Renaissance Nativity and Adoration Scenes

Beautiful depictions of biblical scenes featuring the nativity and adoration of Christ, shown through soft colors and intricate details, capturing a serene and sacred atmosphere.

Madonna of the Magnificat, by Sandro Botticelli, circa 1483, Uffizi Gallery, Florence, Tuscany, Italy, Europe

The Nativity. Fra Bartolommeo (Baccio della Porta); Italian, 1472-1517. Date: 1504-1507. Dimensions: 34 × 24.5 cm (13 3/8 × 9 5/8 in.). Oil on panel. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: FRA BARTOLOMMEO.

Andrea Mantegna (1431-1506). Italian Renaissance painter. "Trivulzio Madonna", 1497. Madonna in glory with Sts. John the Baptist, Gregory the Great, Benedict and Jerome. Tempera on canvas (287 x 214 cm). Pinacoteca Castello Sforzesco, Milan, Italy.

Mourning. Calvaert, Denys (1540-1619), painter

The Adoration of the Magi. Artist: Netherlandish (Antwerp Mannerist) Painter (ca. 1520). Dimensions: 27 1/8 x 21 1/2 in. (68.9 x 54.6 cm).The Adoration of the Magi was a favorite theme in Antwerp Mannerist painting, which emerged in the first quarter of the sixteenth century and is characterized by its extravagant and theatrical style. Showing a preference for flamboyant gestures, exotic costumes, and eccentric color effects, works such as the present picture were frequently mass-produced for sale on Antwerp's open art market and for export to southern Europe. The setting, with the crumbling architecture and drawn curtain, here recalls the theatre, as does the stage-like arrangement of the elaborately dressed figures around the Virgin and Child. Museum: Metropolitan Museum of Art, New York, USA.

Filippino Lippi (1459-1504). Italian painter. High Renaissance. Florentine school. Adoration of the Christ Child, c. 1480. Detail. Tempera on copperplate. The State Hermitage Museum. Saint Petersburg. Russia.

Story of Virginia: Appius Claudius stops Virginia, The Decemvir Condems Virginia to slavery, Virginia is killed by Virginius. By Filippo Lippi (1406-1469). Quattrocento. Early Renaissance. Tempera on panel. Louvre Museum. Paris. France.

'Legend of Saint Roch,' 16th century. Artist: Bernaert van Orley

Madonna of the Magnificat, by Sandro Botticelli, circa 1483, Uffizi Gallery, Florence, Tuscany, Italy, Europe

Altarpiece showing the Virgin and Child; with Saints Mary Magdalene; John the Baptist; Jerome; and Catherine of Alexandria After 1521 Oil and gold on panel Andrea Previtali Italian Born c. 1480; died 1528

Miraflores Altar by Rogier van der Weyden, Oil on wood, circa 1440, circa1399-1464, Germany, Berlin, Staatliche Museen, 71x43

Madonna and Child, by Jacob Cornelisz van Oostsanen (born between 1472 and 1477-1533 or before), panel.

Master Life of Mary / Adoration of Kings

According to Rogier van der Weyden (1400-1464). "Cross descent". Oil on wood. Museum of Fine Arts of the City of Paris, Petit Palais. Corvreary, Catholic, Christian Christian, Christ, Deposition, Cross descent, Execution, Wood oil, Larron, Death, New Testament, Biblical Scene

Christ Instructing Peter and John to Prepare for the Passover. Dated: 1504. Dimensions: overall: 23.8 x 19.5 cm (9 3/8 x 7 11/16 in.) framed: 32.4 x 28.6 x 4 cm (12 3/4 x 11 1/4 x 1 9/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Vincenzo Civerchio.

'Saint Eloy before King Clotaire', ca. 1370, Tempera on panel, 35 cm x 39 cm, P02842. Author: MAESTRO DE LA MADONNA DELLA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAINT ELIGIUS. CLOTARIO II.

Triptych: The Crucifixion Flanked by the Kneeling Donor and His Wife. Date/Period: First half of the 16th century. Painting. Oil on panel oil on panel. Height: 1,170 mm (46.06 in); Width: 1,550 mm (61.02 in). Author: JOOS VAN CLEVE.

