Renaissance Medals and Coins

Bronze medals and coins featuring allegorical and historical figures, showcasing intricate designs and classical themes.

Attributed to Charles Jean François Chéron, The Artist at his Easel Painting from an Antique Sculpture (reverse), c 1670 The Artist at his Easel Painting from an Antique Sculpture reverse

Louis Oscar Roty (1846-1911). "The wedding". Plaster. Paris, Carnavalet museum. Sculpt

Public Secondary Education of Young Women, 1884 Medalist: Louis-Oscar Roty French 1884

Dinero, Segunda mitad del siglo XI, 015262-N. Museu Nacional d'Art de Catalunya.

Design for a medal, Minerva crowing a bust of Louis XV, Red chalk on white paper, France, 1740, Drawing, Drawing

Plate in embossed silver foil, Basilica of Sant'Eustorgio, Milan. Italy, 16th-17th century.

Florentine 15th or 16th Century, after the Antique, Diomedes and the Palladium, 15th or 16th century Diomedes and the Palladium

Bronzeteller.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

. Front of the oval memorial tennis or carrying mark awarded to the officers of the Hessen-Darmstadt Regiment that Palace in Soestdijk has defended the attack of the Patriots from Utrecht on July 27, 1787.

Pegasus on the Fountain Hippocrene reverse. Dated: 1537/1547. Dimensions: overall (diameter): 5.6 cm (2 3/16 in.) gross weight: 58.4 gr (0.129 lb.) axis: 6:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century (Attributed to Benvenuto Cellini).

Memorial of opening of Chamber of Commerce of St. Nazaire, 1879 1893 Medalist: Louis-Oscar Roty French. Memorial of opening of Chamber of Commerce of St. Nazaire, 1879 188326 Artist: Medalist: Louis-Oscar Roty, French, Paris 18461911 Paris, Memorial of opening of Chamber of Commerce of St. Nazaire, 1879, 1879, Bronze, struck, silvered, 1 5/8 1 5/8 in. (41 41 mm). The Metropolitan Museum of Art, New York. Gift of Samuel P. Avery, 1897 (97.15.3a, b)

The Birth of John the Baptist, anonymous, c. 1540 Round stained glass with a representation of the birth of Johannes de Boper. Elisabeth is sitting in childbirth with raised knees, supported by pillows. The furniture with which the departure is set up are made of fantasized Renaissance forms and ostament. At the foot end is a table with a jug, a basket of bread and a knife. A maid gives her porridge out of a bowl. Maria sits on the ground by the fire with John on his lap. A visitor watches, sitting in a chair in a chair. On the left in the passage, Zacharias, the father of Johannes robbed of his speech, is on a lectern. Southern Netherlands glass.. silver stain. lead (metal) Round stained glass with a representation of the birth of Johannes de Boper. Elisabeth is sitting in childbirth with raised knees, supported by pillows. The furniture with which the departure is set up are made of fantasized Renaissance forms and ostament. At the foot end is a table with a jug, a basket of bread an

Vz: C. Coutrier, Plaque medal on the death of Maria Mossel, death certificate plaque medal penning footage silver, cast, mowing farmer with scythe In the background landscape left house, MARIA MOSSEL OBIIT DEN 23 NOVEM 1733 OLD 10 YEARS 8 MONTH ( omschrift) heraldic child girl

Augustin or Auguste Dupré (1748-1833). "Characters depositing votes in an urn". Slate wax. 1748-1833. Paris, Carnavalet museum. 99139-24

Domenico Poggini, The Uffizi and the Palazzo Vecchio (reverse), 1561 The Uffizi and the Palazzo Vecchio reverse

Abruzzo Chieti Chieti Museo Nazionale di Antichita00. Hutzel, Max 1960-1990 Exterior views of part of the former Villa Frigeri, which along with a neighboring palazzo, houses the Museo Nazionale di Antichita. Views also of the gardens, fountain (17th century) and the restored interior. The so-called "Capestrano Warrior" (5th century B.C.) is found in the Antiquities core collection under Men, Youths, Warriors--Stone--Etruscan, Italic. Hutzel views include statues, funerary monuments, portrait busts and mosaics, many of which were excavated from Alba Fucens. Hutzel paid particular attention to the colossal statue of Hercules (late Hellenistic); the funerary temple reliefs of Lucius Storax; various nudes, torsos and heads, including the portrait bust of Agrippina Minore and the sepulchral portrait relief of Lucius Poditius (1st century A.D.); gravestones with inscriptions and bas-reliefs; Roman coins; bronze figurines (mainly warriors); and bronze vessels, utensils, helmets and ornaments

