Religious Woodcuts

Dramatic woodcuts depicting biblical narratives and saints, rich in detail and expressive gestures, showcasing intense moments from religious history.

Torture, ordeal, inquisition, a. convict tied to four posts and beaten with sticks, b. Condemned man tied naked to iron skewers and violently beaten with sticks, c. Condemned man bound by hands and feet and also beaten with sticks., illustration, reproduction from a 16th century model, intermediate, authentic, file restored for optimal use, exact date of original unknown

Torture, ordeal, inquisition, a. convict tied to four posts and beaten with sticks, b. Condemned man tied naked to iron skewers and violently beaten with sticks, c. Condemned man bound by hands and feet and also beaten with sticks., illustration, reproduction from a 16th century model, intermediate, authentic, file restored for optimal use, exact date of original unknown

Master of the Miracles of Mariazell, Khunig Ludwig , c 1503 Khunig Ludwig ...

The Last Judgment, from The Fall and Redemption of Man Made 1510-1518 Germany. Woodcut in black on ivory laid paper . Albrecht Altdorfer

Folter, Tortur, Inquisition, a. Verurteilter, an vier Pfähle gebunden und mit Stöcken geschlagen, b. Verurteilter, nackt an Eisenspieße gebunden und heftig mit Stöcken geschlagen, c. Verurteilter, an Händen und Füßen gefesselt und ebenfalls mit Stöcken geschlagen., Illustration, Reproduktion von einer Vorlage aus dem 16. Jahrhundert, Mittelater, Authentisch, Datei restauriert für optimale Verwendung, genaues Datum der Vorlage unbekannt gallonio-tortures-1591-p14-8c902d

This woodcut from around 1530-1540 depicts the scourging of Christ, showing figures, posture, gestures, and interior elements.

Woodcut and type print by Lucas Cranach the Elder from around 1512, edition 1539, depicting the martyrdom of Saint James the Elder with detailed figures and expressive gestures.

Christ Raised on the Cross. Dated: 1507. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Baldung Grien.

Albrecht Dürer (1471-1528). The little passion on wood: deploration (Bartsch 43). 1509-1510. Museum of Fine Arts of the City of Paris, Petit Palais. 77216-22 Way of the Cross, Deplore, Pain, New Testament, Passion of Christ, Renaissance, Life Christ, Engraving

The Emperor visited by Death. Facsimile of an engraving, belonging to the series "The Dance of Death" by Hans Holbein the Younger, in "Les Simulachres et Histoires facees de la Mort", 1538. "Vie Militaire et Religieuse au Moyen Age et a l'Epoque de la Renaissance". Paris, 1877.

Hercules Conquering the Molionide Twins, Albrecht Dürer, German, 1471-1528, Woodcut on laid paper, A man wearing an animal skin carrying a club (presumably Hercules) has thrown down another man wearing armor. A second man in armor is already on the ground. Behind, a young woman is pursued by an older nude woman brandishing a jawbone. A landscape and two towns can be seen in the background., Germany, ca. 1497, figures, Print, Print

Torture, Torture, Inquisition, a. Condemned thrown into a river with a heavy stone at the foot, b. Wrapped in a net, thrown into water, c. Thrown into a nearby river with a lead weight around his neck, e. Thrown head first into a well, illustration, reproduction from a sixteenth-century model, middle age, authentic, file restored for optimal use, exact date of Template unknown

Jacques Callot, The Martyrdom of Saint Peter, 1608 1611 The Martyrdom of Saint Peter

A barber cutting a man's hair. Woodcut by Jost Amman.

Woodcut by Hans Burgkmair the Elder, 1523, showing John measuring the Temple of God, including architectural details, figures, and symbolic religious elements.

ESCENA DE CINNA. Author: RIQUER. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Netherlands, Master of the Virgo inter Virgines, Master of the Delbecq-Schreiber Passion, Master of Delft, Anastasis, Christ's descent into hell, Printed from three blocks. Christ pulls a man, followed by others, out of the gates of hell. Architectural ornamentation to the left and right of the scene., print, engraving, book illustration, prints, engravings, height 105 mm, width 145 mm, Northern Netherlands, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, papier, woodcut, Southern Netherlands

