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Renaissance Church Art

Black and white images of religious frescoes and altarpieces, depicting scenes of saints, the Virgin Mary, and Christ, showcasing intricate details and historical significance.

Lazio Viterbo Vejano Chiesa dell'Assunta6. Hutzel, Max 1960-1990 Exterior views of Renaissance/Baroque church before and after 1983 restoration, including views of flank, apse, portals, facade, and bell tower. Interior views of nave, chapels, architectural details and paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury unknown

Marches Macerata San Severino Marche S. Lorenzo in Doliolo7. Hutzel, Max 1960-1990 Exterior views of the 11th-century church with 14th-century cloister and bell tower. In the crypt (9th-13th centuries) are ceiling and wall paintings of angels, the Evangelists, and various other saints in medallions; votive frescoes of Saints Dominic, Augustine, and Anthony Abbot; and the tomb of S. Domenico. In the fourth and fifth crypt chapels is a fresco cycle by the Salimbeni brothers of the martyrdom of St. Andrew. The church interior is heavily restored, with modern nave piers and capitals. Displayed in the sacristy are salvaged fresco remains, a wooden statue of Christ (17th century), and paintings. Also views of a holy water font and a marble ciborium. Object Notes: Hutzel photo campaign date: April 5, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore,

Marches Macerata Mevale Pieve8. Hutzel, Max 1960-1990 Parish church dating from the 13th century with interior decoration dating until the 16th century. Mevale is the home of the Angelucci family, who were artists and woodworkers in the 15th and 16th centuries. The interior frescoes include a Last Judgment (1601), a Trinity (1560), Apostles in the Oratorium, a Madonna of the Rosary (1571), and a chivalric tournament (15th cent.). A Pieta in the lunette in the Oratorium is believed to have been painted by Perugino, in whose workshop one of the Angelucci worked. There is also a Madonna in the Byzantine style, dating from the 13th century. The confessional is used as well for a chancel, the work of Ancanio Poggini (1580). Object Notes: Hutzel photo campaign date: September 26, 1983. Negs. of columns and stone lion may belong to another site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, r

Lazio Rieti Rieti S. Agostino3. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture, painting. The church dates from the 13th century, and still possesses two gothic portals. The main portal, of the 14th century, contains a semicircular tympanum within which is a fresco of the Madonna and Child with S. Augustine and S. Nicholas of Bari, a work of the Sienese school from 1354. Above the lunette in the gable is a relief of the Lamb of God. The other medieval portal on one of the transept arms is less elaborate than the main portal, consisting of double-arcaded windows and a central round window above. Post-medieval: Architecture, sculpture, painting. The interior of the structure dates from the Baroque period (end 17th century). In a left side chapel is a cycle of frescoes dating from the 16th century, depicting Christ blessing. In a right side chapel is a cycle of scenes from the life of S. Augustine, dating from the 17th century. Above the altar of the left transept arm, is a paint

Lazio Frosinone Alatri S. Maria Maggiore. Hutzel, Max 1960-1990 Architectural views (medieval core collection) Views of portals with frescoed lunettes (deteriorated), rose window and turreted campanile with mullioned windows. Views of naves and chapels. Extensive coverage of the chapel of the "Madonna of Constantinople." TCI (1981), p. 598. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madonna and Child Enthroned with Saints Workshop of Bernardo Daddi Italian. Madonna and Child Enthroned with Saints 436073

Portrait of Saint Gregory the Great: Engraving from Lives of the Saints by the Reverend Sabin Baring-Gould, published 1898

Album n � 1. Stained glass project for Our Lady of Lourdes - The Virgin Couronne by the Angels Gsell-Laurent workshop. Album n � 1. Stained glass project for Our Lady of Lourdes: The Virgin crowned by the Angels.

