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Rembrandt Style Portraits

Portraits emulating Rembrandt's style, showcasing subjects in dark tones and rich textures, reflecting introspection and depth.

Portrait of young man by Rembrandt van Rhijn, oil on wood, circa 1639, 1606-1669, Italy, Florence, Galleria degli Uffizi, 62,5x54
Portrait of young man by Rembrandt van Rhijn, oil on wood, circa 1639, 1606-1669, Italy, Florence, Galleria degli Uffizi, 62,5x54
152 assets in this story
1443-319
Self Portrait  1649 Nicolas Poussin (1594-1665 French)
6145-29950666
Young peasant. School Switzerland. Young peasant. Miniature on enamel. Around 1800. Paris, Cognacq-Jay Museum.
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Print made by Johann Jacobus Haid, 1704-1767, S. Ionnes, undated. Mezzotint on medium, slightly textured, cream wove paper.
4409-17573169
'Old Warrior'. Holland, Circa 1630. Dimensions: 36x26 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist, first half of the 17th century.
1899-48157611
Sir Ralph Bankes (1631-1677) was a courtier of the restored Charles II and a knighted member of the Privy Chamber, Painting by Peter Lely (1618-1680), Historic, digitally restored reproduction of a historic original.
4409-17507194
The Bitter Draught. Date/Period: 1636/1638. Painting. On oak. Height: 47.7 cm (18.7 in); Width: 35.5 cm (13.9 in). Author: Adriaen Brouwer.
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Bust of a young man, Jacob van Oost de Jonge, circle of
4430-1256
fine arts, Rembrandt, (15.7.1606 - 4.10.1669),
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The study of the Russian Opa; Unknown Russian painter; 19th century (1800-00-00-1899-00-00);School of Fine Arts (Warsaw - 1844-1864) - collections, beards, peasants, Russian painting, men's portraits, realism (style), mustache
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An antique artist, attributed to Johannes van Swinderen, c. 1628 - c. 1636
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Portrait of a Man 1491 German (Nuremberg) Painter German This portrait of an unidentified man, depicted in an interior with a landscape seen through the open window at the left, ultimately derives from a composition developed by early Netherlandish masters, namely Dieric Bouts in his 1462 Portrait of a Man (National Gallery, London). Dated 1491, it advances the formula by capturing the self-assured demeanor of the sitter, who directly addresses the viewer with a sidelong glance. The painting has been assigned to various regional German schools, but its closest analogy is found in the early portraits of Dürer, who was active in Nuremberg.. Portrait of a Man 436480
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FRANCOIS JOSEPH TALMA Fran�ois Joseph Talma (1763-1826), French tragedy ".
1746-19661499
David Garrick (1717-1779) English actor, theatre manager and playwright. Profile portrait of Garrick bareheaded, with maks of comedy and tragedy. Johann Zoffany or Zauffelij (17331810) German painter, active mainly in England.
4220-21827240
Marie Rosalie Bonheur aka Rosa Bonheur (1822-1899) French artist, very good on cows
1788-44563
Self-portrait, 1715, by Francesco Solimena (1657-1747), oil on canvas, 128x112 cm. Detail.
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Van Ostade, Adriaen (n.1610-12-10-D.1685), La Gazette (main title), 1680. Wood oil. Petit Palais, Museum of Fine Arts of the City of Paris. La Gazette (main title)
4048-21183313
Writer Adriaan van Beverland, with a Prostitute, attrib. to Ary de Vois, 1670-80, Dutch painting, oil on canvas. He was the author of Theological Works and Satirist. The open book is titled, 'Brothels in Antiquity' (BSLOC_2016_3_48)
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Portrait of a Halberdier (Francesco Guardi) by Pontormo (1494-1557) / J. Paul Getty Museum, Los Angeles / 1528-1530 / Italy, Florentine School / Tempera and oil on wood / Portrait / 92,1x72,1 / Renaissance
1899-16487219
Julie Forestier 1782-1843. Le Portrait de Jean-Auguste-Dominique Ingres. 1807. oil painting on canvas cm 53 x 81,5.
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El Castillo de naipes/1737. Museum: MUSEO DEL LOUVRE PARIS FRANCIA. Author: JEAN-BAPTISTE-SIMEON CHARDIN.
6145-29773537
Portrait of Alvise Contarini(); (verso) A Tethered Roebuck ca. 1485-95 Jacometto (Jacometto Veneziano) Italian This exquisite and enigmatic portrait and its pendant (1975.1.85) are most likely the works by the Venetian painter and illuminator Jacometto, recorded by the connoisseur Marcantonio Michiel in the collection of a Venetian patrician in 1543. Michiel, who praised them as "a most perfect work," identified the man as Alvise Contarini and the woman as a "nun of San Secondo" (a Benedictine convent in Venice). The paired portraits and the allusion to fidelity on the verso of the male effigy (a roebuck chained beneath the Greek word AIEI, meaning “forever”) would normally suggest a married couple; however, her possible status as a nun makes it difficult to determine their relationship. If the garment is a habit, which seems doubtful given her bare shoulders, she may have led a secular life as a nun or entered the convent as a widow. The portrait may have been commissioned platonical
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Alessandro de' Medici. Jacopo da Pontormo (Jacopo Carrucci); Italian, 1494-1557. Date: 1534-1535. Dimensions: 35.3 × 25.8 cm; (13 7/8 × 10 1/8 in.)Painted surface: 31.4 × 25.8 cm (12 3/8 × 10 1/8 in.). Oil on panel. Origin: Italy. Museum: The Chicago Art Institute, USA.