Detail, The Adoration of the Magi, Fra Angelico and Fra Filippo Lippi, circa 1440-1460, National Gallery of Art, Washington DC, USA, North America

Mary with Jesus by Rogier van der Weyden, Oil on wood, circa 1460, circa 1399-1464, Germany, Frankfurt am Main, Stadtische Galerie in Stadelschen Kunstinstitut, 61,7x46,1

SAN JUAN BAUTISTA SE DESPIDE DE SUS PADRES - HACIA 1635 - OLEO/LIENZO - 181 x 263 cm - NP 291 - BARROCO ITALIANO. Author: MAXIMO STANZIONE (1585-1656). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAINT ELIZABETH. ZACARIAS. SAN JUAN BAUTISTA NIÑO / SAN JUANITO.

Sassoferrato (Italia, Marche, provincia di Ancona), Pinacoteca Civica. Pietro Paolo Agabiti,Annunciazione. prima metà del XVI secolo

Hugo van der Goes (Ca.1440-1482). Flemish painter. Adoration of the Magi (Triptych). Adoration of Magi, central panel; The Circumcision, left panel; The Massacre of the Innocents, right panel. 15th century. Oil on canvas. State Hermitage Museum. Saint Petersburg. Russia.

Noli Me Tangere. Perugino (Pietro di Cristoforo Vannucci); Italian, 1445/46-1523. Date: 1500-1505. Dimensions: 27.3 x 46.3 cm (10 3/4 x 18 1/4 in.). Tempera on panel, transferred to canvas. Origin: Italy. Museum: The Chicago Art Institute, USA.

Ludovico Mazzolino (1480-ca. 1528). Italian painter. Virgin and Child on the throne with Saint Andrew and Saint Peter, ca. 1500-1520. Oil on panel. Ala Ponzone Civic Museum, Cremona, Italy.

Saint Jerome ca. 1498-1505 Sandro Botticelli (1444-1510 Italian) Tempera on canvas State Hermitage Museum, St. Petersburg, Russia

The Annunciation. Dated: c. 1580. Dimensions: overall: 98.4 x 75.3 cm (38 3/4 x 29 5/8 in.) framed: 123 x 99.1 x 7.3 cm (48 7/16 x 39 x 2 7/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Véronèse.

Ghirlandaio / Adoration of Shepherds

Mary with the child and founders; 1511/15 Goswin van der Weyden; Flemish (1465 Brussel - after 1538 Brussel)

FLORENCE, TUSCANY/ITALY - OCTOBER 19 : Madonna and child with the archangels Michael and Raphael painting in the Uffizi gallery in Florence on October 19, 2019

Pieta / Carlo Crivelli / 1493

fine arts, Titian (Tiziano Vecellio), painting ""La Vierge au Lapin"" (The Virgin with the Rabbit), circa 1525 / 1530, Louvre, Paris,

Wojciech Stattler (1800-1875). Polish painter. The Maccabees, 1830-1842. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow, Poland.

Piero della Francesca/ The Baptism of Christ c.1448-50. Tempera on panel. 167 cm × 116 cm (66 in × 46 in). Museum: NATIONAL GALLERY, LONDRES, UK.

The Assumption of the Virgin with Busts of the Archangel Gabriel and the Virgin of the Annunciation. Dated: c. 1400/1405. Dimensions: painted surface: 66.5 × 38.1 cm (26 3/16 × 15 in.) overall: 79.8 × 51 cm (31 7/16 × 20 1/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: PAOLO DI GIOVANNI FEI.

The Flight into Egypt by Bassano, Jacopo, il vecchio (ca. 1510-1592)/ Museo Civico, Bassano del Grappa/ 1534/ Italy, Venetian School/ Oil on wood/ Renaissance/ 183x198/ Bible

Adoration of the Magi probably seventeenth century Imitator of Netherlandish (Antwerp Mannerist) Painter Netherlandish The Adoration of the Magi, a Christian scene wherein kings Melchior, Balthasar and Caspar present gifts to the newborn Jesus, was an oft-depicted subject in the opening decades of the fifteen hundreds. Set into a tripartite frame whose wings feature a text from a prayer to the Virgin, this arch-topped panel emphasizes the three magis glittering vessels and garments, highlighting the preciousness of their offerings to the infant Christ. Although this painting combines motifs employed by the so-called Antwerp Mannerists, an inhomogeneous group of sixteenth-century artists, certain elements of the picture suggest a more recent date of creation. Most problematic for a sixteenth-century dating is the presence of Naples yellow and the possible application of Prussian blue, which indicate that the picture was produced in the seventeenth or early eighteenth century. It remain

Anonymous (Copy after Raphael (Raffaello Sanzio)) / 'The Holy Family with the Infant Saint John the Baptist'. XVI century. Oil on panel. Museum: Museo del Prado, Madrid, España.

