Renaissance Engravings and Etchings

A collection of historical prints including court scenes, medals, friezes, and sacred objects, showcasing intricate designs and classical themes from various eras.

Title card; unknown, Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1806 (1806-00-00-1806-00-00);

Copper engraving showing a court scene from the Sistine Chapel, depicting figures in Renaissance attire, created in the 16th century.

Etching by Charles Nicolas Varin in 1782 depicting a medal commemorating the cities of Smyrna and Ephesus with inscriptions and decorative elements.

Five Frisians with eggs, marine animals, vegetables and game, 1866 print At the top right, a Frisian is depicted with fish, a lobster and a crab, locked up in a motif of tires intertwined. At the top left: 1re partie, at the top right: A N ° 15 at the bottom right: 60. Liège paper

Sacred table used in ancient Egyptian religious ceremonies. With two sheafs of wheat, two hydria or water vases and cup. Mensa sacra egittia. Copperplate engraving by Giovanni Battista Galestruzzi after Leonardo Agostini from Gemmae et Sculpturae Antiquae Depicti ab Leonardo Augustino Senesi, Abraham Blooteling, Amsterdam, 1685.

Title card; unknown, Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1806 (1806-00-00-1806-00-00);

Schmalz Otto (1861-1915), commemorative publication for the 100th anniversary of the Technical University of Berlin-Charlottenburg. Dilment designs (1899): Book decoration. Ink, pencil on paper, 31.5 x 21.6 cm (including scan edges)

Schmalz Otto (1861-1906), travel sketches from Bavaria, Austria and Italy (February 26, 1887): Naples: Sacramen houses in the museum (details). Ink, pencil on paper, 42.8 x 30.9 cm (including scan edges) Schmalz Otto (1861-1906): Reiseskizzen aus Bayern, Österreich und Italien

Two flutes and a third instrument; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Bamboescheut, Henri Charles Guérard (Awarded to), 1856 - 1897 print paper etching plants (in general)

Etching by Stefano della Bella depicting ornaments with grotesque designs, created between 1630 and 1664, showing intricate decorative motifs and classical influences.

Portrait of Willem IV, Prince of Orange-Nassau. Portrait of Willem IV in a rectangle. In the undermaster his name.

Koch Friedrich (1828-1922), travel studies from Italy 1851-53 (October 27, 1852): Viterbo (perspective view from the imperial palaces), Kaiserpalast (detail). Pencil on paper, 22.6 x 19.2 cm (including scan edges) Koch Friedrich (1828-1922): Reisestudien aus Italien 1851-53

Mass luminaire in leather tipped - general view on the front and back on a 1: 2 scale; Pretty, Szymon (Ca 1864-1942); 1917 (not after November 20, 1917) (1917-00-00-1917-00-00);

Schulz Bruno (1865-1932), Dom and S. Maria Fosca in Torcello (1899-1899): View of the backrest of the bishop's seat. Ink on paper, 49.1 x 41.5 cm (including scan edges) Schulz Bruno (1865-1932): Dom S. Maria Assunta und S. Fosca, Torcello

Painted window from the house of Burggravin Vaernewijck d'Angest in Ghent, Charles Onkhena, 1837 print Ghent paper etching window. work of applied art Ghent

Flower ornaments, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing tracing paper. pencil flowers ~ ornament

Gene Luedke, Quilt, 1935 1942 Quilt

Plaster model for a decoration of the Pavillon Richelieu in the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Braid work with half figure and animals, Nicolas Xavier Willemin, 1775 - 1797 print Three edges with braid, a semi -figure, swans, dragons and a mask. Paris paper etching interlace ~ ornament. animals

Paul Flindt d. J.'s etching combines grotesque forms with ornamental designs using the roulette technique around 1600, reflecting Renaissance decorative art.

