Religious Terracotta Reliefs

Intricate terracotta and bronze reliefs depicting biblical scenes and figures, showcasing rich textures and historical themes in muted earth tones.

Joachim Receives the Angels Message Lindenholz ; Based on a woodcut from the life of the Virgin by Albrecht Durer (Oberrhein; about 1515; aquired 1988 Kaiser Friedrich-Museones-Verein)

After Annibale Fontana, The Adoration of the Shepherds, c 1625 1675 The Adoration of the Shepherds

The Adoration of the Shepherds. Dated: c. 1625/1675. Dimensions: overall: 109 x 57 cm (42 15/16 x 22 7/16 in.) framed: 141.6 x 94.1 x 12.5 cm (55 3/4 x 37 1/16 x 4 15/16 in.) gross weight: 85.73 kg (189 lb.). Medium: terracotta. Museum: National Gallery of Art, Washington DC. Author: after Annibale Fontana.

Joachim Receives the Angels Message Lindenholz ; Based on a woodcut from the life of the Virgin by Albrecht Durer (Oberrhein; about 1515; aquired 1988 Kaiser Friedrich-Museones-Verein)

Aimé-Jules Dalou (1838-1902). "High stoves". Patinated plaster, between 1894 and 1898. Museum of Fine Arts of the City of Paris, Petit Palais. Iron, cast iron, oven, pattero patina, carry

Jesus in the garden of Gethsemané, Arent van Bolten (attributed to), c. 1600 - c. 1625 Rectangular, gilded bronze plaque with a representation of Jesus in the garden of Gethsemané. Northern Netherlands bronze (metal) gilding Rectangular, gilded bronze plaque with a representation of Jesus in the garden of Gethsemané. Northern Netherlands bronze (metal) gilding

The Presentation of Christ in the Temple model ca. 1495 (possibly cast 16th century) Moderno (Galeazzo Mondella) Italian This plaquette represents the second in a series of four, all devoted to the Life of Christ, which Moderno produced beginning in the early 1490s. The Lehman version is an old aftercast with some loss of detail, possibly dating from the sixteenth or seventeenth century. In facture and color it is close to catalogue entry No. 139.. The Presentation of Christ in the Temple 461106

Saint Julien cathedral, Le Mans, France. 16th century relief in the sacristy

'The Entombment'. Western Czechia, 17th century. Dimensions: 35,7x24,5 cm. Museum: State Hermitage, St. Petersburg. Author: Adam Eck.

Domenico Gagini, The Nativity, c 1460 The Nativity

Bas-relief by Luca della Robbia, representing dancing and musical children; Firenze - Museo di S. Maria del Fiore - Bassorileo di Luca della Robbia. Part of photo album from a journey through Southern Europe and the Middle East.

Valerio Belli, The Entombment The Entombment

Adoration of the Shepherds 16th century Valerio Belli (Il Vicentino). Adoration of the Shepherds. Valerio Belli (Il Vicentino) (1468-1546). Italian, Vicenza. 16th century. Bronze. Medals and Plaquettes

The Virgin & Child with Four Angels. Dated: early 16th century. Dimensions: overall: 13.4 x 10.3 cm (5 1/4 x 4 1/16 in.) gross weight: 397 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: German 16th Century.

Diptych with Death and Coronation of the Virgin 14th century French. Diptych with Death and Coronation of the Virgin 468580

'Relief: Madonna with Child and Six Angels'. Italy, 15th - early 16th century. Dimensions: 38,0x28,0 cm. Museum: State Hermitage, St. Petersburg.

Retablo de Santa María la Blanca, 1343, Monasterio de Sant Joan de Les Abadesses.

