnesinger manuscript, Historic, digitally restored reproduction of an original from the 19th century, exact original date unknown

L.Limosin / Christ in limbo / 1557

DETALLE DEL SANTO ENTIERRO O ENTIERRO DE CRISTO - SIGLO XVI - RENACIMIENTO ESPAÑOL - Conj nº 109243 -FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 6. Author: FERNANDO YAÑEZ DE ALMEDINA (1480-1536). Location: CATEDRAL-INTERIOR. Valencia. SPAIN. JESUS. JESUS MUERTO-CRISTO MUERTO-JESUCRISTO MUERTO.

Yusuf and Zulaykha Indian. Yusuf and Zulaykha, 1875-1900. Opaque watercolor and gold on paper, Sheet: 11 3/4 x 19 15/16 in. (29.8 x 50.6 cm). Asian Art 1875-1900

Blue and white traditional Azulejo ceramic tiles forming picture of the dead body of Jesus Christ being cared for by the three Marys, Evora, Alto Alentejo, Portugal, southern Europe, Europe

SAGRADA FAMILIA - SIGLO XVII - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. CHILD JESUS. VIRGIN MARY. SAN JOSE ESPOSO DE LA VIRGEN MARIA.

Umbria Perugia Spoleto SS. Giovanni e Paolo7. Hutzel, Max 1960-1990 Interior views of 12th century church all focus on frescoes (late 12th-14th centuries). Fresco subjects include: one of the first documented representations of St. Francis; the martyrdom of St. Thomas Becket of Canterbury; Herod's banquet; St. John and St. Paul beheaded; doors to Paradise; Crucifixion; St. John the Baptist; Madonna and Child Enthroned; St. Gregory as Pope and Saint; St. Joseph; St. Antony of Padua; St. Alo; St. Catherine; St. Jerome; St. Lawrence; St. Ansano; St. Michael slaying dragon; St. Margaret; St. Taddeus; St. Anthony Abbot; St. Clare. Object Notes: Hutzel photo campaign date: 1/21/83 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans a

The Workers' May-Pole, a design for a socialist poster, with a central allegorical figure, and banners and ribbons labelled with abstract ideas such as Leisure, Solidarity and Humanity. Date: 1894

LA ENEIDA - ENEAS CONDUCIDO AL INFIERNO. Author: Virgil. Location: BIBLIOTECA APOSTOLICA-COLECCION. VATICANO. AENEAS. ANCHISES. DIDO.

Bliżej Kultury unknown

Saxon Emblems of the Month of April. Black and White Illustration from the "Old England" published by James Sangster in 1860.

Receptionist and Reception Room in a Noble House in China, Women in the 19th century, Historical, digitally restored reproduction of an 18th century o...

The statues of Otto the Great and Editha in a chapel of the Madgeburg Cathedral, 1880, woodcut, Germany, Europe

The Triumph of the Lamb, after a miniature of the Commentary on the Apocalypse by Beatus manuscript of the twelfth century, vintage engraved illustration. Industrial encyclopedia E.-O. Lami - 1875.

Persecution of Christians in the Roman Empire

Charles IV (1316-1378), born Wenceslaus, was the eldest son of King John of Bohemia and grandson of Emperor Henry VII, making him part of the Luxembourg dynasty. Charles was crowned King of Italy and Holy Roman Emperor in 1355, and later became King of Burgundy in 1365, making him the personal ruler of all the kingdoms of the Holy Roman Empire.

Jacob's dream of angels ascending and descending ladder to heaven. 'Bible': Genesis 28.12

Biblical History, Historical Steel Engraving from 1860

JESUS ANTE PILATOS - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. JESUS. PONCIO PILATO-PILATOS-PONTIUS PILATUS.