Seven designs for watch cabinets and a lid of a snuff box, Johann Lorenz Hönnig, 1707 print Black ornaments. Print is part of an album. paper engraving ornaments ~ art. watch. snuff-box

Scheppig Carl (1803-1885), sketchbook "Travel notes collected on the Rhine in France and Italy" (1833-1835): Pencil on paper, 16.6 x 10 cm (including scan edges) Scheppig Carl (1803-1885): Skizzenbuch »Reisenotizen gesammelt am Rhein in Frankreich und Italien«: Vatikanisches Museum, Rom

Revolte, Pl. 5. Wach, Aloys, 1892-1940. Prints. 1922. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Dance of death

Janiaków's Chata; Makowski, Tadeusz (1882-1932); Before 1924 (1915-00-00-1923-00-00);

Various pencil sketches by Ferdinand Georg Waldmüller illustrating figures, landscapes, and compositional studies.

Geoffrey Holt, Pierced Metal Screen from Confessional, c 1936 Pierced Metal Screen from Confessional

Drawing, Brush and gouache on pre-printed squared laid paper, At center, grouping of pink blossoms, orange and pink buds, and blue flowers on green and yellow grass, bordered by blue band with orange and yellow flowers., Augsburg, Germany, 1817, textile designs, Drawing

Vignette with Monogram AWS, Reinier Willem Petrus de Vries (1874-1953), 1901 print paper. pencil magic mathematical figures; magic numbers, words, monograms

Two Weapons, Anonymous, 1600 - 1699 Two performances on an album magazine. Above a weapon connected to the Bicker and De Graeff family. On the left a celebrated shield with crossbars and helmet sticks. On the right a celebrated shield with two swans and two trowels. As a helmet sign, a kick with three peacock springs. The second performance concerns the arms of the Huijdecoper family. It is a shared shield with an eagle, three ox skulls with an eight -pointed star and a dog. A pig in the heart shield. As a helmet sign a centaur with tense arch and six lances with banners. The prints are part of an album. paper engraving Two performances on an album magazine. Above a weapon connected to the Bicker and De Graeff family. On the left a celebrated shield with crossbars and helmet sticks. On the right a celebrated shield with two swans and two trowels. As a helmet sign, a kick with three peacock springs. The second performance concerns the arms of the Huijdecoper family. It is a shared shie

Deraisme, Pierre -Georges (n.1859 - D.1932), Troubadour button (main title), 1895. Graphite on Gris Bristol. Petit Palais, Museum of Fine Arts of the City of Paris.

Silhouettes of male and woman around a tree, Alois Auer, 1855 print Leaf from Series of 16 Naturselbstrucke Auer. Vienna paper adult man. adult woman. country-house

Deraisme, Pierre -Georges (n.1859 - D.1932), monogram (main title), 1900. Graphite, ink and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Etching by Hubertus Quellinus from 1665 titled 'Celebrates', depicting figures engaged in festivity with musical instruments and ornamental details, in Baroque engraving style.

Copper engraving by François Lefebvre showing jewel designs with integrated small landscapes, created in 1665.

GIPS models for façade decorations on the Libraryque Impériale of the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 39) 1773 After Georges Reverdy Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point.. Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 39). After Georges Reverdy (French, active Lyon, 1529-57). 1773. Etching and engraving. Carlo Losi (Italian, 1757- after 1805)

Ornamentkrul, anonymous, c. 1886 - c. 1899 drawing paper. pencil decorations (interior of the house)

Lyre; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Blanco Signature sheet with seahorses, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing Ornamented signature sheet with space for ten signatures. paper. pencil brush foliage, tendrils, branches ~ ornament

Damascinated iron vase, of which only the left side is fully filled, Plácido Zuloaga (workshop or), c. 1870 - c. 1880 Eibar paper. graphite (mineral) brush

Ornaments in the Palais des Tuileries in Paris, Édouard Denis Baldus, c. 1865 - in or before 1870 photomechanical print France paper ornaments ~ art

Drawing, Design for stained glass; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache, graphite on paper mounted on tan illustration board; Image: 5.2 x 6.3 cm (2 1/16 x 2 1/2 in.) Sheet: 9.2 x 10.5 cm (3 5/8 x 4 1/8 in.)