Panel of a Portable Shrine 5th-6th century Pakistan (ancient region of Gandhara) Such portable shrines from Gandhara have been found in Khotan, providing a rare glimpse into how style and religious iconography traveled into Central Asia. The upper register in the interior illustrates the Buddhas miraculous birth and the lower presents the Parinirvana, his death.. Panel of a Portable Shrine 38222

The Adoration of the Shepherds. Dated: c. 1475/1485. Dimensions: overall: 81 x 65 cm (31 7/8 x 25 9/16 in.) framed: 132.7 x 102.9 x 11.1 cm (52 1/4 x 40 1/2 x 4 3/8 in.). Medium: terracotta. Museum: National Gallery of Art, Washington DC. Author: Francesco di Simone Ferrucci.

Abruzzo Teramo Teramo S. Berardo, Cathedral3. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

POMPEII, ITALY, MAY 04, 2022, fresco on an ancient marble altar in the Roman city of Pompeii, Southern Italy

Citylife, modern commercial and residential district in Milan, Lombardy, Italy, with the Three Towers

Plaque: The Journey to Bethlehem, c. 1100-1120. South Italy, Amalfi, Romanesque period, 12th century. Ivory; overall: 16.3 x 11 x 1 cm (6 7/16 x 4 5/16 x 3/8 in.).

Ivory casket panels depicting events around the death of Christ. Dated 5th Century

Joseph and Potiphar's Wife. Artist: Balthasar Griessmann (Wasserburg 1620-1706 Salzburg) , or his circle. Culture: Austrian. Dimensions: Overall: 3 11/16 × 6 7/8 in. (9.4 × 17.5 cm). Date: second half 17th century.In Genesis 39, Joseph resists the advances of his master Potiphar's wife. The Old Testament story reverses the dynamic of familiar rape scenes while retaining the titillating contrast between a nude woman and a clothed male. Here, the figure's movements are confidently handled--the flying folds of his cloak and the strands of streaming hair emphasize Joseph's panicky retreat. Detail is focused less on the anatomical minutiae of the woman's sensuous body than on rendering her luxurious bedroom fittings and elaborate coiffure. Museum: Metropolitan Museum of Art, New York, USA.

Moderno, The Entombment, late 15th early 16th century The Entombment

Italy, Tuscany, Florence, Bronze Doors With Relief Sculptures By Lorenzo Ghiberti Florence Baptistry Piazza Del Duomo.

Marches Macerata Tolentino S. Catervo, Duomo2. Hutzel, Max 1960-1990 This church, erected in the 13th century, was completely renovated in 1830 in a neoclassical style. Exterior views are of the apse, an original bell tower and a medieval relief sculpture. Views of the vast baroque interior with its barrel-vaulted ceiling and numerous candelabra focus on the Cappella di S. Catervo--its frescoes and sarcophagus of S. Catervo and S. Settimia (14th century). Interior views also include a sculpture of the Pieta (14th century), wood intarsia choirstalls, a marble holy water stoup and a baptismal font. Object Notes: Hutzel photo campaign date: December 27, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as we

Man fighting lion by unknown artist, ivory, bas relief, 5th century, Russia, St Petersburg, State Hermitage, 33x10, 5

Ivory of Salerno, relief

Presentation in the Temple - from the Pulpit of Siena Cathedral, 1267 - 1268

Marble sarcophagus fragment mid-2nd century A.D. Roman The relief, which originally formed the front panel of a large sarcophagus, depicts the death of the Greek hero Meleager, famous for killing the Calydonian boar. On other Roman sarcophagi this scene accompanies that of the hunt itself, showing Meleager spearing the ferocious boar. However, here the focus is on the dying hero who is being carried home surrounded by his grieving father and companions. During the Renaissance the scene became the prototype for artistic representations of the Deposition of Christ. The panel, as it now survives, includes 16th-century restorations.. Marble sarcophagus fragment 250926 Roman, Marble sarcophagus fragment, mid-2nd century A.D., Marble, Luni and Pentelic, Other (reconstructed): 38 1/8 in. 8 3/4 in. 46 7/8 in. (96.8 22.2 119.1 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1920 (20.187)

