Renaissance Mother and Child Scenes

Tender portrayals of Madonna and Child, illustrating familial bonds with rich color palettes and dynamic compositions.

Madonna and Child with Two Angels, Filippo Lippi, 1460-1465, Galleria degli Uffizi, Uffizi Gallery, Florence, Tuscany, Italy

fine arts, Raphael (Raffaello Santi) (6.4.1483 - 6.4.1520), painting ""Madonna Esterhazy"", 1508, oil on panel, Museum of fine arts, Budapest,

Madonna of the Rose Garden, Botticelli, Sandro, 1470.

Campania Salerno Nocera Inferiore S. Antonio8. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Holy Family with Saint Mary Magdalen ca. 1495-1500 Andrea Mantegna Italian The composition of this late picture by Mantegna was inspired by Roman funerary reliefs, which accounts for the combination of austerity and sweetness. It is painted in distemper rather than oil, allowing the artist to give strong definition to the forms. Originally, the colors would have had a freshness and clarity. However, the picture has suffered from past cleanings and its surface has been varnished, compromising the intended effect. Mantegna painted for the elite Gonzaga court in Mantua, where the antiquarian culture informing this picture would have been appreciated.. The Holy Family with Saint Mary Magdalen 436967

Madonna and Child with Two Angels, Filippo Lippi, 1460-1465, Galleria degli Uffizi, Uffizi Gallery, Florence, Tuscany, Italy

Hans Memling (1430-1494). German born painter. He moved to Flanders and worked in the tradition of Early Netherlandish painting. Portinari Triptych (central panel). Virgin and child. 1487. Oil on wood. Gemaldegalerie. Berlin. Germany.

Rafael Santi Madonna Ze Szczygłem; Galeria Uffizi, Florencja. Karta No. 346 W: The galleries of Europe. Painting of old masters in the colors of the originals. Volume 6, publisher of E. A. Seemann, Leipzig 1911. Publisher by A.E. Seemann in Leipzig, Santi, Raffaello (1483 1520)

Sant'Anna Metterza / Saint Anne 'Metterza'. Date/Period: From 1424 until 1425. Painting. Tempera on panel. Height: 175 cm (68.8 in); Width: 103 cm (40.5 in). Author: MASACCIO. MASOLINO DA PANICALE.

Colonna Madonna, Raphael, Raffaello S., 1508.

Madonna and Child (Madonna del Roseto), by Luini Bernardino, 1505 - 1510, 16th Century, oil on poplar wood. Italy, Lombardy, Milan, Brera Art Gallery. Whole artwork. Madonna with Child (Madonna del Roseto). Pergola roses vase: pot blue mantle: cloak red dress.

Virgin and Child with John the Baptist and Angels, c. 1500. Pietro del Donzello (Italian, 1452-1509). Oil on wood; framed: 120 x 120 x 7 cm (47 1/4 x 47 1/4 x 2 3/4 in.); diameter: 95.2 x 92.8 cm (37 1/2 x 36 9/16 in.).

Madonna and Child, with the Blessing Christ middle panel. Dated: c. 1415/1420. Dimensions: painted surface: 106.05 × 50.8 cm (41 3/4 × 20 in.) original panel: 117.48 × 52.39 × 4.13 cm (46 1/4 × 20 5/8 × 1 5/8 in.) overall (with added wood strips): 120.65 × 60.96 × 4.13 cm (47 1/2 × 24 × 1 5/8 in.) depth (indicates warp of the panel): 8.57 cm (3 3/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Martino di Bartolomeo.

Madonna Haller Painting; oil on panel; overall: 52.4 x 42.2 cm (20 5/8 x 16 5/8 in.) framed: 66.2 x 55.5 x 7.6 cm (26 1/16 x 21 7/8 x 3 in.);

Bliej Kultury Publisher by A.E. Seemann in Leipzig, Mantegna, Andrea (Ca 1431 1506)

