Renaissance Frescoes

Frescoes depicting historical events, featuring elaborate scenes with figures and architectural elements that reflect the Renaissance artistic style.

Stories of the Virgin (Predella Detail) Tempera on Wood Panel Benvenuto di Giovanni (Guasta) (1436-1518/Italian) Pinacoteca, Volterra, Italy

Anonymous / 'Cristo mostrado al pueblo / La Virgen con el Niño', 16th century, Spanish School, Panel, 78 cm x 53 cm, P00580. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Seventh Generation, Johannes Derrer; Nuremberg, Germany; about 1626 - 1711; Tempera colors with gold and silver highlights on parchment; Leaf: 37.6 x 26 cm (14 13,16 x 10 1,4 in.)

The presentation of Don Juan of Austria to Charles V, oil on canvas, Benito Mercadé, 1862, Monastery of San Jerónimo de Yuste, 15th century, Cáceres, Extremadura, Spain.

Fresco depicting musicians, 1650, by Giovanni Stefano Montalto (1608-1689), Music room, Landriano Castle, belonged to the Taverna family, Lombardy. Italy, 17th century. Detail.

A printing press, miniature from Recueil des Chants Royaux, France 16th Century.

Stained glass windows from Mariawald, Germany 16th century

PINTURA DEL CENOTAFIO O GRUPO ESCULTORICO DE FELIPE II - 200x200 cm- AÑO 1699. Author: JUAN PANTOJA DE LA CRUZ. Location: MONASTERIO-PINTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. PHILIP II OF SPAIN. FELIPE II FAMILIA. FELIPE II HERMANA. MARIA DE AUSTRIA EMPERATRIZ. AUSTRIA MARIA EMPERATRIZ. ISABEL DE VALOIS. CARLOS DE AUSTRIA PRINCIPE. AUSTRIA CARLOS PRINCIPE.

Tiara and golden sculpture depicting the sacrifice of Isaac, detail from the central panel of the Adoration of the Magi or the Epiphany altarpiece,, 1510, by Hieronymus Bosch (ca 1450-1516).

King Solomon by Maestro de Becerril (active Early 16th-century) / Museo del Prado, Madrid / Renaissance / c. 1525 / Spain / Oil on wood / Bible / 90,8x87,7

MS ADD 1462 FOL 7-JUECES ALEMANES 1460. Location: BRITISH MUSEUM LIBRARY. LONDON. ENGLAND.

Tradition says Sir Walter Raleigh placed his cloak above a mud puddle to prevent Elizabeth I from muddying her shoes.

Allegory of Death (Diagnosis of the Pulse and Urine) 15th Century Illuminated manuscripts Musee Conde, Chantilly, France

Two Wings of a Triptych with Portraits of Donors with Saints Adrian and John the Baptist, Pieter Pourbus (attributed to), 1530 - 1550 painting Two wings of a triptych. On the inside of the right side panel the portrait of a kneeling founder accompanied by John the Baptist. On the inside of the left side panel a kneeling founder with the holy Adrianus (for the outside sides and the center panel see SK-A-962-B and SK-A-962-A). panel. oil paint (paint) John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff. the warrior martyr Adrian(us) of Nicomedia; possible attributes: anvil, axe, hammer, lion, sword

fine arts, Middle Ages, Italy, painting, ""Scenes from the Life of the Hermits of Thebais"", fragment, casein on wood, Tuscan School, circa 1440 / 1450, Kunsthaus Zurich,

A market in which heavy barrels and sacks are weighed on scales. Chromolithograph by Thurwanger Frères after Ferdinand Séré.

Plaque with the Last Supper. Dated: c. 1530. Dimensions: overall: 29.7 x 25 cm (11 11/16 x 9 13/16 in.). Medium: enamel painted on copper. Museum: National Gallery of Art, Washington DC. Author: Jean Penicaud I.

Campania Salerno Padula Monastery of S. Lorenzo9. Hutzel, Max 1960-1990 There are views of a number of antiquities. Their specific location within the monastery is unknown. There are two views of the tomb of Tommaso Sanseverino and one view of a statue. There are views of the altar, the frescoed ceiling and statues in niches. niches. Views are of the ceiling, paintings, and statues in niches. There are views of the loggia and its balustrade. There are two views of the ceiling fresco. There are views of the fountain, portico, columns and capitals. There are views of the votive cross, loggia, and landscaping. There are views of the cloister, the fountain, and the loggia. There are views of the colonnade, the floor, and frescoes. There are general views of the cloister, the fountain, and the columns. There are interior views of the church altar, the valuted, frescoed ceiling, and comprehensive coverage of the two choir stalls. There are exterior views of the carved wooden door. There are

Hans Baldung (1484-1545). German painter. Beheading of St Dorothea, 1516. National Gallery. Prague. Czech Republic.

