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Religious Themes in Sculpture

Etchings and photographs of religious reliefs and sacred scenes, capturing dramatic narratives and figures from biblical stories with emotional intensity.

Wall carpet with a performance from the life of the Sacred Saturninus of Toulouse, set up during the exhibition Rétrospective of 1873 in Tours, France, Gabriel Blaise, 1873 photomechanical print Tours paper tapestry. Saturninus (Sernin), martyr and bishop of Toulouse; possible attributes: bull. temporary exhibition, 'Salon' Tours
Wall carpet with a performance from the life of the Sacred Saturninus of Toulouse, set up during the exhibition Rétrospective of 1873 in Tours, France, Gabriel Blaise, 1873 photomechanical print Tours paper tapestry. Saturninus (Sernin), martyr and bishop of Toulouse; possible attributes: bull. temporary exhibition, 'Salon' Tours
261 assets in this story
6145-48459078
Quast Ferdinand von (1807-1877), Wörthkirche near Kreuznach. Gravestone of Friedrich von Löwenstein (1849): View with coat of arms and Latin inscription. Pencil on transparent, 31.8 x 20.1 cm (including scan edges) Quast Ferdinand von (1807-1877): Wörthkirche bei Kreuznach. Grabstein des Friedrich von Löwenstein
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Klingholz Fritz (1861-1921), calendar sheet January (January 21, 1897): View. Pressure on paper, 18.8 x 10.8 cm (including scan edges) Klingholz Fritz (1861-1921): Kalenderblatt Januar
6145-59418263
Dancing Almeh, Leendert de Koningh, After Otto Baron Howen, 1828 print The girl dances in the midst of a group of men. after design by: Egypteprinter: Dordrecht paper woman dancing alone. more than one musician with instrument Egypt
6145-46194083
Gypsum Models for Sculptures at the Louvre Palace: Links "La Ceramics" by Jean Pierre Victor Huguenin and Right "Medicine" by Louis Eugene Bion. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.
6145-43618345
La Naissance de Vénus. Wittmann Charles, Imprimérie, Paris (fl. ca 1886-1908), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Hautecoeur, Jules (fl. 1885-1902), publisher, Botticelli, Sandro (1444 aut 1445-1510), painter
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Mary Magdalen carried to Heaven. Artist: Anonymous, French, School of Fontainebleau, 16th century; Designed by Giulio Romano (Italian, Rome 1499-1546 Mantua). Dimensions: 11 13/16 x 13 3/8in. (30 x 34cm). Date: ca. 1544. Museum: Metropolitan Museum of Art, New York, USA.
6145-59087687
At the shed - mystery; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);
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Terror of the wilderness , Sick persons, Cabins, Fires, Fighting, Murals. The Massachusetts WPA Federal Art Project Photograph Collection
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Five performances leaf, Rodolphe Bresdin, 1841 print Leaf with five performances of a etching plate. Above: forest landscape with fleeing man; Below that left: city on banks of river; Right: Faust and Méphistophélès at Marguerite. Under the left: wax women on banks of river; Right: landscape with mill and farm. paper etching island. river bank. Faust. laundering. windmill in landscape
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st, Dr, -signaz -Seipel -Platz - Academy of Sciences - Auda of the Old University - Interior View - Festival Aal - Ceiling Fresco, August Stauda -, photographer
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Tantallon Castle, Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1822, Line engraving, engraver's proof on moderately thick, moderately textured, cream, wove paper, wth gray chine colle, Sheet: 14 1/4 × 10 1/8 inches (36.2 × 25.7 cm), Plate: 10 × 12 1/4 inches (25.4 × 31.1 cm), Chine collé: 9 3/4 × 11 15/16 inches (24.8 × 30.3 cm), and Image: 6 7/16 × 9 9/16 inches (16.4 × 24.3 cm)
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TITELBLAD: new clean ornaments for embroidery and small point; New clean ornaments for embroidery and small point. Links Zijn Twee GeborDurde Doeken Te Zien, Rechts Een Dekkleed MET Het Engelse Koningswapen. Kopie Naar prant serie new ornaments clean to make in embroidery and small point Uitgegeven Door Daniel Marot.
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Reproduction of a painting from the collection of the Zachęta Fine Arts Society: Henryk Siemiradzki (1843-1902), Sąd Parysa The Judgement of Paris, oil, canvas, 1892 (currently in the collection of the National Museum of Warsaw). Leonar (fl. ca 1930), publishing house, Towarzystwo Zachęty Sztuk Pięknych (Warszawa ; 1860-1940), publisher
6145-30128557
The large triumphy, 1519.The large triumphar. Triumphag in honor of Emperor Maximiliaan I at his death on January 12, 1519. Car with the emperor pulled by six tensioning of two horses. The car and the horses accompanied by female personnifications from all kinds of virtues.