Das Siegel von Richard II. im königlichen Geheimen Staatsarchiv zu Berlin, Deutschland, digitale verbesserte Datei eines Originaldrucks aus dem 19. Ja...

Johann Heinrich Schepp, Conduct of the Studium Scientiarum Genitrix in Rotterdam, medallion medal gold, engraved engraved This medal of honor is set in 1780 this specimen was awarded in 1781, omschrift STUDIUM SCIENTIARUM GENITRIX (the exercise is the mother of science) in the cut: MDCCLXXX Johann Heinszche Schepp Rotterdam Genootschap Studium Scientiarum Genitrix

Bliżej Kultury Steady 2, Menna Trier

Bliżej Kultury Kazimierz Jagiellończyk (1447 92)

12/31/1908. Tribute to Mr. Luca de Tena. Gold plate that has been given by popular subscription to the former mayor Mr. Cayetano Luca de Tena.

Design for Ex Libris for D.A. Delprath-Veth, Richard Nicolaüs Roland Holst, 1915 drawing prepared paper. brush ex-libris. historical persons. reading Laren. Throw it

Netsuke. Culture: Japan. Dimensions: H. 5/8 in. (1.6 cm); Diam. 1 11/16 in. (4.3 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Francesco di Giorgio Martini, Saint John the Baptist, c 1475 1485 Saint John the Baptist

Julius Caesar. Artist: Workshop of Colin Nouailher (French, active 1539, d. after 1571). Culture: French, Limoges. Dimensions: Diameter (without frame): 9 1/2 in. (24.1 cm);Diameter (with frame): 14 7/8 in. (37.8 cm). Date: probably ca. 1541.This portrait of Julius Caesar is part of a series depicting the Nine Worthies, historical figures thought to embody the values of chivalry--from antiquity: Hector, Alexander, and Julius Caesar; from the Old Testament: Joshua, David, and Judas Maccabeus; and from the Middle Ages: King Arthur, Charlemagne, and Godefroy de Bouillon. The Nine Worthies were first extolled as exemplars of the chivalric code by Jacques de Longuyon, in his romance Les Voeux du Paon (The Vows of the Peacock, ca. 1312), and thereafter became a popular subject in French literature and art. Museum: Metropolitan Museum of Art, New York, USA.

Fontainbleau School. Middle-second half of the 16th century. Pageant Shield. Steel. Chased. Made in the 1550s for King Henry II of France (1547-1559). His initials and those of his mistress, Diane de Poitiers, are in the shield's border. The chased composition depicts the Medusa surrounded by fantastical beasts. Sketch by the French engraver Etienne Delaune (1518-1583). Knights' Hall. The State Hermitage Museum. Saint Petersburg. Russia.

Design for ex libris for D.A. Delprath-Veth. .

Portrait of Duke Hercules (Ercole d'Este) by Ferrara, Anonymous, c. 1830 - c. 1900 Galvanoplastic reproduction in bronze from the Portrait Medal of Hertog Hercules (Ercole d'Este) by Ferrara. Rand scharift: Hercvles Dux Ferrarie mvtihe et region roddii o.comes.isci. Revers: Four naked Genii, three of which are winged, catching and picking up the ground flaming objects. Bandwriting: ivppiter.ex alto.nobis.adamanta.remisit. To an original from 1497. Italy bronze (metal) Galvanoplastic reproduction in bronze from the Portrait Medal of Hertog Hercules (Ercole d'Este) by Ferrara. Rand scharift: Hercvles Dux Ferrarie mvtihe et region roddii o.comes.isci. Revers: Four naked Genii, three of which are winged, catching and picking up the ground flaming objects. Bandwriting: ivppiter.ex alto.nobis.adamanta.remisit. To an original from 1497. Italy bronze (metal)

Bliżej Kultury Constantine 2, Menna Antioch

Allegory of Marriage reverse. Dated: 1793. Dimensions: overall (diameter): 4.27 cm (1 11/16 in.) gross weight: 27.98 gr (0.062 lb.) axis: 12:00. Medium: silver. Museum: National Gallery of Art, Washington DC. Author: Daniel Friedrich Loos and Friedrich Wilhelm Loos.