Thou shalt not be unchaste. From the Seelentrost, 1478, Historical, digitally restored reproduction of an original from the 19th century, exact original date unknown

Black and White Illustration; A Royal Marriage; Illumination probably by Matthew Paris; Source; MS Cotton Nero D i

Abruzzo, Aquila, Rocca di Cambio, S. Lucia, Abbey church, Italy, 20th century, photo, photography, Europe

Retable of Saints Athanasius, Blaise, and Agatha. Master of Riglos; Spanish (Aragon), active c. 1435-60. Date: 1400-1500. Dimensions: Christ on the Cross: 69.8 x 81.2 cm (27 1/2 x 32 in.)Painted surface: 61 x 73 cm (24 1/2 x 28 3/4 in.)Coronation of the Virgin: 87.4 x 80.3 cm (34 3/8 x 31 5/8 in.)Painted surface: 87.3 x 73 cm (34 x 28 3/4 in.)Scenes from the Life of Saint Blaise: 154.3 x 69.8 cm (60 3/4 x 27 1/2 in.)Painted surface: 125.7 x 66 cm (49 1/2 x 26 in.)Saint Athanasius: 128.6 x 82 cm (50 5/8 x 32 1/4 in.)Painted surface: 124.7 x 73.7 cm (49 1/8 x 29 in.)Scenes from the Life of Saint Agatha: 154.5 x 69.8 cm (60 3/4 x 27 1/2 in.)Painted surface: 127 x 66 cm (50 x 26 in.). Tempera on panel. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Knightly attire with smoke, gentleman and lady, on the head a poncho, 13th century, fashion history, costume history, historical, digital reproduction of an original 19th century pattern

Archbishops Palace, Conception retable, Nativity of the Virgin Mary, 17th century, Lima, Peru, South America

Radha and Krishna on a Peacock Swing Indian. Radha and Krishna on a Peacock Swing, ca. 1800 or earlier. Ink on paper, sheet: 6 7/8 x 4 1/2 in. (17.5 x 11.4 cm). Asian Art ca. 1800 or earlier

Tobias and Anna with the Lamb by Rembrandt Harmensz van Rijn, 1606-1669

Pope Saint Gregory I., Gregorius I., 540 - 604, Saint Gregory the Great as a teacher / Papst Gregor der Große als Lehrer, Holzschnitt aus Exercitium puerorum grammaticale per dietas distributum, 1500, historisch, C:CC5historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt.

Christmas Carol, From Christian Joy in Song and Picture by Ludwig Richter, Scene of the Birth of Jesus Christ in the Stable in Bethlehem / Weihnachtslied, Aus Christenfreude in Lied und Bild von Ludwig Richter, Szene von der Geburt Jesus Christus im Stall in Bethlehem, Historisch, historical, digital improved reproduction of an original from the 19th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt.

Título: Conquista de México. Autor: Anónimo. Tabla. Pintura al óleo, nácar. Enconchado. Forma parte de un conjunto de 6 tablas. Escenas de enfrentamientos entre conquistadores españoles y nativos, y escena del hallazgo del tesoro por parte de "cuatro españoles". 1676-1700. Escuela Mexicana. Virreinato de la Nueva España. México. América del Norte. Museo de América. Madrid. España.

Wedding in Kana, Jan Swart van Groningen, c. 1550 The "wedding in Kana" (Johannes 2: 1-12) consists of two parts. A rectangular glass panel with the main performance on it and a smaller panel with a round top on which the architecture and the story of the large panel runs through. In the background is a large table with wedding guests. Jesus is in the foreground next to six water vessels. A servant pours water next to him into one of the barrels, which Jesus will then turn into wine. Antwerp glass The "wedding in Kana" (Johannes 2: 1-12) consists of two parts. A rectangular glass panel with the main performance on it and a smaller panel with a round top on which the architecture and the story of the large panel runs through. In the background is a large table with wedding guests. Jesus is in the foreground next to six water vessels. A servant pours water next to him into one of the barrels, which Jesus will then turn into wine. Antwerp glass

Domenico di Niccolò del Coro, Tondo with King David as a psalmist with musicians, detail of the floor in the cathedral of Siena. .