England, Middlesex, London,Kingston-upon-Thames, Hampton Court Palace, Henry VIII's Apartments, The Great Watching Chamber, Tapestry depicting Court Life

ARTE GOTICO. ESPAÑA. BERNAT SAULET, escultor. "RETABLO DE LA PASION". (JESUS FRENTE A HERODES ANTES DE SER AZOTADO). Pieza que procede de la iglesia de Sant Pol de la población de Sant Joan de Les Abadesses. Comarca del Ripollés (Cataluña). Museu Episcopal de Vic. Provincia de Barcelona. Comarca de Osona. Cataluña.

"Left wing of a triptych showing Saint Catherine of Alexandria c. 1482 Oil on panel Master of the Legend of Saint Lucy, Netherlandish (active Bruges), active c. 1470 - c. 1500"

Lot's escape , Fine Art

8th century marble slab depicting peacocks, from the sarcophagus of Abbess Theodata.

Banquet', 1574. Artist: Antoon Claeissens

Banquet given by Bartolomeo Colleoni, 1400-76 Italian condottiero, for King Christian of Denmark, Castello di Malpaga, Bergamo, Italy (bought 1456 by Colleoni and restored by him), fresco (detail)

Macabre dance, 1539, fresco by Simon II Baschenis (circa 1490-1555), church of Saint Vigilius in Pinzolo, Trentino-Alto Adige, Italy, 16th century.

St Christopher, by Vicenza-Verona Artist, 1330, 14th Century, fresco. Italy: Veneto: Vicenza: Sant'Agostino Abbey. Detail. St Christopher shoulders child stick face panel grecque

'Sts Cosmas and Damian'. Italy, Early 16th century. Dimensions: 130x81 cm. Museum: State Hermitage, St. Petersburg. Author: Unknown artist of the Pisan School, early 16th century.

Jaume Ferrer / Retablo de la Mare de Deu, procedente de la Iglesia de la Purísima Sangre de Alcover (Església de la Puríssima Sang de Santa Maria d'Alcover), 1457. Museu Diocesà de Tarragona. Author: JAUME FERRER II (S. XV).

Un songe mis en Livre par Georges de Chasteaulens. Master of Pierre II de Bretagne. Poet looking for inspiration in the garden. Miniature. 15th century. Conde Museum. Chantilly. France.

Allegory of good government Fortitude, fresco (1338-40)

ANGELICO, Fra (1387-1455). The Thebaid (La Tebaide). ca. 1420. Upper left detail depicting a monk. Work attributed before to Gherardo Starnina. Renaissance art. Oil on wood. ITALY. TUSCANY. Florence. Galleria degli Uffizi (Uffizi Gallery).

The Visitation C. 1480 School of the Veneto (ca.1480) Oil on wood panel Christie's Images, London, England

Piper & Drummer C. 1504 Albrecht Durer (1471-1528 German) Oil on limewood panel Stadelsches Kunstinstitut, Frankfurt am Main, Germany

The Heavenly Protection of Cremona. Oil on canvas attributed to the Italian painter Gian Giacomo Pasini, ca. 1620-1640. Detail. On loan from the Museo Civico di Pavia. Museo Civico Ala Ponzone. Cremona. Lombardy. Italy. Author: Attributed to the 17th century Italian painter Gian Giacomo Pasini.

Coloured illustration of a card from a tarot set said to belong to Charles VI of a young woman representing justice holding scales and a sword.

CORONACION DEL REY TEOBALDO I DE NAVARRA - REPRESENTACION DE PAMPLONA EN MOSAICO - AZULEJOS DE LA PLAZA DE ESPAÑA - SIGLO XX. Location: España Square. Sevilla. Seville. SPAIN. TEOBALDO I DE NAVARRA. TEOBALDO I DE CHAMPAÑA. THIBAUT IV O TEOBALDO IV. THIBAUT DE CHAMPAGNE.

Funeral of St Bernardino, 1461-1480, by Benedetto Bonfigli (1420-1496), fresco, Priors Chapel, Priors Palace, Perugia, Umbria. Detail. Italy, 15th century.

Florence, Cathedral of Santa Maria del Fiore, presentation of the close-up reading of the portrait of Dante Alighieri.

Man and Saint, Fouquet, Jean, 1455

Ego Et Rex Meus, after the painting by Sir John Gilbert. Henry VIII and Thomas Wolsey. Henry VIII, 1491 - 1547. King of England. Thomas Wolsey, c. 1473 -1530. English archbishop, statesman and a c

Last Miracle and the Death of St. Zenobius. Date/Period: Ca. 1500. Painting. Tempera on poplar wood. Height: 66 cm (25.9 in); Width: 182 cm (71.6 in). Author: SANDRO BOTTICELLI.

