Renaissance and Baroque Portraits

Stunning portraits of women from the Renaissance and Baroque periods, showcasing rich attire and intricate details in oil paintings.

Saskia with a Red Flower 1641 Rembrandt Harmensz van Rijn (1606-1669 Dutch) Oil on wood panel Gemaldegalerie, Dresden

Portrait of a Young Woman. Dated: 1530/1540. Dimensions: overall: 55.9 x 44.5 cm (22 x 17 1/2 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Florentine 16th Century.

Titian (1489/1490-1576). Italian painter. Magdalene, ca.1567. Farnese Collection. National Museum of Capodimonte. Naples. Italy.

Portrait of young woman by Titian, oil on canvas, circa 1536, 1488-1576, Russia, St. Petersburg , State Hermitage, 96x75

Magdalene with the Jar of ointment. Date/Period: 1525. Oil on wood. Wood. Height: 580 mm (22.83 in); Width: 405 mm (15.94 in). Author: DOMENICO PULIGO.

Lucretia (d.510 BC). Roman matron. Wife of Lucius Tarquinius Collatinus. Portrait by an unknown Lombard artist, ca.1515-1520, 16th century. Farnese Collection. National Museum of Capodimonte. Naples. Italy.

Saskia with a Red Flower 1641 Rembrandt Harmensz van Rijn (1606-1669 Dutch) Oil on wood panel Gemaldegalerie, Dresden

Bernardino Luini, Portrait of a Lady, 1520 1525 Portrait of a Lady

Ducal palace: copy from raphael, madonna, circa 1500, sassuolo, italy

'St Cecilia'. Italy. Dimensions: 139x97 cm. Museum: State Hermitage, St. Petersburg. Author: Giovanni Francesco Barbieri (Guercino) (circle of).

Lady Baring her Breast by Tintoretto, Domenico (1560-1635) / Museo del Prado, Madrid / Second half of the16th cen. / Italy, Venetian School / Oil on canvas / Portrait / 62x55,6 / Renaissance

England, London, Heartford House, The Wallace Collection Museum, Painting titled 'The Persian Sibyl' by Domenico Zampeiri aka Domenichino

'Head of a Young Woman'. Holland, 1610. Dimensions: 57x43 cm. Museum: State Hermitage, St. Petersburg. Author: CORNELIS CORNELISZ. VAN HAARLEM.

Saint Cathrine by Michelangelo Caravaggio, Oil on canvas, circa 1598, 1571-1610,Thyssen-Bornemisza Collections, 173x133

Portrait of young girl, ca 1485, by Domenico Ghirlandaio (1449-1494).

'Judith', c1504. Artist: Giorgione

The Penitent Magdalene. Date/Period: Ca. 1635 (Baroque). Painting. Oil on canvas. Height: 90.8 cm (35.7 in); Width: 74.3 cm (29.2 in). Author: GUIDO RENI.

Cumaean Sibyl. Date/Period: Ca. 1763. Painting. Oil on canvas. Height: 97.7 cm (38.4 in); Width: 74.9 cm (29.4 in). Author: DOMENICHINO. Angelica Kauffman.

Portrait of woman with a veil, known as The Nun, ca 1510, attributed to Ridolfo Ghirlandaio (1483-1561), oil on panel, 65x48 cm.

The Repentant Mary Magdalene by Titian (1488-1576) / J. Paul Getty Museum, Los Angeles / c. 1560 / Italy, Venetian School / Oil on canvas / Bible / 106,7x93 / Renaissance

Portrait of Smeralda Bandinelli around 1470 - 1475, Portrait of Smeralda Bandinelli, painting by Sandro Botticelli March 1445 - 1510, one of the most important Italian painters and draftsman of the early Renaissance, historically, digitally restored reproduction of a template, record date not stated

Cleopatra, by Guido Reni, 1635 - 1642, 17th Century, oil on canvas, 92 x 72 cm

Lucretia, Cranach, Lucas, the Elder (1472-1553)

RETRATO DE ENRIQUETA GONZALEZ DE ESTEFANI CAMPUZANO - SIGLO XIX. Location: PRIVATE COLLECTION. MADRID. SPAIN.