Umbria Perugia Gubbio S. Secondo6. Hutzel, Max 1960-1990 Exterior views of the polygonal apse of trefoiled arches and cloister portals. Interior views include frescoes of the Life of St. Sebastian in the Cappella di Sebastiano o Panfili (15th century); votive frescoes of the Madonna and Child; paintings of the Death of St. Joseph and the Martyrdom of S. Secondo; a painted crucifix; and stucco work and paintings in the Salone Zucchari (which are missing their negatives). In the Medieval core collection are details of an 8th-century altar--the sole remains of the abbey church S. Donato di Pulpiano. Object Notes: Hutzel photo campaign date: 1982. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early

Lazio Latina Gaeta Museo Diocesano. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Celano S. Giovanni Battista7. Hutzel, Max 1960-1990 Romanesque church begun in the 14th century. Exterior is covered in the local reddish stone. Exterior views of portal, rose window and sculptural details. Photos of the interior include general views in the Medieval core collection and details of frescoes in the Hutzel collection. There are frescoes in the vaults and on the arches. Scenes include evangelists and saints. There is also a painted Last Judgment. Objects of interest include a wooden ciborium and confessional stalls. There is also wooden statuary over the high altar from the 17th cent. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic,

Lazio Roma Rome S. Ignazio di Loyola67. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Umbria Perugia Castel San Felice S. Felice di Narco9. Hutzel, Max 1960-1990 Extensive coverage of surrounding town and exterior church facade, including portal, windows, and bell tower. Interior views of altars and paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Empress Matilda (1102-1167), daughter of Henry I of England and mother of Henry II, wife of Henry V of Germany. Fought Stephen for the crown of England. Here escaping from besieged Oxford Castle, 1142. Early 19th century engraving.

Miniatures inside the Cathedral of Santa Maria Assunta in Troia.

Woman, man and children coming from a church construction

Imagen de San Francisco de Asís de Alonso Cano en la Catedral de Toledo.

Historical depiction of the disputation of St Catherine of Alexandria, also known as St Catherine of the Wheel and the Great Martyr Catherine, in fron...

A black brush drawing by Francisco José de Goya y Lucientes depicting a human crowd inside a church, lavated, created after 1814, emphasizing figures and spatial arrangement.

Glass window design by Claudius Lavergne for a church depicting Marys engagement with Joseph, using pencil, heightened, lavished, and watercolored techniques.

Poll photo collection. Jerusalem in art. Fresco representing Jesus Christ, some disciples and some women. In the background some structures may symbolically symbolically for the city of Jerusalem. 1953-00-00}. Israel, Jerusalem, Jordan, Jordan

Tuscany Grosseto Santa Fiora SS. Fiora e Lucilla, Parish church8. Hutzel, Max 1960-1990 Exterior views show a simple stone facade with a renaissance portal and a Romanesque rose window. Most views focus on the interior decoration by Andrea and Giovanni della Robbia: the dossal in the first altar to the right depicts the penitent St. Jerome, the Coronation of the Virgin, and the Stigmatization of St. Francis; the pulpit depicts the Last Supper, the Resurrection, and the Ascension. Other della Robbia terracottas show the Assumption of the Virgin among angels and the Baptism of Christ. Coverage includes the very Mannerist main altarpiece, an icon of the Virgin and Child (engaged in close eye contact) set in an aedicule, a polychrome statue of St. Anthony Abbot, several crucifixes and a baptismal font. General Notes: SS. Fiora and Lucilla is also called the Pieve (Parish Church). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until hi

Virgin of Carmel Saving Souls in Purgatory Circle of Diego Quispe Tito (Peruvian (Cuzco), 1611-1681). Virgin of Carmel Saving Souls in Purgatory, late 17th century. Oil on canvas, 41 x 29 in. (104.1 x 73.7 cm). American Art late 17th century

