Rembrandt Biblical Scenes

A collection of Rembrandt's etchings depicting biblical narratives, featuring figures in dramatic poses and varied expressions, emphasizing spiritual encounters and teachings.

Peter and John heal a paralyzed man at the temple gate, after 1659 print The performance is based on the text from Acts 3: 4-31. paper etching healing of a lame beggar at the Beautiful Gate of the temple by Peter and John (Acts 3 - 4:31). disabilities, deformations

Rembrandt van Rijn, Christ Disputing with the Doctors a Sketch, 1652 Christ Disputing with the Doctors: a Sketch

The adoration of the shepherds: with the lamp, Rembrandt van Rijn, c. 1654 print paper etching / drypoint adoration of the Christ-child by the shepherds; Mary and Joseph present

The preaching Christ (the hundred gulnd print); The one hundred guilders print.

Christ disputing with the doctors: small plate, Rembrandt van Rijn, 1819 print paper etching Christ explaining his doctrine

Peter and John heal a paralyzed man at the temple gate, after 1659 print The performance is based on the text from Acts 3: 4-31. paper etching healing of a lame beggar at the Beautiful Gate of the temple by Peter and John (Acts 3 - 4:31). disabilities, deformations

Rembrandt van Rijn, The Holy Family, c 1632 The Holy Family

Rembrandt van Rijn (1606-1669), Christ is turning out for the apostles, 1650

Worship by the shepherds, Orazio Borianni, After Rafaël, 1615 print In a brick stable, the shepherds, Mary and Joseph, worship the Christ child. Engelen floats above the Christ child. Print Maker: ItalyaFter Painting by: Vatican City paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present

Christ Disputing with the Doctors, Rembrandt van Rijn, 1654 print paper etching Christ explaining his doctrine

Crucifixion (small); Rijn, Rembrandt Van (1606-1669); around 1635 (print from around 1656) (1630-00-00-1640-00-00);Golgota (iconogr.), Jesus Christ (iconogr.), Rehdigeran (collection), Crucifixion of Jesus Christ (iconogr.), XVII century, religious scenes

The Adoration of the Magi 1709-87 Francesco Zugno Italian. The Adoration of the Magi 339963

David and Nathan. The prophet Nathan stated King David that God will punish him for the ground sins.

Rest on the Flight into Egypt.

Christ and the adulterous woman, Jacob de Wet (II), 1650 - 1697 drawing paper. ink pen Christ points to or writes on the ground. Christ points to or writes on the ground

The presentation in the Temple: Oblong Print, Rembrandt van Rijn, c. 1640 print paper counterproof / etching / drypoint Simeon, holding the Christ-child, sings his canticle: 'Nunc dimittis'

Judas at the high priests. The high priests give Judas's silver coins.

Entombment, Hans Sebald Beham, German, 1500-1550, Woodcut on paper, Interior of a cave, the entrance to which is seen in the background. The body of Christ is seen in the foreground being lifted by two men. Three other figures are shown. Artist's monogram at lower right., ca. 1535, figures, Print, Print

Christ seated disputing with the doctors, Rembrandt van Rijn, 1850 - 1906 print paper etching Christ explaining his doctrine

A Bearded Monk Showing a Portable Altar to a Praying Child, with an Old Woman Kneeling mid-18th-early 19th century Pietro Antonio Novelli Italian. A Bearded Monk Showing a Portable Altar to a Praying Child, with an Old Woman Kneeling. Pietro Antonio Novelli (Italian, Venice 1729-1804 Venice). mid-18th-early 19th century. Pen and brown ink, wash. Drawings

Abraham and De Drie Engelen, Orazio Borianni, After Rafaël, 1615 print Abraham is kneeling for three angels. Behind Abraham is Sara in a barn. Print Maker: ItalyaFter Painting by: Vatican City paper etching Abraham kneels before the angels

Kneeling man in front of a frost. A man kneels for a frost. The frost sits on a throne under a canopy-borne balancing and is surrounded by hovelings.

Christ appears on the apostles.

Maria with child surrounded by angels in cave with joseph and king in worship, Andrea Mantegna (school of), after Andrea Mantegna, 1475 - 1480 print Maria with child is surrounded by angels in a cave. Two figures in the foreground, Joseph and a kneeling king in worship, are unfinished. Italy paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Holy Family with John the Baptist and Elisabet. In the foreground Mary gives the chest to the Christ child. With her, the young John is the Baptist and his mother Elisabet. In the background, Joseph is working with an ax.

Saint Pierre et Saint Paul à la Porte du Bonhomme Misère , Saints, Paul, the Apostle, Saint, Peter, the Apostle, Saint, Alphonse Legros (1837-1911)

Petrus and Johannes heal a moarl by the temple gate: rough etched.