Virgin and Child ca. 1455-60 Dieric Bouts Netherlandish Dieric Bouts has based this small, exquisite image on the ancient Byzantine formula for the affectionate Virgin (glykophilousa)a type popular in the Netherlands. However, he has dispensed with the gold background and halo of Byzantine practice and has endowed the painting with a human tenderness and simplicity not found in icons. With his subtle and tactile modeling of the flesh, the artist heightened the illusion of living, breathing beings. Focusing on the loving relationship of a mother and her son, his portrayal emphasized human emotions and enhanced the intense inner experience of private devotion.. Virgin and Child. Dieric Bouts (Netherlandish, Haarlem, active by 1457-died 1475). ca. 1455-60. Oil on wood. Paintings

Raffael 008 Raphael (Italian, 1483 - 1520 ), The Small Cowper Madonna, c. 1505, oil on panel, Widener Collection

Cristofaro Faffeo (documented in Naples between 1489-1497). Italian painter. Virgin with Child, ca.1490. National Museum of Capodimonte. Naples. Italy.

The Virgin and Child, Gossaert, Jan, 1510.

Diotalevi Madonna, Raphael, Raffaello S., 1503.

Madonna d'Orleans by Raphael (1483-1520) / Musee Conde, Chantilly / ca 1506-1507 / Italy, Roman School / Oil on wood / Bible / 31x23

Madonna Adoring the Child with Musical Angels; Bernardino Zenale, Italian, about 1456 - 1526; about 1502; Oil on panel; Unframed: 143.5 x 85.7 cm (56 1/2 x 33 3/4 in.), Framed: 166.7 x 102.9 x 10.2 cm (65 5/8 x 40 1/2 x 4 in.)

Pietro Perugino, Madonna and Child, Italian, c. 1450-1523, c. 1500, oil on panel

WEYDEN, Rogier van der (1400-1464). Madonna and Child. ca. 1450. Flemish art. Oil on wood. BELGIUM. WALLONIA. HAINAUT. Tournai. Fine Arts Museum.

fine arts, Massys, Quentin, (circa 1466 - 1530), painting, ""ecce homo"", oil on panel, 130 cm x 86 cm, museum of fine arts, Brussels,

'Madonna and Child', c1510. Artist: Workshop of Giovanni Bellini

Madonna and Child. Dated: 1413. Dimensions: painted surface: 113.5 × 52.8 cm (44 11/16 × 20 13/16 in.) overall: 116.3 × 55.6 cm (45 13/16 × 21 7/8 in.) framed: 127 x 66.2 x 11.4 cm (50 x 26 1/16 x 4 1/2 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: LORENZO MONACO.

Madonna of Humility adored by Lionello d'Este, ca 1450, by Jacopo Bellini (1400-1470, or ca 1471), oil on panel, 60.2x40.1 cm.

DESCANSO EN LA HUIDA A EGIPTO. Author: BARTOLOME GONZALEZ (1564-1627). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN.

Madonna and Child. Artist: Giovanni Bellini (Italian, Venice, active by 1459-died 1516 Venice). Dimensions: 35 x 28 in. (88.9 x 71.1 cm). Date: late 1480s.Separated from our everyday world by a parapet, the figures nonetheless engage the viewer with their gazes. A cloth of honor has been pulled aside to reveal a distant landscape, where we witness the transition from dormant to verdant nature--a metaphor, like the dawn sky, for death and rebirth. The asymmetrical composition looks ahead to the work of Titian. When Albrecht Dürer visited Venice, he declared Bellini the best painter. The fine Venetian frame is of the period. Museum: Metropolitan Museum of Art, New York, USA.

Virgin andChild. Artist: Master of the Horne Triptych, Italian, Florence, active early 14th century

Lucas Cranach the Elder, Madonna and Child, probably c 1535 or after Madonna and Child

Saint Mary Cleophas and Her Family. Dated: c. 1520/1528. Dimensions: overall: 125.5 x 65.8 cm (49 7/16 x 25 7/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: BERNHARD STRIGEL.

Bartolomeo Cincani (1450-1523), known as Montagna. Italian Renaissance painter. Madonna and Child, 1480-1490. Oil on wooden panel (64 x 53 cm). Pinacoteca Castello Sforzesco, Milan, Italy.

Copy after Raphael (1483-1520); 'Madonna del cardellino'; (Madonna of the Goldfinch). 1547

Leonardo da Vinci (1452-1519). Italian polymath. High Renaissance. Florentine School. Madonna and the Child (The Litta Madonna), middle of the 1490s. Tempera on canvas transferred from panel. The State Hermitage Museum. Saint Petersburg. Russia.

