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Religious Tapestries from Flemish Culture

Detailed Flemish tapestries depicting biblical scenes such as the Ascension of Christ and the Crucifixion, featuring rich colors and intricate designs.

Ascension. unknown c. 1550 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Christ, surrounded by radiant light, ascends into heaven while apostles sit at table; angels in sky (Mark 16:14-19) (BRD) twisting garlands of foliage & grapes No French & Co. stock sheet in archive, no stock number Göbel, Wandteppiche I:2 (1923), fig.379 Related Works: Panels in set: GCPA 0239261-0239264
Ascension. unknown c. 1550 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Christ, surrounded by radiant light, ascends into heaven while apostles sit at table; angels in sky (Mark 16:14-19) (BRD) twisting garlands of foliage & grapes No French & Co. stock sheet in archive, no stock number Göbel, Wandteppiche I:2 (1923), fig.379 Related Works: Panels in set: GCPA 0239261-0239264
213 assets in this story
Umbria Terni Terni S. Maria Assunta, Duomo1. Hutzel, Max 1960-1990 Exterior views: baroque facade, bell tower, portico, blind gothic portal with a vinescroll archivolt, and preserved main portal with an inhabited vinescroll architrave. Interior views: main altar marble ciborium and altar painting of the Assumption of the Virgin; half-dome fresco of the Trinity; mixed media altarpiece formed by a wooden crucifix hung on top of a painting of the crucifixion with saints Mary and Mary Magdalen; fresco fragments of Saint Anthony Abbot; organ by Bernini, and various paintings. Sacristy: ornate interior with ceiling paintings by Pietro da Cortona; museum with architectural fragments and a tomb effigy; reliquary of St. Valentine in the shape of an arm and hand; gold processional cross; terracotta statue of the Madonna and Child and a stone statue of the Pieta.. Crypt: 10th and 11th-century capitals; Roman and medieval sculptural fragments; and the tomb of St. Anastasia. Also included with the GSELL-Laurent workshop. Album n ° 3; stained glass project for Nancy: The Last Supper. Black stone, pencil. Paris, Carnavalet museum. Album n ° 3, apotre, catholic, cene, chretian, pencil, last meal, disciple, surrounds, new will, black stone, project, biblical scene, stained glassThe Martyrdom of Saints Peter and Paul. Engraving from Lives of the Saints by Sabin Baring-Gould published in 1897.Moses and Aaron Before Pharaoh ca. 1515-30 South Netherlandish. Moses and Aaron Before Pharaoh 466619Gniezno. The door is angry in the Basilica of the Primate's ascenda of the most important Mary of the Virgin Mary - accommodation: granting. Wojciech's dignity of Biskupia by Otto II (fragment: four clergy comurfriend Wojciech) and detail of the Bordico; Jesio Not after 12.07.1930 (1929-00-00-1930-00-00);Abruzzo L'Aquila Tagliacozzo S. Francesco. Hutzel, Max 1960-1990 Exterior views of 14th century church and cloister with bell tower and well. Emphasis on portals to the cloister and church, and the rose window. Interior views of a hallway with a frescoed ceiling showing Thomas of Celano and a tree of Franciscan lineage--the lignum vitae. In the cloister are frescoed lunettes with scenes from the life of St. Francis and Pope Innocent III. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Allegorical show with a knight, three angels and a cross, anonymous, 1600 - 1699 print Netherlands paper knight. angelsUmbria Perugia Trevi Chiesa della Madonna delle Lacrime1. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred toPhotograph of the sixteenth century icon Christmas unknownAdolf I., Count of Nassau-Idstein-Wiesbaden Adoration in the stars federal sky vault before the crucified Christ: Adolf and his wife Margarete, Burggräufin von Nuremberg, as well as on both sides of nine sons and seven daughters, all kneeling, with their first names to locations; A nimbed praying pair (Adolf and Margarete another time) Standing on both sides of the crucifix; flanked by diagonally lying, reversed coats of arms of Nassau and Zollern with helmish; Rectangular framing in landscape format; in Oberecken helmet and coat of arms of Nassau; At the top in the frame bar