Abraham Entertaining the Angels, Rembrandt van Rijn, 1656 print paper etching / drypoint the visit of the three angels (three men) ~ story of Abraham (Genesis 18)

The death of Saint Benedict, Domenico Maria Canuti, 1662 - 1671 drawing Design for a painting. prepared paper. ink pen / brush Benedict of Nurcia, abbot of Monte Cassino and founder of the Benedictine Order; possible attributes: aspergillum, book, cup (sometimes broken), raven with loaf, sieve (or tray)

Rembrandt van Rijn, The Holy Family, c 1632 The Holy Family

Stoning of Stephen.

Christ as the Good Shepherd, Anonymous, After Hans Sebald Beham, 1527 print paper the good shepherd (Christ) defending his sheep against wolves; 'I am the good shepherd' (John 10:1-16)

Christ Appealing to the Apostles, Rembrandt van Rijn, 1656 print paper counterproof / counterproof Christ appears to the apostles (gathered behind locked doors)

La mort de St. François , Monks, Death, Saints, Francis, of Assisi, Saint, 1182-1226, Alphonse Legros (1837-1911)

Three Oriental Figures (Jacob and Laban), Anonymous, After Rembrandt van Rijn, 1816 print Possibly a passage from the story of Jakob and Laban. paper etching the partnership with Laban ~ story of Jacob (Genesis 30:25-43)

Three Oriental Figures (Jacob and Laban), Rembrandt van Rijn, 1641 print Japanese paper etching / drypoint the partnership with Laban ~ story of Jacob (Genesis 30:25-43)

Sebastiano Conca, A Bishop Blessing a King A Bishop Blessing a King

Petrus and Paul cure a lame at the temple gate.

Thomas Wyck brown ink and graphite drawing depicting several men reading the Torah scroll around a table, showing figures, gestures, and book details with stains and abrasions.

Christ among the Pharisees for a gate, Jacob de Wit, 1705 - 1754

Abraham in Isaac.

Christ in the court of Gethsemane.

Sitting and standing monk, David van der Kellen (1827-1895), 1858 print In a hall there is a sitting monk and a standing monk with a book under his arm. A painting hangs above the door and on the right part of a staircase is visible. paper etching / drypoint monk(s), friar(s). picture, painting

The presentation in the Temple: Oblong Print, Rembrandt van Rijn, c. 1640 print paper etching / drypoint Simeon, holding the Christ-child, sings his canticle: 'Nunc dimittis'

The Circumcision in The Stable, Rembrandt van Rijn, 1654 print paper etching circumcision of the Christ-child by Mary

The flight to Egypt: crossing a stream.

Depicts a biblical scene of the Sermon on the Mount, created as a lithograph by Max Beckmann in 1915.

Three Eastern figures (Jacob and Laban).

Print 'Christ in the Emmaus' by Rembrandt van Rijn on Chinepaper, created in 1654, depicting the biblical scene of Christ revealing himself to disciples at Emmaus.

Hieronymus in prayer: plate with bent upper edge.

Healing of the eyes of Tobit, Ignace -Joseph de Claussin (attributed to), after Rembrandt van Rijn, 1805 - 1844 print France paper etching / drypoint / engraving the healing of Tobit: Tobias puts the gall of the fish on his father's eyes. the Archangel Raphael

Christ Returning from the Temple with his Parents, Rembrandt van Rijn, 1654 print paper etching / drypoint Christ returning with his parents

The burial laying.

La mort de St. François , Monks, Death, Saints, Francis, of Assisi, Saint, 1182-1226, Alphonse Legros (1837-1911)

Christ and the adulterous woman, Cornelis van der Griendt, After Rembrandt van Rijn, 1837 - 1918 print Inspired by Rembrandt's 'Christ and the adulterous woman'. Displayed is the moment when the Pharisees Christ ask a bow question. Netherlands (possibly) paper etching Pharisees bring a woman accused of adultery before Christ (John 8:2-11)

Anonymous brown ink and white heighted drawing depicting Peter and Johannes healing a lame man at the temple gate, showing figures, gestures, and architectural details.

. Rembrandts rendering of Christ returning from the Temple - which was rarely represented - is nothing short of masterful. In this print he worked extensively with drypoint. The velvety burr allowed him to create sharp contrasts between the light and shadow, increasing the impression of a bright sunny day. We, the viewers, can almost feel why Joseph here needs his broadbrimmed hat.

H. V. R. Rembrandt - Saint Pierre and Saint John at the door of the Temple Harmenszoon van Rijn Rembrandt (1606-1669). Saint Pierre and Saint John at the door of the Temple, 1659, water, dry tip and chisel.

Monks in an interior (a cell); page 33 from the 'Images of Spain Album' (F) ca. 1812-20 Goya (Francisco de Goya y Lucientes) Spanish. Monks in an interior (a cell); page 33 from the 'Images of Spain Album' (F) 334020

Anonymous ink and feather drawing showing a bishop issuing commands, depicted with gesture, posture, and ceremonial attire.

Demetrius and the silversmith of Efese; Scenes from the acts of the apostles. .

