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Renaissance and Religious Figures

Engravings and artworks depicting saints and prophets with rich iconography, showcasing detailed human forms and spiritual themes.

H. Simon Zelotes, Anonymous, After Hieronymus Wierix, After Jan Ditmaer, After Maerten de Vos, 1580 - 1613 print Saint Simon Zelotes is, seen on the back, between two columns in an architectural accompaniment. He holds a saw in his hand. In the background you can see how he is sawn in half. In the context at the bottom of a two -way caption in Latin. after print by: Antwerppublisher: Cologne paper engraving the apostle Simon Zelotes (or Simon the Canaanite); possible attributes: book, saw, scroll. column, pillar ~ architecture. martyrdom and death of Simon Zelotes: he is sawn in two, or beaten to death
H. Simon Zelotes, Anonymous, After Hieronymus Wierix, After Jan Ditmaer, After Maerten de Vos, 1580 - 1613 print Saint Simon Zelotes is, seen on the back, between two columns in an architectural accompaniment. He holds a saw in his hand. In the background you can see how he is sawn in half. In the context at the bottom of a two -way caption in Latin. after print by: Antwerppublisher: Cologne paper engraving the apostle Simon Zelotes (or Simon the Canaanite); possible attributes: book, saw, scroll. column, pillar ~ architecture. martyrdom and death of Simon Zelotes: he is sawn in two, or beaten to death
230 assets in this story
Saint Agnes. Dated: c. 1475. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.Antwerp, Vos, Maerten de, unknown, Sadeler, Raphael (I), Christ, Mary and the twelve apostles, Apostle Thomas, verso lower left - stamped, The apostle Thomas, with a spear as attribute. The print has a Latin underscore with a line from the Credo. The ninth print in a series of fourteen of which the prints with an apostle are numbered from 1 to 12., print, prints, height 97 mm, width 65 mm, South Netherlands, 1560, print maker, printmaker, 1570 - 1600, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04This copper engraving by Tarocchimeister, created before 1467, depicts Mars, the Roman god of war, illustrating martial power and classical iconography.H. Tomas, Johannes Wierix (attributed to), after Johannes Wierix, 1609 print Landscape with the Apostle Tomas. He holds a book in one hand, a rocket in the other. print maker: Antwerppublisher: Delft paper engraving / letterpress printing the apostle Thomas; possible attributes: book, chalice, girdle, heart, lance or spear, scroll, square, stonesTuscany Siena Montalcino Farmacia dell'Ospedale8. Hutzel, Max 1960-1990 Post-medieval: Frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Seated Oriental man, Gerbrand van den Eeckhout (copy after), after Gerbrand van den Eeckhout, c. 1631 - c. 1674, draughtsman: Gerbrand van den Eeckhout, (copy after), draughtsman: Ferdinand Bol, (rejected attribution), intermediary draughtsman: Gerbrand van den Eeckhout, Amsterdam, c. 1631 - c. 1674, paper, h 382 mm × w 258 mmAnthonis van Dycks portrait shows a young nobleman in full figure with Spanish costume, executed in brush and washes of brown and gray over graphite, with damage in the upper corner.Portrait of Melchior Rinck, Christoffel van Sichem (I), 1677 print Portrait of the theologian and humanist Melchior Rinck. He points to a book that lies in front of him. Behind him a window in which a bird runs. Middelburg paper engravingJacques Callot, Saint Bartholomew, published 1631 Saint BartholomewWoodcut by Lucas Cranach the Elder from 1509 titled 'St. Peter', from the Wittenberg Healing Book, depicting Saint Peter in a religious scene.Saint Jerome (recto); Soldier with a Spear (verso) 1460-1525 Vittore Carpaccio Italian Carpaccio was among the first to explore the possibilities of drawing on blue paper. This study of an old man was made for the figure of Saint Jerome in the altarpiece of the cathedral of Zadar (Croatia), painted about 1493. The artist built up the forms through straight lines that correspond to his stiff conception of the figure, but his choice of media suffuses the drawing with a sense of atmosphere and light. The drawing of a soldier with a spear on the back of the sheet is likely a preparatory study as well.. Saint Jerome (recto); Soldier with a Spear (verso) 334692Saint Erasmus. Dated: c. 1500. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Albrecht Dürer.Erasmus of Rotterdam, 1538, Woodcuts, approx. 11 1/4 x 5 7/8 in. (28.5 x 15 cm) each, Paper/Sheet approx. 