Folter, Tortur, Inquisition, a. Verurteilter, die mit einem schweren Stein am Fuß in einen Fluss geworfen wurden, b. In ein Netz gewickelt ins Wasser geworfen, c. Mit einem Stein um den Hals in einen nahegelegenen Fluss geworfen, d. Mit einem Bleigewicht um den Hals, e. Mit dem Kopf voran in einen Brunnen geworfen, Illustration, Reproduktion von einer Vorlage aus dem 16. Jahrhundert, Mittelater, Authentisch, Datei restauriert für optimale Verwendung, genaues Datum der Vorlage unbekannt gallonio-tortures-1591-p42-06a16b

Der Tod holt den Trunkenbold Holzschnitt von Georg Scharffenberg nach Hans Holbein d. J. Aus Der Todten Tanz, Basel 1843 / Death comes for the Drunkard Woodcut by Georg Scharffenberg after Hans Holbein the Younger From Der Todten Tanz or The Dance of Death published Basel 1843, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated,

Woodcut by Albrecht Dürer around 1509 depicting Christ in the pre-pale, part of the Small Passion series, showing figure, gesture, and early 16th-century German religious iconography.

Dance of Death: The Coat of Arms of Death, c. 1526. Hans Holbein (German, 1497/98-1543). Woodcut;

Torture, ordeal, inquisition, a. convict who receives slaps and kicks and whose face is bruised with fist punches, b. Convicted person who is stoned, c. Convicted person whose face and jaw are injured with a stone, i.e. convicted who is crushed under a huge stone., illustration, reproduction from a 16th century original, authentic, file restored for optimal use, accurate Submission date unknown

gastronomy, meals, prince having feast, woodcut, from: Publis Vergilius Maro, ""Opera"", Lyon, 1517,

Netherlands, Master of the Virgo inter Virgines, Master of the Delbecq-Schreiber Passion, Master of Delft, Parable of the Workers in the Vineyard, Landlord speaking to workers. Two men working in a vineyard., print, engraving, book illustration, prints, engravings, height 98 mm, width 141 mm, Northern Netherlands, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, woodcut, Southern Netherlands

Lützelburger, Hans, Holbein, Hans (II), Dance of Death, Coat of arms of Death flanked by a man and a woman, The shield with the coat of arms of Death depicted as a skull or skull with a worm crawling between its grinning jaws. On top of the shield is a helmet with the attribute of Death, an hourglass, between two skeletal arms. The coat of arms is flanked by a richly dressed man and woman. On the verso is a fragment of French text., print, engraving, book illustration, prints, height 65 mm, width 50 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1524 - 1526, first quarter 16th century, second quarter 16th century, paper, woodcut, - 1526-06-23, block cutter, 1538 - 1538

The Entry into Jerusalem, from The Fall and Redemption of Man Made 1510-1518 Germany. Woodcut in black on ivory laid paper . Albrecht Altdorfer

The Labors of Hercules The Pillars of Hercules Made 1523-1533 France. Woodcut on paper . Gabriel Salmon

Christ in Limbo Albrecht Dürer (German, 1471-1528). Christ in Limbo, 1509-1511; edition of 1511. Woodcut on laid paper, Sheet: 5 3/16 x 4 in. (13.2 x 10.2 cm). European Art 1509-1511; edition of 1511

Torture, Torture, Inquisition, a. convict thrown upside down into a cauldron with molten lead or boiling oil, b. convict in a hot frying pan, c. Condemned person dipped in a boiling pot, illustration, reproduction from a sixteenth-century original, authentic, file restored for optimal use, exact date of submission unknown

The Betrayal, from The Fall and Redemption of Man Made 1510-1518 Germany. Woodcut in black on ivory laid paper . Albrecht Altdorfer

Brazen serpent. Giulio Romano (Italian, 1492/99-1546) (author of design) painter c. 1545 Tapestry Dimensions: H 417 x W 506 cm Tapestry Materials/Techniques: unknown Culture: Flemish Ownership History: Austria, Vienna, Vienna, Kunsthistorisches Museum, accno. I/9. Inscriptions: Inscription in upper border cartouche: VENERVNT AS MOYSEN.. In landscape, when people complain again about food, God sends poisonous snakes & many die of snake-bites; however, anyone who is bitten by snake is cured by looking at brazen serpent twisted around tree; Moses seen holding out rod towards serpent (Numbers 21:4-9) (L & R BRD) segmented border with figures in architectural niches, coats of arms at top; (UPR BRD) headed by cartouche with inscription, flanked by garlands of flowers & fruit, & 2 miniature masks; (LWR BRD) seated female figures interspersed with swags & lambrequin decorations, at far left dragon eating apple from tree Photographs in Photo Study Collection are details only; see Mahl's article

Hans holbein the younger: Totentanzfolge Series from a dance with death 1523

woodcut illustration from Quadragesimale novum de filio Prodigal. (1495) by Johann Meder. Basle

Judgement of Solomon. Engraving, 16th century.

