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Religious Tapestries from Flemish Culture

Detailed Flemish tapestries depicting biblical scenes such as the Ascension of Christ and the Crucifixion, featuring rich colors and intricate designs.

Ascension. unknown c. 1550 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Christ, surrounded by radiant light, ascends into heaven while apostles sit at table; angels in sky (Mark 16:14-19) (BRD) twisting garlands of foliage & grapes No French & Co. stock sheet in archive, no stock number Göbel, Wandteppiche I:2 (1923), fig.379 Related Works: Panels in set: GCPA 0239261-0239264

Ascension. unknown c. 1550 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Christ, surrounded by radiant light, ascends into heaven while apostles sit at table; angels in sky (Mark 16:14-19) (BRD) twisting garlands of foliage & grapes No French & Co. stock sheet in archive, no stock number Göbel, Wandteppiche I:2 (1923), fig.379 Related Works: Panels in set: GCPA 0239261-0239264

The Adoration of the Magi (one of a set of four) early 17th century Flemish. The Adoration of the Magi (one of a set of four) 227448

Passion of Christ: Crucifixion of Christ. Reymbouts, Martin II (Netherlandish (before 1600) - Flanders, b.1570-d.1619) (workshop) weaver c. 1590-1600 Tapestry Dimensions: H 9'3" x W 7'5" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Henry Symons, invoiced, 3/29/1930. Inscriptions: City mark on lower guard, left; weaver mark on right guard, bottom Inscriptions: Inscription in central field, on cross: INRI =Iesus Nazarenus Rex Iudaeorum Christ on cross, flanked by both of malefactors on their crosses; Virgin Mary, SS. John & Mary Magdalene present; Longinus pierces Christ's side with lance; Adam's skull at foot of cross (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38) (BRD) grotesques & scrolling acanthus leaves with medallions with figural scenes in each corner; (L, LWR, R BRD) central medallions with figural scenes; (UPR BRD) central coat of arms of Cardinal Giannettino di Giovanni Andrea D

Umbria Perugia Gubbio Palazzo dei Consoli1. Hutzel, Max 1960-1990 Views of the palazzo's medieval exterior--crenellations and romanesque arches. Interior views of the huge Salone with displays of Medieval and Roman artifacts. The objects in the Pinacoteca and Museo Civico include a glass chalice painted in oils, a wood intarsia desk, frescoes, reliquaries, crucifixes, polyptychs, diptychs, and various other altar paintings, as well as some secular paintings by the Venetian school. Subjects of paintings include: the three Graces, the Assumption, Crucifixion, Death of Rachel, Flight into Egypt, Holy Family, Madonna and Child, S. Ubaldo, S. Francesco, S. Chiara, S. Crescentino, S. Vicenzo, S. Lazaro, S. Scholastica, S. Paolo and numerous other saints. Antiquities: Roman mosaic pavement (2nd century A.D., Iguvium); Etruscan bronze vessels; Roman sarcophagus; various fragments of relief sculpture and pottery. Many of these views are found in the Antiquities core collection, but all negative

St. Paul in Athens. unknown c. 1600 Tapestry Dimensions: H 8'3" x W 5'5" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. Inscriptions: Inscription in central field on cartouche: INCOGNI.. / TO DEO On Areopagus, St. Paul discusses with philosophers (Acts 16-18:21); altar of unknown god (=statue of Diana of Ephesians with deer) in background; inscription in central field on cartouche at top No French & Co. stock sheet in archive, no stock number

Abruzzo Teramo Teramo S. Berardo, Cathedral4. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Marches Macerata San Severino Marche Pinacoteca Civica9. Hutzel, Max 1960-1990 The collections include: a silver reliquary (1326), a relic of Pope Peter Celestini V, a silver plate, a 13th-century clothes chest illustrating a medieval legend, a globe with constellations/signs of the zodiac, fresco fragments by the Salimbeni brothers, a fresco of St. Francis receiving the Stigmata from the church of S. Francesco in Castello (now destroyed), a fresco of St. Anthony Abbot, elaborate polyptychs by Veneziano and Salimbeni, an ivory chest with secular imagery, and various altarpieces and paintings. Of exceptional quality are paintings by Bernardino Mariotto of the Annunciation and the Pieta, and an altarpiece of the Madonna and Child Enthroned with Saints by Vittore Crivelli. Object Notes: Hutzel photo campaign date: April 11, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by

Abruzzo Pescara Loreto Aprutino S. Maria in Piano5. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine o

Umbria Perugia Spoleto SS. Giovanni e Paolo. Hutzel, Max 1960-1990 Interior views of 12th century church all focus on frescoes (late 12th-14th centuries). Fresco subjects include: one of the first documented representations of St. Francis; the martyrdom of St. Thomas Becket of Canterbury; Herod's banquet; St. John and St. Paul beheaded; doors to Paradise; Crucifixion; St. John the Baptist; Madonna and Child Enthroned; St. Gregory as Pope and Saint; St. Joseph; St. Antony of Padua; St. Alo; St. Catherine; St. Jerome; St. Lawrence; St. Ansano; St. Michael slaying dragon; St. Margaret; St. Taddeus; St. Anthony Abbot; St. Clare. Object Notes: Hutzel photo campaign date: 1/21/83 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans an