Conical saucer with gilded edge, blue border, with golden wreath of oak leaves, with inscription in the middle: `Żył dosyć sławy za krótko dla Oyczyzny d. 19. paź. 1813` He lived to be famous, but too short for his Homeland, on 19 October 1813, producti???????????????????. Frani, Zygmunt (1882-post 1932), draughtsman, cartoonist

Gypsum Models for Facade Decorations at the Court Lefuel of the Louvre Palace. Share of meeting of the Tuileries at the Louvre 1852-1857, album 3.

Chimneypiece, in Chippendale Drawings, Vol. I ca. 1753-62 Thomas Chippendale British Design for a chimneypiece. Not published in Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'.. Chimneypiece, in Chippendale Drawings, Vol. I. Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). ca. 1753-62. Graphite and sanguine chalk

Two weapons. Two performances on an album magazine. Above a weapon connected to the Bicker family and the Graeff. On the left a fertilized shield with cross beams and helmet sticks. On the right a fertilized shield with two swans and two trowels. As a helmet sign a shovel with three peacock feathers. The second exhibition concerns the weapon of the Huijdecoper family. It is a shared shield with an eagle, three ox skulls with an eight-pointed star and a dog. A pig in the heart shield. As a helmet sign a centaur with tense bow and six lances with banners. The prints are part of an album.

Vase with leaf vines, resting on two dolphins, 1510 - 1524 print Flat decoration. There is a putto behind every dolphin. Shaded background. Germany (possibly) paper engraving

Schmalz Otto (1861-1906), travel sketches from Austria, Germany, Italy and Spain (May 20, 1893): Palermo: tile pattern (view). Ink, pencil watercolored on paper, 42.5 x 30.7 cm (including scan edges) Schmalz Otto (1861-1906): Reiseskizzen aus Österreich, Deutschland, Italien und Spanien

Freiberg, Dom. Moritz Monument (1595; H. Kleckke, H. Weber)

Michael Trekur, Wall Paper, 1935 1942 Wall Paper

Lehmmübner Paul (1855-1916), collegiate church in Marienborn. Conversion (1886): organ: rectangular ornaments. Pencil on cardboard, 66.5 x 49.3 cm (including scan edges) Lehmgrübner Paul (1855-1916): Stiftskirche, Marienborn. Umbau

Design for a memorial board on the occasion of the inauguration of Queen Wilhelmina, 1898 On the board is a letter 'W' with a crown above it. Page 13 Verso from a sketchbook with 29 sheets. paper. chalk. pencil fancy letters. dish, plate, saucer

Unknown architect, grave monument for Privy Councilor Koch in Thale. Monthly competition November 1877 (11,1877): Details Enclosure grilles (1: 1); Explanation text. Pencil on paper, 50.3 x 33.6 cm (including scan edges) N.N. : Grabdenkmal für Geheimrat Koch, Thale. Monatskonkurrenz November 1877

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 36) 1773 After Georges Reverdy Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point.. Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 36). After Georges Reverdy (French, active Lyon, 1529-57). 1773. Etching and engraving. Carlo Losi (Italian, 1757- after 1805)

Plaster model for a keystone of the Palais du Louvre by Duvieuux, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. keystone ~ architecture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Rebus: Here Lies the Ancient Vendetta. Charles Meryon (French, 1821-1868); printed by Pierron (French, 19th century). Date: 1862. Dimensions: 63 × 64 mm (image); 80 × 75 mm (plate); 267 × 207 mm (sheet). Etching with engraving in warm black with the title printed à la poupée in red ink on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Hesse Otto, fragments and details of modern ornamentation (without date): views, details. Lithograph on paper, 44.9 x 30.5 cm (including scan edges)

Schmalz Otto (1861-1915), travel sketches from Pompeii, Naples and Rome (12.03.1887): Naples: chair in carved oak in S. Severino e Socio (perspective view). Ink on paper, 42.8 x 31 cm (including scan edges)

Plaquette () showing John the Baptist () as a child with cross surrounded by flower garlands, in a decorative frame, from the collection of the Minutoli Institut, Liegnitz (now Legnica, Poland). Belitski, Ludwig (1830-1902), photographer

Copper engraving by Pieter de Jode depicting Maria in the sky surrounded by saints, created between 1585 and 1634, illustrating the Assumption theme in late 16th-early 17th century European religious engraving.