Jan Olbracht (1492-1501), Półgrosz, Kraków, 1492-1498 Jan Olbracht (1492-1501), Piotr of Kurozw K (Podskarbi, 1499)

Frieze of Tritons and Nereids reverse. Dimensions: overall (diameter): 6.4 cm (2 1/2 in.). Medium: bronze//Yellow-brown patina. Museum: National Gallery of Art, Washington DC. Author: Attributed to Master IO. F. F.

Bliżej Kultury Constantine 1, Thessalonica

To Commemorate the Paris International Exposition of 1878 1878 Medalist: Jules-Clément Chaplain French. To Commemorate the Paris International Exposition of 1878 187547 Artist: Medalist: Jules-Clment Chaplain, French, Mortagne, Orne 18391909 Paris, To Commemorate the Paris International Exposition of 1878, 1878, Bronze, silvered, struck, Diameter: 2 5/8 in. (6.7 cm). The Metropolitan Museum of Art, New York. Gift of Samuel P. Avery, 1893 (93.10.54a, b)

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Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Hanover Square. Line engraving.

Cheron, Charles-Jean-François (n.1635-D.1698), the Princess of Conti (main title), 1693. Bronze copper alloy. Gilding. Petit Palais, Museum of Fine Arts of the City of Paris.

Charles Emile Marie Seurre (1798-1858) and Joseph François Domard (1792-1858). Restoration of the statue of Napoleon I on the column of Austerlitz, July 28, 1833. Cuper, 1833. Paris, Musée Carnavalet. Medal, numismatics

Fresco titled 'Elijah on the Chariot of Fire'. Dated 13th century

Roman intaglio gem of British deity Cocidus as Silvanus the Hunter, 2nd century BC. Artist: Unknown

Pope Sixtus IV (Francesco della Rovere, 1471-1484) 15th century Medalist: Andrea Guazzalotti. Pope Sixtus IV (Francesco della Rovere, 1471-1484) 196771

Bliżej Kultury Constantine 2, Menna Antioch

Opaque white on opaque blue glass cameo 1st century B.C.-3rd century A.D. Roman Two youths and two womenThe scene may represent the return of Orestes, in which case the seated youth would be Orestes, the other Pylades, the women Elektra and the nurse, or perhaps Clytemnestra and Elektra.. Opaque white on opaque blue glass cameo. Roman. 1st century B.C.-3rd century A.D.. Glass, opaque white on black. Late Republican or Imperial

Herman Bader, Firemark, c 1937 Firemark

The Prodigal Receives His Share (one of eight scenes from the story of the Prodigal Son) 1532, possibly some 19th century German. The Prodigal Receives His Share (one of eight scenes from the story of the Prodigal Son). German. 1532, possibly some 19th century. Colorless glass, vitreous paint and silver stain. Glass-Stained

Cameo of Zeus and Hera Enthroned, Late 1800s. Italy, Roman, style of 2nd Century (forgery). Shell; overall: 8.6 x 7.1 cm (3 3/8 x 2 13/16 in.).

Bliżej Kultury Constantine 1, Menna Ticino

Das Reichssiegel Konrads II. im Staatsarchiv Berlin, Deutschland, die Urkunde von Goslar wurde am 19. Februar 1031 gesiegelt, digitale verbesserte Rep...

The Seal of Adolf von Nassau with the inscription, Adolfus Dei Gracia Romanorum Rex Semper Augustus, woodcut, Germany, Europe

Jean Marende, Arms of Filiberto Impaling Those of Margaret (reverse), 1502 Arms of Filiberto Impaling Those of Margaret reverse

The Death of Lucretia early 16th century Moderno (Galeazzo Mondella) Italian. The Death of Lucretia 207615

Seal of Edward II, vintage engraving. Seal of Edward II, vintage engraved illustration. Colorful History of England, 1837. Copyright: xZoonar.com/PatrickxGuenettex 10655980

MONEDA CONMEMORATIVA DE ART NOUVEAU -.