Holy Family, Bartolomeo Schedoni, 1588 - 1615 print Maria and Joseph with the Christ child. The child is in the foreground with a cross in his hands. Italy paper etching Holy Family, and derived representations

A drawing by Johann Daniel Hertz depicting the grave of Christ, executed in black chalk with white heightening on blue paper.

The descent from the cross by torchlight, Rembrandt van Rijn, 1654 print paper etching / drypoint descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

The Angel Departing From The Family of Tobias, Rembrandt van Rijn, 1641 print paper etching / drypoint other scenes ~ the book of Tobit

Lazarus revival: small plate.

Holy Family with Saint Anne 1565-1575 Italy. Pen and brown ink on cream laid paper . School of Luca Cambiaso

Drawing by Christian Wilhelm Ernst Dietrich depicting the adoration of the shepherds in the stable, using pen and dark brown washes around 1732.

H. Martinus shares his cloak with a beggar. .

. Christ and the two Emmausgoers in a mountain landscape.

Coal drawing by Franz Hofer depicting Christ with two disciples, partly wiped, on gray paper.

La messe dans une église Espagnole , Priests, Altars, Choirboys, Alphonse Legros (1837-1911)

Worship by the shepherds.

Richard Westall, 1765-1836, British, Christ Raising the Widow's Son (Luke 7:13-16), before 1836. Graphite on medium, smooth, cream wove paper.

Moses shows the Tables of the Law, François Roëttiers (I), 1695 - 1742 print France paper etching Moses comes down with the new tablets and is awaited by Aaron and the assembled people, who notice that 'his face is shining' (Moses' face is depicted with rays of light or with horns)

Preaching Christ.

Pencil drawing by Peter Fendi showing Christ with the Emmaus disciples, capturing figures, gestures, and interactions in a devotional scene, circa 1840.

Christ Healing a Leper, draughtsman: Rembrandt van Rijn, Amsterdam, c. 1650 - c. 1655, paper, pen, brush, h 147 mm × w 177 mm

Petrus denominated Christ.

Esther occupies ahasverus.

Rest on the Flight Into Egypt.Jozef, Mary with the Christ child and the donkey at night resting under a tree.

The Angel Leaving the Family of Tobias 1641 After Rembrandt (Rembrandt van Rijn) Dutch. The Angel Leaving the Family of Tobias 398624

Christ Carried to the Tomb, Rembrandt van Rijn, c. 1645 print paper counterproof / counterproof / etching / drypoint from Christ's deposition to his entombment (Matthew 27:58-66; Mark 15:46-47; Luke 23:53-56; John 19:39-42)

Thomas Wyck brown ink and black chalk drawing depicting a Jewish school with multiple scribes at desks, showing figures, gestures, and classroom arrangement with paper damage and stains.

Procession in a Spanish Church 1856-1866 France. Etching on cream wove paper . Alphonse Legros

Abraham cast off Hagar and Ismael, Anonymous, 1605 - 1673 print paper etching the banishment of Hagar and Ishmael (Genesis 21:9-21)

Preaching of Christ, Nicolaes Maes, 1644 - 1743, intermediary draughtsman: Nicolaes Maes, draughtsman: anonymous, 1644 - 1743, paper, pen, h 142 mm × w 93 mm

Isaac Meeting Rebekah-Esau Selling His Birthright 1865-81 After Thomas Dalziel British. Isaac Meeting Rebekah-Esau Selling His Birthright 642862

Saint-François d'Assisi and an angel sending him stigma. (Title awarded)

Ink drawing by Josef Winterhalder the Elder depicting an angel presenting the rosary to St. Lima, executed in dark brown ink.

The angel leaves Tobias and his family.

Les moines à l'église , Monks, Churches, Alphonse Legros (1837-1911)

Jews in The Synagogue, Rembrandt van Rijn, 1648 print paper counterproof / counterproof / etching / drypoint the praying Pharisee and the repentant publican in the temple (Luke 18:10-14)

The Death of the Virgin, Rembrandt van Rijn, 1639 print paper etching / drypoint the Dormition: Mary on her deathbed; the apostles are gathered around her (John the Evangelist may be shown sleeping or dreaming)

The circumcision in the stable.

Francisco Camilo's drawing depicts a priest holding a chalice accompanied by an angel, showing figures, gestures, and religious iconography.

Anonymous depiction of the Holy Family in front of a brick wall, drawn using ink and feather.

Christ and the woman of Samaria: an arched print, anonymous, after Rembrandt van Rijn, 1711 - 1800 print paper etching the woman of Samaria (John 4:4-42)

Christ and John the Baptist. The Christ child sitting on an elevation, next to him the Rijkeappel. For him, the young John knocks the Baptist.

A drawing by Noël Cochin depicting a kneeling monk in front of the body of St. Maria Egyptica, executed with brown pen on coated paper with black borders.

Christ drives away the money exchangers from the temple, in the background the landscape from Lazarus generation (B. 72), counterfeiting.

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