Madonna and Child with Angels (and Child with Angels, painting by Sandro Botticelli (1445 - 1510), one of the most important Italian painters and draftsmen of the early Renaissance, historical, digitally restored reproduction from an original.

The Virgin and Child with St. John the Baptist ; c. 1507; by Raphael Sanzio; 1483 - 1520

Madonna of the rocks, 1488-1490, by Andrea Mantegna (1431-1506). Tempera on wood, 32x29.6 cm.

Umbria Terni Stroncone S. Francesco. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Virgin and Child with a Goldfinch, c. 1490. Neroccio de' Landi (Italian, 1447-1500). Tempera on wood; framed: 65 x 45 x 7.5 cm (25 9/16 x 17 11/16 x 2 15/16 in.); unframed: 38.8 x 30.5 cm (15 1/4 x 12 in.).

fine arts, Gossaert, Jan called Mabuse, (circa 1487 - 1532), painting, Madonna with child, museum of fine arts and history, Europe, Netherlands, 16th century, religion, christianity, religious art, Jesus Christ, Saint Mary, infant, renaissance,

Francesco Traini / 'The Virgin and Child', ca. 1345, Italian School, Gilding; Tempera on panel, 48 cm x 42 cm, P02944. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Madonna and Child, Filippino Lippi, 1483-1484, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Madonna and Child with the Infant Saint John the Baptist ca. 1625 Orsola Maddalena Caccia Orsola Maddalena Caccias training with her father, Guglielmo Caccia, is encapsulated in this painting: she employs a figure type close to her fathers, composed of geometric forms and sfumato flesh, but the still-life elements, especially the flowers, are entirely her own. She meticulously individuates them, sprinkling them across the foreground in the manner of her more celebrated independent still lifes, two of which are in The Mets collection. After her training, Orsola Caccia spent the majority of her career running a successful studio in the Ursuline convent in Moncalvo, which was founded by her father in part to house his six daughters.. Madonna and Child with the Infant Saint John the Baptist. Orsola Maddalena Caccia (Italian, Moncalvo 1596-1676 Moncalvo). ca. 1625. Oil on canvas. Paintings

Abruzzo Teramo Atri Cattedrale, Museo Capitolare1. Hutzel, Max 1960-1990 Medieval: Metalwork, woodwork Salone 2 Post-medieval: Woodwork, metalwork (processional cross, reliquary, enamel) predella, architectural elements, sculpture; ceramics (6 plates, one vase, all attributed to Francesco Grue General views of galleries. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Matelica Museo Piersanti4. Hutzel, Max 1960-1990 Views of the museum's collection of late 14th-16th century paintings, as well as the tapestry and maiolica collections. Antiquities: The photos depict roman portraiture busts. Object Notes: Hutzel photo campaign date: March 29, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Raphael (1483-1520). La Belle Jardiniere. 1507. Right lower detail depicting Saint John the Baptist. Renaissance art. Cinquecento. Oil on canvas. FRANCE. ëLE-DE-FRANCE. Paris. Louvre Museum.

Virgin and Child Enthroned, with Saints Jerome and John the Baptist and a Carthusian Monk. Tronende madonna met de heiligen Hieronymus en Johannes de Doper en een knielende kartuizer monnik. Dating: c. 1510. Place: Bruges. Measurements: support: h 76 cm × w 64.2 cm; sightsize: h 73.5 cm × w 62 cm; frame: h 109.2 cm × w 92.3 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan Provoost (attributed to).

Virgin and Child with Saint John. Dimensions: overall: 75.7 x 57.2 cm (29 13/16 x 22 1/2 in.) framed: 122.7 x 102.6 x 12.1 cm (48 5/16 x 40 3/8 x 4 3/4 in.). Medium: painted terracotta. Museum: National Gallery of Art, Washington DC. Author: Follower of Andrea del Verrocchio.

'Madonna of Zlata Koruna', c1410 (1955). Artist: Unknown

Madonna and Child, 1855, Franz Ittenbach, German, 1813 - 1879, 43 3/4 x 33 3/4 in. (111.13 x 85.73 cm) (canvas), Oil on canvas, Germany, 19th century, Ittenbach is considered one of the leading religious painters in 19th century Germany. A devout Roman Catholic, he traveled throughout Germany, painting altarpieces and artworks intended for church decoration. Popular among the German Catholic nobility, Ittenbach painted in a precise, realistic style influenced by Netherlandish and Italian Renaissance art, continuing the tradition of the Nazarene school.