Cushion cover with Adoration of Christ-child by Magi (wise men/kings). unknown c. 1580-1600 Tapestry Dimensions: H 8" x W 11" Tapestry Materials/Techniques: unknown Culture: English Weaving Center: unknown Ownership History: French & Co. purchased from Mrs. Mary Blair, invoiced 2/1/1923; sold to E. Bernheimer 1/9/1928. 3 Magi present their gifts (gold, frankincense & myrrh) to Christ-child who sits on Virgin Mary's lap (Matthew 2:1-12); 2 travellers (L, background); St. Joseph () near stable Cushion cover is framed. French & Co. stock sheet in archive, 11832

Black and White Illustration of the Martyrdom of St Denys

Christ makes his Last Judgement and Vices are vanquished. unknown c. 1510-1515 Tapestry Dimensions: H 12' x W 26'6" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: French & Co. purchased from A. J. Kobler, invoiced 10/15/1927; sold to Worcester Art Museum 1/31/1935 SS 15406. United States, Massachusetts, Worcester, Worcester Art Museum. Inscriptions: Inscription in central field, on cross: INRI =Iesus Nazarenus Rex Iudaeorum Inscriptions: Inscription in central field, on banderole held by seated Prophet in L corner: Judicabit gentes, arguit =arguet populos multos / Ysaie II Inscriptions: Inscription in central field, on banderole held by seated Prophet in R corner: Dominus ad judicandum veniet / Ysiae III Christ, seated on arc (=rainbow) before his cross, with orb of world beneath his feet, surrounded by elders, accompanied by Virgin Mary & John the Baptist (top center); trumpeting angels appear in sky (top L & R corners); personification of Merc

Marches Macerata San Severino Marche S. Lorenzo in Doliolo. Hutzel, Max 1960-1990 Exterior views of the 11th-century church with 14th-century cloister and bell tower. In the crypt (9th-13th centuries) are ceiling and wall paintings of angels, the Evangelists, and various other saints in medallions; votive frescoes of Saints Dominic, Augustine, and Anthony Abbot; and the tomb of S. Domenico. In the fourth and fifth crypt chapels is a fresco cycle by the Salimbeni brothers of the martyrdom of St. Andrew. The church interior is heavily restored, with modern nave piers and capitals. Displayed in the sacristy are salvaged fresco remains, a wooden statue of Christ (17th century), and paintings. Also views of a holy water font and a marble ciborium. Object Notes: Hutzel photo campaign date: April 5, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore,

Charlemagne crowns his son, Louis I the Pious. Jordaens, Jacob (Flemish, 1593-1678) (designed after, attr.) painter c. 1640-1660 Tapestry Dimensions: H 12' x W 11' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Spanish Art Gallery 5/24/1917; sold to Dr. Preston Pope Satterwhite 5/14/1941. Inscriptions: Inscription in upper border cartouhce: IMPERATOR IVDOVICV FILIV SVVM / CONSORTEM REGNI ET BERNARDVM / NEPOTEM IN REGEM ITALIAE / CREAT Charlemagne enthroned holds crown (center, middle ground); flanked by man wearing laurel wreath & woman wearing crown (L & R, middle ground); Louis I the Pious stands before his father to be crowned (R of center, foreground); man sits at table & bends down to reach large book on floor (center, foreground); older man & young boy enter scene (L, foreground) (BRD) bunches of flowers & fruit, some tied with ribbons, vases with flowers; (L & R BRD) pedestals with double-headed eag

Umbria Perugia Campi Vecchio S. Salvatore. Hutzel, Max 1960-1990 Present church built in 14th cent. over the ruins of a Roman temple. The remains of the temple were removed to the National Museum in Perugia. Present church restored in 1970s. Interior views include iconostasis with saints, frescoes including scenes of the Adoration, the Last Supper and the Lamentation. Frescoes of the 4 Evangelists are in the vault. Also paintings of prophets, including David, Isaiah and Daniel. Saints include S. Sebastian. A large wooden cross, possibly dating from the 14th cent., was placed over the altar. Object Notes: Hutzel photo campaign date: July 10, 1982 General Notes: No prints for exterior views. Missing prints may be in Medieval core collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in

Umbria Perugia Citta della Pieve Oratorio di S. Bartolomeo. Hutzel, Max 1960-1990 Views of the interior frescoes and wooden ceiling beams. The fresco of the Crucifixion with Saints, also known as the "Pianto degli angeli" by the Maestro degli Ordini dates to circa 1375-1400 according to the Marburg Index. Object Notes: Hutzel photo campaign date: November 8, 1982 General Notes: This oratory is either attached to or in the vicinity of the sancturary of the Madonna della Fatima. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Annunciation, Visitation, and Nativity (Schr. 2865). Artist: Anonymous, German, 15th century. Dimensions: sheet: 10 11/16 x 7 1/2 in. (27.1 x 19 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Umbria Perugia Campi Vecchio S. Salvatore0. Hutzel, Max 1960-1990 Present church built in 14th cent. over the ruins of a Roman temple. The remains of the temple were removed to the National Museum in Perugia. Present church restored in 1970s. Interior views include iconostasis with saints, frescoes including scenes of the Adoration, the Last Supper and the Lamentation. Frescoes of the 4 Evangelists are in the vault. Also paintings of prophets, including David, Isaiah and Daniel. Saints include S. Sebastian. A large wooden cross, possibly dating from the 14th cent., was placed over the altar. Object Notes: Hutzel photo campaign date: July 10, 1982 General Notes: No prints for exterior views. Missing prints may be in Medieval core collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in