ECCE-HOMO - 1501-1525 - TRIPTICO - PANEL DE LA DERECHA - JUDIOS Y SOLDADOS BLASFEMANDO CONTRA JESUS - OLEO/TABLA - 109x39 - NP 1559 - ESCUELA FLAMENCA. Author: MAESTRO DE LA SANTA SANGRE. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Court Amusements with Two Monkeys. Dated: c. 1515. Dimensions: image: 23 x 23.3 cm (9 1/16 x 9 3/16 in.) sheet: 33.7 x 26.3 cm (13 1/4 x 10 3/8 in.). Medium: pen and brown ink with watercolor on laid paper. Museum: National Gallery of Art, Washington DC. Author: German 16th Century.

Falcon Hunt, by Lombard Artist, 15th Century, fresco,

Ecce Homo, 1520. Oil on Wood. Jan Sostaert (c1472-1555) Dutch Northern Renaissance painter. Christ humiliated, hands tied and wearing a crown of thorns, surrounded by his tormentors. Religion Christian

RETABLO DEL MARTIRIO DE SAN LORENZO-PROC DE SARRIA. Author: MAESTRO CASTELLSARDO. Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN.

Painting depicting the nobles at a banquet with entertainers. Dated 16th Century

Valentine Rescuing Sylvia from Proteus, William Holman Hunt, 1850-1851,

ROBERT CONDE DE CLERMONT Y BEATRIZ DE BOURBON - ARMORIAL DE AUVERGNE-MANUSCRITO MEDIEVAL. Author: REVEL G.

Three Kings by Paolo Uccello, Tempera on panel, circa 1435, 1397-1475, Italy, Florence, Museo Arcivescovile di Castello

Kleidung, Mode der italienischen Frührenaissance, 14. Jahrhundert, um 1325-1350, von links, städtische Söldner, Ritter mit Tuchhut, dann zwei Vornehme...

Detail of a fresco depicting the ceremony of initiation into the Dionysian cult, Hall of the Dionysian Mysteries, from the Villa of the Mysteries, Pompeii (UNESCO World Heritage List, 1997), Campania. Roman Civilization, 1st Century.

Heraldic Panel Depicting a Knight and a Lady with the Arms of the Archduchy of Austria, c. 1515. Switzerland, Germany, or Austria, 16th century. White glass with silver stain, sanguine, and pot metal; overall: 39.1 x 28.9 cm (15 3/8 x 11 3/8 in.).

The figures pictured here represent French people around A.D. 1400. They are, from left to right: Knight of the Golden Fleece, princess, female citizen, princess, king, Philip the Good (Duke of Burgundy), princess. The illustration dates to 1882.

Monteleone di Fermo (Italia, Marche - provincia di Fermo) chiesa della Misericordia. Orfeo Presutti, San Michele Arcangelo (parete sinistra), affresco, XVI secolo

Sebastiano del Piombo, Cardinal Bandinello Sauli, His Secretary, and Two Geographers, Italian, 1485-1547, 1516, oil on panel

Arcon Jarves, Master of- (15th century). The Story of Alatiel Tavoli. s.XV. Deatil of banquet. Gothic art. Oil on wood. ITALY. VENETO. Venice. Museo Correr.

FOGOLINO, Marcello (1483-1553). Guests at the Banquet given by Bartolomeo Colleoni for King Christian I of Denmark. Detail. Renaissance art. Fresco. ITALY. LOMBARDY. Bergamo. Malpaga Castle.

Germany Munich Kaufingerstra_e arcade painting oil on canvas circa 1850 Stadtmuseum Munich,

'Miracle of the Host'. Italy, Late 15th - early 16th century. Dimensions: 15x35 cm. Museum: State Hermitage, St. Petersburg. Author: late 15th-early 16th centuries Anonymous Artist.

justice court scene district court Guettingen Lake Constance glass painting by Hieronymus Spengler 1630 Rosgaten Museum Constance,

Señor y sirviente. Museum: FREE LIBRARY PHILADELPH EEUU.

BRAUN, George (1541-1622). Civitatis Orbis Terrarum (Theatrum orbis terrarum). 1572-1617. London. Detail. Etching. SPAIN. CASTILE AND LEON. Salamanca. Salamanca University Library.

Saint Barbara, virgin martyr, patron saint of explosives, 3rd century. In crown and velvet gown, reading a Bible near a town with a round tower with three windows. In 15th century French costume. Saint Barbe, XVe siecle. Taken from a Book of Hours, livre d'heures, MS Tl 255, Tom. 2, Bibliotheque de l'Arsenal. Chromolithograph by Thurwanger after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Henry Holiday 1839-1927

Work, 1863. Ford Madox Brown

Felipe Bigarny (1475-1543). Spanish architect and sculptor of Burgundian origin. Relief depicting the Catholic Monarchs, Isabella and Ferdinand. Polychromed wood. Main altarpiece, 1520-1522. Royal Chapel. Cathedral of Granada. Spain.