Design for a Dome Compartment with Figures of Faith and Hope 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Design for a Dome Compartment with Figures of Faith and Hope 340127

Bacchic Scene. Clodion (Claude Michel) (France, Nancy, 1738-1814). Italy, Carrara, 1773. Sculpture. Earthenware

Hercules and Antaeus. Dated: late 15th - early 16th century. Dimensions: overall: 7.3 x 5.7 cm (2 7/8 x 2 1/4 in.) gross weight: 86 gr. Medium: bronze//Light brown patina. Museum: National Gallery of Art, Washington DC. Author: MODERNO.

Musée National d'Athènes, 2735, relief votil de Xénocrateia , Bas-reliefs, Antiquities, Gods, Goddesses, Votive offerings. Nicholas Catsimpoolas Collection

Probably Milanese or Roman 16th Century, Beheading of Saint Paul, early 16th century Beheading of Saint Paul

th, Karlskirche, relief on a triumphal column, Gerlach , Wiedling Buch- und Kunstverlag, publishing house

The Apocryphal Meeting of the Virgin and Child with St. Elizabeth and the Young St. John the Baptist; Benedetto Cervi (Italian, active about 1520 - 1540); Italy; 1520s - 1530s; Marble; 29.2 × 27.9 × 7.5 cm (11 1,2 × 11 × 2 15,16 in.)

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Roberto Michel / 'The Martyrdom of Saint Eulalia'. 1753 - 1759. Marble. Museum: Museo del Prado, Madrid, España.

Andrea Briosco, called Riccio, Judith with the Head of Holofernes Judith with the Head of Holofernes

Design for the North Portal, Grand Gallery, Villa Albani, Rome, Italy, Carlo Marchionni, Italian, 1702-1786, Pen and brown ink, brush and brown, gray wash, graphite on cream laid paper, The doorway is flanked by two pilasters with dolphins supporting festoons at capitals. An entablature with a frieze and a semi-circular window above it are outlined at the top of the drawing. Above doorway molding is a classical frieze with a scene of sacrifice. Seated griffins appear on either side of the frieze. Above this is a lower entablature surmounted by an eagle. Several people and two dogs stand in and around the doorway., Rome, Italy, ca. 1755, architecture, Drawing, Drawing

Italy, Campania, Herculaneum. Close-up of the relief of Telephus.

Diptych with scenes from the Life and Passion of Christ. Ivory. Paris, ca. 1350-1375. Calouste Gulbenkian Museum. Lisbon, Portugal.

Andrea Briosco, called Riccio, Venus Chastising Cupid Venus Chastising Cupid

De Scheling, Arent van Bolten (attributed to), c. 1600 - c. 1625 Rectangular, gilded bronze plaque with the scam. Northern Netherlands bronze (metal) gilding Rectangular, gilded bronze plaque with the scam. Northern Netherlands bronze (metal) gilding

14th century French ivory diptych Kreuilung 14th century French ivory Diptychon Announcement Copy

The mocking of Jesus with thorns on the head, Arent van Bolten (attributed to), c. 1600 - c. 1625 Rectangular, gilded bronze plaque with the mockery of Jesus with a crown on the head. Northern Netherlands bronze (metal) gilding Rectangular, gilded bronze plaque with the mockery of Jesus with a crown on the head. Northern Netherlands bronze (metal) gilding

Ulocrino, Saint Romedius, early 16th century Saint Romedius

Roty, Louis Oscar (n.1846-06-11-D.1911-03-23), International Universal Exhibition, Paris, 1900 (title awarded), 1900. Silver bronze. Carnavalet Museum - History of Paris.

Anonymous (n. - d.), Scenes of the passion of Christ (main title), 1370. Ivory of sculpted elephant, metallic elements. Petit Palais, Museum of Fine Arts of the City of Paris.