The Life of the Virgin after 1521 Adriaen Isenbrant Netherlandish One of Adriaen Isenbrants earliest works, this small, portable triptych was intended for private devotion. Both the exterior and interior scenes were meant to engage the viewer in an empathic contemplation of the Life of the Virgin. The outside grisaille wings, which depict the Annunciation and Visitation under elaborately carved canopies, are executed in the fashionable Antwerp Mannerist style and reveal a knowledge of Albrecht Dürer's popular engravings. The more traditional interior panels, representing the Adoration of the Magi, the Nativity, and the Flight into Egypt, recall paintings by the celebrated Bruges artist Gerard David.. The Life of the Virgin 436723

Massimo Stanzione / 'John Baptist Says Farewell to his Parents', ca. 1635, Italian School, Canvas, 181 cm x 263 cm, P00291. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Mourning. nieznany malarz włoski, painter

'Rest on the Flight into Egypt'. Italy, Late 1650s. Dimensions: 73,5x98,5 cm. Museum: State Hermitage, St. Petersburg. Author: PIER FRANCESCO MOLA.

Alessandro Buonvicino called Moretto da Brescia (1498-ca.1554). Italian painter. Christ at the column, ca.1550. Farnese Collection. National Museum of Capodimonte. Naples. Italy.

After Boltraffio, "Sacra Conversazione". oil on canvas. Date: 1878-1882. Museum: Smithsonian American Art Museum.

The Flight into Egypt. Butinone, Bernardino; Italian, c. 1450-before November 1510. Date: 1480-1490. Dimensions: Panel: 25.6 x 22 cm (10 1/8 x 8 11/16 in.); Painted Surface: 25.2 x 21.8 cm (9 15/16 x 8 1/2 in.); With Frame: 30.5 x 25.4 cm (12 x 10 in.). Tempera on panel (poplar). Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

'Mystic Marriage of St Catherine'. Italy, Late 1510s. Dimensions: 220x205 cm. Museum: State Hermitage, St. Petersburg. Author: Domenico Beccafumi (Domenico di Giovanni di Pace).

Madonna mit Kind und den beiden Heiligen Johannes (1484-1485), Madonna and Child with both Saints John, Painting by Sandro Botticelli (1 March 1445, 1510), one of the most important Italian painters and draughtsmen of the early Renaissance, Historic, digitally restored reproduction from an original, Record date not stated

WEYDEN, Rogier van der (1400-1464). The Last Judgment. 1446-1452. FRANCE. Beaune. H™tel-Dieu. Painting on the outside of the polyptich panel given by Mr and Mrs. Rollin, with a depiction of the couple praying. Flemish art. Oil on wood.

Painting titled 'A Glory Set on a Hill' by H. Jonas. Dated 17th Century

Noli me tangere, Touch me not, Predella, Giuliano Amadei, Polyptych of the Misericordia, Piero della Francesca, 1445-1462, Museo Civico, Sansepolcro, Tuscany, Italy

Anonymous (Workshop Tiziano, Vecellio di Gregorio) / 'Rest on the Flight into Egypt', 16th century, Italian School, Oil on canvas, 155 cm x 323 cm, P00435. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Lazarus and the Rich Man. Dating: 1544 - 1700. Measurements: h 99.8 cm × w 129 cm × t 4.3 cm; d 8.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jacopo Bassano (copy after).

SAN JERONIMO PENITENTE. Author: MEISTER VON SEO DE URGEL. Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN. SAN JERONIMO (347-420).

Seven Works of Mercy, by Merisi Michelangelo known as Caravaggio, 1606 - 1607, 17th Century, oil on canvas. Italy, Campania, Naples, Pio Monte della Misericordia Church. Detail. Feet lying man on the far right cloth dress.

The Pearl of Great Price Domenico Fetti (ca.1589-1623 Italian) Nelson-Atkins Museum of Art, Kansas City, Missouri, USA

Triptych with Adoration of the Magi, workshop of Pieter Coecke van Aelst (I), 1520 - 1550

Piero della Francesca (ca 1415-1492) National Gallery, London Painting 124x122,6 Genre The Nativity

BOSCO , EL ( HIERONYMUS VAN AEKEN ). PINTOR HOLANDES . 1450 - 1516. " EL CARRO DE HENO " , TABLA. PATRIMONIO NACIONAL. SFGP / © KORPA.