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Engraving, Shepard Boy with Dog, Seated Female Figure (from Sketchbook) John William Casilear American. Engraving, Shepard Boy with Dog, Seated Female Figure (from Sketchbook) 16536
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Lazio Latina Cori S. Oliva69. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Pavillon de Flore. Édouard Baldus (French, born Germany, 1813 - 1889)
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A 16th-century etching by an unknown monogrammist depicting Maria and Anna with Jesus and John, showing the figures in a devotional portrait composition.
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David in Goliath, 1635 - 1694 print Netherlands paper David fighting Goliath
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Sculpture of a personification of the Nile in the Vatican Museums, Giorgio Sommer, c. 1860 - c. 1880 stereograph Vatican Museums photographic support. cardboard albumen print piece of sculpture, reproduction of a piece of sculpture. personification of river Nile; 'Nilo' (Ripa) Vatican Museums
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Reinaert with a letter at Canteclaer and his family. Design for illustration (fol. 6, second design): Van den Vos Reinaerde; Reinaert, as a hermit, with a letter at Canteclaer and his family, for a wall.
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Study for Cosimo I, Reviving the City of Fivizzano (for a ceiling in the Palazzo Vecchio,Florence). Artist: Giorgio Vasari, Italian, 1511-1574
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Twelve moralistic and satirical performances, Daniel Nikolaus Chodowiecki, 1778 print paper etching
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Reproduction of a sketch for the allegory of the birth of the Dauphin (TF)
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A poor lightning ": the artist surrounded by..
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Artist: Mariotto di Nardo, Italian, Florence, 1394-1424, Scenes from the Legend of Saints Cosmas andDamian, ca.1400, Tempera and gold on panel, 24.1 × 73.3 cm (9 1/2 × 28 7/8in.), Made in Florence, Italy, Italian,Florence, 15thcentury, Paintings
6145-59613571
GIPS Model for the pediment of the Pavillon Denon by Pierre Charles Simart, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. other architectural details (with NAME) Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris
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Architecture fantasy with grotesque vase. Architecture fantasy with grotesque vase with snakes. Numbered in a later state: 8. Part of group of prints from one of the four series of vases, ruins, tombs and fountains with a total of around 25 sheets.
6145-52340329
Klání. Kachel z XV. stol. Museum města Prahy. Duch moderní tvorby v architektuře (cont'd). Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia
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Figures on an elephant under a gate in Madurai, Wijnand Otto Jan Nieuwenkamp, 1917 print The elephant is accompanied by figures with lances. The gate is decorated with sculptures. Kneeling figures in the foreground who hold their hands in a begging gesture. paper drypoint contrast between rich and poor. trunked animals: elephant. riding on animal other than horse, ass, or mule. beggar. city-gate Madurai
4409-17565154
Happy Gouda. Jan Toorop (Dutch, 1858-1928); printed by S. Lankhout and Company. Date: 1897. Dimensions: 292 x 386 mm (image); 344 x 347 mm (sheet). Lithograph in brown on cream wove paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.
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Lorenz Froelich (1820-1908), Illustration No. 4 to "Visen about Queen Dagmars Arrival in Denmark", 1863
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View of Huis ter Meer, Anonymous, 1700 - 1750 print Two the same prints from Huis ter Meer with a hand on a hand on an image and a hand with a hammer. The bottom image is colored. paper etching / engraving castle House Ter Meer
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GIPS models for sculptures on the Palais du Louvre: left "Les combats" by Edme Sornet and right "La Navigation" by Pierre Travaux, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris
4409-17416417
Traite des Nègres (The Slave Trade). Artist: After a painting by George Morland (British, London 1763-1804 London). Culture: French, Alsace. Designer: Designed by Frédéric Etienne Joseph Feldtrappe (1786-1849). Dimensions: Overall: 101 × 33 in. (256.5 × 83.8 cm). Engraver: After an engraving by John Raphael Smith (British, baptized Derby 1751-1812 Doncaster) after G. Morland, published in London in 1791. Date: early 19th century.Frederic Feldtrappe produced this textile in the early nineteenth century during a moment of intense debate in France over the viability and morality of the slave trade. Of the four narrative scenes, two reference earlier paintings by English artist George Moreland and contrast the brutality of European slave traders with the kindness of Africans who minister to a shipwrecked European family. The other two scenes, based on engravings by Frenchman Nicolas Colibert, juxtapose a happy African family with the appearance of European traders in Africa. Their cache o
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Gypsum Models for Sculptures at the Louvre Palace: Links "Mole" by Nanteuil and Right "Turgot" by Pierre works. Share of meeting of the Tuileries at the Louvre 1852-1857, album 1.
6145-59596857
Paaswens van Ans and Wim van der Kuylen, Anonymous, After Unknown, 1937 paper Easter egg. flowers. birds. rodents: hare. child between toddler and youth (of undetermined sex)
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Mier Wapowski; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);
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st, Maria-Theresien-Platz-Kunsthistorisches Museum-Two gusset figures Cologne and Prague Wiener Bauten-Album, sheet No, side dish for the Wiener Bauindustrie-Zeitung, Unknown, photographer
4409-17433561
Design for a Frieze with Acanthus Scrolls with the Theme of Love, Plate 7 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 3 1/4 × 9 3/4 in. (8.3 × 24.7 cm). Publisher: Nicolas Langlois (French, Paris 1640-1703). Series/Portfolio: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami). Date: ca. 1645-50. Museum: Metropolitan Museum of Art, New York, USA.