four coats of arms. Copper engraving by Heinrich Hugo Coentgen. Without legend. (According to Votive picture in the monastery Klarenthal, Wiesbaden).Depiction of the Pope crowning the queen, wife of Emperor Maximilian I, showing ceremonial and courtly details on a wooden stick from 1514-1516.Historical illustration from the 19th Century after a religious manuscript from the 14th Century, Virgin Mary and the DevilDepiction of Saint Kunegundis from the Sipp, associated with Emperor Maximilian I., painted by Leonhard Beck on a wooden stick in 1516.Tours, Blaise, Gabriel, Enamel image of the Crucifixion of Christ, exhibited at the Exposition Rétrospective of 1873 in Tours, France, photomechanical print, photomechanical impression, page, photographs, photographically illustrated books, height 193 mm, width 127 mm, French, 1827 - 1897-09-04, maker, producer, 1873 - 1873, paper, papier, WoodburytypiePart of the golden gate of St. Mary's Evangelical Lutheran Cathedral, Freiberg, cathedral, episcopal church, religious building, architecture, religion, round arch, sandstone portal, robe statues, Saxony, Germany, art history, historical illustration 1869Plan and Elevation of Cornaro Chapel, Basilica of San Lorenzo, Vincenzo Mariotti, Engraving, brush and blue wash on paper, Plan and llevation of Cornaro Chapel, Basilica of San Lorenzo., Italy, ca. 1660, Print, PrintA Royal Banquet; MS Harleian 1892; Fifteenth Century Black and White Illustration;Gospel Book, Evangelion or Book of the Gospels, Mystical Source, miniature in a Gospel Book of Charlemagne, end of the 8th century, Paris France, digi...Triumph of Christ. unknown c. 1500 Tapestry Materials/Techniques: wool (warp, 7-8/cm); wool (weft, 20-50/cm); silk (weft, 30-60/cm.); metallic thread (weft) Culture: Southern Netherlands Ownership History: Said to have been in Cardinal Mazarin coll. (c.1661). J. P. Morgan coll. Joseph E. Widener coll. French & Co. United States, District of Columbia, Washington (D.C.), National Gallery of Art, accno. 1942.9.446 (was: C-299, DA). Slender columns divide scenes; top center, Christ enthroned holding Book of Gospels (=Book of 7 Seals) flanked by 4 angels; man digging/laboring (=Salvation), approached by group of figures; bottom left, bearded emperor (=Octavian Augustus) stands before young woman (=Tiburtine Sibyl) being crowned, as group of men look on, as Tiburtine sibyl reveals to emperor vision of Madonna (Virgin Mary & Christ-child); lower right, king (=Ahasuerus or Xerxes/Artaxerxes) holding ring, stands before seated queen (=Esther) feeding squirrel, surrounded by 3 pages & group of fHistoric photograph (ca 1880) of the Last Judgement, the Last Judgement, or the Day of the Lord in the Sistine Chapel, Rome, Vatican, Italy, Historic,...Umbria Perugia Trevi Chiesa della Madonna delle Lacrime0. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred toLazio Latina Gaeta S. Francesco5. Hutzel, Max 1960-1990 Exterior views of neo-Gothic church, including detail views of main portal. Interior views emphasize ceiling's complicated nervature and main altar. View of Pieta fresco and crucifixion painting. Views of cloister. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.The Virgin Mary and the Child Jesus. Bas-Relief in the convent of Vatopedi, Mount Athos peninsula. Greece. Journey to Mount Athos, 1858 by Antonin Proust (1832-1905) Le Tour du Monde 1860Moderno, The Presentation of Jesus in the Temple, late 15th early 16th century The Presentation of Jesus in the TempleAbruzzo Chieti Lanciano S. Maria del Ponte, Cathedral8. Hutzel, Max 1960-1990 The cathedral itself dates from the 15th cent. and incorporated Diocletian's bridge into its structure. The cathedral was heavily renovated from 1785-88, giving the Cathedral a Baroque-Neoclassical facade and interior. There are general views of the church exterior and the bridge. Interior views include the nave and cupola, both of which date from the 1785-88 restoration. The high altar contains sculptural figures; as well, there is a sculpture of the Madonna del Ponte dating from the 14th cent. Paintings include frescoes of the 4 evangelists in the pendentives of the cupola and of the Last Supper, the Holy Family, the Madonna Enthroned and saints being stoned to death. The paintings date from the 18th century. Cathedral is built around a bridge said to date from the 300s and built by Diocletian. It was renovated around 1000. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy frMiniature of King Philip the Fair, presiding over his bishops and laity. Dated 14th CenturyWoodcut by Leonhard Beck, 1516-1518, illustrating Saint Oswaldus from the Sipp saints series linked to Emperor Maximilian I, highlighting early 16th-century religious representation.Meissen. Dom - grave d. Bishop v. SchönbergVirgin of Mercy Unknown. , 18th century. Oil on canvas, 13 x 10 1/4 in. (33 x 26 cm). American Art 18th centuryLamentation. unknown c. 1530-1550 Tapestry Dimensions: H 5'7" x W 5'6" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from American Art Association, invoiced, 12/3/1927. Christ, without crown of thorns, is supported by Virgin Mary; others present, including SS. Nicodemus & Joseph of Arimathaea (on L); Holy women & St. Mary Magdalene kissing Christ's feet; landscape in background (BRD) twisting grape vines with lions's masks in corners French & Co. stock sheet in archive, 31096Woodcut by Leonhard Beck depicting Saint Wunnibaldus, one of the Sipp saints linked to Emperor Maximilian I. Produced 1516-1518 on wooden stick.Funeral of King Turnus, killed by Aeneas. Mattens, Andreas (Netherlandish (before 1600) - Flanders, act.1535-1550) (workshop, attr.) weaver c. 1510-1520 Tapestry Dimensions: H 350 x W 540 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Southern Netherlands Ownership History: Inventory of Carlos II (1701-1703). Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Madrid, Palacio Real de Madrid, accno. A. 225-6147. Inscriptions: Weaver mark on right guard, bottom not visible in photograph Inscriptions: Inscriptions in central field identifying figures some include: LATINVS, ENEAS, LAVINA, TVRN', DAVN Funeral procession for King Turnus, large baldachin with coffin (center, foreground); bishop () in prayer before altar (L, top); mourners following alongside funeral procession (L & R, foreground); messengers before King Dauno (); funeral service (R, top) (BRD) floral motif within compartmentalized rectangles & squaThe Alms Gift of Dust ca. 2nd century Pakistan (ancient region of Gandhara). The Alms Gift of Dust 38819Abruzzo Pescara Loreto Aprutino S. Maria in Piano19. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine St. Augustine Honored, manuscript, (from 15th C. Dutch Manuscript)View of sculpture in the cathedral of Burgos, Anonymous, 1851 - c. 1890 photograph This photo is part of an album. Burgos paper albumen print ornament ~ medallion Cathedral of BurgosLast Supper. Christ is in the midst of his disciples during the last supper. Johannes is against his chest. Completely in an ornamented frame.All the City Was Gathered at His Door (Toute la ville étant à sa porte) James Tissot (French, 1836-1902). All the City Was Gathered at His Door (Toute la ville étant à sa porte), 1886-1896. Opaque watercolor over graphite on gray wove paper, Image: 11 3/16 x 7 1/16 in. (28.4 x 17.9 cm). Following reports of Jesus early miraculous deeds, including healing the sick and exorcising demons, others of the afflicted soon seek his help. Borne on makeshift litters or kneeling in the streets outside the home of Peter, the supplicants eagerly reach out to be touched by Jesus. In this image, the winding, narrow alleys of an ancient city intensify the impression of jostling crowds of followers. Tissots commentary takes particular note of the use of arches in the construction of labyrinthine ancient cities—a building technique that strengthened the structure but cast the streets in shadow. European Art 1886-1896 Monk mathematicians Date: 13th centuryHenry VI and his court at prayer Date: Circa 1450Solomon Worshipping the Idols. Abruzzo L'Aquila L'Aquila S. Maria di Collemaggio3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, wall painting (13-15th centuries) Post-medieval: Architecture, architectural sculpture (18th century), sculpture, frescoes, wall painting, metal crucifix Coverage of the paintings; some views of interior architectural features. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Abruzzo L'Aquila Sulmona S. Panfilo, Cathedral0. Hutzel, Max 1960-1990 Exterior views of the facade, various portals and apses. Details of the main gothic portal include statues of Saints Panfilo and Pelino, and a lunette fresco of the Pieta and mourners. Interior views include: ceiling frescoes, cupola paintings of music-making angels (19th-20th centuries), low-relief sculptures of the Four Evangelists in the pendentives, sarcophagi, a baroque marble high altar, choirstalls, a baptismal font, a wooden crucifix (13th-14th centuries), a gilt bust of St. Panfilo, 13th century frescoes by the Sulmona School, altar paintings of St. Joseph and St. Carlo Borromeo. In the 11th century crypt are capitals of various styles (including one figural in an orans gesture), a 12th century relief sculpture of the Madonna and Child, a throne, frescoes and sarcophagi. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of thisUmbria Perugia Campi Vecchio S. Salvatore4. Hutzel, Max 1960-1990 Present church built in 14th cent. over the ruins of a Roman temple. The remains of the temple were removed to the National Museum in Perugia. Present church restored in 1970s. Interior views include iconostasis with saints, frescoes including scenes of the Adoration, the Last Supper and the Lamentation. Frescoes of the 4 Evangelists are in the vault. Also paintings of prophets, including David, Isaiah and Daniel. Saints include S. Sebastian. A large wooden cross, possibly dating from the 14th cent., was placed over the altar. Object Notes: Hutzel photo campaign date: July 10, 1982 General Notes: No prints for exterior views. Missing prints may be in Medieval core collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development inWijnpers, Mathieu Lauweriks, 1894 print On the left a wine press with which the blood of two people is squeezed. Two dancing naked figures at the press. On the right you can drink a bishop and a king, as personifications of the church and the state. Japanese paper (handmade paper) personifications of countries, nations, states, districts, etc.. the Church personified, 'Ecclesia', usually with chalice and banner. wine-pressHermann Seligmanns 1858 salt paper photograph showing Mainz Cathedral, preserved as part of 19th-century documentation.Black and White Illustration; Foundation of a Minster; Investiture of the Abbot and Offering up the Foundation CharterKing Louis IX of France (Saint Louis) under discipline and feeding the leper, from a 14th century stained glass window in the Abbey of St Denis. Engraving from Lives of the Saints by Sabin Baring-Gould.Line drawing of a fresco from Torcello. It is divided into five levels. The first: Christ releases Adam from Limbo. Second: Christ in majesty between the Virgin and John the Baptist. Third: the Book of Life with Adam and Eve kneeling in adoration. Fourth: the weighing of souls, with the elect on one side, the dammed on the other. Fifth: Heaven with the souls in Abraham's bosom, and Hell, with the souls roasted in a stream of fire which issues from below Christ's feet. Dated 14th CenturyPassion of Christ: Last Supper (institution of Eucharist). unknown c. 1535-1550 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Germany, Bavaria, Munich, Residenzmuseum. Christ blessing bread (host) & wine (Matthew 26:26-27; Mark 14:22-23; Luke 22:19-20; John 13:26; 1 Corinthians 11:23-25) (BRD) bunches of flowers & fruit twisting around central palm tree motif rod which scrolls near corners No French & Co. stock sheet in archive, no stock number Luxemburg, Flemish Tapestries (1995), 30,31, no.5 Related Works: Panels in set: GCPA 0239272, 0239326-0239327; compositionally similar tapestry: GCPA 0239328; & Mechelen, De Wit CollectionBUDDHA - his birth, his preaching mission and his death depicted in three ancient native representations. Date: 563 BCE - 483 BCEChiesa de Sta. Chiara: Sepolero di Maria di Francia, Imperatrice di Constantinopoli, Morta nel 1366. Giorgio Sommer, photographer (Italian, born Germany, 1834 - 1914) 1870-1890 Detail of the figures under the deceased in a tomb monument. (Verso) upper center, in pencil: "Tombe di Maria di Duraggo, Schwerk illegible/ detail/ +1366"Presentation of the Child Jesus to Mary and Joseph 1805 Austria. Lindenwood . Johann Georg SchwanthalerTuscany Grosseto Montemerano S. Giorgio4. Hutzel, Max 1960-1990 Post-medieval: 15th century architecture; baroque additions to interior; wall and ceiling frescos; paintings on canvas and panel; polychrome wooden altar; wooden sculpture; tabernacle. Object Notes: Hutzel photo campaign date: November 29, 1984. There are two sets of notes with different numbering systems, indicating the possibility of two campaigns. However, the photos are virtually identical. The numbered series (undated) was originally matched to the negs. The "A" series (dated 1984) was renumbered, more negs. have been found and the series has been integrated into the undated series. General Notes: Apse and transept date to the 14th century, but they are not illustrated in these photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historiFour evangelists and four apostles. Eight prints stuck on one sheet. From left to right: Mathean, Marcus, Lucas, Johannes, Petrus, Andreas, James The older () And Bartholomeus ().Umbria Perugia Trevi Chiesa della Madonna delle Lacrime9. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred toView of the interior of the Sistine Chapel, Michelangelo The Last Judgement, Vatican, Illustration, woodcut from 1880, Historic, digitally restored reproduction of a 19th century original, exact date unknownAbruzzo Teramo Castel Castagna S. Maria di Ronzano4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (12th century); frescoes (12th century); baptismal font Objects in treasury (): processional cross, reliquary shrines, silver plate, wooden statue of the Virgin and Child Post-medieval: Sculpture (13th century, repainted 17th cent.), sculpture fragments; Easter candle, frescoes of Old and New Testament scenes including the Patriarchs and Christ in a mandorla. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Bliżej Kultury unknownManuscript depicting Hugh of St Victor (1096-1141) teaching. A Saxon canon regular and a leading theologian and writer on mystical theology. Dated 12th CenturyUmbria Perugia Spoleto S. Domenico4. Hutzel, Max 1960-1990 Exterior views of 13th-14th century church restored in 1960: striped facade, bell tower, and portals. Interior views reveal a gothic structure with high ceilings, pointed arches, and an apse with stained glass windows. Fragments of preserved frescoes are visible in the white walls. Most views are of paintings and frescoes in the three chapels and crypt. In the chapel of St. Mary Magdalen are extensive fresco cycles (early 15th century), of the saint. The Callicola chapel and Chapel of the Sacrament are baroque chapels with stucco decoration and marble altars. In the crypt--formerly the Chiesa di S. Pietro Martire--are 14th century frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including obLazio Roma Capena S. Leone. Hutzel, Max 1960-1990 Extensive coverage of frescoes and chancel. A few views of exterior and central nave. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Vintage Photograph. Nativity Scene statue.Horae Beatae Mariae Virginis Flemish. Horae Beatae Mariae Virginis, 16th century. Manuscript in opaque watercolor and ink with gold, 3 1/2 × 2 5/8 × 7/8 in. (8.9 × 6.7 × 2.2 cm). European Art 16th centuryCzchów Church of the Nativity of the Blessed Virgin Mary Polychrome Nativity of MB unknownBuddha on the Lotus Leaf. Culture: Japan. Dimensions: Overall: 13 3/4 x 6 3/8 in. (34.9 x 16.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.The throne of the emperor of Constantinople, 9th century manuscript, Great Palace of ConstantinopleGniezno. The door is angry in the Basilica of the Primate's ascenda of the most important Mary of the Virgin - the quarter: Prayer. Wojciech and the left church; Jesio Not after 12.07.1930 (1929-00-00-1930-00-00);Lazio Rieti Amatrice S. Francesco0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture. S. Francesco is a large Romanesque/Gothic church, dating to the late 14th century. The facade has a richly ornamented portal. In the lunette of the portal are figures of polychromed terracotta representing the Madonna and Child with 2 