Historical illustration from the 19th Century, pamphlet of the rebellious Dutch against Don Fernando Alvarez de Toledo y Pimentel, 3rd Duke of Alba, Duque de Alba, 1507 - 1582, a Spanish nobleman, military leader and statesman, 16th Century

Folter, Tortur, Inquisition, a. Verurteilter, der Ohrfeigen und Tritte erhält und dessen Gesicht mit Faustschlägen verletzt wird, b. Verurteilter, der gesteinigt wird, c. Verurteilter, dessen Gesicht und Kiefer mit einem Stein verletzt werden, d. Verurteilter, der unter einem riesigen Stein zerquetscht wird., Illustration, Reproduktion von einer Vorlage aus dem 16. Jahrhundert, Mittelater, Authentisch, Datei restauriert für optimale Verwendung, genaues Datum der Vorlage unbekannt gallonio-tortures-1591-p15-d01b9e

Flagellation Albrecht Dürer (German, 1471-1528). Flagellation, 1509-1511; edition of 1511. Woodcut on laid paper, Sheet: 5 1/4 x 4 1/16 in. (13.4 x 10.3 cm). European Art 1509-1511; edition of 1511

The Shepherd's Calendar; Illustration to the Poem of the same name by Edmund Spenser, 1579; Black and White Illustration;

Marteld death of Paul by beheading, Lucas Cranach (I), 1510 - 1514 print The beheaded body of the apostle Paul is lying on the floor, where his head falls, two fountains are created. A Roman commander and his consequence of soldiers, among others, watches. The soldier who beheaded the holy on the right, puts his sword back in the sheath. At the top left two shields with the Electoral and Ducal Weapon of Saxony. Germany paper the beheading of Paul; maybe three fountains spring from his head

Illustration from The Comedie of Terence, 19th century reprint n.d. Albrecht Dürer German. Illustration from The Comedie of Terence, 19th century reprint 387793

Satyr trying to rape Silvia, act III from Aminta by Torquato Tasso, engraving, Aldina edition, 1573

Folter, Tortur, Inquisition, a. Verurteilter, dem die Haut vom Gesicht gerissen wird, b. dem die Füße amputiert werden, c. dem die Beine gebrochen werden, d. dem die Stirn verbrannt wird, Illustration, Reproduktion von einer Vorlage aus dem 16. Jahrhundert, Mittelater, Authentisch, Datei restauriert für optimale Verwendung, genaues Datum der Vorlage unbekannt gallonio-tortures-1591-p34-47a852

leisure bathing and other festivities pen drawing from the housebook of the Prince of Waldburg-Wolfegg circa 1490,

Joab kills Amasa, 1645 - 1657 print Joab surprises Amasa who wants to greet him by stabbing him with a sword. Also used as an image of the death of Abner. The print is part of an album. paper letterpress printing Joab kills Amasa: Joab takes Amasa by the beard with the right hand as if to kiss him, and stabs him with a dagger. Abner, fetched by Joab's messengers, is taken aside by Joab in the gate of Hebron, and is killed by him with a sword

The Flight Into Egypt, from The Fall and Salvation of Mankind Through the Life and Passion of Christ. Artist: Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). Dimensions: Sheet: 3 1/8 × 2 3/16 in. (8 × 5.5 cm). Date: ca.1513. Museum: Metropolitan Museum of Art, New York, USA.

Death comes for the Emperor Woodcut by Georg Scharffenberg after Hans Holbein the Younger From Der Todten Tanz or The Dance of Death published Basel 1843

'Ascension of Maria Magdalena', 1507-1510, (1936). Artist: Albrecht Dürer

Netherlands, Master of the Virgo inter Virgines, Master of Delft, Master of the Delbecq-Schreiber Passion, Carrying of the Cross, Christ carrying his cross, a group of assailants behind him., print, engraving, book illustration, prints, engravings, height 90 mm, width 68 mm, Southern Netherlands, unknown, 1490 - 1500, fourth quarter 15th century, first quarter 16th century, paper, woodcut, Northern Netherlands