17 1/16 x 10 3/16 in. (43.4 x 25.8 cm) eachTuscany Grosseto Seggiano S. Rocco5. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Eleazar, study for a fresco in the Sixtine Chapel, Santa Maria Maggiore,Rome. Artist: Cesare Nebbia, Italian, ca.1536-1614 Artist, formerly attributed to: Girolamo Muziano, Italian, 1528/32-1592Martin Schongauer, Saint Christopher, c 1475 1480 Saint ChristopherOld man in a hooded cape leaning on a stick, 17th century. Copperplate engraving by David Deuchar from A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.A brown and gray lavated pen drawing by Sébastien Le Clerc from 1650-1664 depicting an African figure, mounted on a leaf with a pierced decorative floral strip.King David, Johann Sadeler (I), After Chrispijn van den Broeck, 1577 print King David in a landscape. A winch in his hands. Antwerp paper engraving / letterpress printing David (not in biblical context); possible attributes: crown, harpFerdinand I. Dated: 1546. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Augustin Hirschvogel.Woodcut and type print by Lucas Cranach the Elder around 1515 depicting the apostle Peter, showing figure, halo, keys, and early 16th-century German religious iconography.Bliżej Kultury Unknown, Eljasz Radzikowski, Walery (1841 1905)Saint James the Greater. Hendrik Goltzius (Netherlands, Mülbracht now Bracht-am-Niederrhein, 1558-1617). Holland, 1589. Prints; engravings. EngravingRound depiction of Joseph with a basket with carpenter's tools in his arms and a big hat on. Behind his back stands a donkey. The counterpart to this print is a print of Mary with the Christ Child, Joseph with carpenter's tools Mary with Christ Child and Joseph with carpenter's tools (series title)., print maker: Jacob de Gheyn (II), (workshop of), Abraham Bloemaert, (possibly), Netherlands, 1590 - 1595, paper, engraving, d 183 mmVatican City, Michelangelo, Italy, Scultori, Adamo, Paintings in the Sistine Chapel, Zacharias, Prophet Zacharia, verso - stamped, The prophet Zacharias seated with a book in his hands. Behind the prophet two small figures. One of the prophets from Michelangelo's ceiling painting. Title in bottom margin and numbered lower right: 27., print, prent, prints, prenten, height 144 mm, width 105 mm, Italian, 1530 - 1585, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), plaattoon, 1475-03-06 - 1564-02-18, after a painting byHalf-length portrait to the right of Pieter Bruegel Below the portrait his name and eleven lines in Latin Print from part 1 of the series Pictorum Aliquot Celebrium Praecipuae Germaniae Inferioris Effigies Series of 72 artist portraits produced by Hendrick Hondius I, Simon Frisius, Andries Jacobsz Stock and Robert de Baudous, Portrait of Pieter Bruegel Petro Bruegel, Pictori Portraits of famous painters from the Low Countries Pictorum aliquot celebrium praecipuae Germaniae Inferioris effigies , print maker: Hendrick Hondius (I), publisher: Hendrick Hondius (I), (mentioned on object), The Hague, 1610, paper, engraving, h 201 mm × w 123 mmXenophon still image. Portraits. unknown. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Historians, Greeks , To 499, Soldiers , Greek , To 499, Xenophon, RobesProphet Ezekiel; Ezekiel; Paintings in the Sistine Chapel. The prophet Ezekiel sitting with a scroll and two bare figures. One of the prophets of Michelangelo's ceiling painting. Title in undermarge and numbered at the bottom right: 30.Sebald Beham (German, 1500 - 1550), Matthew, 1546, engravingJesus Christ. Artist: After Laurent de La Hyre (French, Paris 1606-1656 Paris); Jean Lenfant (French, 1615-1674). Dimensions: sheet: 16 15/16 x 10 11/16 in. (43 x 27.1 cm). Publisher: Published by Herman Weyen (Flemish, died Paris, 1672). Museum: Metropolitan Museum of Art, New York, USA.Study for Saint Francis that the Stigmata receives, Domenico Ghirlandaio, 1460 - 1494 drawing prepared paper pen / brushAntwerp, Jode, Gerard de, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Persian kings, King Cyrus, King Cyrus of Persia standing with a scepter in his hand. In the background Cyrus is seen as a baby being handed over to a shepherd by Harpagus. Above the image is a two-line text in Latin. This print is part of an album., print, prent, albumblad, prints, prenten, height 260 mm, width 204 mm, print maker, prentmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, Noord-Nederlands, 1509 - 1591-02-05, publisherLudwig I. Gonzaga, Prince of Mantua.SAN JOAQUIN - SIGLO XVII - DIBUJO - 138x57 - INV: 2119 - BARROCO ESPAÑOL. Author: ALONZO CANO. Location: ACADEMIA DE SAN FERNANDO-DIBUJO. MADRID. SPAIN.Study for Saint Francis receiving the stigmata, draughtsman: Domenico Ghirlandaio, 1460 - 1494, prepared paper, pen, brush, h 208 mm × w 153 mmConfucius Stecher: Nolin, Jean-Baptiste (The Elder) Dating: 1687/1725 Sport: ParisSelim I (1467 - 1520) called YAVUZ (The Grim) Sultan of Turkey (1512-20) Date: 1553Boulanger Sunnique you Cor (Bartsch 7) Adriaen van Ostade (1610-1685). Picart-Gole publishers (18th century). Sound baker of the COR (Bartsch 7). Floor, red ink draw, circa 1648December: And Old Man Seated by a Hearth with a Young Man Blowing on the Fire late 16th-mid 17th century Crispijn de Passe the Elder Netherlandish. December: And Old Man Seated by a Hearth with a Young Man Blowing on the Fire 343418Sculpture of a caught king; Parthoru Rex Captivis E Nigro Lapide Romae in Aedib Cesys; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin on the basis of the image. Print is part of an album.Copper engraving by Israhel van Meckenem from the last third of the 15th century depicting Saint Quirin and Saint Antonius, showing figures and composition.Saint Christopher. Dated: c. 1475/1480. Dimensions: sheet (trimmed to plate mark): 15.9 x 11.3 cm (6 1/4 x 4 7/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.Venice, Bertelli, Orazio, Italy, Carracci, Agostino, Christ, Mary, John the Baptist and the Apostles, Apostle James the Greater with a Staff, print, prints, height 108 mm, width 64 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1583 - 1583, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, publisher, uitgeverChrist with the Cross ca. 1605-15 () Joachim Wtewael Netherlandish. Christ with the Cross. Joachim Wtewael (Netherlandish, Utrecht 1566-1638 Utrecht). ca. 1605-15 (). Pen and brown ink, brush and brown wash. DrawingsVerrière project representing David Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Verrière project representing David. Pencil, watercolor.Italy, Vanni, Francesco, Saint Lawrence with gridiron, verso - stamped, Saint Lawrence with a book, palm branch and the gridiron on which he was burned alive. Coat of arms and dedication in lower margin., print, prints, height 302 mm, width 214 mm, print maker, printmaker, 1573 - 1660, paper, engraving, engraving (printing process), Work conception, Italian, 1563 - 1610-10-26Thor, 1883-84 Sir Edward Burne-Jones (d.1898), Thor holding his mallet, Mjolnir. At his feet the goat Tanngniostr, the Tooth-gnasher. Design for Vinland, Newport, Rhode Island, USA, 19th Century, Drawing, Chalk, Paper, Frame, Hammer, Seated, Works on Paper, Norse MythologyUmbria Terni Narni S. Giovenale, Cathedral12. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,Lazio Roma Subiaco S. Francesco3. Hutzel, Max 1960-1990 Exterior views of 14th c. church portals, facade and cloister. Interior views of simple francescan nave, altars, chapels, and refectory, with comprehensive coverage of panel paintings and frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.St. Gregory (copy). Artist: After Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd () 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Sheet: 2 7/16 × 1 15/16 in. (6.2 × 5 cm). Date: after 1511. Museum: Metropolitan Museum of Art, New York, USA.James Howel Standing in a Forest 1641 Claude Mellan French. James Howel Standing in a Forest 393276After Hendrick Goltzius, Saint Matthew, engraving.Buste van Rodomonte, Anonymous, 1550 - 1599 print Buste van Rodomonte, a character from Ludovico Ariosto's epic 'Orlando Furioso'. On his head he wears a helmet decorated with leaves and a dragon. At the top right the title and eight Italian verses from the epic. paper engraving / etching male characters from 'Orlando Furioso' : Use 82A(...). helmet. ornament derived from animal forms. dragonPenitent Peter H, Willem Isaacsz. van Swanenburg, Petrus Scriverius, 1609 - 1611Jan Sadeler I after Crispen van den Broecke, Aser, c 1585 AserPortrait of S. PaulusThe Pope, plate ten from The Ranks and Conditions of Men 1460-1470 Italy. The deck of fifty so-called Tarocchi are not tarots in the modern, fortune-telling sense, nor were they intended as playing cards. No cut-out impressions mounted for play are known, and they lack the suits and numbers of a regular deck. Instead, these delicately engraved didactic allegories are grouped in five numbered ranks describing the workings of the spheres of man, the