England, London, Heartford House, The Wallace Collection Museum, Painting titled 'Portrait of a Young Woman' by Willem Drost

Jacopo Tintoretto: St. Mary Magdalene

The Penitent Magdalene, by Dal Sole Giovan Gioseffo, 1695 - 1700, 17th Century, oil on canvas. Italy: Emilia Romagna: Bologna: National Gallery of Art. Detail. Woman naked breast Magdalene blond hair crucifix book skull cloth/dress cloak dress pink black light shadows/shades penitence

Maestro del Papagayo / 'The Death of Lucretia', 1501-1550, Flemish School, Oil on panel, 48 cm x 38 cm, P01946. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Portrait of a Young Woman, Sandro Botticelli, circa 1460-1465, Gemaldegalerie, Berlin, Germany, Europe

Jean Baptiste Greuze (1725-1805) was a French painter known for his delicary and grace, but also for a certain triviality and by the pursuit of mere pettiness. A charming head is the characteristic of his pictures of young girls. The painting is now part of the Wallace Collection in London, England.

The Violinist. violin. after a painting by Raphael Sanzio. digitally restored reproduction of an old original. historical. exact date unknown

Artemisia Prepares to Drink the Ashes of her Husband,Mausolus. Artist, attributed to: Francesco Furini, Italian, 1603-1646 Artist, attributed to: Felice Ficherelli, Italian, 1605-ca. 1669

Escaped Bird: Allegory of Chastity. The escaped bird: allegory on the lost chastity. A young woman sitting outside on a bench trying to prevent a bird from escaping a box. She holds her left hand warning on the head a beret with a plume.

Self Portrait Of Durer In 1493 1493 Albrecht Durer (1471-1528 German) Oil On Wood Panel Museum der Bildenden Kunste, Leipzig, Germany

Artemisia prepares to drink the ashes of her husband Mausolus, Mausolus. According to legend, after his death she took his ashes mixed with water to be a living tomb for him and almost completed the Mausoleum of Halicarnassus, one of the Seven Wonders of the World, in his eternal memory. Painting by Francesco Furini, Historical, digitally restored reproduction from a 19th century original.

Lucretia. unknown, painter

LA ANUNCIACION 1614 - DETALLE DEL ROSTRO DE LA VIRGEN MARIA - MANIERISMO ESPAÑOL. Author: EL GRECO. Location: FUNDACION SANTANDER CENTRAL HISPANO. MADRID. SPAIN.

Goldsmith's art, France, 16th century. Limoges enamel oval pendant depicting Summer, 1570-1580. Attributed to Pierre Courteys (circa 1520-circa 1586).

Self Portrait 3 , Fine Art

Ridolfo Ghirlandaio, Lucrezia Sommaria, c 1510 Lucrezia Sommaria

Bartholomeus van der Helst (1613-1670). Dutch portrait painter. Portrait of the Artist's Wife Anna du Pire as Granida. National Gallery. Prague. Czech Republic.

Carlo Dolci / St. Cecilia

Head of the Madonna ca. 1509 Franciabigio (Francesco di Cristofano) Italian The young Florentine artist Franciabigio shared a workshop near the Palazzo della Signoria with Andrea del Sarto from around 1506. This delicate, fragmentary head of the Madonna relies closely on a painting by del Sarto of the Madonna and Child with the Young Saint John the Baptist that was probably painted around 1508 and hung in the Giustiniani collection in Rome in the seventeenth century. It is a demonstration of the close working relationship between one of the greatest Florentine artists of the sixteenth century and this talented painter.The frame is seventeenth century, probably Bolognese.. Head of the Madonna. Franciabigio (Francesco di Cristofano) (Italian, Florence 1484-1525 Florence). ca. 1509. Oil on wood. Paintings

Mary Magdalene; about 1525-30 Oil on panel Jan Gossaert Flemish; 1478-1532

'Summer'. Series "The Four Seasons: Spring, Summer, Autumn and Winter". Italy, Mid-1720s. Dimensions: 24x19 cm. Museum: State Hermitage, St. Petersburg. Author: ROSALBA CARRIERA.