Resurrection, 1515, Woodcuts, approx. 2 13/16 x 1 15/16 in. (7.2 x 4.9 cm), Paper / Sheet approx. 3 x 2 1/16 in. (7.6 x 5.2 cm), Stamped in black ink, verso Y.W. enclosed in circle (Lugt 2669), Cream laid

Saint Simon, painting by Lucas Cranach the Elder, 4 October 1472, 16 October 1553, one of the most important German painters, graphic artists and book printers of the Renaissance, Historical, digitally restored reproduction of a historical original

Netherlands, Master of the Virgo inter Virgines, Master of the Delbecq-Schreiber Passion, Master of Delft, The Massacre of the Innocents, recto top center - handwritten, Printed from three blocks. Two mothers with children, and two soldiers each killing a child. King Herod on horseback looks on. Architectural ornamentation to the left and right of the scene., print, engraving, book illustration, prints, engravings, Herod, height 107 mm, width 145 mm, Northern Netherlands, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, papier, woodcut, Southern Netherlands

fine arts, Amman, Jost (1539-1591), woodcut, scene: Conversion of Saint Paul (), from ""Heldenbuch"", printed by Sigmund Feyerabend, Frankfurt on the Main, Germany, 1590, facsimile from ""Der Formenschatz"" (Art Treasure) published by Georg Hirth, 1884,

'The Workshop of Konrad Seusenhofer', c17th century.

Jacob dreams of the heavenly ladder; he consecrates with oil the spot where he slept; he meets Rachel, who is tending sheep in the vicinity of a Mesopotamian city. Woodcut by S.H., 1568, after V. Solis.

Torture, Torture, Inquisition, a. convict whose skin is torn off his face, b. whose feet are amputated, c. who has his legs broken, d. whose forehead is burned, illustration, reproduction from a 16th-century model, middle age, authentic, file restored for optimal use, exact date of presentation unknown

Folter, Tortur, Inquisition, a. Verurteilter, der kopfüber in einen Kessel mit geschmolzenem Blei oder kochendem Öl geworfen wurde, b. Verurteilter in einer heißen Bratpfanne, c. Verurteilter, der in einen kochenden Topf getaucht wurde, Illustration, Reproduktion von einer Vorlage aus dem 16. Jahrhundert, Mittelater, Authentisch, Datei restauriert für optimale Verwendung, genaues Datum der Vorlage unbekannt gallonio-tortures-1591-p22-135d6d

Depicts a narrative scene by Meister der Auferstehung von 1461, showing figures, gestures, and ceremonial elements, executed as a copper engraving print in 1461.

Crucifixion by a table, illustration from Speculum Passionis, 1507. Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd () 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Sheet: 2 15/16 x 3 1/8 in. (7.4 x 8 cm). Date: 1507. Museum: Metropolitan Museum of Art, New York, USA.

The Flagellation, from The LargePassion. Artist: Albrecht Dürer, German, 1471-1528

Merchant and death; Dance dance. Koopmen in a port is startled by death while they are dealing with the trade. A merchant kneels between goods and counts money on a bale. In the margin above the print is the text Proverbes XXI.

Execution site with gallows and wheel, around 1500, facsimile of a woodcut by Emperor Maximilian I Theuerdank, illustrated by Hans Burgkmair, digitall...

The Old Man. Death, depicted as a skeleton playing a musical instrument, accompanies an old man to his grave. Facsimile of an engraving, belonging to the series "The Dance of Death" by Hans Holbein the Younger, in "Les Simulachres et Histoires facées de la Mort", 1538. "Vie Militaire et Religieuse au Moyen Age et à l'Epoque de la Renaissance". Paris, 1877.

Carpenters, 16th century (1849). Artist: Jost Amman

Copper engraving print 'The Adjoining of the Kings' by Meister mit den Bandrollen, circa 1450-1475, depicting a scene of two kings meeting with detailed figures, drapery, and heraldic elements.

Knight and Landsknecht Made 1496 Germany. Woodcut in black on ivory laid paper . Albrecht Dürer

Der Tod und das Kind, aus dem Totentanz von Hans Holbein der Jüngere / Death and the Child, from the Dance of Death by Hans Holbein the Younger, Historisch, historical, digital improved reproduction of an original from the 19th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt.

Woodcut of a child by Hans Holbein the Younger, circa 1525-1540, showing youthful features, posture, and traditional clothing.