Madonna and Child, ca 1470, by Giovanni Bellini (1431-36 - 1516), tempera on panel, 83x62.5 cm.

'Rest on the Flight into Egypt'. Italy. Dimensions: 132x190 cm. Museum: State Hermitage, St. Petersburg. Author: Giovanni Francesco Romanelli ( ).

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche51. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Camerino Pinacoteca. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Louvre museum, Paris, France.Raffaelo Santi ou Sanzio, dit Raphael, The Holy Family with Saint Elizabeth, the Infant Saint John and Two Angels, known as the Holy Family of Francois I.oil on canvas, about 1518.

Lazio Roma Poli S. Antonio6. Hutzel, Max 1960-1990 Medieval: Exterior views of gothic church with bell cote. Details of rose window and portal. Post-medieval: 16th century frescos and stucco decoration German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bernardino Luini (Dumenza (), ca. 1480-Milan, 1532). Virgin and Child with the Infant Saint John the Baptist (1523 - 1525). Oil on canvas. 86 x 60 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Triptych with Virgin and Child, Saint John the Evangelist (left wing) and Mary Magdalene (right wing). Dating: c. 1505 - c. 1525. Measurements: support: h 57 cm (centre panel) × w 45 cm (centre panel) × h 57 cm (left wing) × w 22 cm (left wing) × h 57 cm (right wing) × w 22 cm (right wing); sightsize: h 49.5 cm × w 61 cm; sight size: h 44.3 cm; sightsize: w 30.5 cm; frame: h 58 cm × w 45 cm; sightsize: h 50.2 cm × w 15.1 cm; frame: h 57.7 cm × w 22.3 cm; sightsize: h 50.3 cm × w 14.7 cm; frame: h 57.4 cm × w 22.3 cm. Museum: Rijksmuseum, Amsterdam. Author: JAN PROVOOST.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche55. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Casole d'Elsa Collegiata7. Hutzel, Max 1960-1990 Collegiata was built in 12th century and restored in the 14th century. Exterior photos show church facade and campanile. Photos of interior show general views of the nave and details of a sarcophagus and wooden statues of saints and a bishop (possibly Tommaso Andrei). Object Notes: Hutzel photo campaign notes are undated. There are possibly prints missing from the Hutzel collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury Publisher by A.E. Seemann in Leipzig

Rafael / 'The Holy Family with Raphael, Tobias and Saint Jerome, or the Virgin with a Fish', 1513-1514, Italian School, Oil on panel, 215 cm x 158 cm, P00297. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Fra Beato Angelico, (c. 1395-1455). Early Italian Renaissance painter. Florentine school. Madonna and Child with Four _ngels, early 1420s. Tempera on panel. The State Hermitage Museum. Saint Petersburg. Russia.

'Madonna and Child under an Apple Tree'. Italy, 1644. Dimensions: 39x29 cm. Museum: State Hermitage, St. Petersburg. Author: GIOVANNI FRANCESCO ROMANELLI.

Umbria Perugia Bevagna S. Agostino1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

fine arts, Starnina, Gherardo di Jacopo (circa 1354 - 1413), painting, ""Madonna with child sitting on throne"", Berlin, Germany, Staatliche Museen, picture gallery,

Madonna del Granduca, Grand Duke's Madonna, Raphael, 1505, Palatine Gallery, Pitti Palace, Florence, Tuscany, Italy, Europe

Drawing, Madonna and child; Felice Giani (Italian, 1758-1823); Italy; graphite, pen and ink, brush and wash on paper

Image of the ca. 1470, painting Anna-Te-Dries from the collection of the Archbishop's Museum, in the Centraal Museum (Agnietenstraat 1) in Utrecht.n.b. The collection of the Archbishop's museum was housed in 1979 in the new Rijksmuseum Het Catharijneconvent (Nieuwegracht 63). In 1995 the museum became an independent foundation and changed the name to Museum Catharijneconvent.

Madonna col Bambino, by Girolamo Nardini, G Giovanni. Gift of Mr and Mrs G.G Gibbes Watson, 1961.