Woman and Old Man Seated 16th century Anonymous, Italian, 16th century Italian. Woman and Old Man Seated 342074

Joseph interprets the dreams by Nicholas Tribolo, right door of San Petronio Basilica in Bologna, Italy

Puteal (wellhead) with Narcissus and Echo, and Hylas and the Nymphs 2nd century Roman Excavated in 1797 in Tor Bavacciano, Ostia, the port of Ancient RomeThis puteal (wellhead) is an outstanding example of Roman figural relief sculpture of the second century A.D. It once covered a well in Ostia, the port town of ancient Rome, probably within a sumptuous Roman villa along the Tiber River. The ancient Roman sculptor has transformed a utilitarian object into a luxurious work of art. Carved from a single block of marble, whose form resembles a Hellenistic altar, the drum is decorated with two cautionary tales from Greek mythology that relate to water. The sculptor seamlessly combined the story of Narcissus and Echo, best known from Ovids Metamorphoses, with the tale of the handsome hero Hylas being abducted by nymphs in the land of Mysia (western Turkey) as he was fetching water for the Argonauts on their quest to find the Golden Fleece, best known in Greek literature from the Argonautica

Versailles, Girardon, Enlevement de Proserpine par Pluton. Jean-Eugène-Auguste Atget; French, 1857-1927. Date: 1904. Dimensions: 21.8 × 17.6 cm (image); 21.8 × 17.9 cm (paper). Albumen print. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Italy, Rome, Capitoline Museum, Palazzo Nuovo, marble sarcophagus of Quinta Flavia Severina, second half of 3rd century A.D.

GSELL-Laurent workshop. Album n ° 3; stained glass project for the Lourdes basilica; choir window. Pencil on layer. Paris, Carnavalet museum. Album n ° 3, Basilica Lourdes, choir, pencil on layer, window, project, holy, virgin, stained glass

AUGUSTE RENOIR. PINTOR Y ESCULTOR FRANCES.1841-1919. EL JUICIO DE PARIS , BRONCE 1914. Author: AUSGUSTE RENOIR.

Moncloa Puteal. Well curbstone decorated with reliefs narrating the birth of Athena. Nike, the winged Victory, flies to crown Athena. It probably formed part of the decorative elements of a Roman house. From Rome, Italy. Marble. 1st century AD. Height: 99.5 cm, diameter: 84 cm. National Archaeological Museum. Madrid. Spain.

Baccante base di Candelabro - Palazzo dei Conservatori , Antiquities, Bas-reliefs, Candelabras. Nicholas Catsimpoolas Collection

SILLERIA BAJA DE LA CATEDRAL DE TOLEDO - TOMA DEL REINO DE GRANADA - BAZA - 1489-1495 - GOTICO ESPAÑOL. Author: RODRIGO ALEMAN. Location: CATEDRAL-CORO BAJO. Toledo. SPAIN.

Flight into Egypt, by attributed Amadeo Giovanni Antonio, 1495 - 1500, 15th Century, marble. Italy: Emilia Romagna: Parma: National Gallery of Art. Whole artwork. Flight escape Egypt donkey/ass Madonna Virgin Mary Jesus Child Joseph angels castle

Hippolytus hunting a boar, relief depicting the myth of Phaedra and Hippolytus, Roman sarcophagus, 180 ca., Monumental Cemetery of Pisa (UNESCO World Heritage Site, 1987), Tuscany, Italy, Roman civilization, 2nd century. Detail.