Tuscany Grosseto Santa Fiora SS. Fiora e Lucilla, Parish church0. Hutzel, Max 1960-1990 Exterior views show a simple stone facade with a renaissance portal and a Romanesque rose window. Most views focus on the interior decoration by Andrea and Giovanni della Robbia: the dossal in the first altar to the right depicts the penitent St. Jerome, the Coronation of the Virgin, and the Stigmatization of St. Francis; the pulpit depicts the Last Supper, the Resurrection, and the Ascension. Other della Robbia terracottas show the Assumption of the Virgin among angels and the Baptism of Christ. Coverage includes the very Mannerist main altarpiece, an icon of the Virgin and Child (engaged in close eye contact) set in an aedicule, a polychrome statue of St. Anthony Abbot, several crucifixes and a baptismal font. General Notes: SS. Fiora and Lucilla is also called the Pieve (Parish Church). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until hi

Abruzzo, L'Aquila, Trasacco, SS. Rufino e Cesidio, Italy, 20th century, photo, photography, Europe

Set of religious paintings of Christ's passion, by Kosheleff, in Russian hospice, Judas betrays his master 1900, Jerusalem, Israel

Virgin and Child with Four Angels and the Redeemer Zanobi Strozzi (Italian, Florentine, 1412-1468). Virgin and Child with Four Angels and the Redeemer, ca. 1450. Tempera and tooled gold on panel, 31 x 20 1/4 in. (78.7 x 51.4 cm). European Art ca. 1450

Umbria Terni Terni S. Alo6. Hutzel, Max 1960-1990 Exterior views of 11th century church with special attention to immured relief sculpture and the apse. Interior views focus on columns, capitals and frescoes (13th-16th centuries). Fresco subjects include: St. Silvester, St. Mary Magdalen, St. Catherine of Alexandria, St. Joseph, St. John the Baptist, St. Pellegrino, St. Sebastion, St. Roch, St. Lucy, the Crucifixion, the Madonna lactans and Madonna and Child. Object Notes: Hutzel photo campaign date: October 7, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by provi

Album n � 1. Stained glass project for Our Lady of Lourdes - The Virgin and the Holy Trinite, Lucifer Terrace by the Archangels Gsell-Laurent workshop. Album n � 1. Stained glass project for Notre-Dame de Lourdes: The Virgin and the Holy Trinity, Lucifer Terraced by the archangels.

Umbria Perugia Trevi S. Francesco2. Hutzel, Max 1960-1990 Exterior views of the 13th-century Cistercian church focus on the gothic main portal. The interior, restored in 1977, include: frescoes of saints Ventura, Nicola and Andrea (15th century); an organ (16th century); an altar fresco by Angelucci of the Madonna and Child and saints with Christ and Veronica in the lunette; a marble intarsia altarpiece with a painting of the Madonna and Child with saints Peter, Paul and perhaps scenes of the Last Judgment; a painting the Crucifixion; an Umbrian painted crucifix; tomb monuments of the Attavanti family; a tomb effigy (in relief) of the hermit St. Ventura; fresco fragments; and a holy water font. Object Notes: Hutzel photo campaign date: May 11, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical develo

Umbria Terni Narni S. Giovenale, Cathedral00. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Umbria Terni Terni S. Maria del Monumento8. Hutzel, Max 1960-1990 Exterior views: poorly preserved 14th-century church and cloister. Interior views include a romanesque chapel of the previous church. Most views are of the 15th-century frescoes: the Legend of the Golden Apple from the life of St. Clare, St. Leonard, St. Valentine, St. Anastasia, St. Jerome and the Madonna and Child. Object Notes: Hutzel photo campaign date: October 5, 1982. Hutzel developed two prints for 14 of his 18 negatives; hence, there are almost twice as many prints as there are negatives. The prints have been renumbered, but the original numbers that correspond to those in Hutzel's notes are found on those prints with the date 1982 penciled in on the bottom. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up

Baptism from The SevenSacraments. Artist: Pietro Antonio Novelli, Italian, 1729-1804

Bliżej Kultury unknown

Bliej Kultury unknown

The International Exhibition: stained-glass window by Messrs. J. Ballantine and Son, Edinburgh, 1862. 'This window...has for its subject the Crucifixion, and is to be erected in Prestolee Church, Lancashire, as a memorial to the late Mr. Thomas B. Crompton, of Farnworth...In the centre compartment is seen the body of Christ nailed to the cross, round the foot of which has gathered a sorrowing group, among whom the Virgin Mary and the disciple John are conspicuous...On the right of this hangs the repentant thief, his face wearing in death an expression of resigned and hopeful calmness; and in