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Rembrandt Harmenszoon van Rijn (1606-1669). Dutch painter. Portrait of an Old Warior. Ca., 1630. Oil on panel. The State Hermitage Museum. Saint Petersburg. Russia.
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St John the Baptist, attributed to Matthias Stom, 1630 - 1650
1899-72883
Wolfgang Amadeus Mozart. Portrait of the austrian composer Wolfgang Amadeus Mozart 1756-1791. Painting, german art of the 19th century. Conservatorio di Musica San Pietro a Majela, Napoli, Italy
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'At the Market', (detail), c1550-1537. Artist: Joachim Beuckelaer
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Pablo Picasso (Málaga, 1881-Mougins, 1973). Harlequin with a Mirror (1923). Oil on canvas. 100 x 81 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.
1848-49299937
Philippe de Champaigne (26 May 1602 - 12 August 1674) was a painter of the French Baroque, born in the Duchy of Brabant, Historic, digitally restored reproduction from an original from the past
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Joueur de Viole Violin Player Paolo Zacchia (16th C- Italian) Oil On Wood Panel Musee du Louvre, Paris, France
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Francisco de Goya (Fuendetodos, 1746-Bordeaux, 1828). Portrait of Asensio Julià (ca. 1798). Oil on canvas. 54.5 x 41 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.
6176-66912401
Portrait of William III (1650-1702), Prince of Orange, Stadholder and since 1689 King of England. Bust in armor at a burning candle. Godfried Schalcken (1643-1706), oil on canvas, circa 1692-1697
1899-18308908
Self-portrait of Rembrandt, Rembrandt, Harmensz van Rijn, 1628.
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Mr. Hackett, in the Character of Rip Van Winkle. oil on canvas. Date: c. 1832. Museum: NATIONAL PORTRAIT GALLERY. James Henry Hackett.
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Thomas Gainsborough, the Rev. John Chafy, playing the violloncello in a landscape, 1750-2, oil paint on canvas, Tate Britain, National Gallery of British Art, London, England.
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Lorenzo de Medici alias Lorenzo the Magnificent, 1449-1492, Florentine statesman, ruler and patron of the arts. From the book Gallery of Portraits, published in 1833, Historical, digitally restored reproduction from a 19th century original, Record date not stated
6176-67077870
'Monsieur de La Live de Jully', c1759. Artist: Jean-Baptiste Greuze.
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Bread, Chief of the Tribe. oil on canvas. Date: 1831. Museum: Smithsonian American Art Museum.
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Portrait oil painting of George Coombs, 1768-1810, Radstock museum, Somerset, England, UK
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Franz Hals (1580-1666). Dutch School of Haarlem. The Jolly Mandolinist (Der Naar).  (Collection of Baron G Rothschild -Paris - a copy by Dirk Hals in Rijks Museum, Amsterdam). Portrait of one of Hals' favorite pupils, Adriaen Brouwer, renowned for his musical gifts and practical jokes.  His nickname in the studios was "Der Naar' - "Funny Man!"
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Ange Laurent de La Live de Jully. Dated: probably 1759. Dimensions: overall: 117 x 88.5 cm (46 1/16 x 34 13/16 in.) framed: 161.9 x 121.9 cm (63 3/4 x 48 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Greuze.
1899-18307803
A Young Man, Messina, Antonello da, 1474.
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Portrait of Mary Wollstonecraft - John Opie, circa 1790
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Portrait of Giuliano da Sangallo 1445-1516, son of Francesco Giamberti, Piero di Cosimo, after c. 1482
1788-45684
The peasant meal, 1642, by Louis Le Nain (1593-1648) or Antoine Le Nain (1599-1648), 97x122 cm. Detail.
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Abraham Guchter (1608-1682), Selvportreet, 1625-1682
4266-12264
Portrait of Emperor Peter I the Great by anonymous artist, oil on canvas, 18th century, Russia, St. Petersburg , State Central Navy Museum, 48, 5x37
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The Captive Slave 1827 . Oil on canvas . John Philip Simpson
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Portrait of merchant by Hans Holbein Younger, oil on wood, 1532, 1497-1543, Germany, Berlin, Staatliche Museen, 97,5x86,2
4435-11587
Vivaldi, Antonio (1678-1741). Italian school. Oil on canvas. ITALY. EMILIA-ROMAGNA. Bologna. Musical Bibliographical Museum.
1899-18307744
Portrait of the Artist Holding a Life Study, Melendez, Luis Eugenio, 1760.
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Portrait of actor by Alphonse Francois, oil on canvas, 1811-1888, 19th century, Russia, Moscow, Museum Palace Theatre Ostankino
1899-18305379
Girolamo Savonarola, Bartolommeo, Fra, 1497
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