This 1516 woodcut by Meister IS mit der Schaufel depicts the temptation of Christ by the devil, showing Christ confronted by a demonic figure in a biblical narrative.

The Multitude Which Stands before the Throne. Dated: 1546/1556. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jean Duvet.

Mount Calvary, woodcut by Albrecht Durer, historical, digital improved reproduction of an old woodcut..

The Merchant. Scene depicting two rich merchants in a port. The Death chooses one of them who is resisting, trying, in spite of the situation, to take some coins that he was counting at the time. Facsimile of an engraving belonging to the series "The Dance of Death" by Hans Holbein the Younger, in "Les Simulacres de la Mort", 1538. "Vie Militaire et Religieuse au Moyen Age et a l'Epoque de la Renaissance" . Paris, 1877.

Ferdinand I, Holy Roman Emperor, and Johann Vogelin, Vienna, 1529. Artist: Unknown

Illustration depicting a schoolmaster administrating corporal punishment. Dated 16th Century

Netherlands, Master of the Virgo inter Virgines, Master of the Delbecq-Schreiber Passion, Master of Delft, Christ before Pilate; Pilate washing his hands, Printed from three blocks. Christ bound and held by soldiers. Pilate on a seat washes his hands in a bowl in which water is poured. Architectural ornamentation to the left and right of the representation., print, book illustration, prints, height 108 mm, width 146 mm, Northern Netherlands, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, woodcut, Southern Netherlands

Hercules Strangling the Nemean Lion, from the Labors of Hercules Made 1523-1533 France. Woodcut on paper . Gabriel Salmon

Death and the Fool Date: circa 1500

Folter, Tortur, Inquisition, a. Verurteilter, dessen Beine an zwei benachbarte Bäume gefesselt sind, die man gewaltsam gebogen und aneinander gedrückt hat und die bald abrupt losgelassen werden, b. Verurteilter, der mit spitzen Schilfrohren geFolter, Tortur, Inquisitiont wird, die unter seine Finger- und Zehennägel gestochen werden., Illustration, Reproduktion von einer Vorlage aus dem 16. Jahrhundert, Mittelater, Authentisch, Datei restauriert für optimale Verwendung, genaues Datum der Vorlage unbekannt gallonio-tortures-1591-p37-47dddb

Folter, Tortur, Inquisition, a. Verurteilter, die an den Hals oder Schwanz wilder Pferde gebunden und von diesen grausam hinter sich hergezogen werden, b. Mit an ihren Füßen befestigten Seilen durch die Straßen oder über steinige Orte gezogen werden., Illustration, Reproduktion von einer Vorlage aus dem 16. Jahrhundert, Mittelater, Authentisch, Datei restauriert für optimale Verwendung, genaues Datum der Vorlage unbekannt gallonio-tortures-1591-p39-14c0ac

Albrecht Dürer, The Great Passion: Ecce Homo, 1498-1499, woodcut on paper.

The Apocalypse, the battle of the angels, woodcut by Albrecht Durer, historical, digital improved reproduction of an old woodcut..

Torture, ordeal, inquisition, a. convict whose legs are tied to two neighboring trees, which have been forcibly bent and pressed together and which are soon released abruptly, b. Condemned person who is tortured with pointed reeds, inquisitiont, which are stabbed under his fingernails and toenails., illustration, reproduction from a 16th-century model, middle ater, authentic, File restored for optimal use, exact date of submission unknown

Harpagos gives infant Cyrus to shepherd Mithridates. unknown c. 1630 Tapestry Dimensions: H 11'6" x W 8'8" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Lionel Harris 5/14/1918, invoiced 8/1/1919; sold to Philip L. Goodwin 12/27/1939. Inscriptions: Weaver mark on right guard, bottom Inscriptions: Inscription in lower border cartouche partially legible in photograph: ROBVR ET VIS / PRVDENTIE IVNCTA / OMNIA SVPERANT Harpagos richly dressed with headdress & cape holds infant Cyrus (center, foreground); shepherd Mithridates kneels before Harpagos, shepherd's crook lies on ground (L, foreground); cottage with trees (L, background) (L & R BRD) carved molding with male figure holding bunch of fruit, eagle, mask; (UPR BRD) abstract garland of flowers & fruit with reclining female, birds & snakes, empty cartouche in center; (LWR BRD) abstract garland of flowers & fruit with sea-monsters, cherubim & ribbons, centra

'L'herbe croist et l'arbre florit' the grass grows and the trees blossom Date: 16th century

Christoffel Jegher after Anthonis Sallaert, Three Scenes on the Road to Calvary, c 1649 Three Scenes on the Road to Calvary

Albrecht Dürer, The Little Passion: Christ Nailed to the Cross, 1509-1511, woodcut on paper.