Krakow St. Mary's Church the main altar of Wita Stwosz Christ in the Abyss unknown

Lazio Viterbo Ronciglione Oratorio0. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, coffered ceiling, wooden crucifix, painting. The Oratorio (also called SS. Rosario) is dated to 1626, and possesses within the altar of the Crucifix 2 marble figures of angels attributed to the school of Bernini. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Banner Made 1601-1700 Spain. .

The chariot of the Caliph of Baghdad, procession of the "Illuminated Festival", of Auxerre tradition on the way to the The Universal Exhibition in Paris 1889, France. Old 19th century engraved illustration from La Nature 1890

Bliżej Kultury unknown

Madonna and Child Enthroned with Saints Workshop of Bernardo Daddi Italian. Madonna and Child Enthroned with Saints 436074

Marches Macerata Visso S. Maria, Collegiate Church1. Hutzel, Max 1960-1990 Detailed views of the 14th century exterior architecture of the church, including portals, and details of columns and capitals. There are general interior views, with detailed photos showing the paintings, both on the screen behind the main altar and behind side altars. There are also many photos of painting fragments from the late Medieval and early Renaissance periods. Sculptural photos include a wooden crucifix and basins or altars (perhaps antique) with human face motifs. Object Notes: Hutzel photo campaign date: June 30, 1984. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissan

CAPILLA DEL PULGAR - RETABLO DE SANTA ANA - 1531 - RENACIMIENTO ESPAÑOL - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. Author: Pedro Machuca. Location: IGLESIA DEL SAGRARIO. SPAIN. INFANT JESUS. VIRGIN MARY. SAN JOSE ESPOSO DE LA VIRGEN MARIA. SANTA ANA MADRE DE LA VIRGEN MARIA. SAN JOAQUIN.

Lazio Rieti Monteleone Sabino S. Vittoria. Hutzel, Max 1960-1990 Extensive coverage of the church exterior and interior, including Roman antiquities, frescoes, ciborium, altar and nave is stored in the Medieval core collection. The coverage in the Hutzel collection is mainly of Roman fragments. Antiquities: Fragments of Roman sarcophagi, portals, inscribed tablets, a sun stone, and stone lions. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Painted Window presented to the King of Denmark, by Mr. Peto, M.P., 1854. Gift from Samuel Morton Peto to Frederick VII on the opening of the Royal Danish Railway. 'The window...consists of twenty-five lights...The central one contains a life-size figure of our Saviour, as the Good Shepherd. His head seems radiant with holiness, and His garments denote the spotless purity of his nature; the position...in the centre of the Window is a clever conception as indicating the position which be occupies as the focus of God's love and "the brightness of His glory". The ten lights composing th

Abruzzo Teramo Teramo Pinacoteca4. Hutzel, Max 1960-1990 Collections include a panel painting of Pope Clement by Giovanni da Sulmona, a polyptych by Giacomo da Campli, painted Castelli ceramics, paintings of St. Sebastian and other saints, and a Last Supper, perhaps by Bernardo Rantvic or the Fiammingo School. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Montalto di Castro Parrocchiale. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, sculpture. The facade of the church is decorated with engaged pillasters and a tympanum, and the interior contains sculpture and paintings in the altars. Object Notes: Undocumented Hutzel name. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Nativity, by Unknown, 16th Century, pottery . Italy, Emilia Romagna, Faenza, Ravenna, International Museum of Ceramic. Whole artwork. Decorated tile with episode Nativity Madonna Virgin Mary St Joseph ox donkey: ass Baby: Child Jesus: Christ Child.

