Renaissance Female Portraits

A series of elegant portraits depicting women in ornate attire, showcasing intricate details and historical fashion typical of the Renaissance period.

Portrait of Bianca Cappello by Alessandro Allori, oil on canvas, 1535-1607, Private Collection, 68, 9x57, 2

Tthe Virgin suckling the Child by Campin, Robert, (School) Museo del Prado, Madrid 15th century The Netherlands Oil on wood Painting Bible

Przeszo Przyszoci A prize, lucas (m.; 1515 1586)

A Dutch Lady, Print made by John Spilsbury, 1730-1795, after Rembrandt van Rijn, 1606-1669, Dutch, undated, Mezzotint on medium, slightly textured, cream, laid paper, Sheet: 13 3/4 × 10 inches (34.9 × 25.4 cm) and Image: 12 7/16 × 9 15/16 inches (31.6 × 25.2 cm)

Portrait of a Woman, probably Anna Jagellonia, Queen of Poland. Dating: 1570 - 1580. Place: Keulen. Measurements: h 19.2 cm × w 14.2 cm; h 22.3 cm × w 17 cm × d 1.5 cm. Museum: Rijksmuseum, Amsterdam. Author: ANONYMOUS (POSSIBLY).

Dama col / Lady with a book of Petrarch's rhyme. Date/Period: 1528. Painting. Oil on panel. Height: 87 cm (34.2 in); Width: 69 cm (27.1 in). Author: ANDREA DEL SARTO.

Peter Paul Rubens Marchesa Brigida Spinola Doria (National Gallery of Art) Sir Peter Paul Rubens (Flemish, 1577 - 1640 ), Marchesa Brigida Spinola Doria, 1606, oil on canvas, Samuel H. Kress Collection

Portrait of Vittoria della Rovere (1622-1694) as Saint Catherine, Dolci, Carlo (1616-1686)

A Princess of Saxony, Lucas Cranach the Elder, circa 1516, National Gallery of Art, Washington DC, USA, North America

Elizabeth I (1533-1603). Queen of England and Ireland. Engraving by F. Babbage. The Iberian Illustration, 1888. Colored.

Portrait of Belia Claesdr (1566-in or after 1652), Bartholomeus Sarburgh, 1630 painting Portrait of Belia Claesdr (1566-1647), second wife of Pieter Sebastiaensz Kettingh. Bust to the right, a book in the right hand. At the top left the family crest. panel. oil paint (paint) historical persons - BB - woman

Mary, Queen of Scots (1542-1587). She was the only child of King James V of Scotland and his French wife, Mary of Guise. Portrait after Nicholas Hilliard (1547-1619). Oil on panel (79,1 x 90,2 cm). Detail. Late 16th century. National Portrait Gallery. London. England, United Kingdom.

Portrait of Anna Radziwiłł née Kettler (1567-1617). nieznany malarz polski, painter

Portrait of an Unknown Woman, by Jan Jansz Mostaert, c. 1525, Netherlandish painting, oil on panel. Woman with white headdress and red gown painting against an imaginary landscape with the conversion of Saint Hubert, the patron saint of hunters (BSLOC_2016_2_65)

'Portrait of a Lady and Her Daughter'. Germany, Late 1530s - early 1540s. Dimensions: 76,5x46 cm. Museum: State Hermitage, St. Petersburg. Author: Bartholomaus Bruyn I.

Magdalena zur Lippe (1552-1587), spouse of the Landgrave Georga von Hessen-Darmstadt, daughter of Bernhard VIII. unknown, painter

Albrecht Durer (21 May 1471 - 6 April 1528) was a German painter, printmaker and theorist from Nuremberg. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Northern Renaissance ever since. Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.

Louise de Lorraine-Vaudémont (1553-1601), 16th century (1849).Artist: Franz Kellerhoven

Michiel Jansz. van Mierevelt (1566-1641). Dutch Golden Age painter. Portrait of a Young Woman, 1633. Detail. Wallraf-Richartz Museum. Cologne. Germany.