Marie-Alexandre-Lucien Coudray, 1e Prix: Claude Debussy, French, 1864 - 1932, c. 1893, silver

Two symbols showing women who represent friendship and peace. These bronze medallions are on the wrought iron main gates of the Peace Palace or Vredespaleis in The Hague, Netherlands. This building hosts the International Court of Justice.

Bliżej Kultury Valentinianus 1 (321 375), Menna Rzym

Nicolas Leclerc, and Jean de Saint Priest, Anne of Brittany, 1477 1514, Wife of Louis XII 1498 (reverse), 1499 1500 Anne of Brittany, 1477-1514, Wife of Louis XII 1498 reverse

Ignacy Łukasiewicz

Aurus by Julien II. Now, 360-363. Paris, Carnavalet museum. Numismatics

Seal of Walsingham Priory; 12th or 13th century; Black and White Illustration;

Bust of a man 1521 German. Bust of a man. German. 1521. Honestone. Sculpture-Miniature

Gypsum model by Émile Antoine Bourdelle showing the figure of the heroic Grażyna in an oval ; photograph from the album commemorating the unveiling of the monument of Adam Mickiewicz in Paris. Londynski S., Paris, photographer

Memorial tens of the new Beurs van Zocher in Amsterdam, 1845; Memorial tens of the new exhibition. Two memorial tensions of the new Beurs van Zocher in Amsterdam, 1845. Illustration in a book from 1846 about the old and new exhibition of Amsterdam.

Funerary mask of Agamemnon. ca. 1550 BC. Mycenaean art. Jewelry. GREECE. ATTICA. Athens. National Museum of Archaeology. Proc: GREECE. PELOPONNESE. ARCADIA. Mycenae.

Giovanni Hamerani, Allegorical Monument to the Liberation of Messina (reverse), 1678 Allegorical Monument to the Liberation of Messina reverse

Saint Pius V early 18th century Possibly after a model by Angelo de Rossi Pius V (reigned 1566-1572) was beatified in 1672 and canonized in 1712. His ascetic features are here set off by the undulating surfaces of the gilt relief, a late baroque creation probably dating from the reign of Clement XI, when there was a renewed devotion to the saints cult.. Saint Pius V. Possibly after a model by Angelo de Rossi (Italian, 1671-1715). Italian, Rome. early 18th century. Bronze, fire-gilt. Sculpture-Bronze

Johann Philipp von der Pütt, Julius Geuder, 1530 1594, Patrician of Nuremberg, 1591 Julius Geuder, 1530-1594, Patrician of Nuremberg

Drawing by Cornelis Anthonisz Teunissen showing an equestrian train, executed with pen and brushes in gray and white heighted on gray paper, showing riders, horses, and landscape elements.

Prudence Holding a Double-Faced Head reverse. Dated: c. 1524. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Girolamo Santacroce.

Born Lucius Domitius Ahenobarbus (37-68 CE), Nero was the only son of Agrippina the Younger, who would later marry his great-uncle Emperor Claudius. Claudius adopted Nero, who was made heir and successor alongside Claudius' own son Brittanicus. Nero acceded to the throne after Claudius' death in 54 CE, possibly poisoned at the hands of Nero's mother. Nero's reign is infamous for his corruption, tyranny and extravagance, as well as his many executions, including that of his mother and the poisoning of his stepbrother Britannicus soon after the start of his rule. His most infamous mark on history however, is his presumed starting of the Great Fire of Rome in 64 CE, which caused widespread destruction and was intentionally done to clear space for Nero's planned palatial complex, the Domus Aurea. In 68 CE, Nero was driven from the throne by rebellion, and he committed suicide that same year. With his death came the end of the Julio-Claudian dynasty, leading to the tumultuous period known a

Gianpaolo Poggini, Hercules Bearing the Globe (reverse), 1557 Hercules Bearing the Globe reverse

Bliżej Kultury

Apollo and Marsyas 15th century Italian. Apollo and Marsyas 195677

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