Plaquette () showing John the Baptist () as a child with cross surrounded by flower garlands, in a decorative frame, from the collection of the Minutoli Institut, Liegnitz (now Legnica, Poland). Belitski, Ludwig (1830-1902), photographer

Le Chelys Ou La Tortine; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Etching by Stefano della Bella depicting figures at a party of the Grand Duke of Tuscany, created in 1637, illustrating social and ceremonial scenes.

Julikever (Polyphylla Fulllo). Julikever. Numbered at the top right of the magazine: 8. Part of the sixth album with drawings of fish, shells and insects. Sixth of twelve albums with drawings of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanation in Dutch, Latin and French.

Drawing, Design for a Crenellated Cornice; Designed by William Hunt Diederich (American, b. Hungary, 1884-1953); USA; charcoal, graphite on paper mounted on ribbed paper; 77.2 x 13.5 cm (30 3/8 x 5 5/16 in.)

Damascinated iron cupboard for a pendulum, Plácido Zuloaga (workshop or), c. 1860 - c. 1880 Eibar paper. graphite (mineral). ink. deck paint brush / pen

Rappresentasi nella figura I il Ninfeo, di Nerone, e insieme lo Stadio, l'Odeo, ed i Templi della Gente Flavia fabbricati da Domiziano , Archaeological sites, Roman temples. The Antonio Cardinal Tosti Collection

Blunck Erich (1872-1950), church door in Klein Benz. Monument preservation - building admission (June 27, 1917): Detail 1:10: View of the door. Ink and pencil on transparent, 31.3 x 20.9 cm (including scan edges) Blunck Erich (1872-1950): Kirchentür, Klein Benz. Denkmalpflege - Bauaufnahme

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 40). Artist: After Georges Reverdy (French, active Lyon, 1529-57); After Jacob Floris (1524-1581). Dimensions: Sheet: 7 7/8 × 10 5/16 in. (20 × 26.2 cm)Plate: 5 1/8 × 11 13/16 in. (13 × 30 cm)Overall: 8 1/4 × 10 5/8 in. (21 × 27 cm). Publisher: Carlo Losi (Italian, 1757- after 1805). Date: 1773.Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point. Museum: Metropolitan Museum of Art, New York, USA.

Etching by Joseph Fischer after 1822 representing the portrait of the French painter Jean Baptiste Greuze, showing detailed facial features and attire.

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 39 (recto) Designer Pietro Paulo Tozzi Italian Publisher Libraria del Giesu Italian October 1, 1604 Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Design is composed of a central rectangle upon which calligraphic text is printed in black. Surrounding all sides of the middle section is a border decorated with white dotted curving vines of flowers and leaves.

Deraisme, Pierre-Georges (n.1859-D.1932), Renaissance pendant (main title), 1885. Petit Palais, Museum of Fine Arts of the city of Paris.

Ex Libris of the steamship Queen Wilhelmina, Carel Adolph Lion Cachet, 1910 print Ten lions in a frame with a recess in the middle. paper printing block beasts of prey, predatory animals: lion. steamship, motorship

Last Judgment Scene, Pen and ink, brush and gray wash on paper, Last Judgment scene., Italy, 17th-19th century, Drawing, Drawing

Helen Bronson, Tie back, c 1939 Tie-back

Two ornament prints with birds and fantasy scenes on a wall, c. 1875 - c. 1900 photograph. photomontage cardboard. photographic support albumen print other fantasy ornament. ornament derived from architectural details. mask, mascaron ~ ornament. ornament ~ hybrid animals. ornamental birds