Andrea Briosco, called Riccio, The Entombment The Entombment

Mantuan 16th Century, A Triumph, early 16th century A Triumph

Diptych in ivory: scenes from the life of Christ, France between 1360 and 1400 ". Ivory. Museum of Fine Arts of the city of Paris, Petit Palais. 26322-6 Annunciation, apotre, Christ, diptych, disciple, ivory, nativitis, life scene, crucifixion

Bartolomeo Bellano (Italian, 1437-1438 - 1496-1497), The Dead Christ with Two Angels, gilt bronze

Baptistry of Saint John, Gates of Paradise, Isaac with Esau and Jacob, Florence, Italy

Triumphal Entry of Columbus into Barcelona. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol

Nicolas Sébastien Adam (Adam Le Jeune, 1705-1778). "Latona changes the lycie farmers in frogs". Rock. Paris, Carnavalet museum. 101430-12 God Gre, Roman God, Greco-Roman divinity, Roman divinity, Greek-Roman mythology, Greek mythology

Artist: Crispin van den Broeck, Flemish, ca. 1524-ca. 1591, Artist, formerly attributed to: Frans Floris the elder, Flemish, ca. 1519-1570, David and SaintCecilia, late 16thcentury, Pen and brown ink and blue wash heightened with white on blue paper, sheet: 20.9 × 31.6 cm (8 1/4 × 12 7/16in.), Made in Flanders, Flemish, 16thcentury, Works on Paper - Drawings andWatercolors

Dionysus and Ariadne on a glass cameo panel from Pompei, House of Fabius Rufus. National Archaeological Museum, Naples. Italy.

Hercules Triumphant over Antaeus. Dated: late 15th - early 16th century. Dimensions: overall: 6.9 x 5.5 cm (2 11/16 x 2 3/16 in.). Medium: bronze//Very dark patina (rubbed in raised areas). Museum: National Gallery of Art, Washington DC. Author: MODERNO.

Charity ca. 1540 Peter Flötner German This plaquette comes from a series of the Seven Virtues. Charity holds a child while another reaches up to offer an apple. The woman is partially covered by her luminous drapery, which falls in curvilinear folds. Occasionally, this type of plaquette was duplicated in gold and in brass; they were often used to decorate vessels and furnishings.. Charity 195445

The Assumption of the Virgin Mary, panel from Giambologna's school, collocated in the central portal of the Cathedral St. Mary of the Assumption in Pisa, Italy

Paduan 15th Century, Mercury and Minerva (reverse), late 15th century Mercury and Minerva reverse

Memorial stone of the inauguration of the King William III ,, 1849 Memorial plaque with along top edge 4 provincial weapons with the national weapon in the middle of the national weapon. Centr.: Inscription: see title, dating: on May 12, 1849, with Kroon, Rijksappel and (law) book. L. and r. In the vertical direction: other provinces and the Wapen van Luxembourg. All outside on both sides a column. M.O., v.l.n.r.: Cannon with bullets, rudder of ship, anchor, Neptunus, top hat, Bible, harp, palette with paint brushes, aescula monkey sign, card with passer, kick, hay rake, horn with flowers. Downside: very irregularly formed Netherlands marble (rock)

'Relief: Madonna and Child with St John the Baptist'. Imitation of the Renascence sculpture. Italy, Florence ( ), Second half of the 19th century ( ). Dimensions: 92,0x78,5 cm. Museum: State Hermitage, St. Petersburg.

Diptych Fragment: The Death of the Virgin. Attributed to the Master of Kremsmünster; (German, active 1375-1400). Date: 1400-1450. Dimensions: 7 × 9.2 cm (2 3/4 × 3 5/8 in.). Ivory. Origin: Mainz. Museum: The Chicago Art Institute, Chicago, USA. Author: Master of Kremsmünster.

RELIEVE EN MADERA DE LA SILLERIA DEL PARRAL. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

Man and Sphinx, 1881 - 1934 copper (metal) etching

RELIEVE EN ESTUCO- SITIO DE HUESCA Y SU CONQUISTA POR PEDRO I EN 1094 - PANTEON DE REYES- S XVIII. Author: PASCUAL DE IPAS (1748-1810). Location: MONASTERIO DE SAN JUAN DE LA PEÑA. BOTAYA. HUESCA. SPAIN.

agriculture animal farming livestock breeding goat-herder relief cast iron ironworks of Prince Bishop Obereichstaett Bavaria circa 18th century,

