Religious Themes in Sculpture

Etchings and photographs of religious reliefs and sacred scenes, capturing dramatic narratives and figures from biblical stories with emotional intensity.

Wall carpet with a performance from the life of the Sacred Saturninus of Toulouse, set up during the exhibition Rétrospective of 1873 in Tours, France, Gabriel Blaise, 1873 photomechanical print Tours paper tapestry. Saturninus (Sernin), martyr and bishop of Toulouse; possible attributes: bull. temporary exhibition, 'Salon' Tours

Drawing, Friezes; An Antique Sarcophagus; A Vase; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and dark brown ink, brush and brown wash on laid paper; 27.2 x 41.9 cm (10 11/16 x 16 1/2 in.)

Arab chief and rider; Equestrian series. Two prints on a leaf, with German caption and Latin inscription. Left: horse and rider to the right. The horse is in gallop. The rider is an Arabic officer. He has a spear in his hand. Around an ornamental frame. Right: horse and rider to the right. The horse is in gallop. The rider is an Arab. It drives without saddle and has a spear in his hand. Around an ornamental frame.

Reproduction of a painting: Juliusz Kossak (1824-1899), Illustration for `Grażyna` by A. Mickiewicz; excerpt from a magazine. Świat (Kraków ; czasopismo ; 1888-1895), publisher

Theater piece on a stage with public, Hendrik Numan, 1746 - 1788 print There are a number of figures on a stage, including a man in a suit with a checkered diamond pattern. Men, women and children are looking at it around. Haarlem paper group of actors, troupe; actors on the stage. the audience ~ art performance

An etching by Johann Adam von Bartsch from 1782 depicting the departure of the young Tobia, showing figures in motion and narrative action from an 18th-century European biblical scene.

Plat decoration: frame of rolling and shell -shaped construction, 1557 print A man, clamped in a shell -shaped construction, wears a frame of rolling on his shoulders. A shell full of children rests on this frame. The shell is supported by two women in the middle of the rolling work. On either side of their feet is a saat with a woman on their lap. Belongs to series consisting of a title page, a text top and 14 magazines with grotesken with rolling work, saters, garlands, trophies, animals and fantasy scenes. Netherlands (possibly) paper etching ornaments ~ art. scrollwork, strapwork ~ ornament. satyr(s) (in general). other ornament derived from animal forms

Okładka książki "Leben des grossen Kurfürsten". Menzel, Adolph (1815-1905), graphic artist

Cupboard behind which monsters come from, James Ensor, 1888 print On the right is a girl who looks at the monsters behind the cupboard. paper etching wardrobe. girl (child between toddler and youth). mis-shapen animals; monsters

Etching by Odoardo Fialetti created between 1590 and 1638 depicting tritons and nereids, illustrating early seventeenth-century mythological marine figures in Italian engraving.

Bestattung des Patroklos, chart 15, Gesang XXIII Vers 180, Achill. Slevogt, Max (1868-1932), graphic artist, Albert Langen-Verlag (Monachium ; wydawnictwo ; 1894-1932), publishing house, Langen, Albert (1869-1909), publisher

Feet and legs, anonymous, after Stefano della Bella, 1620 - 1664 print Leaf with two performances. Left: eight feet, two of which are with leg to knee. Right: ten feet, two of which are full of legs. Amsterdam paper etching foot

Trophies with agricultural objects, Anonymous, 1700 - 1800 drawing Two trophies with agricultural objects such as baskets with flowers and fruit, sickles, a sieve, a ladder and a watering can. paper. ink. pencil brush trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. agricultural implements

Design by Aldegräver. Édouard Baldus (French, born Germany, 1813 - 1889)

Page 11: a man being terrorised by winged demons representing the seven vices, from '36 Grabados' (Mexico, 1943). Artist: José Guadalupe Posada (Mexican, 1851-1913). Dimensions: 13 3/4 × 9 7/16 in. (35 × 24 cm). Publisher: Arsacio Vanegas Arroyo (Mexican, 1922-2001). Date: 1943.See comment for 46.46.102. Museum: Metropolitan Museum of Art, New York, USA.