muses, the liberal arts, the cosmos, and the heavens in order of increasing significance, and offer a didactic sequence to educate courtly youths or possibly university students, who could have used them as flashcards or a pamphlet.. Engraving on paper . Master of the E-Series TarocchiA real imagination ! W.O. Leonardo from the port of S. Maurycy of the Order of S.O. Fran. Ciszkanów reformat of the Roman provinces Capistran (Kabistran), Franz (Fl. Ok. 1751)A sketch sheet by Rudolf Weyr created using brown ink pen, emphasizing line precision and detailed pen strokes on paper.Saint Jerome, Giuseppe Longhi, Italian, 1766-1831, Daniele Crespi, Italian, ca. 1597 - 1630, Engraving on paper, Half-length figure seen looking up, left, holding a cross in his right hand. A trumpet, upper left, signifies the voice of God., Milan, Italy, ca. 1800, Print, PrintFrench crown, Paris, Surugue, Louis, Chéreau, widow François (I), Watteau, Jean Antoine, France, Audran, Benoît (II), Le docteur, Caricature of a doctor, verso - stamped, print, prints, height 290 mm, width 207 mm, 1698 - 1772-01-09, print maker, printmaker, 1708 - 1755, paper, papier, etching, etchings, French, 1684-10-10 - 1721-07-18, after, after a painting by, Publication (Event), Publication, - 1755-04-17, publisher, uitgever, 1686 - 1762-10-08, granter of privilegeSaint Mark 16th century possibly German. Saint Mark 207635Bliżej Kultury unknownAndreas Vesalius. Line engraving after J. Wandelaar.Sculpture of a captured king, Anonymous, 1584 print Caption in Latin on the basis of the image. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. ruler, sovereignVincenzo Foppa (1430-1516). Italian painter. St. John the Baptist, ca. 1488-1489. Detached fresco. Pinacoteca Castello Sforzesco, Milan, Italy.Crying Heraclitus, Jacob Gole, After Cornelis Dusart, 1670 - 1724 print The Greek philosopher Heraclitus is in a globe and cries. Amsterdam paper engraving (story of) Heraclitus, the philosopher. globe. crying, shoutingLastman, Pieter, Bust of a praying man, verso - stamped, Bust to the right of a man with folded hands in prayer., print, prent, prints, prenten, height 113 mm, width 93 mm, 1583 - 1633-04-04, print maker, prentmaker, 1593 - 1633, paper, papier, etching, etchingsSaint John and Saint Jerome (fragment from a Crucifixion). Artist: Francesco Rosselli (Florence 1448-1508/27 Venice ()); Possibly after a design by Filippino Lippi (Italian, Prato ca. 1457-1504 Florence). Dimensions: Sheet: 5 11/16 × 2 7/8 in. (14.5 × 7.3 cm) trimmed around the figures. Date: ca. 1490s. Museum: Metropolitan Museum of Art, New York, USA.Effigy of St. Jerome. Dated: 1619. Medium: etching and engraving on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.Chalk drawing by Federico Zuccari depicting a front view of a bearded man wearing a hat with feathers, executed in reddish chalk.Umbria Terni Ferentillo Abbazia di S. Pietro in Valle. Hutzel, Max 1960-1990 The abbey was founded on the location where two hermits, Lazzaro and Giovanni, lived during the sixth century. It was founded by the Duke of Spoleto Faroaldo II. The nave of the church is unique in that it is oriented to the east. The church was reconstructed in the tenth and eleventh centuries, and it was completely restored in 1931. Photographs include exterior views, courtyard views, frescoes, sarcophagi and relief sculpture. Iconography includes Madonna and Child with Sts. Peter and Paul, Christ in a mandorla, S. Benedetto, S. Sabina, S. Lucina, S. Cristina, S. Caterina, S. Sebastiano with Madonna and child, and the Creation of Adam and Eve Antiquities: Roman sarcophagi; Roman sculptural and architectural fragments. Object Notes: Hutzel photo campaign date: October 7, 1982. General Notes: Description from TCI 1978 and Hutzel notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed inPicart, Bernard, Amsterdam, Christ points to heaven, Landscape with Christ. With his right hand he points up to heaven. In the margin a Bible quotation from Mat. 4:17 in French., print, prent, prints, prenten, height 134 mm, width 75 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1729 - 1729, second quarter 18th century, tweede kwart 18e eeuw, paper, papier, etching, engraving, graveren (drukprocedé), intermediary draughtsmanPrint made by Elias Nessenthaler, 1664-1714, S. Jacobus, undated. Mezzotint on moderately thick, moderately textured, cream laid paper.Boulanger Sunnique you Cor (Bartsch 7) Adriaen van Ostade (1610-1685). Sound baker of the COR (Bartsch 7). Forte, circa 1648. Museum of Fine Arts in the city of Paris, small palace.Felix of Cantalice, saint.Germany. knight. Engraving. 