Umbria Perugia Todi S. Fortunato. Hutzel, Max 1960-1990 Exterior views of this church focus on the facade portals (1430-1436). Flanking the center portal are aediculae with statues of the Archangel Gabriel and the Virgin of the Annunciation. The portal sculpture is comprised of elaborately carved colonettes; the subjects include nude men in foliage, prophets, saints, martyrs, patriarchs, inhabited vinescroll, grapevines, fig leaves, Abraham and Isaac, and a scene of the stigmatization of St. Francis.. Views of this 13th-15th century gothic interior include details of vaulted ceilings, sacristy portals, the polygonal apse, a crucifix in olive wood, choirstalls, the marble high altar with bishops painted in the trefoil arches, choirstalls, a holy water basin, fresco fragments of the Giotto school, a painting of the Coronation of the Virgin over Todi by Polinori, and various altar paintings. In the crypt are sepulchral monuments of Jacopone da Todi and the family Tudertini, a tomb reliqua

Historical illustration of the tomb of Joachim Winckelmann, Trieste, Italy. Johann Joachim Winckelmann, 1717 to 1768, was a German art historian and archaeologist, Historical, digitally restored reproduction of a 19th century original, exact original date unknown

Abruzzo, L'Aquila, Bominaco, S. Pellegrino, Oratory, Italy, 20th century, photo, photography, Europe

Umbria Perugia Spoleto (environs) S. Sebastiano7. Hutzel, Max 1960-1990 Most views of this small chapel focus on the interior frescoes. The Madonna and Child flanked by St. Roch and St. Sebastian are frescoed on the altar wall. On the side wall are three more frescoes of St. Sebastian. Object Notes: Hutzel photo campaign date: August 6, 1983. General Notes: Hutzel developed two sets of photographs from these negatives; thus, some prints hae been renumbered to correspond with their duplicates. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex

Bliej Kultury unknown

Tuscany Grosseto Massa Marittima S. Agostino2. Hutzel, Max 1960-1990 Post-medieval: Includes views of neighboring Cappella di S. Lucia (1348) Architecture, architectural sculpture (14th century, restored 1958), sculpture, stained glass, frescoes, painting, Object Notes: Bibliographic material included and housed in the Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Photo production of (presumably) a print of Moses in a basket. Part of album with pictures of sights and landscapes in England and of art.

Marches Macerata San Severino Marche Pinacoteca Civica2. Hutzel, Max 1960-1990 The collections include: a silver reliquary (1326), a relic of Pope Peter Celestini V, a silver plate, a 13th-century clothes chest illustrating a medieval legend, a globe with constellations/signs of the zodiac, fresco fragments by the Salimbeni brothers, a fresco of St. Francis receiving the Stigmata from the church of S. Francesco in Castello (now destroyed), a fresco of St. Anthony Abbot, elaborate polyptychs by Veneziano and Salimbeni, an ivory chest with secular imagery, and various altarpieces and paintings. Of exceptional quality are paintings by Bernardino Mariotto of the Annunciation and the Pieta, and an altarpiece of the Madonna and Child Enthroned with Saints by Vittore Crivelli. Object Notes: Hutzel photo campaign date: April 11, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by

Our Lady of Mt. Carmel (Nuestra Senora del Carmen) Mexican.. Paint on fabric (as per D. Leibold 8/02), 11 x 8 in. (27.9 x 20.3 cm). American Art

Abide with us,' by Furst, in Austrian Hospice, Jerusalem. 1898, Israel

Umbria Perugia Spoleto S. Maria Assunta, Cathedral3. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the wo

Fresco with three men in circles with text bars in their hands; Aduardkapel.aduard Chapel Seen to the East. Detail Chapel Just After The Restoration.