Salome with the head of John the Baptist, c1600/05. By Joseph Heintz (or Heinz) the Elder (11 June 1564 - 15 October 1609) a Swiss painter, draftsman and architect

Saint Catherine of Alexandria. Painting. Oil on canvas Oil on canvas. Height: 990 mm (38.97 in); Width: 720 mm (28.34 in). Author: Giovanni Antonio Pellegrini.

A Shepherdess. A shepherdess, known as 'The beautiful shepherdess'. Dating: 1630. Measurements: support: h 81.5 cm × w 64.5 cm. Museum: Rijksmuseum, Amsterdam. Author: PAULUS MOREELSE.

A Young Woman and Her Little Boy, Agnolo Bronzino, circa 1540, National Gallery of Art, Washington DC, USA, North America

La Joconde', c1500. Artist: Leonardo da Vinci. Leonardo da Vinci (1452-1519) was an Italian polymath of the Renaissance.

SANTA CATALINA - SIGLO XVII - BARROCO ESPAÑOL. Author: FRANCISCO DE ZURBARAN. Location: CONVENTO DE SANTA CLARA. CARMONA. Seville. SPAIN. SANTA CATALINA DE ALEJANDRIA SIGLO IV.

A Sleeping Girl by Pietro Rotari, 1760-62, Italian painting, oil on canvas. As court painter in Russia, Rotari's studio painted hundreds of images of young woman in various emotional states. The group of paintings make up the 'Cabinet of the Muses at Pete (BSLOC_2016_6_133)

Portrait of Sophia Michailovna Sollogub, Orlov, Pimen Nikitich (1812-1863)

María Pita (María Mayor Fernández de Cámara y Pita) (1565-1643). Spanish heroine. King Philip II awarded her the rank of ensign for the defense of Corunna in 1589 against the attack of the English Armada commanded by Francis Drake. Anonymous portrait. María Pita House Museum. Corunna, Galicia, Spain.

LUISA CARLOTA DE BORBON. Author: LUIS DE LA CRUZ Y RIOS. Location: PALACIO REAL-PINTURA. MADRID. SPAIN.

Jan Zachariasz Frey (1769-1829). Polish painter. Hebe, ca.1800. Oil on canvas. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow, Poland.

The Penitent Magdalene. Date/Period: Between 1580 and 1585. Painting. Oil on canvas. Height: 101.6 cm (40 in); Width: 81.9 cm (32.2 in). Author: EL GRECO.

'The Parson's Daughter', 19th century.Artist: H A O Mackenzie

Allegory of Transience. Dating: 1670 - 1681. Measurements: h 36 cm × w 28 cm; d 7.4 cm. Museum: Rijksmuseum, Amsterdam. Author: Willem van Mieris (attributed to). Frans van Mieris (I) (rejected attribution).

La dama del armiño (La dama con l'ermellino) cuadro del pintor renacentista italiano Leonardo da Vinci,l óleo sobre tabla, 54,8 cm. de alto y 40,3 cm ...

A Shepherdess. This alluring shepherdess would never have been engaged in the tending of sheep. She inhabits an idealized pastoral paradise called Arcadia. Dutch 17th-century poetry repeatedly sang the praises of this imaginary land. The shepherdesses there were invariably seductive and licentious. Moreelse made many attractive paintings of this subject matter.

Picasso, Pablo (1881-1973) © Museum of Modern Art, New York Painting 64x49,5 Portrait Woman with Flowered Hat

Antwerp, Vos, Maerten de, Netherlands, Praying Mary, verso center bottom - stamped, Mary prays above an open book. Behind Mary is a table. In the background on the left a man and a woman each other in front of a building. On the right in the background a shepherd with a herd of cows. Above a one-line text in Latin and below a two-line text in Latin., print, prent, prints, prenten, height 263 mm, width 201 mm, print maker, prentmaker, 1558 - 1653, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1532 - 1603-12-04

Bust of a woman with her head turned to the left ca. 1506 Attributed to Jacopo de' Barbari Italian. Bust of a woman with her head turned to the left 631738