Droom, Odilon Redon, 1878 - 1882 print A vision of a landscape with faces floating in the air as balloons, a number of heads and a standing figure on the ground. France paper etching / drypoint vision

Photo production of a print of the Spinario, Libois, After Anonymous, c. 1852 - in or before 1857 photograph photographic support salted paper print 'Spinario', child pulling a thorn out of its foot

Copper engraving and etching by Boëtius Adamsz. Bolswert depicting a landscape with the martyrdom of St. Stephanus, created between 1595 and 1633.

Gypsum models for sculptures at the Palais du Louvre: Left "L'Océanie" by the Renem and Right "Le Feu" by Henri-Frédéric Iselin.Part of Réunion des Tuileries au Louvre 1852-1857, album 1.

Meal at Emmaus, Holy Hieronymus and the Presentation in the Temple. Artist: anonymous. Artist: Rembrandt van Rijn. Draughtsman: Moses ter Borch (mentioned on object). Dating: 1659 - 1661. Place: Zwolle. Measurements: h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

Pleasure model for sculpture on the Palais du Louvre: "Les Arts" by Auguste Préault, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Map of Amsterdam, Anonymous, c. 1730 print Bottom left the Legenda A-Z, A-Z, A-N and 1-116. At the bottom right De Legenda 117-258 and the legend of the Bolwerken. paper etching / engraving maps of cities Amsterdam

Plot models for sculptures on the Palais du Louvre: left "La Paix" by Joseph Brian and right "La Paix" by Cavasse, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Scenes featuring Dante Alighieri by Bonaventura Emler. Gustavo Reiger (Italian, active Rome, Italy 1860s)

Etching by Salomon Savery from 1630-1683 depicting Christ expelling the money changers from the temple. The print shows Christ, merchants, gestures, expressions, and architectural details in 17th-century European style.

Faces with pine branches, birds and a coat of arms. .

The Fall and Redemption of Man, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

Triumph van de Keizer, Adriaen Collaert, after Jan van der Straet, 1587 - 1589 print A Roman emperor, possibly Julius Caesar, on a triumphal wagon pulled by four horses. The triumph wagon is followed by a rider unit. In the lower margin a six -line Latin text. The print is a later added print of a twelve -part series about Roman emperors. Reconstructed from two fragments. Antwerp paper engraving triumph of Caesar (+ in allegorical or symbolic frame or setting; with allegorical or symbolic accessories)

Print made by Samuel Ireland, active 1760-died 1800, British, A Third Modern Military Punishment, 1794. Etching and aquatint on medium, slightly textured, cream wove paper.

Twelve performances from the history of humanity, Daniel Nikolaus Chodowiecki, 1784 print paper etching History. Human Being, Man in General. Society, Civilization, Culture. cave, grotto. hunting, chase. cultivation ~ agriculture. Religion and Magic. education, science and learning. education, science and learning

The arts genius (Salon of 1877), Goupil & Cie., In gold after 1877 photograph Sculpture by A. Mercié of a winged horse with a man as a rider and a woman in addition. paper. photographic support. cardboard albumen print

Bas-relief of Notre-Dame de Paris by Armand Hippolyte Fizeau, showing sculptural details, facade elements, and Gothic architecture, created in 1842.

Eastern men and women, Andries Wiemans CZ. (Possible), 1841 - 1858 print Various scenes with Eastern figures. At the top left men with parasols, weapons, a gong, driving on elephants and horses. In addition, fighting men. At the bottom two men in the midst of groups of young women. Netherlands paper Asiatic races and peoples

Copper engraving and etching by Melchior Küsel from the 17th century depicting portraits, showing faces, attire, gestures, and compositional details in early modern European prints.

st, heath shot - court view - Georgsbrunnen with bronze equestrian statue of St, Georg by Anton Dominik Fernkorn, Michael Frankenstein , Comp, Photo Studio