A Donor and his two Sons with Saint John the Evangelist, inner left wing of a triptych, workshop of The (Bruges) Master of the Legend of Saint Ursula, c. 1480 - c. 1485

STA CENA. Author: VICENTE MASIP o VICENTE MACIP (1475-1550). Location: MUSEO DE BELLAS ARTES-COLEGIO PIO V. Valencia. SPANIEN.

Saint Luke Drawing the Virgin, Rogier van der Weyden, circa 1435-1440, Museum of Fine Arts, Boston, Mass, USA, North America

Deposition, detail.

The Circumcision, circa 1500 - Workshop of Giovanni Bellini

Albrecht Durer (1471-1528). Renaissance German painter. Martyrdom of the Ten Thousand, 1508. Art History Museum. Vienna. Austria.

Saint Sebastian by Mantegna, Andrea (1431-1506) Art History Museum, Vienne ca 1459 Oil on canvas 68x30 Italy, School of Mantua Renaissance Bible Painting

The Raising of Lazarus, attributed to Aertgen Claesz van Leyden, c. 1530 - c. 1535

Andrea Mantegna / 'Death of the Virgin', ca. 1462, Italian School, Panel, 54,5 cm x 42 cm, P00248. Museum: MUSEO DEL PRADO, MADRID, SPAIN. VIRGIN MARY.

Ambrogio da Fossano, called Bergognone (1453-1523). Italian Renaissance painter. St. Roque, 1505-1510. Oil and tempera on wooden panel. Pinacoteca Castello Sforzesco, Milan, Italy.

Adoration of the Shepherds, c. 1670. Carlo Dolci (Italian, 1616-1687). Oil on canvas; framed: 108 x 90.2 x 7.7 cm (42 1/2 x 35 1/2 x 3 1/16 in.); unframed: 88.6 x 70.5 cm (34 7/8 x 27 3/4 in.). The historical significance of the Baroque painter Carlo Dolci, a precocious artist whose skill was recognized early by the leading Florentine patrons of his time, is often diminished due to his traditionalist compositions. Having gained local reputation as a talented portraitist and painter of religious narrative, Dolci's anti-Mannerist technique dismissed many of the leading Baroque trends as superfluous, retaining an unobtrusive and placid style in the manner of those before him. Having been a devout follower of the brotherhood of St. Benedict, Dolci draws upon a strict Christian iconography in his depiction of the shepherds' witness account of the birth of Christ. --Charles Eppley (January 2009)

Religious illustration by Sebastiano del Piombo, oil on canvas, 1485-1547, Russia, Tambov, Regional Art Gallery, 58x30, 5

The Miracle of the Cloud by Berruguete, Pedro (1450-1503) / Museo del Prado, Madrid / Gothic / 1493-1499 / Spain / Oil on wood / Bible / 132x84

Pintura anónima.

Calvary, ca. 1566-1567. Attributed to Juan Fernández de Navarrete "el Mudo" (ca. 1538-1579). Oil on canvas. Copy of the Calvary by Rogier van der Weyden (1399-1464) painted for the Carthusian Monastery of Scheut, in Brussels, and preserved at the Monastery of El Escorial (Community of Madrid, Spain). Museum of Santa Cruz. Toledo. Spain. Author: Juan Fernandez de Navarrete "el Mudo" (ca. 1538-1579). Spanish painter.

MARTORELL , BERNARDO. PINTOR ESPAÑOL1390 -1452. RETABLO DE SAN JUAN BAUTISTA. MUSEO DIOCESANO . BARCELONA.

Saint John the Baptist. Colour lithograph by A. Pralon after H. Memlinc.

Raphael (1483Ð 1520) was an Italian painter. Canigiani Holy Family or Canigiani Madonna. 1507-1508. High Renaissance. Alte Pinakothek. Munich. Germany.

Madonna and Child with Saint Jerome and Saint John the Baptist. Dated: c. 1492/1495. Dimensions: painted surface: 102 x 144 cm (40 3/16 x 56 11/16 in.) overall: 104 x 146 cm (40 15/16 x 57 1/2 in.) framed: 154.62 x 186.06 x 10.8 cm (60 7/8 x 73 1/4 x 4 1/4 in.). Medium: oil on poplar panel. Museum: National Gallery of Art, Washington DC. Author: CIMA DA CONEGLIANO.

Pala Priuli. Date/Period: 1505 - 1510. Oil and tempera on oak. Öl und Tempera auf Eichenholz. Height: 1,319 mm (51.92 in); Width: 1,758 mm (69.21 in). Author: Giovanni Bellini and studio.