ESPÈTE THE THORMINX ? ET trumpet the Cavallery Romaine; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Quast Ferdinand von (1807-1877), stone window in Hauran in Syria (without dat.): Six views with rosetten ornamentation, according to M. de Vogüé and E. Duthoit: Syrie Central, Pl. 13.14. Pencil on transparent, 34.9 x 29 cm (including scan edges) Quast Ferdinand von (1807-1877): Steinfenster, Hauran

Copper engraving by Pierre Woeiriot between 1555 and 1596 depicting the victory of Constantine over Maxentius, showing figures, battle scene, and composition.

Pen and pencil drawing by Carl von Hasenauer showing the five-lame staircase candelabrum at Vienna Burgtheater, with open view of structure.

Geoffrey Holt, Pierced Metal Screen Inside Confessional, c 1936 Pierced Metal Screen Inside Confessional

Vignette with ornaments, Isaac Weissenbruch, 1836 - 1912 print Netherlands paper vignette. ornaments ~ art

Guérard, Henri-Charles (n.1846-04-28-D.1897-03-24), frontispiece of the album (BG11) (main title), 1885. Zincography on Chamois Vélin Doublé d'Ingres Gris, drawn in red. Petit Palais, Museum of Fine Arts of the City of Paris.

Three reliefs with leaf ranks, sculpted by Jean Herman, Charles Claesen (Possible), c. 1875 - in or before c. 1880 photomechanical print This print is part of a cover with 28 prints and a title page. Shutter paper collotype sculpture (+ relief ~ sculpture). foliage, tendrils, branches ~ ornament

Beekman Mansion.. Irving, Washington (1783-1859). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Historic sites , New York (State)

Greeting letter with winter activities and interiors. Call letter with unwritten cartouche within a decorative framework with performances of winter activities and interiors. Numbered upper left: No. 42.

Damascinated iron vase, of which only the left is filled in, Plácido Zuloaga (workshop or), c. 1870 - c. 1880 Eibar paper. graphite (mineral) brush

School according to the drawing of Jan Matejko; Not after 1935 (1930-00-00-1935-00-00);

Wilkinson Tracing, Partial design for inlaid decoration, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Design for Wooden Hat Tree, A.N. Davenport Co., Pen and black ink on thin cream laid paper, 1900-05, furniture, Drawing, Drawing

Design for a Bookstand. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 7/8 x 11 15/16 in. (22.6 x 30.3 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Ornament print with fluished figures and a ramskop, c. 1875 - c. 1900 photograph. photomontage cardboard. photographic support albumen print other fantasy ornament. ornament derived from architectural details. mask, mascaron ~ ornament. ornament ~ human parts. ram's head ~ ornament. the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure. fruits and vegetables ~ ornament

Plaster model for the decoration of the Palais du Louvre by Etienne Jacquemin, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Robert Stewart, Japanned Coal Scuttle, 1935 1942 Japanned Coal Scuttle

Wellington Blewett, Decorative Panel from Rail Car Interior, c 1936 Decorative Panel from Rail Car Interior

Copper engraving by Abraham de Bruyn depicting ornaments with scenes from ancient mythology, created in 1584, showing figures, mythological elements, and decorative composition.

Marie Famularo, Cameo Brooch, 1936 Cameo Brooch

Round table with three legs. Front bract from a sketchbook with 11 sheets.

Etching with feather technique by Joseph Fischer showing contributions from multiple artists including Pierre Audouin, Jean B. Loui Massard, Jean B. Raph Massard, A. G. L. Boucher Desnoyers, Etienne Frédéric Lignon, and H. G. Chatillon, created between 1822 and 1950.

Photo production of a print by A. Fabri of a fresco with the oath of Pope Leo III by Rafaël, Joseph Cundall (Possible), After A. Fabri, c. 1859 - in or before 1869 photograph photographic support albumen print installation of a pope - PP - antipope

of 3