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Plate K: Election and Coronation of Emperor Maximilian II. Artist: Willhelm Hoffmans (German, active Frankfurt). Dimensions: Sheet: 7 5/16 × 11 3/16 in. (18.5 × 28.4 cm)Plate: 6 5/8 × 9 11/16 in. (16.9 × 24.6 cm). Printer: Johann Bringern (German, active Frankfurt). Published in: Frankfurt. Publisher: Anonymous, German, 17th century. Date: 1612.Holy Roman Emperor from July 25, 1565 - October 12, 1576.CoronationsPrague: September 20, 1562Frankfurt: November 24, 1562Pressburg: September 8, 1563. Museum: Metropolitan Museum of Art, New York, USA.
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Quast Ferdinand von (1807-1877), Askanti women in the Cape Coast Castle (without Dat.): On the head wooden boxes, among others, with the inscription Australian Beef, a young women wearing with a baby in the back frame (follow-up or pushing Nac. Ink on Transparent, 30.3 x 18.3 cm (including scan edges) Quast Ferdinand von (1807-1877): Askanti-Frauen im Cape Coast Castle
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Standard bearer, Tamboer and a third man, Hieronymus Wierix, After Anonymous, 1563 - Before 1570 print Antwerp paper engraving standard-bearer, flag-bearer. tambourine
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Eichholz P., Renaissance portals at Schlösschen Baum, Bückeburg. (From: Atlas to the magazine for Building, ed. V. Ministry of public work, born 53 (1903-1903): Details. Printing on paper, 29.3 x 45 cm (incl. Scan edges) Eichholz P. : Renaissance-Portale beim Schlösschen Baum, Bückeburg. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. Ministerium der öffentlichen Arbeiten, Jg. 53, 1903)
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L. Robert Rome 1830, V. Chevallier Vincent.
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Graf monument of Maarten Tromp in the Oude Kerk in Delft, Anonymous (Monumentenzorg) (Attributed to), A.J.M. Mulder (Possibly), 1910 photograph Old church photographic support. cardboard gelatin silver print grave-building, monumental tomb. interior of church Old church
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Design drawing for a window in the Nieuwe Kerk in Delft, Willem van Konijnenburg, 1878 - 1943 drawing paper. ink. pencil brush / pen
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Design for a float, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault. Artist: Melchior Tavernier (French (born Flanders), Antwerp 1564-1641 Paris); Pierre Firens I (Flemish, Antwerp 1580-1638 Paris); After Abraham Bosse (French, Tours 1602/1604-1676 Paris). Author: Jean-Baptiste de Machault (French, 17th century). Dimensions: Sheet: 8 5/8 × 11 13/16 in. (21.9 × 30 cm)Plate: 7 13/16 × 11 in. (19.9 × 28 cm). Date: 1629. Museum: Metropolitan Museum of Art, New York, USA.
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Plots. Bonus of the Society of Estate Fine Arts in the Kingdom of Poland for 1914; unknown, Kossak, Juliusz (1824-1899); 1914 (1914-00-00-1914-00-00);
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Estampes. Boileau Estampes. Boileau. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).
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Horses, dancing people and masks, Leo Gestel, 1891 - 1941 drawing Numbered in the bottom left: B. paper. deck paint. India ink (ink). pencil pen horse. dancing. mask
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"Etching and aquatint by Francisco José de Goya from 1810, first edition 1863, depicting an anonymous scene from 'The Disasters of War', with figures affected by conflict and destruction."
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Drawing (Italy); Designed by Felice Giani (Italian, 1758-1823)
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Plot models for sculptures on the Palais du Louvre: "La Poésie et la Philosophie" by Pierre Loison, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris
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Two ex librises for Vincent van Gogh. Two ex librises for art dealer Vincent van Gogh, with a reading man and a coat of arms.
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Lazio Viterbo Viterbo Museo Civico46. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-
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December; Twaalf maanden.From a series of twelve prints, the imagination of December. On the left slaughtering a pig and making blood sausage, in the middle slaughtering a cow, right the constellation Capricorn and a cartouche with the text: Ich Stich Drei Schwein und Zwei Rindt, Damis Speis Ich Mein HawsTindt.
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Orpheus and De Dieren, 1615 print paper engraving Orpheus playing the lyre: trees and rocks move, beasts and birds are enchanted
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Anefo photo collection. Assignment Van der Spiegel, recordings in Institute for Social History. October 18, 1972
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January, Anonymous, Jost Amman, 1549 - 1591 print paper etching January; 'Gennaro' (Ripa)
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st, Volksgarten - Grillparzerdenkmal - Relief The dream a life, postcard, Brothers Kohn KG B, producer