19th century.Vesalius, Andreas Form Cutter: Calcar, Jan Stephan ofportrait of Ramon Llull, 17th century, paintings of the corridor on the ground floor, gray techniqueSan Buenaventura Cloister, Llucmajor, Mallorca, Balearic Islands, Spain.Portraits of Mieczysy (Mieszko I) and Boles of the Brave; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Bolesław Chrobry (Polish King - CA 967-1025), Bolesław Chrobry (Polish King - Ca 967-1025) - iconography, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Mieszko I (Polish Prince - Ca 935-992), Mieszko I (Polish Prince - Ca 935-992) - iconography, gift (provenance), kings, personalities, Polish personalities, portraits, men's portraits, rulersLazio Viterbo Viterbo S. Maria della Verita, Cloister44. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of tSaint Paul; Giuseppe Maria Crespi, Italian (Bolognese), 1665 - 1747; about 1720 - 1730; Red chalk over traces of black chalk. The figure's right hand drawn by the artist on a separate piece of paper and made up; 28.1 x 21.1 cm (11 1/16 x 8 5/16 in.)Saint Roch. Giovanni Francesco Barbieri, called Il Guercino; Italian, 1591-1666. Date: 1611-1666. Dimensions: 268 x 272 mm (primary support, sight); 290 x 290 mm (secondary support, sight). Pen and brown iron gall ink with brush and brown wash on cream laid paper, tipped to brown wove paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.Saint Benedetto dellAntella seated and writing in a book ca. 1850-1890 Anonymous, Italian, 19th century. Saint Benedetto dellAntella seated and writing in a book. Anonymous, Italian, 19th century (?). ca. 1850-1890. Pen and gray ink, gray wash, over red chalk; framing lines in pen and gray ink. DrawingsChristophle Colomb Christopher Columbus. Prints. 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Columbus, ChristopherApostel Simon, 1589 print Saint Simon Halven, a saw behind his right shoulder. In margin under the print a rule of Latin. Print from a series of fourteen. paper engraving the apostle Simon Zelotes (or Simon the Canaanite); possible attributes: book, saw, scrollBliżej Kultury Klauber, Johann Baptist (1712 1787), Klauber, Joseph Sebastian (1710 1768), KlauberH. von Mamolocon, a character with a grotesque face. Line engraving.Head of a Man 1756-1773 France. Pen and black ink, over black chalk, on ivory laid paper, laid down on cream laid paper . Hubert François GravelotPrint, Portrait of Olivier de Clisson (1336-1407); After Claude Guy Hallé (French, 1652 - 1736); Engraved by Alexis Loir; France; engraving on white laid paperSculpture by N. Young. 1863. Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. PeruSaint Francis of Assisi. Draughtsman: Lionello Spada (attributed to). Dating: 1586 - 1622. Measurements: h 230 mm × w 169 mm. Museum: Rijksmuseum, Amsterdam.Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra3. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Azulejo, nobleman with slouch hat, painted wall tiles by Valentim de Almeida, 18th century, cloister terrace, Se do Porto Cathedral, Porto, Portugal, EuropeAnonymous of the Flemish school (16th century). "Saint John in Patmos". Oil on parquet wood. Museum of Fine Arts of the City of Paris, Petit Palais. 24276-14 Eagle, apotre, Catholicism, Catholic, Christianity, Christianity, Cup, Flemish School, Wood Park Wood, SaintChalk drawing by Jacopo Amigoni depicting Jacobus Major, executed with white highlights on gray paper.S. Philippus, Print made by Johann Jacobus Haid, 1704-1767, after Johann Kupezky, 1667-1740, Hungarian, undated, Mezzotint on moderately thick, moderately textured, cream wove paper, Sheet: 21 3/8 x 14 13/16 inches (54.3 x 37.7 cm), Plate: 15 15/16 x 10 13/16 inches (40.5 x 27.5 cm), and Image: 14 1/2 x 10 13/16 inches (36.9 x 27.5 cm), apostle, beard, cane, Christianity, cloak, cross (motif), gaze, gesturing, historical subject, leaning, man, religious and mythological subject, solemn, thoughtfulThe Jupiter. Thoma, Hans (1839-1924), draughtsman, cartoonistThe Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books - an incunabulum (printed, not hand-written) - and one of the first to successfully integrate illustrations and text.Walther von der Vogelweide is the most famous of the Middle High German lyric poets, Historical, digitally restored reproduction of an original from the 19th century, exact date unknown