Mythological beings still image. Prints. 1844 - 1861. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Juno (Roman deity), Jupiter (Roman deity), Mercury (Roman deity), Venus (Roman deity), Satyrs (Greek mythology), Hares, Aphrodite (Greek deity), Hermes (Greek deity), Zeus (Greek deity), Eros (Greek deity), Hera (Greek deity), Argos (Greek mythological character), Io (Greek mythology)

Tracing of the White Rabbit holding his watch Illustration for page 1 of Alice's adventures in wonderland. Tenniel, John, Sir, 1820-1914. 1866. Drawings, Tracings, Illustrations. Henry W. and Albert A. Berg Collection of English and American Literature

Flet stays brifons.

Figures in conversation and six children's heads, anonymous, after Stefano della Bella, 1620 - 1664 print Leaf with two performances. Left: four men in conversation. Right: six children's heads. Amsterdam paper etching conversation, dialogue; conversation piece. adult man. child. tot, toddler ~ the ages of man

Etruscan sarcophagus of terracotta, Stephen Thompson, c. 1869 - in or before 1874 photograph photographic support albumen print sarcophagus. sculpture (+ relief ~ sculpture). harpy (fabulous bird); 'Arpie' (Ripa)

Plot models for sculptures on the Palais du Louvre: left "l'histoire" by Théodore François Devaulx and on the right "L'Anatomy" by Emile Hébert, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Gypsum models for sculptures at the Palais du Louvre: Links "Le Commerce" by Sébastien Delarue and right "L'Hiver" by Isidore Romain Boitel.Part of Reunion des Tuileries au Louvre 1852-1857, album 1.

Umbria Perugia Bettona Palazzo Podesta2. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescos, decorative arts Owner: Pinacoteca German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Darstellungen Aus Dante's Hölle: Punishment for Koch, Joseph Anton (1768-1839), Dall'armi, Joseph (1787-1807); 1807 (1807-00-00-1807-00-00);

Plundering, anonymous, 1490 - 1510 print Two black men with torches and a man windy with a branch near a house. Next to the house a table with fallen cups and jugs. Germany paper Africans. morphology of human expression (+ attacking somebody)

Sardinia Sassari Castel Sardo Cathedral2. Hutzel, Max 1960-1990 Post-medieval: 16th century architecture, built in late Gothic style; architectural sculpture; choir stalls; sculpture; paintings on canvas and panel; altarpiece; fresco; pulpit; tomb monuments; baptismal font; sacred objects German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

See here, ô children! the four chaliers together / imagine; Air, water, fire and earth / reads her names, / thinks further what a power is in its effect, / and caress your sentences through it, 1715 - 1813 with this print. print Four medallions with performances of the four elements. Between the medallions a trophy with flowers, fruits, weapons and musical instruments. In the lower margin a verse in two columns. Numbered at the top right: No. 64. print maker: Netherlandsprint maker: Netherlandspublisher: Amsterdam paper letterpress printing the four elements, and ether, the fifth element. air (one of the four elements). earth (one of the four elements). fire (one of the four elements). water (one of the four elements)

Intake of casale monferrato, 1706; Eroberung der Vestung Casal. Intake of casale monferrato by the Allies, December 6, 1706. The central representation of the intake of the city in a richly decorated ornamental picture frame with an angel at the top of an angel with a weapon with the CR (Carolus Rex) and a cartouche with the description of the description of the description Events in German. At the bottom of a cartouche with a map of the fortified city. Leaf in the bound set of plates released under the title: RepraesTatio Belli ... of the Spanish Successions-Krieg CA. 1720.

Dancer in the Role a Faun. Artist: Paul Scheurich (American German, New York 1883-1945 Brandenburg). Dimensions: (Drawing, irregular) 3 7/8 x 3 1/8 in. (9.9 x 8 cm)(Sheet) 7 5/16 x 5 9/16 in. (18.5 x 14.1 cm). Date: early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Etching by Pietro Testa depicting an allegory honoring the election of Pope Innocent X, created in 1644, featuring classical figures and symbolic elements.