Bliżej Kultury unknown

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)56. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Umbria Perugia Campi Vecchio S. Salvatore. Hutzel, Max 1960-1990 Present church built in 14th cent. over the ruins of a Roman temple. The remains of the temple were removed to the National Museum in Perugia. Present church restored in 1970s. Interior views include iconostasis with saints, frescoes including scenes of the Adoration, the Last Supper and the Lamentation. Frescoes of the 4 Evangelists are in the vault. Also paintings of prophets, including David, Isaiah and Daniel. Saints include S. Sebastian. A large wooden cross, possibly dating from the 14th cent., was placed over the altar. Object Notes: Hutzel photo campaign date: July 10, 1982 General Notes: No prints for exterior views. Missing prints may be in Medieval core collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile72. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Bliej Kultury unknown

Empress Theodora and Members of Her Court early 20th century (original dated 6th century) Byzantine. Empress Theodora and Members of Her Court 466587

Painting depicting the Compromise of Caspe, an act and resolution of parliamentary representatives of the constituent realms of the Crown of Aragon (the Kingdom of Aragon, Kingdom of Valencia, and Principality of Catalonia), meeting in Caspe, to resolve the interregnum following the death of King Martin of Aragon. Dated 15th Century

Bliżej Kultury unknown

Confirmation from The SevenSacraments. Artist: Pietro Antonio Novelli, Italian, 1729-1804

Lazio Viterbo Viterbo Sanctuary of S. Maria della Quercia8. Hutzel, Max 1960-1990 Extensive coverage of Renaissance sanctuary's exterior, with emphasis on the church portals. Several views of bell tower. Interior views of nave and altar, aisles, ceiling and cupola, tabernacle containing the miraculous tile, paintings, sacristy, choir, holy water font. Views of main cloister and cistern. General Notes: Two sets of prints fused into single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Krakow St. Mary's Church the main altar of Wita Stwosz characters of two Maria from the three Marie stage at the grave unknown

Częstochowa. A wonderful picture of Our Lady of Częstochowa from the monastery in Jasna Góra; Trzciński, Stanisław (1867-1939); around 1896 (1890-00-00-1900-00-00);

Titurel surrounded by angels, with the holy grail in one hand and a lance in the other hand, Rogelio de Egusquiza, 1855 - 1902 print paper etching / drypoint legend of the Holy Grail. lance, spear (symbol of sovereignty). angels

Krakow St. Mary's Church the main altar of Wita Stwosz; Group in the top of the altar. unknown

Abruzzo, Citta Sant'Angelo, S. Francesco, Italy, 20th century, photo, photography, Europe

Abruzzo Teramo Castel Castagna S. Maria di Ronzano7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (12th century); frescoes (12th century); baptismal font Objects in treasury (): processional cross, reliquary shrines, silver plate, wooden statue of the Virgin and Child Post-medieval: Sculpture (13th century, repainted 17th cent.), sculpture fragments; Easter candle, frescoes of Old and New Testament scenes including the Patriarchs and Christ in a mandorla. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Creation and Fall of Man. unknown c. 1510-1515 Tapestry Dimensions: H 13'10" x W 26'3" Tapestry Materials/Techniques: wool (undyed, warp: 5-6/cm); wool & silk (dyed, weft) Culture: Southern Netherlands Ownership History: Cathedral of Toledo (until c.1900). Ascher Wertheimer coll. (1902). Weinberg coll. William Randolph Hearst coll. (c.1912). French & Co. United States, California, San Francisco, The Fine Arts Museums of San Francisco, accno. 54.14.1. Inscriptions: Inscription in central field, identifying figure (at top, flanking Trnity): JUSTICIA Holy Trinity ('Trinitas coelestis': Father, Son & Holy Ghost) enthroned in Paradise at top, flanked by personifications of Mercy (L) & Justice (R); division of light & darkness (top L); creation of firmament & division of waters (bottom L); creation of sun, moon & stars (bottom, L of center); creation of birds & fishes (bottom, R of center); Adam & Eve standing before Trinity (bottom R); Temptation & Fall, along with God expelling Adam & Eve

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile04. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Abruzzo, L'Aquila, Bominaco, S. Pellegrino, Oratory, Italy, 20th century, photo, photography, Europe

Picture of Holy Family Unknown. , 19th century (probably). Beadwork, paper, rice glue, 9 x 8 in. (22.9 x 20.3 cm). American Art 19th century (probably)

Window with saint enthroned, by Ghiberti Lorenzo, 15th Century, stained-glass window. Italy, Tuscany, Florence, Santa Maria del Fiore Basilica, window above side-aisle. Detail. Top of window rounded arch ogival arch elderly saint beard halo aureole adlocutio with right hand raised crown holding half-closed book in left hand seated on throne late-Gothic throne perspective depth.