Life of Virgin Mary: Nativity and other scenes. Aelst, Pieter van (Netherlandish (before 1600) - Flanders, act.1495-1532) (workshop, attr.) weaver c. 1500-1525 Tapestry Dimensions: H 340 x W 400 cm Tapestry Materials/Techniques: wool (warp, 7-8/cm); wool & silk (warp) Culture: Southern Netherlands Ownership History: Gift to Cathedral by Archbishop D. Alonso de Aragón (Inventory of 1521). French & Co. Spain, Zaragoza, Zaragoza, Cathedral of La Seo. Inscriptions: Inscription in central field, on banderole held by angel not legible in photograph Slender columns divide composition, creating several scenes; center, Madonna (Virgin Mary with Christ-child) surrounded by several figures, including Gideon holding fleece & Moses holding tree branch (=burning bush); left, Christ & woman of Samaria (John 4:4-42); right, Pharisees bring woman accused of adultery before Christ (John 8:2-11); Adam (top, L of center); Eve (top, R of center) (BRD) garlands of flowers interspersed with bunches of grapes

Pentecost - The Descent of the Holy Ghost; Engraving from Lives of the Saints by Sabin Baring-Gould published in 1897.

Creation and Fall of Man. unknown c. 1510-1515 Tapestry Dimensions: H 13'10" x W 26'3" Tapestry Materials/Techniques: wool (undyed, warp: 5-6/cm); wool & silk (dyed, weft) Culture: Southern Netherlands Ownership History: Cathedral of Toledo (until c.1900). Ascher Wertheimer coll. (1902). Weinberg coll. William Randolph Hearst coll. (c.1912). French & Co. United States, California, San Francisco, The Fine Arts Museums of San Francisco, accno. 54.14.1. Inscriptions: Inscription in central field, identifying figure (at top, flanking Trnity): JUSTICIA Holy Trinity ('Trinitas coelestis': Father, Son & Holy Ghost) enthroned in Paradise at top, flanked by personifications of Mercy (L) & Justice (R); division of light & darkness (top L); creation of firmament & division of waters (bottom L); creation of sun, moon & stars (bottom, L of center); creation of birds & fishes (bottom, R of center); Adam & Eve standing before Trinity (bottom R); Temptation & Fall, along with God expelling Adam & Eve

When the Morning Stars Sang Together, & the Sons of God Shouted for Joy, from Illustrations of the Book of Job William Blake (British, 1757-1827). , 1825. Engraving on wove paper, image: 7 1/4 × 6 in. (18.4 × 15.2 cm). William Blakes engraved illustrations of the biblical book of Job, based on watercolors he made between 1805 and 1810, are considered among his masterpieces. In the prints Blake showed God revealing his powers to Job, who has been struggling to understand the afflictions God has sent him. Biblical quotes and other texts in the margins— which were not part of the original watercolors but, remarkably, were engraved in reverse by Blake directly on the copper plates—amplify the meaning of each of the central images. The artists disdain for organized religion and his belief in imagination and the centrality of poetic vision may have drawn him to the story of Job, who followed religious law too literally before having his own spiritual awakening. In Illustrations of “The Bo

Tuscany Grosseto Santa Fiora SS. Fiora e Lucilla, Parish church3. Hutzel, Max 1960-1990 Exterior views show a simple stone facade with a renaissance portal and a Romanesque rose window. Most views focus on the interior decoration by Andrea and Giovanni della Robbia: the dossal in the first altar to the right depicts the penitent St. Jerome, the Coronation of the Virgin, and the Stigmatization of St. Francis; the pulpit depicts the Last Supper, the Resurrection, and the Ascension. Other della Robbia terracottas show the Assumption of the Virgin among angels and the Baptism of Christ. Coverage includes the very Mannerist main altarpiece, an icon of the Virgin and Child (engaged in close eye contact) set in an aedicule, a polychrome statue of St. Anthony Abbot, several crucifixes and a baptismal font. General Notes: SS. Fiora and Lucilla is also called the Pieve (Parish Church). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until hi

Abruzzo Teramo Teramo S. Berardo, Cathedral0. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Abruzzo Teramo Teramo S. Berardo, Cathedral4. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Krakow St. Mary's Church the main altar of Wita Stwosz Joachim and Anna unknown

Lazio Frosinone Veroli S. Maria Salome0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, stone reliquary, frescoes, inscription fragments. According to tradition, the church (and crypt below) was built in 1209 to house the relics of the mother of the Apostles James and John. The structure was restored in the medieval period (1350) after an earthquake. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco ceiling decoration. The interior and exterior of the church were largely restored in the 18th century. Triptych of the Madonna, Child and Saints signed F. D. Hispanus and dated 1561. General Notes: 2 sets of prints for the same site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Et

Gniezno. The door is angry in the Basilica of the Primate's Assumption of the Mary Mary of the Virgin - a fragment of the quarters: Merge of Ska Wojciech; Jesio Not after 12.07.1930 (1929-00-00-1930-00-00);