Judith with the Head of Holofernes. Date/Period: Ca. 1530. Painting. On lime. Circa Height: 86 cm (33.8 in); Width: 55.7 cm (21.9 in). Author: Lucas Cranach the Elder.

Album Amicorum of a German Soldier. Italy, 1595. Drawings. Gouache on paper

Portrait of Laura Pola, 1543-1544, by Lorenzo Lotto (1480 ca- 1556), oil on canvas, 90x75 cm.

Portrait of Maria Petitpas, second Wife of Johannes Wttenbogaert (Jan Uytenbogaert).Portrait of Maria Petit Pass, second wife of Johannes Wtenbogaert. Bust to the left. Pendant of SK-A-3875.

Painting by Hans Holbein the Younger (or 1498 probably in Augsburg; - 29 November 1543 in London), German painter, Portrait of Princess Anna of Cleves, Historical, digitally restored reproduction from an original from the 19th century, Painting by Hans Holbein the Younger (or 1498 probably in Augsburg; - 29 November 1543 in London), German painter, Portrait of Princess Anna of Cleves, Historical, digitally restored reproduction from an original from the 19th century'.

Margherita Paleologo (1510-66). Date/Period: 1531. Painting. Oil on panel. Height: 115.5 cm (45.4 in); Width: 90 cm (35.4 in). Author: GIULIO ROMANO.

Portrait of Feyntje van Steenkiste. Portrait of Feyntje van Steenkiste (1603/04-1640). Dating: 1635. Measurements: support: h 123 cm × w 93 cm; d 9.5 cm. Museum: Rijksmuseum, Amsterdam. Author: FRANS HALS.

Woman from the Island of Tinos. Dating: 1700 - 1737. Place: Istanbul. Measurements: h 39 cm × w 30.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jean Baptiste Vanmour (workshop of).

Sketch by Hans Holbein the Younger; Portrait of Anne Cresacre aged 16, ward of Sir Thomas More and later wife of his son

Hans Holbein the Younger, Edward VI as a Child, probably 1538 Edward VI as a Child

Woman with curly hair , Fine Art

Lucretia, Traditionally considered to be the portrait of Lucretia Borgia, daughter of Pope Alexander VI. It shows an unknown lady in the guise of the ancient spring goddess Flora, painting by Bartolomeo Veneto, also Bartolomeo da Venezia, Historical, digitally restored reproduction of a historical original

MARIANA DE AUSTRIA. REINA Y REGENTE DE ESPAÑA. 1634 - 1696. ESPOSA DE FELIPE IV. OLEO DE JUAN CARREÑO DE MIRANDA. MUSEO ACADEMIA BELLAS ARTES DE SAN FERNANDO . MADRID.

Rembrandt Harmenszoon van Rijn / 'Portrait of Aechje Claesdr', 1634, Oil on oak, 71 x 56 cm. Museum: NATIONAL GALLERY, LONDRES, UK.

Album Amicorum of a German Soldier. Italy, 1595. Drawings. Gouache on paper

Artista fiorentino del cinquecento Ritratto di Ugolino Martelli Florentine 16th Century, Ugolino Martelli, mid 16th century, oil on panel, Samuel H. Kress Collection

Ritratto di Beatrice di Braganza. Date/Period: 1700/1799. Painting. Oil painting. Width: 117 cm. Height: 202 cm. Author: UNKNOWN.

Jane Seymour 1509-1537 Third woman of Henry VIII of England from the book Crabbs Historical Dictionary from 1825, Historical, digitally restored reproduction from a 19th century original, Record date not stated

Molly Wales Fobes 1790 Rufus Hathaway Born in Massachusetts, Hathaway worked as an itinerant portrait painter before pursuing a career in medicine. "Lady with Her Pets" is his earliest known work and depicts Molly Wales Fobes of Raynham, Massachusetts. Fashionably dressed, Molly sits in a Chippendale-style chair surrounded by a fantastical array of pets,” which were likely included as emblems of her beauty, loyalty, and affection. They may also reference her family’s interest in natural history, as her father was a professor of Natural and Experimental Philosophy. The flowers decorating her fan and bodice, combined with her French-inspired hairstyle, identify Molly as a refined and worldly woman.. Molly Wales Fobes 11040

Judith with the Head of Holofernes, 1531, by Lucas Cranach the Elder (1472-1553).