angels. Post-medieval: Views of the exterior and interior, including: wooden pulpit, Baroque altar and tabernacle, sculpture, frescoes. The walls within the church are covered with fresco decoration from the 15th century by artists of the Marche school. The Nativity, the Madonna Enthroned with Saints, the Tree of Jesse, the Coronation of the Virgin, and the Last Judgment are some of the scenes depicted. The church also contains a Baroque altar created by Giovanni Battista Gigli, created to house a gothic reliquary attributed to Pietro Vannini (1472). Object Notes: Coverage offers views of the exterior and interior of the church, including the main poLazio Roma Rome S. Ignazio di Loyola90. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the EtruscLazio Frosinone Alatri S. Maria Maggiore6. Hutzel, Max 1960-1990 Architectural views (medieval core collection) Views of portals with frescoed lunettes (deteriorated), rose window and turreted campanile with mullioned windows. Views of naves and chapels. Extensive coverage of the chapel of the "Madonna of Constantinople." TCI (1981), p. 598. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Page from Das Büchlein der Ewigen Weisheit by Heinrich Seuse (1295-1366) a Mediaeval mystic and Dominican friar. Dated 14th CenturyBliej Kultury unknownCulture of the Vine. 19th century reproduction of miniature in 16th century prayer book calendarTriumph of Christ. unknown c. 1500 Tapestry Materials/Techniques: wool (warp, 7-8/cm); wool (weft, 20-50/cm); silk (weft, 30-60/cm.); metallic thread (weft) Culture: Southern Netherlands Ownership History: Said to have been in Cardinal Mazarin coll. (c.1661). J. P. Morgan coll. Joseph E. Widener coll. French & Co. United States, District of Columbia, Washington (D.C.), National Gallery of Art, accno. 1942.9.446 (was: C-299, DA). Slender columns divide scenes; top center, Christ enthroned holding Book of Gospels (=Book of 7 Seals) flanked by 4 angels; man digging/laboring (=Salvation), approached by group of figures; bottom left, bearded emperor (=Octavian Augustus) stands before young woman (=Tiburtine Sibyl) being crowned, as group of men look on, as Tiburtine sibyl reveals to emperor vision of Madonna (Virgin Mary & Christ-child); lower right, king (=Ahasuerus or Xerxes/Artaxerxes) holding ring, stands before seated queen (=Esther) feeding squirrel, surrounded by 3 pages & group of fMathematician Monks, one teaching the Globe, the other copying a manuscript after a miniature in the 13th century manuscript Image of the World From Science and Literature in The Middle Ages by Paul Lacroix published London 1878Bliej Kultury unknownMedieval mathematicians. Monk copying a manuscript. Engraving after a miniature in the 13th century.Page from Das Büchlein der Ewigen Weisheit by Heinrich Seuse (1295-1366) a Mediaeval mystic and Dominican friar. Dated 14th CenturyChrist's Entry into Jerusalem Russian Painter Russian. Christ's Entry into Jerusalem 437566South porch, central portal, left jamb with Saints Matthew, Thomas, Philip, Andrew, and Peter, Chartres Cathedral. Henri Le Secq (French, 1818 - 1882)Line drawing of William of Sicily being treated by his Arab doctor and astrologerAbruzzo, L'Aquila, Fossa, Convent of S. Angelo d'Ocre, Italy, 20th century, photo, photography, EuropeLazio Rieti Poggio Mirteto S. Paolo8. Hutzel, Max 1960-1990 Medieval: Architecture, post-restoration (12th century) Post-medieval: Interior: nave and chapels; votive frescoes (13-14th century); apse frescoes depicting Coronation of the Virgin, prophets, saints, and Conversion of St. Paul, by Lorenzo Torresani (1521) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.LA ADORACION DE LOS MAGOS - DETALLE DE UN RETABLO DEL SIGLO XV - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. Location: CONVENTO. Toledo. SPAIN. INFANT JESUS. VIRGIN MARY. Melchor. Gaspar. BALTASAR. SAINT PAULA.Umbria Terni Terni S. Maria del Monumento8. Hutzel, Max 1960-1990 Exterior views: poorly preserved 14th-century church and cloister. Interior views include a romanesque chapel of the previous church. Most views are of the 15th-century frescoes: the Legend of the Golden Apple from the life of St. Clare, St. Leonard, St. Valentine, St. Anastasia, St. Jerome and the Madonna and Child. Object Notes: Hutzel photo campaign date: October 5, 1982. Hutzel developed two prints for 14 of his 18 negatives; hence, there are almost twice as many prints as there are negatives. The prints have been renumbered, but the original numbers that correspond to those in Hutzel's notes are found on those prints with the date 1982 penciled in on the bottom. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy upIlluminated initial depicting Philosophy, the mother of learning. Dated 13th CenturyUmbria Perugia Sant'Anatolia di Narco S. Maria delle Grazie. Hutzel, Max 1960-1990 Exterior views of this 16th century church are found in the Medieval core collection. Views of the romanesque interior focus mainly on the apse frescoes. In the sacristy are wooden crucifixes and two paintings of interesting iconograhpy: one of a female saint with a knife in her neck next to a dragon (perhaps St. Lucy or St. Martha), and one of a young Christ asleep on a cross in front of Joseph and Mary. He is amidst objects such as a skull, dice, a knife and ear, carpentry tools, Veronica's veil, and perhaps Judas' silver. Object Notes: Hutzel photo campaign date: February 7, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the RomaPhotograph of Jan Matejkos painting: Wedding of Sviatopolk I of and Daughter of Boleslaus the Brave in Kyiv Juliusz Men & Józef SebaldCampania Caserta Aversa S. Francesco4. Hutzel, Max 1960-1990 Post-medieval: Built in 6th century, remodelled in 1645 and 1830. Lower part of the campanile belongs to the original construction. Interior has series of works in the Francesco de Mura school; "Adoration of the Shepherds" by Pietro da Cortona c. 1650; "Ecstasy of S. Francesco" by Ribera, 1649; "Madonna and Child" Byzantine 13th century. Attached is a medieval cloister with fragments of frescoes. Object Notes: TCI states that in 1980 plans were afoot to create a small museum in the monastery to house sculpture, paintings, and other works from the diocese. Not reflected in Hutzel's photo campaign. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as wAbruzzo, L'Aquila, Bominaco, S. Pellegrino, Oratory, Italy, 20th century, photo, photography, EuropeFlorence San Marco Museum Christ and Two Monks, Drawing by Fra Angeiico (Giovanni da Fiesole) Summer, Giorgio (Georg) (1834 1914)Memorial plaque for the Longobard.Herzog Pemmo at the altar of the church S.Martino in Cividale Viii.jhdt. 22.7.18.Scheuchzer "Physica sacra", ExodusUmbria Perugia Gubbio S. Domenico. Hutzel, Max 1960-1990 Exterior views of the church in the Medieval core collection show a 14th-century facade. Most views are of the restored baroque interior (1765): the altar paintings which line the nave, chapel ceiling frescoes of the four Evangelists, wood intarsia choirstalls and a pulpit. Painting subjects include: the Last Supper, S. Domenico, S. Vincenzo Ferreri, S. Chiara, S. Martino, St. Peter Martyr, St. Francis, St. John the Baptist, the Annunciation, the Three Magi, the Flagellation, Mary Magdalene, and Christ Entombed. Object Notes: Hutzel photo campaign date: November 8, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, RomanesqJesus blessing the bread and wine first half 19th century British. Jesus blessing the bread and wine 227452Thirteenth century, Stained glass windows of the cathedral of Le Mans, representative of the coin, vintage engraving. Thirteenth century, Stained glass windows of the cathedral of Le Mans, representative of the coin, vintage engraved illustration. Magasin Pittoresque 1845. Copyright: xZoonar.com/PatrickxGuenettex 10673141One of the eight Beatitudes of directly after a print from a blight of big chandelier of Aachen, Labour twelfth century, vintage engraved illustration. Magasin Pittoresque 1876.Iron Maiden, Nuremberg Castle/Eiserne Jungfrau..One of the eight Beatitudes of directly after a print from a blight of big chandelier of Aachen, Labour twelfth century, vintage engraving. One of the eight Beatitudes of directly after a print from a blight of big chandelier of Aachen, Labour twelfth century, vintage engraved illustration. Magasin Pittoresque 1876. Copyright: xZoonar.com/PatrickxGuenettex 10679767