DIBUJOS-VISION DESDE MUNDO VIRIL DEL MUNDO DE LA NATURALEZA. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Nude Facing Front. Alberto Giacometti; Swiss, 1901-1966. Date: 1955. Dimensions: 210 x 58 mm (image); 249 x 67 mm (plate); 502 x 200 mm (sheet). Etching on white wove paper. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

Gypsum Models for Sculptures at the Louvre Palace: Links "The music" by Jules Salson and Right "The Assyrian Art" by Jean Louis Nicolas Jaley. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

Landscape with ruins and grotesque vase, 1767 - 1770 print Landscape with ruins and grotesque vase, left two standing figures. In a later state numbered: 22. Part of Group Prints from one of the four series of vases, ruins, tombs and fountains with a total of around 25 magazines. paper etching landscape with ruins. vase ~ ornament

Sic Bella Ingruunt Cruenta.

Lorenz Froelich (1820-1908), NR illustration. 14 til "love and psyche", 1862

Etching by Bartolomeo Pinelli showing historical views and events in the city of Rome, created in 1819, featuring architecture and public spaces.

Allegory on the artificial lottery, 1831. Allegory on the raffle of artworks for the benefit of the homeland, exhibited in the Palace of Justice in Amsterdam from 28 April to 9 July 1831. King William I surrounded by the personnifications of abundance and steadfastness. In the foreground the art with a GE Nius that offers a painting for the lottery. In the air the fame blowing on her bazard with banner 'makes MAGHT'. At the bottom of a four-line verse.

Hemelkaart van het Northern Hemisphere, Albrecht Dürer, After Conrad Heinfogel, 1515 print paper letterpress printing stars, represented symbolically or allegorically. star-chart, star map. armorial bearing, heraldry

Frame for Portrait of Armand Guéraud, Charles Meryon, 1862 print Frame with allegorical representation of the invention and application of printing. Books with titles on the tires and printing tools are stacked on top of each other Round an empty frame. Under the framework, intended for the portrait of the printer Armand Guéraud, are a law book and a sword. In a band at the bottom there are Chinese characters and here. Meryon took a lot of trouble for the elaboration of the frame, he made fourteen states and always changed the titles on the books alongside other details. A few red accents are striking that the Kunstnaar experimented with. paper etching / drypoint book. tools, implements of printer

Etching from 1645 by François Perrier showing a relief with the triumph of Bacchus and a relief depicting a procession of Silen, featuring classical figures and mythological motifs.

Exodus of the Turkish army, Daniel Nikolaus Chodowiecki, 1790 print Berlin paper etching warfare; military affairs. riding a horse, ass, or mule; rider, horseman. Asiatic races and peoples: Turks

Four men; The Compleat Work of Etchings by John Chalon / Oeuvre Complette des Eaux Fortes Par Jean Chalon. Presentation in four parts. In the upper two, the busts of two men share. There is a man's violin below. At the bottom right an old man with a walking stick. In mirror writing there is vertical some text. The print is part of an album.

Part of a decorated chimney mantle in a house in Antwerp, Belgium, Anonymous, c. 1882 - in or before 1887 photomechanical print Antwerp paper collotype / photolithography chimney-piece, mantelpiece. sculpture (+ relief ~ sculpture) Antwerp

Landscape with Tobias and the angel. Tobias catches a fish in the Tigris River, which he will cut open from the Archangel Rafael and store heart, liver and bile to heal Tobit later. Left to the river a water mill.

The final according to Mikha A. Telescopes - an anion carrying columns Whipping; Beatrizet, Nicolas (1507 cars 1515-Ca 1565), Buonarroti, Michelangelo (1475-1564); 1562 (1562-00-00-1562-00-00);Singing (iconogr.), Rome (Italy), Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945) - collection, final court (iconogr.), Vatican, Italy (state), angels (iconogr.), Columns (architect. ), polychrome, renaissance (style), religious scenes, Italian (culture)

Copper engraving and etching by Francesco Villamena from 1580-1624 depicting Alexander the Great on horseback and the papal army under Paul V in an allegorical representation. The print includes figures, horses, banners, and battlefield elements.