Umbria Perugia Bettona S. Maria Maggiore2. Hutzel, Max 1960-1990 Medieval: 13th century architecture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting, 17th century remodel Specific Location: Piazza Cavour Antiquities: Architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pietro Perugino (1451-1523), the Holy Family, 1465-1523

Virgin And Child With St. Anne 1501-07 Leonardo da Vinci(1452-1519 Italian) Oil On Wood Panel Musee du Louvre, Paris, France

Painting titled 'The Virgin of the Rocks' (Madonna of the Rocks) Painted by Leonardo da Vinci (1452-1519) Italian polymath, painter, sculptor, architect, musician, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer. Dated 15th Century

Umbria Perugia Bettona Palazzo Podesta3. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescos, decorative arts Owner: Pinacoteca German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra8. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marco Cardisco (1486-1542). Italian painer. Virgin with Mark the Evangeliest and Andrew the Apostle, 1527-30. Oil on wood. Museum of Capodimonte. Naples. Italy.

Charity (La Caritö), by Carlo Dolci, 17th Century, oil on canvas, 93 x 76 cm

Vittore Carpaccio: Madonna with Child

Umbria Perugia Perugia Galleria Nazionale dell'Umbria2. Hutzel, Max 1960-1990 Views of Umbrian painting and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Dead Christ supported by Two Angels, circa 1475, Carlo Crivelli

The Madonna and Child with St. Catherine and an Angel. After Antonio Allegri, Il Correggio (c.1489-1534). Oil on panel, tondo, 78.7 x 79.3cm.

Circle of Andrea Mantegna (Possibly Correggio), Madonna and Child, c. 1505-1510, oil on canvas

Guercino (Giovanni Francesco Barbieri) Copy after / 'The Mystic Marriage of Saint Catherine'. XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

"Panel from an altarpiece showing Saint Mary Magdalene Preaching c. 1515-20 Oil on wood Master of the Magdalene Legend, Netherlandish (active Brussels), active c. 1480 - c. 1520"

Campania Napoli Naples S. Lorenzo Maggiore037. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

'Praying Madonna'. Italy. Dimensions: 32,5x27 cm. Museum: State Hermitage, St. Petersburg. Author: Sandro Botticelli (Alessandro da Mariano di Vanni di Amedeo Filipepi) (school of).

Charity from The Work of Edward Burne-Jones, 1900. After: Sir Edward Burne-Jones (d.1898). Publisher: Berlin Photographic Company

Madonna of the Poor Roberto Ferruzzi (1853-1934 Italian)

Pietö, by Allegri Antonio known as Correggio, 16th Century, oil on canvas, cm 48 x 38

Mythological Scene; Dosso Dossi (Giovanni di Niccolò de Lutero), Italian (Ferrarese), about 1490 - 1542; Italy, Europe; about 1524; Oil on canvas; Unframed: 163.8 x 145.4 cm (64 1/2 x 57 1/4 in.), Framed: 194.3 x 176.5 x 9.5 cm (76 1/2 x 69 1/2 x 3 3/4 in.)

F. Boucher - Fountain with two loves François Boucher (1703-1770). "Fountain with two loves of which one is kneeling" (door of the salon demarteau).

Abruzzo, L'Aquila, Celano, Museum, Italy, 20th century, photo, photography, Europe

Virgin Adoring the Child. Circle of Mino da Fiesole (Italy, Florence and Rome, 1429-1484). Italy, circa 1460-1480. Sculpture. Marble

Bernaert van Orley (Brussels, ca. 1488-1541). The Rest on the Flight into Egypt (ca. 1515). Oil on panel. 87x 72 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Umbria Perugia Montesanto S. Maria, Parish church1. Hutzel, Max 1960-1990 coverage includes views of the church facade, interior views of the nave and altar, and views of paintings by Virgilio Nucci, Camillo Angelucci, and others. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bernardo Parentino (1450-1500). Italian painter. Renaissance. The Adoration of the Magi, 1475. Louvre Museum. Paris. France.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo75. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Pietà. After Cosimo Tura; Italian, c. 1430-1495. Date: 1470-1480. Dimensions: 71.7 x 55.2 cm (28 1/4 x 21 3/4 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

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