The Entombment of Christ 16th century Moderno (Galeazzo Mondella) Italian. The Entombment of Christ 207616

Umbria Perugia Campi Vecchio S. Salvatore. Hutzel, Max 1960-1990 Present church built in 14th cent. over the ruins of a Roman temple. The remains of the temple were removed to the National Museum in Perugia. Present church restored in 1970s. Interior views include iconostasis with saints, frescoes including scenes of the Adoration, the Last Supper and the Lamentation. Frescoes of the 4 Evangelists are in the vault. Also paintings of prophets, including David, Isaiah and Daniel. Saints include S. Sebastian. A large wooden cross, possibly dating from the 14th cent., was placed over the altar. Object Notes: Hutzel photo campaign date: July 10, 1982 General Notes: No prints for exterior views. Missing prints may be in Medieval core collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in

Bliżej Kultury unknown

Tile in the Armenian Cathedral of St. James, Jerusalem 1934, Israel

Abruzzo L'Aquila L'Aquila S. Maria di Collemaggio8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, wall painting (13-15th centuries) Post-medieval: Architecture, architectural sculpture (18th century), sculpture, frescoes, wall painting, metal crucifix Coverage of the paintings; some views of interior architectural features. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime7. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to

Umbria Perugia Spoleto SS. Giovanni e Paolo1. Hutzel, Max 1960-1990 Interior views of 12th century church all focus on frescoes (late 12th-14th centuries). Fresco subjects include: one of the first documented representations of St. Francis; the martyrdom of St. Thomas Becket of Canterbury; Herod's banquet; St. John and St. Paul beheaded; doors to Paradise; Crucifixion; St. John the Baptist; Madonna and Child Enthroned; St. Gregory as Pope and Saint; St. Joseph; St. Antony of Padua; St. Alo; St. Catherine; St. Jerome; St. Lawrence; St. Ansano; St. Michael slaying dragon; St. Margaret; St. Taddeus; St. Anthony Abbot; St. Clare. Object Notes: Hutzel photo campaign date: 1/21/83 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans a

Krakow St. Mary's Church the main altar of Wit Stwosz sacrifice of Christ unknown

Manhood of Christ. unknown c. 1500-1525 Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: Juan Rodríguez de Fonsca coll., bishop of Burgos (purchased total of 8 tapestries between 1519-1524); bequeathed to Cathedral of Burgos in 1526. French & Co. Spain, Palencia, Palencia, Catedral. Inscriptions: Inscription in central field, on banderole held by seated Prophet (or John the Evangelist) in L corner not legible in photograph Inscriptions: Inscription in central field, on banderole held by seated Prophet David in R corner not legible in photograph Inscriptions: Inscriptions in central field, identifying figures some include: HOMO (Man), NATURA (Nature), TEMTAT (Temptation), JUDAS, IAN & JAN (John the Baptist), CARITAS (Charity), HVMILITAS (Humility), INVIDIAS (Envy), AVARICIA (Avarice), IRA (Wrath), SVPERBIA (Pride), GVLA (Gluttony), LVXVRIA (luxury) & ACCIDIA (Sloth) In rectangular pavilion, woman accused of adultery kneels before Christ while Judas

Lazio Roma Cave S. Lorenzo9. Hutzel, Max 1960-1990 Medieval: Architecture, painting, inscription on stone slab. S. Lorenzo was built in the 11th century, with three naves separated by roman columns. In a step leading up to the altar is placed the stone slab containing the inscription recounting the dedication of the church by Clement III (1093). Post-medieval: Painting. The church contains frescoes dating from the 14th to the 16th centuries. Antiquities: columns used as spolia German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Woodcut 'The Foot Washing' by an anonymous artist, created in the last third of the 15th century, depicting the biblical scene of Jesus washing the disciples' feet.

Bliżej Kultury unknown

Buddha with Two Attendants () 17th-18th century Thailand. Buddha with Two Attendants () 38065

The Adoration of the Magi early 16th century Italian. The Adoration of the Magi 222530

ESCENAS DE LA VIDA DE LA VIRGEN S XV. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. VIRGIN MARY.

Life of the Buddha , ca. 1920. Opaque watercolors on silk, frame: 70 1/8 x 36 1/4 in. (178.1 x 92.1 cm). Asian Art ca. 1920

Two scenes from the life of King Louis IX, Dominique Sornique (Attributed to), 1729 - 1733 print On the left, King Lodewijk IX teaches children and on the right he lets himself be disciplined by a monk. Paris paper engraving / etching king. historical persons. castigation, flagellation ~ ascetic life. monk(s), friar(s)

Crucifixion. unknown c. 1525-1550 Tapestry Dimensions: H 3'3" x W 6'10" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. received from Felix Gouled, 12/23/1941; returned, 4/28/1942 SS 75742. French & CO. purchased from Felix Gouled, 6/30/1950 SS 51640x. Inscriptions: Inscription in central field, on cross: INRI =Iesus Nazarenus Rex Iudaeorum Christ on cross flanked by Virgin Mary & St. Peter (L) & St. John the Evangelist & another saint (=St. James the Great) (R); St. Mary Magdalene kneeling at foot of cross Borders missing. Central section of a reredos or an antependium. French & Co. stock sheet in archive, 75742 French & Co. stock sheet in archive, 51640-x