Painting titled 'The Dream of Saint Helena' by Paolo Veronese (1528-1588) an Italian Renaissance painter. Dated 16th Century

The Duchess of Urbino Piero della Francesca (1410/20-1492 Italian) Galleria Degli Uffizi, Florence

Allegory of Avarice Jacopo Ligozzi Italian In 1590 Ligozzi created a series of elaborate, allegorical drawings of the Seven Deadly Sins (six still exist). This painting, which is a fragment, depicts the central figures of the allegory of Avarice, the drawing for which is in the National Gallery, Washington. As described in emblem books, Avarice is shown as a pale woman holding a bag of money. The threatening skeleton suggests that the artist was inspired as well by other representations of the vice in either literature (perhaps Dante) or the visual arts.. Allegory of Avarice. Jacopo Ligozzi (Italian, Verona 1547-1627 Florence). Oil on canvas. Paintings

SANTA CATALINA - SIGLO XVII - OLEO/TABLA - 118x92 cm - BARROCO ESPAÑOL - NP 3129. Author: FRAY JUAN BAUTISTA MAINO (1581-1649). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SANTA CATALINA DE SIENA.

Die heilige Agnes. Saint Agnes.. Dolci, Carlo, 1616-1686. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Agnes, Saint, Martyr

Donna Velata, by Raffaello Sanzio da Urbino, also Raffael da Urbino, Raffaello Santi, Raffaello Sanzio, Raphael, Italian painter, Italy, digitally res...

The Birth of Venus' (detail), c1485. Artist: Sandro Botticelli. Sandro Botticelli was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de' Medici.

Saint Barbara, c. 1520. Master of the Holy Blood (Netherlandish). Tempera on wood panel; framed: 91 x 34.5 x 5.5 cm (35 13/16 x 13 9/16 x 2 3/16 in.); unframed: 86.3 x 29.2 cm (34 x 11 1/2 in.). Saint Barbara holds both a book and a ring symbolizing her scholarly pursuits and union with God. According to legend, the leather thongs with which she was beaten were transformed into peacock plumes. This painting and one other in the collection (1942.633.1) were originally the wings of an altarpiece flanking a central panel, now lost, that may have depicted the Holy Family. The identity of this artist is unknown, but he is named for a painting in the Chapel of the Holy Blood in Bruges. Bruges flourished as an international commercial center through the 1400s and early 1500s. Among its residents were many foreign merchants and bankers who, along with the Burgundian court, patronized artists and attracted specialized craftsmen such as furriers, hatters, jewelers, and goldsmiths. Brugess arti

Fouquet, Jean (1420-1481). Virgin and Child Surrounded by Angels. 1451-1452. Central detail. Renaissance art. Oil on wood. BELGIUM. FLANDERS. ANTWERP. Antwerp. Royal Museum of Fine Arts. Proc: FRANCE. ëLE-DE-FRANCE. SEINE-ET-MARNE. Melun.

COSECHERA DE SEDA EN PUZOL (VALENCIA) - SIGLO XIX. Author: BERNARDO FERRANDIZ (1835-1885).

Girl with Cherries, Giovanni Ambrogio de Predis, circa 1491-1495, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Paolo de San Leocadio / 'Mater Dolorosa', 1482-1484, Spanish School, Oil on panel, 34 cm x 25 cm, P07135. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: PAOLO DA SAN LEOCADIO.

Portrait of the Daughter, by Vigee-Lebrun Elisabeth-Louise, 1792, 18th Century, . Italy: Emilia Romagna: Parma: National Gallery of Art. Whole artwork. Daughter crown flowers red shawl dress/clothes/garment drapery curls

After Jean-Baptiste Greuze, The Listener, 1805, brush and gray ink and black chalk with touches of white gouache on paper.

Portrait of an Unknown Woman. This elegant lady is portrayed before a landscape with the conversion of Saint Hubert. One day, when pursuing a stag, Hubert discovered a crucifix between the animals antlers; he converted to Christianity, to which he devoted the rest of his life. He was venerated as the patron saint of hunters. The link between the sitter and this story is unclear.