One of the eight Beatitudes of directly after a print from a blight of big chandelier of Aachen, Labour twelfth century, vintage engraved illustration. Magasin Pittoresque 1876.

IMPOSICION DEL COLLAR A SANTA TERESA POR LA VIRGEN Y SAN JOSE - SIGLO XVII - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60.

SEPULCRO DE LA REINA DOÑA BERENGUELA DE CASTILLA EN EL CORO INTERIOR DEL REAL MONASTERIO DE LAS HUELGAS - ILUSTRACION ESPAÑOLA Y AMERICANA - SIGLO XIX. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Marriage of the Virgin and Joseph Unknown. Marriage of the Virgin and Joseph, late 17th-early 18th century., 24 x 19 in. (61 x 48.3 cm). American Art late 17th-early 18th century

Offa is presented to the Pope, vintage engraved illustration. Colorful History of England, 1837.

Christ in the Temple Paul Thevenaz (Swiss, 1891-1921). , 1918. Watercolor, Image: 3 1/16 x 2 11/16 in. (7.9 x 6.9 cm). European Art 1918

Historic print, The Creation of Eve, Millstaett Manuscript, an illustrated manuscript written in southern Bavarian Early Middle High German, 12th Century, from the Illustrated Atlas of the History of German National Literature by Gustav Koennecke, 1887

Depiction of the Last Judgment, Rosary with the Crucified Jesus Christ by Hans von Kulmbach, Hans von Culmbach, actually Hans Suess, also Hans Suu von Kulmbach (c. 1480 to 1522), a German painter, draughtsman and graphic artist, Historic, digitally restored reproduction from an original of the period..

Symbolic representation of the Trinity in the 16th century, Trinity, Trinity or Trinity, trinitas, in Christian theology is the essential unity of God in three persons or hypostases, Historic, digitally restored reproduction of an original 19th century original

Medieval monks playing the game of bob apple or swinging apple. The apple was hung on a rope and the players had to bite them without using their arms or hands. Engraving from a 14th-century manuscript. "Moeurs, usages et costumes au moyen-age et a l'epoque de la Renaissance", by Paul Lacroix. Paris, 1878.

Drawing, by Matthew Paris, from the Liber Experimentarius of Bernardus Silvestris. Euclid holding a sphaera and looking through a dioptra. Beside him sits Hermann of Carinthia, a mediaeval translator of Arab works on astronomy, holding an astrolabe. Dated 13th Century

The resurrection, vintage engraving. The resurrection, vintage engraved illustration. Copyright: xZoonar.com/PatrickxGuenettex 10656433

Legend of the Jew of Rue des Billettes, Paris, piercing holy wafer with his knife, 14th century, (18 Artist: Unknown

The four parts of the world worshiping the heart of Jesus Octave Tassaert (1800-1874). The four parts of the world worshiping the heart of Jesus. Charcoal and turned from white gouache on cream paper, nineteenth century.

Witch judge Johann Koch in relief, Romanesque Church of Our Lady, Gelnhausen, Main-Kinzig-Kreis, Hesse, Germany, Europe

Black and White Illustration; Scene from the Guthlac Roll; 12th century; The Life of Guthlac; King Aethelbald visiting Guthlac

Roundel with Christ as Savior of the World. Culture: South Netherlandish. Dimensions: Overall Diam.: 8 9/16 in. (21.7 cm). Date: 1520-30. Museum: Metropolitan Museum of Art, New York, USA.

''The "Ansidei Madona", after Raphael', 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891.

Consecration of a Saxon Church, from the Cottonian MS. of Caedmon's Metrica; Black and White Illustration from the "Old England" published by James Sangster in 1860.

Eloquence (also known as St. Paul Preaching at Athens) ca. 1787 Enoch Wood British. Eloquence (also known as St. Paul Preaching at Athens) 197999

Anglo-Saxon Banquet, 11th century; Black and White Illustration from an illuminated manuscript;

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