Umbria Perugia Spoleto S. Domenico2. Hutzel, Max 1960-1990 Exterior views of 13th-14th century church restored in 1960: striped facade, bell tower, and portals. Interior views reveal a gothic structure with high ceilings, pointed arches, and an apse with stained glass windows. Fragments of preserved frescoes are visible in the white walls. Most views are of paintings and frescoes in the three chapels and crypt. In the chapel of St. Mary Magdalen are extensive fresco cycles (early 15th century), of the saint. The Callicola chapel and Chapel of the Sacrament are baroque chapels with stucco decoration and marble altars. In the crypt--formerly the Chiesa di S. Pietro Martire--are 14th century frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including ob

Woodcut by an anonymous artist depicting the Last Judgement, created between 1480 and 1500.

Umbria Perugia Spoleto S. Domenico5. Hutzel, Max 1960-1990 Exterior views of 13th-14th century church restored in 1960: striped facade, bell tower, and portals. Interior views reveal a gothic structure with high ceilings, pointed arches, and an apse with stained glass windows. Fragments of preserved frescoes are visible in the white walls. Most views are of paintings and frescoes in the three chapels and crypt. In the chapel of St. Mary Magdalen are extensive fresco cycles (early 15th century), of the saint. The Callicola chapel and Chapel of the Sacrament are baroque chapels with stucco decoration and marble altars. In the crypt--formerly the Chiesa di S. Pietro Martire--are 14th century frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including ob

Miracles of Christ: raising of Lazarus. unknown c. 1500-1525 Tapestry Dimensions: H 393 x W 466 cm Tapestry Materials/Techniques: wool (warp, 6-7/cm); wool (weft, 32-50/cm); silk (weft, 24-62/cm) Culture: Southern Netherlands Ownership History: Gift to Cathedral by Archbishop D. Alonso de Aragón (Inventory of 1521). French & Co. Spain, Zaragoza, Zaragoza, Cathedral of La Seo. Inscriptions: Inscriptions in central field, on banderoles above each scene not legible in photograph Slender columns divide composition, creating several scenes; center, Christ raising Lazarus, surrounding figures while others look on from balcony above; lower L, Lazarus dying in bed, surrounded by his sisters (SS. Martha & Mary Magdalene); upper L, sisters of dying Lazarus send to Christ for help; upper & lower R, Christ surrounded by various figures (subjects not identified) (BRD) garlands of flowers & foliage Possibly woven in Brussels (Cavallo). This set comprises 4 panels; 2 are represented in the Photo Stud

Court scene with lady placing crown on head of knight. unknown c. 1500-1525 Tapestry Dimensions: H 11" x W 13" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. "Doris Dufre" written on "stock number" line on back of photograph. Lady seated on throne placing crown on head of seated knight as courtiers observe Possibly woven in Brussels. No French & Co. stock sheet in archive, no stock number

Marches Macerata San Severino Marche S. Agostino, Cathedral4. Hutzel, Max 1960-1990 Exterior views of the 15th-century facade with its gothic portal. Views also of the oratory and baroque portal. The interior, restored in 1776 and 1827, is neoclassical. Views in prints H-6 and H-9 show a small barrel-vaulted chapel with a modern main altar painting of the Last Supper. This is either the oratory or a misidentifed church interior. Other views include: wooden crucifixes; an intarsia door to the sacristy and intarsia panels by Indivini; various altar paintings; a silver statue of St. Severino with a crozier, a painting of the Madonna and Child with angels and a kneeling donor by Pinturicchio; a reliquary; a silver plate; a small painted ceramic statue of the Pieta; and a series of sketches from an album of an artist from San Severino Marche. Object Notes: Hutzel photo campaign date: April 8, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the ear

Abruzzo Teramo Teramo S. Berardo, Cathedral7. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Umbria Perugia Spoleto S. Maria Assunta, Cathedral35. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the w

Christ, enthroned, crowns Mary in heaven. Etching with aquatint by C.M. Metz after Giotto and G. Vasari.

Umbria Perugia San Giacomo di Spoleto S. Giacomo9. Hutzel, Max 1960-1990 One exterior view and many negatives of this thirteenth-century church. Interior views focus on the apse and side chapel frescoes. In the apse: St. Mary Magdalen, St. Apollonia, St. James and two of his miracles, the Coronation of the Virgin. In the Cappella S. Sebastiano: St. Sebastian, St. Roch and Pope Gregory (1528 frescoes by Lo Spagna). To the right of the apse: the Madonna, Angels, Saints Peter, Anthony Abbot, and Bartholomew. Also views of altar paintings, reliquaries, gilt crucifix, and two wooden candle holders/statues of boys (17th century). Object Notes: Hutzel made two photo campaigns of this church, first on February 7, 1982 and then on January 31, 1983. There are only 50 different views for the 82 prints. Thus it seems that most of the photographs come from the same campaign though Hutzel made two separate worksheets. The photos have been renumbered. German-born photographer and scholar Max Hutzel (