Lazio Roma Velletri Museo Civico di Velletri20. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Moderno, Saint Sebastian, late 15th early 16th century Saint Sebastian

Napoli - Museo Nazionale. Baccanale. (Farnese) , Antiquities, Bas-reliefs, Gods, Festivals, Bacchanalia, Dionysus Greek deity. Nicholas Catsimpoolas Collection

Relief depicting Sir William Blackstone (17231780), English jurist, The Rights of Man, and Hugo Grotius. US Supreme Court, Washington DC. USA. Grotius (1583 1645), was a Dutch jurist. Grotius laid the foundations for international law, based on natural law

Gianfrancesco Enzola, Martyrdom of Saint Sebastian Martyrdom of Saint Sebastian

The Three Mayrs at the Sepulchre. Cologne, c. 1150-1160. Germany. Walrus ivory. Museum Schnu_tgen. Cologne, Germany.

Plaque with coronation Maria, anonymous, c. 1574 - c. 1599 Plaque of lead, printed oval, with the crown of Maria. Southern Germany lead (metal) Plaque of lead, printed oval, with the crown of Maria. Southern Germany lead (metal)

The torture death of Crispinus and Crispinian.

The Lamentation 16th century After a composition by Valerio Belli (Il Vicentino). The Lamentation. After a composition by Valerio Belli (Il Vicentino) (1468-1546). Italian, possibly Florence. 16th century. Gold relief on slate. Medals and Plaquettes

Allegory of The Tiber and Arno. Bartolomeo Ammannati (Italian, 1511 - 1592) about 1564 Allegory of The Tiber and Arno depicts the two gods personifying the rivers of Rome and Florence, the principal cities where Michelangelo Buonarroti (1475-1564) worked. Both river gods are reclining symmetrically, each on an overturned urn pouring water that flows under their bodies. At left is Tiber, the river of Rome, identified with the She-Wolf nurturing Romulus and Remus, who led to the founding of the city, according to Roman mythology; some antique ruins are visible in the background. At right is Arno, the river of Florence, identified with the so-called Marzocco, the lion, protector of the city and representative of its power since the Middle Ages. In between, in the center of the relief, a panel enclosed by scrollwork and ferns bears the Latin inscription COROLLIS FERIO SIDERA (I strike the heavens with my little crowns), while a lily, heraldic symbol of Florence, is featured underneath. The

On The war' (during the Spanish Civil War) 1938. By Josep Granyer 1899-1983. Plaster cast Lithograph

Celestial Nymphs

Valerio Belli, The Adoration of the Magi (obverse), c 1530s The Adoration of the Magi obverse

Skiopticone image.

Pietà with Donors ca. 1515 French The donors are Pons de Gontaut and his brother Armand, Bishop of Sarlat, in whose family funerary chapel this sculpture and the Entombment originally stood. Their coats of arms were held by the angels in the Entombment scene. Listen to experts illuminate this artwork's story Listen Play or pause #93. Body Language: Educator's Introduction: Pietà with Donors Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Pietà with Donors. French. ca. 1515. Limestone, traces of polychromy. Made in Biron, Dordogne, France. Sculpture-Stone

Circular plaster relief 1st century A.D. Roman Cast from a Greek metal relief of the 3rd century B.C.Below, youth with phiale and cornucopia, seated woman crowned by flying Eros, woman with cornucopiaAbove, stars and caps of the DioskouroiThe plaster reliefs displayed in this case likely served as models for Roman copies of Greek metalware. Such casts undoubtedly also inspired other kinds of Roman works, including intaglios, relief-decorated stone sarcophagi, and terracotta lamps.. Circular plaster relief 253353

Relief with scene from the Eighty Years' War, Willem Frederik Vinkenbos, c. 1879 - c. 1890 photograph The Hague paper. photographic support. cardboard albumen print piece of sculpture, reproduction of a piece of sculpture

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