Armario de boticario, detalle, siglo XVII. Museu Diocesà i Comarcal de Solsona.

Court couple by Russian master, lithograph, 18th century, Russia, Moscow, State A. Pushkin Museum of Fine Arts

1500s 1533 THE AMBASSADORS A PAINTING BY HANS HOLBEIN JEAN DE DINTEVILLE & BISHOP GEORGES DE SELVE REFORMATION TUDOR ENGLAND - ka3121 HAR001 HARS FULL-LENGTH PERSONS MALES SYMBOLS CONFIDENCE GOALS SUCCESS ADVENTURE DISCOVERY STYLES TUDOR STRATEGY DISTORTED RENAISSANCE EXCITEMENT KNOWLEDGE LEADERSHIP OBJECTS OCCUPATIONS POLITICS CONCEPT CONCEPTUAL STYLISH MORTALITY SYMBOLIC 1533 CONCEPTS COOPERATION FASHIONS MID-ADULT MID-ADULT MAN TOGETHERNESS 1500s BISHOP CAUCASIAN ETHNICITY DOUBLET HAR001 OLD FASHIONED REFORMATION REPRESENTATION

Detail from the Vatican Museums, an immense collection of classical, renaissance masterpieces etc. Founded in the early 16th century by Pope Julius II they are considered to be some of the world's greatest museums. This image shows a portion of the beautifully painted walls.

Act I, Scene i Antonio & Bassanio "But if you please to shoot another arrow that self way"

Paris, France. Depiction of the city in the 15th century. Chromolithography by Franz Kellerhoven after a Beauvais tapestry. "Les Arts au Moyen Age et a l'Epoque de la Renaissance", by Paul Lacroix. Paris, 1877. Author: Franz Kellerhoven (1814-1872). German lithographer.

France: Noah's Ark and The Flood, as represented in La Vie Nostre Dame ('The Life of Our Lady'), early 17th Century

SEPULCRO DE DOÑA CONSTANZA. PRIORA DEL CONVENTO DE SANTO DOMINGO DE MADRID. MITAD S. XV. (DEPOSITO: MUSEO ARQUEOLOGICO NACIONAL).

Adoration of the Magi, Triptych', Detail, c1453-1494. Artist: Hans Memling. Hans Memling was the leading artist in Bruges. His work is strongly influenced by Rogier van der Weyden.

Decorative Ceiling Lleó i Morera House, 1904. Barcelona. Gaspar Homar. Museum: MUSEU NACIONAL D'ART DE CATALUNYA. Author: JOSEP PEY.

Tapestry of a richly dressed couple made in France. Dated 15th Century

Detail from the painting by Russian artist, Mikhail Shibanov: Celebrating the Marriage Contract, 1777

Tiled panel on a wall in Plaza de Espana, Seville, Spain

The Prodigal Seeks Work (one of eight scenes from the story of the Prodigal Son) 1532, possibly some 19th century German. The Prodigal Seeks Work (one of eight scenes from the story of the Prodigal Son). German. 1532, possibly some 19th century. Colorless glass, vitreous paint and silver stain. Glass-Stained

Ornamentation from a former Hotel in Kaertnerstrasse, inner-city, Vienna, Austria, Europe

Painted in enamel on a copper plaque by an unknown Chinese artist c.1775-1800 CE, this relief was intended for the European market and was sold to Dutch merchants in Canton in the late 18th century. At the time, there was much interest and curiosity in European circles about China and the exotic East, tales which were eagerly recounted by merchants of the Dutch East India Company, missionaries and sailors. With a heavy demand for Chinese silk, Indian cloth and opium, as well as spices from the East Indies, many in Europe and the North America developed a fascination with Eastern culture, and Asian art and objets d'art were greatly prized.

Tile. Columbus returned with Indians and gifts to Isabel and Ferdinand II. 15th cent.

The donors, detail from the Triptych of Bruges, by Hugo van der Goes (1440-1482).

REPRESENTACION DE VALLADOLID - BODA DE LOS REYES CATOLICOS EN EL PALACIO DE LOS VIVERO EN 1469 - MOSAICO DE LA PLAZA DE ESPAÑA DE SEVILLA - SIGLO XX. Location: España Square. Sevilla. Seville. SPAIN. Catholic Monarchs. ISABEL LA CATOLICA (1451-1504) ISABEL I DE CASTILL. FERNANDO EL CATOLICO (1452-1516) FERNANDO II ARAGO.

JAIME I " EL CONQUISTADOR " . REY DE ARAGON Y CATALUÑA . 1208 - 1276. ENTRADA DEL REY JAIME EL CONQUISTADOR EN VALENCIA. AZULEJOS EN LA PLAZA DE ESPAÑA DE SEVILLA.

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