Abruzzo Chieti Lanciano S. Maria del Ponte, Cathedral2. Hutzel, Max 1960-1990 The cathedral itself dates from the 15th cent. and incorporated Diocletian's bridge into its structure. The cathedral was heavily renovated from 1785-88, giving the Cathedral a Baroque-Neoclassical facade and interior. There are general views of the church exterior and the bridge. Interior views include the nave and cupola, both of which date from the 1785-88 restoration. The high altar contains sculptural figures; as well, there is a sculpture of the Madonna del Ponte dating from the 14th cent. Paintings include frescoes of the 4 evangelists in the pendentives of the cupola and of the Last Supper, the Holy Family, the Madonna Enthroned and saints being stoned to death. The paintings date from the 18th century. Cathedral is built around a bridge said to date from the 300s and built by Diocletian. It was renovated around 1000. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy fr

German 16th Century after Martin Schongauer, Christ and His Disciples II, woodcut

Umbria Perugia Cesi S. Antonio2. Hutzel, Max 1960-1990 Exterior views of church, including portals. Interior views of church. Sculptures of the Crucifixion, Saints Peter and Paul, Saint Onofrio and Dead Christ. Renaissance paintings. Frescoes of Madonna and Child with Saints and Crucifixion. Object Notes: Hutzel shot this campaign in 1982. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Descent from the Cross. Attributed to Franz Fallenter (Switzerland, Lucerne, Convent of Rathausen, cloister, 1591-1623). Switzerland, Lucerne (Convent of Rathausen), 1592. Architecture; Architectural Elements. Pot metal; white glass with silver stain, sanguine, and enamel

Lazio Viterbo Viterbo S. Maria Nuova7. Hutzel, Max 1960-1990 Exterior and interior views of nave and altar in Medieval collection. In Hutzel collection are views of paintings, frescoes, architectural details, throne. Owner: S. Maria Nuova General Notes: Seventy-one catalogued views in Medieval core collection and fifty-one uncatalogued, some of which do not have matching negs. Two numerical sequences have been fused into one; see guide. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saint Leonardus is portrayed by Leonhard Beck on a wooden stick in the Sipp series, dating around 1517 for Emperor Maximilian I.

Umbria Perugia Trevi S. Francesco. Hutzel, Max 1960-1990 Exterior views of the 13th-century Cistercian church focus on the gothic main portal. The interior, restored in 1977, include: frescoes of saints Ventura, Nicola and Andrea (15th century); an organ (16th century); an altar fresco by Angelucci of the Madonna and Child and saints with Christ and Veronica in the lunette; a marble intarsia altarpiece with a painting of the Madonna and Child with saints Peter, Paul and perhaps scenes of the Last Judgment; a painting the Crucifixion; an Umbrian painted crucifix; tomb monuments of the Attavanti family; a tomb effigy (in relief) of the hermit St. Ventura; fresco fragments; and a holy water font. Object Notes: Hutzel photo campaign date: May 11, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical develop

Wooden stick illustration by Leonhard Beck depicting Sanctus Agnebertus, one of the saints from the Sipp, created in 1517.

Abruzzo, L'Aquila, Paganica, Santuario della Madonna d'Appari, I, Italy, 20th century, photo, photography, Europe

Umbria Perugia Borgo Cerreto S. Lorenzo. Hutzel, Max 1960-1990 Photos of exterior views only. Some photos of interior views, but most prints show the apse frescoes with details and the paintings and frescoes along the side walls. The apse frescoes show crucifixions and the other paintings show saints and the Madonna. Object Notes: Hutzel photo campaign date: February 19, 1983. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Photograph of painting: from the church of St. Idzi St. Gilles in Cracow - saints at a table (the Last Supper?). Krieger, Ignacy (Kraków ; zakład fotograficzny ; 1860-1926), photo studio

Pax with the Virgin and Child and Young St. John 3rd quarter of the 16th century (model); last quarter of the 16th century (cast) Italian, Rome (). Pax with the Virgin and Child and Young St. John 460946

Crucifixion, Last Supper (institution of Eucharist), and Resurrection. unknown c. 1480-1500 Tapestry Dimensions: H 8'8" x W 15'7" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: J. Pierpont Morgan coll. French & Co. received from Lillian Reif, n.d. probably 1947; returned 9/18/1962. French & Co. Inscriptions: Inscription in central field, on cross: INRI =Iesus Nazarenus Rex Iudaeorum On millefleurs ground; left, Christ blessing bread (host) & wine (Matthew 26:26-27; Mark 14:22-23; Luke 22:19-20; John 13:26; 1 Corinthians 11:23-25); center, Christ on cross; Virgin Mary, SS. John the Evangelist & Mary Magdalene present (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38); right, risen Christ, holding banner, appears from grave before group of frightened soldiers; 2 heraldic shields flanking & 2 coat of arms (upper corners) Borders missing. French & Co. stock sheet in archive, 78825 also lists: 78044, 44989

Birth of Christ: Annunciation of Christ's birth to shepherds. unknown c. 1500-1525 Tapestry Dimensions: H 4'9" x W 4' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from Grand Central Art Galleries 10/30/1962 other date listed: 12/5/1962; sold to Mr. Robert Kanzler 12/5/1963. Inscriptions: Inscription in central field on banderole held by angel partially legible in photograph: Gloria in.. Deo In field with flock of sheep, 2 shepherds, 1 playing bagpipes, are visited by angel in sky holding banderole with inscription (Luke 2:1-20) Borders missing. French & Co. stock sheet in archive, F-255