The Empress, from The Dance of Death ca. 1526, published 1538 Designed by Hans Holbein the Younger German. The Empress, from The Dance of Death. Designed by Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). ca. 1526, published 1538. Woodcut. Prints

Expulsion from Paradise Albrecht Dürer (German, 1471-1528). Expulsion from Paradise, 1510; edition of 1511. Woodcut on laid paper, Sheet: 5 1/8 x 4 1/16 in. (13 x 10.3 cm). European Art 1510; edition of 1511

Death comes for the Child After Hans Holbein the Younger From Der Todten Tanz or The Dance of Death published Basel 1843

Folter, a. Mit Keulen oder Stöcken erschlagen, b. Mit einer Eisensäge in zwei Hälften gesägt, c. Hände und Füße abgetrennt, Illustration, Reproduktion von einer Vorlage aus dem 16. Jahrhundert, Mittelater, Authentisch, Datei restauriert für optimale Verwendung, genaues Datum der Vorlage unbekannt gallonio-tortures-1591-p32-05d263

Eine Hexe verfuehrt zwei Maenner, digital verbesserte Reproduktion aus einer Publikation aus dem Jahr 1880, A witch seduces two men, digital improved reproduction from a publication of the year 1880

The Arrest of Christ, from The Fall and Salvation of Mankind Through the Life and Passion of Christ. Artist: Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). Dimensions: Sheet: 3 1/8 × 2 1/4 in. (7.9 × 5.7 cm). Date: ca. 1513. Museum: Metropolitan Museum of Art, New York, USA.

Torture, a. Killed with clubs or sticks, b. Sawed in half with an iron saw, c. hands and feet cut off, illustration, reproduction from a 16th century model, middle age, authentic, file restored for optimal use, exact date of original unknown

The Madonna of Loreto. Artist: Anonymous, Italian. Dimensions: Sheet: 15 1/16 × 10 5/8 in. (38.3 × 27 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Presentation of the Virgin, from The Fall and Redemption of Man Made 1510-1518 Germany. Woodcut in black on ivory laid paper . Albrecht Altdorfer

Folter, Tortur, Inquisition, a. Verurteilter, der mit glühenden Eisen unter den Achseln geFolter, Tortur, Inquisitiont wurde, b. auf glühenden Kohlen gebraten, c. Verurteilter, über den kochendes Pech oder ähnliche Substanzen gegossen wurden, Illustration, Reproduktion von einer Vorlage aus dem 16. Jahrhundert, Mittelater, Authentisch, Datei restauriert für optimale Verwendung, genaues Datum der Vorlage unbekannt gallonio-tortures-1591-p25-5c0c76

Netherlands, Master of the Virgo inter Virgines, Master of the Delbecq-Schreiber Passion, Master of Delft, The Confession of Peter, Christ, Peter and the other eleven disciples., print, book illustration, prints, height 175 mm, width 143 mm, Northern Netherlands, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, woodcut, Southern Netherlands, print maker, printmaker

August He pays his workmen Date: 1523

Argonauts finding the Golden Fleece, a fleece placed in a spring by the Colchians to collect alluvial gold dust. From Agricola 'De re metallica', Basle, 1556. Woodcut. Apollonius Rhodius, Greek scholar of 3rd century BC, wrote an epic poem, the 'Argonautica'

This 1494 woodcut by the Baseler Meister, from Sebastian Brant's ''Narrenschiff,'' depicts a fool and a young man. The print emphasizes figure detail and composition typical of late 15th-century German woodcuts.

Amsterdam, Visscher, Claes Jansz. (II), Execution of Henricus Slatius and Jan Blansaert, 1623, verso - stamped, The execution of Henricus Slatius and Jan Blansaert, two of the convicted conspirators against Maurits, 5 May 1623 in The Hague. Round portraits of the condemned with scenes of the executions and the exhibition or burial of the bodies. The original plate divided in two, without the texts., print, prent, prints, prenten, height 268 mm, width 75 mm, Noord-Nederlands, 1586 - 1652-06-19, print maker, prentmaker, 1623 - 1623, paper, papier, etching, etsen

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