Anne of Cleves by Holbein, 1515-1557, Wife of Henry VIII.

Portrait of a woman at prayer. Date/Period: Ca. 1480. Painting. Oil on panel. Height: 45 cm (17.7 in); Width: 32.5 cm (12.7 in). Author: Hans Memling.

Portrait of Caecilia van Beresteyn (1589-1661), Michiel Jansz van Mierevelt, 1640 painting Portrait of Caecilia van Beresteyn. Sitting, halfway to the left. On the back the family arms, an inscription and the number 26. panel. oil paint (paint) historical persons - BB - woman

Der Tod kommt zur Kaiserin, Totentanz, dance of death, Todten-Tantz after Beck, Nöller a. other painters by Georg Max. Theodor Goetz, Historical, digitally restored reproduction from a 19th century original

Portrait of a Man in a Red Cap 1532-35 Hans Holbein the Younger German Holbein painted this small roundel about 1532-35, after his return to England. The young sitter can be identified as a court official, for he wears the livery of Henry VIII, with the initials HR for Henricus Rex embroidered in black on his red coat. The frame is original and the reverse is painted black and decorated with engraved circles. It is possible that the portrait, which is in excellent condition, originally had a protective painted lid. Such intimate portrait capsules were easily portable, as well as more affordable than larger-scale likenesses.. Portrait of a Man in a Red Cap 436660

Portugal/Burgundy: Philip the Good (1396-1467) and Isabella of Portugal (1397-1471), oil on wood, artist unknown, 16th century

Umbria Terni Stroncone S. Francesco2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of young fianc

Woman from the Island of Patmos Greece, workshop of Jean Baptiste Vanmour, 1700 - 1737

Portret królewicza . unknown, amateur

Plaque: Portrait of the Duchesse de Montpensier. France, Limoges, late 19th century. Furnishings; Accessories. Polychrome and grisaille enamel, flesh tones, gold, and foil on copper, gilded wood

Maria Bockenolle, Wife of Johannes Elison, Rembrandt, Harmensz van Rijn, 1634.

Portrait of Françoise de Witte died 1605/6, Anonymous, Northern Netherlands, c. 1580 - 1590

Memorial Portrait of Catharine Schultz (1789-1832) ca. 1836 American This painting and embroidery on silk was conceived as a memorial portrait following Catharine Schultzs death in 1832 at age 43, but it shows her as a much younger woman. The likeness was probably copied from a miniature portrait painted when Catharine was around 15 years old as the empire style dress and hair style date to 1803-1806. Newspaper fragments from the backing of the original period frame have advertisements for businesses that appear in New York City directories from 1833-37, which help date the portrait. The painted face is highly expressive and well-painted, undoubtedly by a professional. The needlework was likely done by one of Catharine Schultzs female relatives.. Memorial Portrait of Catharine Schultz (1789-1832) 16588

Sketch by Hans Holbein the Younger; Portrait of Dorothea Meyer, wife of Jakob Meyer, Mayor of Basel, 1525/26

Princess Cecily, daughter of Edward IV, Royal Window, Canterbury Cathedral, circa 1482-1487,

Portrait of a Woman, by Lorenzo di Credi (1456-1537).

'Meduse - Fille de Phorcis', 1403, (1939). Artist: Master of Berry's Cleres Femmes.