Abruzzo Teramo Teramo S. Berardo, Cathedral6. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Lazio Roma Poli S. Pietro, Parish church1. Hutzel, Max 1960-1990 Two exterior views of 17th c. church bell tower. Views of baroque interior nave, side altars, and altar paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Meeting of Abraham Melchizedek. unknown c. 1650 Tapestry Dimensions: H 8'10" x W 14'3" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. received from Otto A. Dietz, n.d.; returned from consignment, 2/8/1929. Melchizedek, high priest & king of Salem, brings bread & wine, & blesses Abraham; Abraham gives Melchizedek tenth of booty he has recovered (Genesis 14:18-20) (BRD) foliage interspersed with ferronerie; (L & R BRD) vases supported by miniature grotesques French & Co. stock sheet in archive, 16033

Antwerp, Maes, Joseph, Sint-Dimpnakerk, Sculptures, XVth century, Part of an altarpiece of gilded and polychromed wood, depicting scenes from the life of Saint Dymphna of Geel, in the Sint-Dimpnakerk in Geel, Belgium, recto - stamped, photomechanical print, page, photographs, photographically illustrated books, SCULPTURES en bois, recto - printed, SCULPTURES. - PL. 11., JJvY, height 231 mm, width 341 mm, photographer, 1882 - 1887, paper, papier, collotype, photolithography, fotolithografie, Belgian, 1838 - 1908, clichémaker, Work conception

Abruzzo, L'Aquila, Paganica, Santuario della Madonna d'Appari, I, Italy, 20th century, photo, photography, Europe

TAPIZ DE LAS POTESTADES O DE LA BUENA VIDA - SIGLO XV - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. Author: TALLERES DE ARRAS (SG XV) TALLER DE TAPICES. Location: CATEDRAL-MUSEO DIOCESANO. TARRAGONA. SPAIN.

The Congregation of the Mother of God Russian Painter Russian. The Congregation of the Mother of God 437555

Gniezno. The door is angry in the Basilica of the Primate's Assumption of the Mine Mary - Quarter: Transfer of OK. Wojciech; Jesio Not after 12.07.1930 (1929-00-00-1930-00-00);

A flagellation (above) and an unidentified scene (below).

A wooden print by Leonhard Beck from 1516-1518 depicting Saint Modicus, part of the series of saints linked to Emperor Maximilian I's family.

Lazio Viterbo Tarquinia S. Margherita, Cathedral3. Hutzel, Max 1960-1990 Old church destroyed in a fire in 1643. It was rebuilt in 1646, restored in the late 19th century, with the facade and campanile restored in 1933. Exterior views include the facade and portal. Interior photos, aside from a few of the nave and altar, focus on the set of frescoes by Pastura with their painted friezes. Prints (no negs.) of the Tree of Jesse and ecclesiastical portraits in the Sala Consigliare. Pastura's paintings include scenes from the Life of the Virgin as well as paintings of saints and sibyls. Object Notes: Hutzel photo campaign date: December 13, 1982. No negs for the "Sala Consigliare." Prints include a Tree of Jesse and portraits of ecclesiastics. General Notes: Hutzel notes nos. 1-29 can in part be found under "General Views" of Tarquinia. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referre

Tuscany Grosseto Grosseto Museo Diocesano di Arte Sacra5. Hutzel, Max 1960-1990 Post-medieval collection of paintings, sacred objects and manuscripts from the Duomo and other city churches. There are a significant number of late Medieval Madonnas & Child paintings as well as High Renaissance paintings from the Bolognese school. The objects include a processional cross, and two reliqueries. Additionally there are some photos of manuscript pages of hymnals with objects they are displayed with. Object Notes: Hutzel notes are undated. The objects in the Musea Diocesano are included in his notes for the Duomo. We have kept Hutzel's numbering for the objects. There are also two prints for almost all the negatives, and the details were so similar (even if one photo is cropped more closely) that we have treated them as though there were two prints for each negative. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The resul

Umbria Perugia Spoleto S. Gregorio Maggiore5. Hutzel, Max 1960-1990 Exterior views of a restored 12th century church: bell tower; facade with niched saints, triforium windows (12th century), and porch (16th century); cloister; frescoed baptismal chapel (1536) and font (15th century). General views of interior and crypt: remnants of frescoes by Umbrian artists (13-16th centuries), including two of the Madonna lactans; altar frescoes of Saints Sebastian, Roch, and Abbondanza around a marble tabernacle (1526); holy water fonts (14th century); baroque domed chapel with fresco and stucco decoration and tabernacle; apse frescoes of clerical saints in medallions (11th century); Roman steles used as altar bases; sarcophagus of St. Abbondanza; columns and capitals of various styles. Object Notes: Hutzel photo campaign date: February 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred

Coronation of Charlemagne - Facsimile of a miniature in the Chroniques de Saint-Denis, manuscript of the fourteenth century. Charlemagne, 742-814. King of the Franks and Emperor of the Holy Roman Empire. French Carolus Magnus or Carlus Magnus ""Charles the Great""