Belcolore, Dante Gabriel Rossetti, 1863, Museum of Fine Arts, Boston, Mass, USA, North America

Saint Agatha. Date/Period: 1638/1644. Painting. Author: LORENZO LIPPI.

Portrait of a Woman inspired by Lucretia' by Lorenzo Lotto (1480-1557) Italian painter, draughtsman and illustrator, traditionally placed in the Venetian school. Dated 16th Century

the St. Mary Magdalene (mansi-magdalena) after 1525. (masters of the mansi-magdalena; active 1510-1530 in Antwerp)

Birth of Venus, detail, Sandro Botticelli, circa 1485, Galleria degli Uffizi, Uffizi Gallery, Florence, Tuscany, Italy

England, Kent, Penshurst, Penshurst Place and Gardens, Portrait of Lady Elizabeth Sidney by Sir Peter Lely dated 1649

'Didon - Reine De Carthage', 1403, (1939). Artist: Master of Berry's Cleres Femmes.

Braque Triptych. St. Mary Magdalene, right panel by Rogier van der Weyden, oil on panel, circa 1450, 1399-1464, France, Paris, Musee du Louvre

Aldegrever, Heinrich, Germany, Fortitudo, Kracht, verso middle bottom - stamped, Female personification of Fortitudo, half-length. She is dressed in a purple dress, which exposes one of her breasts. She holds a broken column, in her other hand the ornament of the column., print, prints, verso middle - stamped, height 83 mm, width 57 mm, German, 1502 - 1561, print maker, printmaker, 1528 - 1528, second quarter 16th century, paper, papier, gold paint, engraving, engraving (printing process), hand colouring, Work conception, after own design by

VIRGEN MARIA DETALLE DE LA IMPOSICION DE LA CASULLA A SAN ILDEFONSO - 1623 - O/L - 165x115 - BARROCO ESPAÑOL. Author: DIEGO VELAZQUEZ (1599-1660). Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN.

Girl in a Large Hat. The girl with her exotic, broad-brimmed sun hat and suggestively exposed shoulder offers the viewer her basket with fruit: the erotic message is unmistakeable. The painting was originally intended to hang high up on the wall, above a door or mantelpiece. This explains why the girl looks down at us.

The Vestal Virgin Tuccia. Painting. Oil on canvas. Height: 152.5 cm (60 in); Width: 86.9 cm (34.2 in). Author: Giovanni Battista Moroni.

Fair Rosamund, Dante Gabriel Rossetti, 1861,

The wife of Leoiten Ephraim. Old 19th century engraved colored illustration from Mugeres de la Biblia by Joaquin Roca y Cornet 1862

Wall light (one of a pair) early 17th century French, Fontainebleau. Wall light (one of a pair). French, Fontainebleau. early 17th century. Lead-glazed earthenware. Ceramics-Pottery

Maria, Raffaello Schiambinosso, 1606 - 1607 print Bust of Maria. She folded her hands and looks down. A circular nimbus around her head. Title in the end margin. Italy paper etching 'portraits' of Mary

Francesco II Gonzaga, Fourth Marquis of Mantua. Dated: c. 1474/1480. Dimensions: overall: 26.5 x 21 cm (10 7/16 x 8 1/4 in.) framed: 49.5 x 44.5 cm (19 1/2 x 17 1/2 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: BALDASSARE D'ESTE.

Jan Matejko (1838-1893), fragment of the Prussian homage; Stella (Bochnia; Publisher; 1908-1932); around 1910 (1905-00-00-1915-00-00);

Louise Henrietta of Nassau, Louise Henriëtte van Nassau, Luise Henriette of Nassau, 7 December 1627-18 June 1667, was a Countess of Nassau, granddaugh...

Archibald Campbell 10. Earl und 1. Herzog von Argyll, 1651-1703. Schottischer Anführer der Revolution von 1688, Aus dem Buch Lodge's British Portraits erschienen in London 1823, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated.

'Virgin of Mercy with Carthusians' (detail), 1630-1635, Oil on canvas, Spanish Baroque. Author: FRANCISCO DE ZURBARAN. Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN.

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