Umbria Perugia Spoleto S. Maria Assunta, Cathedral6. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the wo

He has fallen down by dogs; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);

Dwanaście ilustracji do kalendarza na rok 1793 z historii współczesnej: 1. Śmierć księcia Potemkina, 2. Castrum doloris księcia Potemkina, 3. Święto wielkiej rewolucji w Polsce, 4. Spotkanie króla Prus, cesarza i elektora Saksonii w Pillnitz, 5. Emigrantów francuskich zmartwionych nowymi zarządzeniami elektorów obradujących w Koblencji, 6. Pierwszą wizytę Jerzego III, króla Wielkiej Brytanii i Hannoweru u księżnej Yorku; do Eneidy Aloysa Blumauera: 7. Trojańscy emigranci lądują w Lacjum, 8. Sen Turnusa, 9. Eneasz znajduje symbol swojego przyszłego państwa, 10. Wulkan potajemnie opuszcza łoże udając się do swojej kuźni, 11. Wulkan zamawia zbroję dla Eneasza, 12. Podstępne zamknięcie Turnusa i jego wojska. Chodowiecki, Daniel Nicolaus (1726-1801), draughtsman, cartoonist

Figures on an elephant under a gate in Madurai, Wijnand Otto Jan Nieuwenkamp, 1917 print The elephant is accompanied by figures with lances. The gate is decorated with sculptures. Kneeling figures in the foreground who hold their hands in a begging gesture. paper drypoint contrast between rich and poor. trunked animals: elephant. riding on animal other than horse, ass, or mule. beggar. city-gate Madurai

Two plaster bicycles of reliefs from the facade of Notre-Dame in Paris, c. 1875 - c. 1900 photograph Trocadéro Palace cardboard. photographic support albumen print sculpture (+ relief ~ sculpture). tendrils ~ ornament. ornament ~ hybrid beings; human and animal forms mixed Trocadéro Palace

1911. text. 1911 - 1913. General Research Division. Art , Poland

Study by Carl von Hasenauer on personifications of chivalry, loyalty, and unity, executed on transparent paper with pencil.

Martyrdom of Saint Christoffel, 1776 print Saint Christoffel is tied to a pillar. In front of him is a group of soldiers looking up at a window where the king of Lycia has just shot in his eye with an arrow that was meant for Christoffel. paper etching forty archers fail to harm St. Christopher, the arrows being miraculously deflected; one of the arrows returns and strikes the king in the eye

Print, LE CHEVAL FONDU / LA MAIN CHAUDE; Print Maker: Jacques Bacheley (French, 1712 - 1781); After Hubert-François Gravelot (French, active England, 1699 - 1773); Published by François Chéreau, the younger (French, 1717 - 1755); France; etching on paper

Gypsum Model for Decoration Above Doors of the Louvre Palace by Jean-Pierre Hurpin and Marie Etienne CUSSTEAU. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

Two putti or amorini hunting: the putto urging the dog to run after the hare (top); the dog biting a deer and the putto is about to launch a dart (bottom), Herculaneum, Campania, Italy, engravings by Morghen from drawings by Vanni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume II, plate 43, 1757-1787, Naples.

Susanna and the elders, Dirck De Bray, 1635 - 1694 print paper the elders making advances towards Susanna

Dydon suicide, Virgil's revenge, Virgil, Pyram and Tyzbe; Altdorfer, Albrecht (CA 1480-1538); around 1520-1525 (1st edition) (1515-00-00-1538-00-00), around 1520-1525 (1st edition) (1515-00-00-1538-00-00), approx. 1518/1519 (1st edition) (1513-00-00-1538-00-00);

"Lithography by François Séraphin Delpech depicting daim hunting, showing hunters, dogs, deer, forest landscape, and compositional elements between 1818 and 1825."

Title head with a cowshed, Gerrit Willem Dijsselhof, 1893 print paper cow. farmers. stall, stable

Project for compartments; Unknown, Konopacki, Jan Zdzisław (1856-1894), Nicz, Edward (1851-1916); 1884 (1884-00-00-1884-00-00);

Pinellis 1818 etching depicts Romes historical streets, architecture, and everyday life, highlighting public spaces and urban culture.