Madonna of Humility, portable altarpiece Andrea di Bartolo (Italian, Sienese, active by 1389, died 1428). Madonna of Humility, portable altarpiece, ca. 1410. Tempera and tooled gold on poplar panels, Central panel: 16 11/16 x 7 1/8 in. (42.4 x 18.1 cm). This devotional triptych (a painting on three panels) was intended for use in a private chapel or a corner of the home. The Virgin is depicted sitting directly on the ground instead of on a throne, a so-called Madonna of Humility, which emphasizes her humble, relatable position as a mother. The triptych would not have hung flat on a wall but rather stood on its own base on a table, with its two sides opened at an angle to the central panel. The intimate scale and enclosing configuration invited pious viewers to immerse themselves in the sacred. European Art ca. 1410

Adoration of the Trinity by Albrecht Durer 1471-1528 German painter. Old 19th century engraved illustration from Jesus Christ by Veuillot 1890

Reliefs of the door Bles of the Church of Our Lady of Semur, vintage engraving. Reliefs of the door Bles of the Church of Our Lady of Semur, vintage engraved illustration. Magasin Pittoresque 1836. Copyright: xZoonar.com/PatrickxGuenettex 10659908

Umbria Perugia Spoleto SS. Giovanni e Paolo. Hutzel, Max 1960-1990 Interior views of 12th century church all focus on frescoes (late 12th-14th centuries). Fresco subjects include: one of the first documented representations of St. Francis; the martyrdom of St. Thomas Becket of Canterbury; Herod's banquet; St. John and St. Paul beheaded; doors to Paradise; Crucifixion; St. John the Baptist; Madonna and Child Enthroned; St. Gregory as Pope and Saint; St. Joseph; St. Antony of Padua; St. Alo; St. Catherine; St. Jerome; St. Lawrence; St. Ansano; St. Michael slaying dragon; St. Margaret; St. Taddeus; St. Anthony Abbot; St. Clare. Object Notes: Hutzel photo campaign date: 1/21/83 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans an

Passion of Christ: Procession to Calvary, Crucifixion, Lamentation and Christ in Limbo. unknown c. 1490-1510 Tapestry Dimensions: H 13' x W 15'2" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. Inscriptions: Inscription in central field, on banderole held by Prophet Zacharias (L) in upper left corner partially legible in photograph: ASPICIENT IN ME DEVM.. Inscriptions: Inscription in central field, on banderole held by Prophet John (R) in upper left corner partially legible in photograph: PASSVS SUB PONTIO PILATO.. Inscriptions: Inscription in central field, on banderole held by Prophet Hosea at bottom center partially legible in photograph: O MORS ERO MORS.. Christ, wearing crown of thorns, carrying cross (bottom, L of center); Christ on cross with Virgin Mary, SS. John the Evangelist & Mary Magdalene present (top, L of center); Christ, without crown of thorns, is supported by Virgin Mary, others present, inc

Tuscany Grosseto Grosseto Museo Diocesano di Arte Sacra3. Hutzel, Max 1960-1990 Post-medieval collection of paintings, sacred objects and manuscripts from the Duomo and other city churches. There are a significant number of late Medieval Madonnas & Child paintings as well as High Renaissance paintings from the Bolognese school. The objects include a processional cross, and two reliqueries. Additionally there are some photos of manuscript pages of hymnals with objects they are displayed with. Object Notes: Hutzel notes are undated. The objects in the Musea Diocesano are included in his notes for the Duomo. We have kept Hutzel's numbering for the objects. There are also two prints for almost all the negatives, and the details were so similar (even if one photo is cropped more closely) that we have treated them as though there were two prints for each negative. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The resul

Crucifixion of Jesus Christ unknown

'Christ on the Mount of Olives (Dotted Print)', 1915. Creator: Unknown.

Marches Macerata San Severino Marche S. Lorenzo in Doliolo0. Hutzel, Max 1960-1990 Exterior views of the 11th-century church with 14th-century cloister and bell tower. In the crypt (9th-13th centuries) are ceiling and wall paintings of angels, the Evangelists, and various other saints in medallions; votive frescoes of Saints Dominic, Augustine, and Anthony Abbot; and the tomb of S. Domenico. In the fourth and fifth crypt chapels is a fresco cycle by the Salimbeni brothers of the martyrdom of St. Andrew. The church interior is heavily restored, with modern nave piers and capitals. Displayed in the sacristy are salvaged fresco remains, a wooden statue of Christ (17th century), and paintings. Also views of a holy water font and a marble ciborium. Object Notes: Hutzel photo campaign date: April 5, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore,

Bliej Kultury unknown

Abruzzo L'Aquila Celano S. Giovanni Battista. Hutzel, Max 1960-1990 Romanesque church begun in the 14th century. Exterior is covered in the local reddish stone. Exterior views of portal, rose window and sculptural details. Photos of the interior include general views in the Medieval core collection and details of frescoes in the Hutzel collection. There are frescoes in the vaults and on the arches. Scenes include evangelists and saints. There is also a painted Last Judgment. Objects of interest include a wooden ciborium and confessional stalls. There is also wooden statuary over the high altar from the 17th cent. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, R

Turin Superga Basilica Monument to Maria Teresa Rocco, Maurizio

Bliżej Kultury unknown

Wszyscy Święci w MNK

Bliej Kultury unknown

An albumin photograph by R. Prziborsky from around 1890 depicting the Schnitz altar in Hohenberg church opposite Friedstein, highlighting carvings, structure, and decorative elements.

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