Altarpiece in the Basel Minster, Basel, Switzerland, historical, digitally enhanced reproduction from an original around 1860.

Bliżej Kultury unknown

Fantasy: Various figures, the most right with sleeves such as sleeves. Various figures, the most right with sleeves such as tubes.

Przeszo Przyszoci unknown

Lazio Rieti Magliano Sabina Cathedral01. Hutzel, Max 1960-1990 Exterior views of facade (18th century) and portals (15th century. Views of restored interior: frescoes in apse of the Coronation of the Virgin, Annunciation and the Birth and Death of the son of Uliano, nobleman of Magliano; decorative ceiling fresoes; altarpieces, and marble altars. Treasury: chasuble of silver and gold brocade decorated with saints (18th century), portraits of bishops (15th-17th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime7. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to

Painting depicting John, King of England (1166-1216) sealing the Magna Carta. Dated 13th Century

Santiago de Compostela, July 1976. A man gives the traditional hug to the Apostle Santiago in the Cathedral.

Our Lady of Pomata Cuzco School. Our Lady of Pomata, 1675. Oil on canvas, 44 3/4 x 35 1/2in. (113.7 x 90.2cm). European Art 1675

Entombment. unknown c. 1500-1525 Tapestry Dimensions: H 3'2" x W 7'10" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. Inscriptions: Inscription in central field, below sarcophagus: HVMANI GENERIS REDEMPTORI Inscriptions: Inscription in central field on banderoles: de mailly Millefleurs backdrop, Christ lying in sarcophagus, surrounded by Virgin Mary, SS. Nicodemus, Joseph of Arimathaea, Mary Magdalene, & another female figure; flanked by 2 suspended banderoles with inscriptions surmounted by ciphers of De Mailly family (L & R BRD) jewel-encased squares with ciphers French & Co. stock sheet missing from archive, 16286 San Francisco Museum of Art, European Tapestries (1922), 31, cat. 8

Lazio Viterbo Viterbo S. Lorenzo, Cathedral7. Hutzel, Max 1960-1990 Views of 16th c. facade, with detail views of portal, windows, campanile (attached). Interior views of cupola, baptistery, sculpture, chapels, tabernacle. Many views of paintings and apse frescoes. Nave views in negatives only. Object Notes: A composite view of the exterior in found in the Italy Oversize box in the Medieval Core Collection. Hutzel views (H-230) MED and (H-231) MED General Notes: Views 118 to 184, processed by previous cataloguer, have no matching prints, though negative jackets indicate they should. All prints have been renumbered. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic,

Basilicata Matera Matera S. Nicola dei Greci3. Hutzel, Max 1960-1990 Medieval: Architecture (Early Christian), rock-cut church; Frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Calvi dell'Umbria S. Antonio5. Hutzel, Max 1960-1990 Exterior and interior views of the church; interior High Renaissance and Baroque paintings and sculptures; a rare wood carved sculptural group of 30 figures dating from the mid 16th century. Object Notes: Hutzel shot this campaign in 1984. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

True image of the lord of Chalma. Broadside shows a statue of the crucified Christ. On the verso, accompanying text describes a miracle performed by the Lord of Chalma. Fidencio's father, Regino Esteves, had lost his faith in Catholicism and had become a Protestant. When he found his son praying to the Lord of Chalma, he threw Fidencio into a hot stove. The text says that, despite this tragedy, the child recovered without injury. As a witness to this miracle the father converted back to Catholic

Church service on the island of Hallig Oland, Frisian Island, Germany, Historical, digital reproduction of an original from the 19th century, Europe

Print of Christ Child Unknown.. Wood and silver frame, 8 x 7 in. (20.3 x 17.8 cm).

10/20/1906. Our Lady of Estibaliz in Vitoria.

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