Frame project for the portrait of ArmandGuerand. Artist: Charles Meryon, French, 1821-1868

Germany, Monogrammist HE, Scabbards, Scabbard with a man playing the flute, verso under - stamped, Hatched background., print, ornamental print, prints, ornamental prints, height 133 mm, width 29 mm, width 16 mm, German, print maker, printmaker, 1529 - 1529, second quarter 16th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Fire; Ignis; Four elements. Presentation of element fire in the shape of a naked man with flaming hair striking with a flint on a rock. In the background a group of people around a fire above which a boiler hangs. In the undermaster a two-key Latin text. Reconstructed from two fragments.

Three sculptures of oak wood with family weapons in the town hall of Oudenaarde, Belgium, Anonymous, c. 1882 - in or before 1887 photomechanical print City Hall of Oudenaardeantwerp paper collotype / photolithography armorial bearing, heraldry. piece of sculpture, reproduction of a piece of sculpture City Hall of Oudenaarde

Lazio Latina Terracina Museo Archeologico13. Hutzel, Max 1960-1990 Antiquities: Stone figures, both full-length and busts; ancient altars, sarcophagi, inscriptions and stone fragments from the Temple of Giove Anxur and from the ancient town. Object Notes: Hutzel campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

. Roman's Bas-relief from a group of putti, walking in a parade, and carrying horses to the bridle with them. In the middle of Vincenzo Giustiniani coat of arms. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Les Chanteurs, Wilhelm Schmidt, German, 1842 - 1922, Ferdinand Laufbager, Austrian, 1829 - 1881, Etching in dark brown ink on white satin, A frieze composition showing eleven children. Five in the center sing, and two, at right, drink wine., Germany, ca. 1880, Print, Print

Uncuted leaf with twelve vignettes intended as labels, 1700 - 1799 print Leaf with twelve labels. From left to right and top to bottom: vignette decorated with flower branches, cartouche decorated with flower branches, cartouche decorated with flower branches and crowned with flower branches decorated and crowned with ink pot, spring and book, cartouche decorated with flower branches and 4 x four -x four -x cloversje , cartouche decorated with flower brackets, cartouche on the building in landscape and on the right a musician figure, cartouche on the landscape building with a sheep on the right, cartouche in landscape with a pointing figure in front, cartouche in landscape with ruins, cartouche in landscape with ruins and two walking on the right Figures, cartouche in landscape crowned with ancient vase and a lying goat on the right. paper engraving / etching vignette

Etching by Georg Christoph Eimmart the Younger from 1671 illustrating the move to Nuremberg with people, carts, and city structures.

A Third Modern Military Punishment, Print made by Samuel Ireland, active 1760-died 1800, British, after William Hogarth, 1697-1764, British, 1794, Etching and aquatint on medium, slightly textured, cream wove paper

Gypsum Models for Sculptures at the Louvre Palace: Links "The war" by Democrito Gandolphi and on the right "Asia" by Carl Elshund. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

An etching by Johann Heinrich Ramberg from 1799 depicting players engaged in an activity, illustrating human figures and interaction in a scene.

GIPS models for sculptures on the Palais du Louvre: left "La Vigilance" by Aimé Millet and on the right "Le Printemps" by Jean-Auguste Barre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Nuremberg, Solis, Virgil, Hare Hunt with Hounds and a Falcon, verso - handwritten in brown ink, print, prints, verso - stamped, 28, height 38 mm, width 168 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching, plate tone

Susanna and the elders, Dirck De Bray, 1635 - 1694 print Netherlands paper the elders making advances towards Susanna

Man with a dagger and a woman, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print A man with a dagger (orestes) Is next to a sitting woman (an Erinyen). Behind the woman is a fantasy ones. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: Rome paper etching / engraving hacking and thrusting weapons: dagger. mis-shapen animals; monsters

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