Tommaso di Folco Portinari (1428-1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456) ca. 1470 Hans Memling Netherlandish The clever balance of verisimilitude and idealization in the features of this pair made Hans Memling the most sought-after portraitist of his day. The Florentine Tommaso Portinari was the branch manager of the Medici bank in Bruges, and probably commissioned these portraits from Memling upon the couples marriage in 1470. They originally formed a triptych with a central devotional image of the Virgin and Child. Beyond demonstrating the couples piety, Marias elaborate necklace and gown display their wealth and social status. Memling places the sitters before illusionistic frames, an innovation suggesting that the figures project into our space. Listen to experts illuminate this artwork's story Listen Play or pause #2619. Investigations: Tommaso di Folco Portinari (1428-1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Part 1 Play or pause #5

Eleonora of Toledo, Bronzino, Agnolo

Ginevra de' Benci, Leonardo da Vinci, circa 1474-1476, National Gallery of Art, Washington DC, USA, North America

Salome with the head of St. John the Babtist. Lucas Cranach, the Elder (1472-1553). Oil on oak wood, 1510-1515.

Woman Writing, manuscript, France, Paris, Bibliotheque Nationale

Eleonore of Aquitain 1122 to 1204. Due to her marriage to Ludwig VII of France, Queen of the Franks. From the book Our Queen Mother by Elizabeth Villiers., Historically, digitally restored reproduction of a template from the 19th century, Record Date Not Stated

Portrait of Anne, lady Wentworth, Nins, portraits of children s. XVI-XIX, Sa Bassa Blanca Museum (msbb). Yannick Vu and Ben Jakober , Alcudia, Majorca, Spain.

Richard Goodricke of Ribston, Yorkshire. Date/Period: Ca. 1578. Painting. Oil on oak panel. Height: 106 mm (4.17 in); Width: 81 mm (3.18 in). Author: Cornelis Ketel.

Portrait of a Widow. Artist: Style of Corneille de Lyon (French, second quarter 16th century). Dimensions: 8 3/4 x 7 in. (22.2 x 17.8 cm). Museum: Metropolitan Museum of Art, New York, USA.

Saint Catherine and Saint Barbara (pair), c. 1520. Master of the Holy Blood (Netherlandish). Tempera on wood panel; framed: 91 x 34.5 x 5.5 cm (35 13/16 x 13 9/16 x 2 3/16 in.); unframed: 86.6 x 30 cm (34 1/8 x 11 13/16 in.). Saint Catherine holds the sword with which she was martyred, and Saint Barbara holds both a book and a ring symbolizing her scholarly pursuits and union with God. According to legend, the leather thongs with which she was beaten were transformed into peacock plumes. These two paintings were originally the wings of an altarpiece flanking a central panel, now lost, that may have depicted the Holy Family. The identity of this artist is unknown, but he is named for a painting in the Chapel of the Holy Blood in Bruges. Bruges flourished as an international commercial center through the 1400s and early 1500s. Among its residents were many foreign merchants and bankers who, along with the Burgundian court, patronized artists and attracted specialized craftsmen such as f

'Argie - Fille D'Adraste', 1403, (1939). Artist: Master of Berry's Cleres Femmes.

Lady Margaret Douglas (1515-78), Countess of Lennox. Portrait of Lady Margaret Douglas (1515-78), Countess of Lennox. Bust, to the left. Part of the portrait miniaturen collection.

'The Cholmondeley Sisters', 1600-1610. Artist: Anon

Portrait of Simonetta Vespucci by Piero di Cosimo, oil on panel, circa 1480, 1462 1521, France, Chantilly, Musee Conde

Vittoria colonna

PAINTING LIST, c. 1400 - c. 1950

Sir Philip Sidney (born 30 November 1554 in Penshurst, Kent, died 17 October 1586 in Arnhem) was an English courtier, soldier and writer and was considered an ideal image of the Elizabethan nobleman. Colored woodcut from Crabbe's Historical Dictionary from 1825. Historical, digital reproduction.

Miniature of Mary Queen of Scots (1578-1579) painted by Nicholas Hilliard (1547-1619) watercolour on vellum. Mary Queen of Scots (1542-1587) sat for this portrait when she was a prisoner of Elizabeth 1. Mary had asserted her claim to the English throne

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