Agony in the Garden of Gethsemane, Giuliano Amadei, Predella, Polyptych of the Misericordia, Piero della Francesca, 1445-1462, Museo Civico, Sansepolcro, Tuscany, Italy

Saint Anthony of Padua. Dated: c. 1495/1500. Dimensions: overall: 149 x 56.5 cm (58 11/16 x 22 1/4 in.) framed: 171.5 x 80 x 8.6 cm (67 1/2 x 31 1/2 x 3 3/8 in.). Medium: oil () on panel. Museum: National Gallery of Art, Washington DC. Author: Vincenzo Foppa.

The Canigiani Holy Family, Canigiani Madonna , Raphael, circa 1506-1507, Alte Pinakothek, Munich, Germany, Europe

*DEPOSICION DE CRISTO-PAISAJE DE FLORENCIA. Author: FRA ANGELICO. Location: MUSEO DE SAN MARCOS. ITALIA.

Angel of the Annunciation and Virgin of the Annunciation, ca 1500, by Giovanni Bellini (1431-36 - 1516), oil on panel, two panels of 224x105 cm.

Illustration with Saint Vicent Ferrer by Francisco Ribalta, oil on canvas, 1565-1628, 17th century, Russia, St. Petersburg, State Hermitage, 111x178

Portrait of king Władysław Jagiełło (1348-1434). nieznany malarz polski, painter

Artist: Fiorenzo di Lorenzo, Italian, Perugia, 1445-1522, Penitent SaintJerome, ca.1485, Tempera on panel, 48.6 × 30.5 cm (19 1/8 × 12 in.), Not onview, Italian,Perugia, 15thcentury, Paintings

Nicolas Auguste Hesse (1795-1869). Sketch for Notre-Dame-de-Bonne-Nouvelle: Saint Elisabeth. Oil on canvas. 1840. Museum of Fine Arts of the City of Paris, Petit Palais. Bible, Christian Christian, Sketch, Notre-Dame-de-Bonne-Nouvelle, Biblical character, Catholic religion, holy, oil on canvas

Memorial Panel for Jacob Jan van Assendelft and his Wife Haesgen van Outshoorn, Anonymous, after c. 1500

Painting titled 'Saint Anna with the Duchess of Saxony' by Lucas Cranach the Elder (1472-1553) German Renaissance painter, printmaker, engraver, and court painter to the Electors of Saxony. Dated 16th Century

Bliej Kultury Publisher by A.E. Seemann in Leipzig, Grünewald, Matthias (1480/1483 1528)

Saint Ildefonso receiving the Chasuble. Imposicion de la casulla a San Ildefonso. Oil on canvas. 165x115. Seville, museum of fine art. Author: DIEGO VELAZQUEZ (1599-1660). Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN.

Marriage at Cana, detail of the predella of the St Augustine Altarpiece, 1502-1523, by Pietro Perugino (ca 1450-1523), oil on panel.

The Seven Liberal Arts by Pesellino, Francesco di Stefano (1422-1457) / Birmingham Museum of Art, Birmingham, Alabama / Renaissance / c. 1450 / Italy, Florentine School / Tempera on panel / Mythology, Allegory and Literature / 41,6x147,3

Vision of a Knight, Sueno del Caballero, by Raffaello Sanzio da Urbino, also Raffael da Urbino, Raffaello Santi, Raffaello Sanzio, Raphael, Italian painter, Italy, digitally restored reproduction of a work of art (public domain) from c. 1500, Europe

The Dream of Joachim', ac 1303-1305, fresco. Museum: Cappella degli Scrovegni, Pavoda. Author: Giotto. SAINT JOSEPH. SAN JOAQUIN.

Guidoccio di Giovanni Cozzarelli; Italian; Sienese; 1450-1516. The Legend of Cloelia; tempera and gold on wood.

The Circonecision; about 1523; Oil on panel Parmigianino (Girolamo Francesco Maria Mazzola); Italian; 1503-40

Copy of Hugo van der Goes (1440-1482). Piety, 1480-1490. Farnese Collection. National Museum of Capodimonte. Naples. Italy.

The Return of Judith, 1495-1500, by Sandro Botticelli (1445-1510), tempera on wood, 36,5x20 cm.

The Annunciation. Artist: Philippe de Champaigne (French, Brussels 1602-1674 Paris). Dimensions: Overall, 28 x 28 3/4 in. (71.1 x 73 cm); painted surface, 27 1/4 x 27 3/4 in. (69.2 x 70.5 cm). Date: ca. 1644.Philippe de Champaigne was one of the protagonists of French classicism. His art, inspired in part by his association with Jansenism (a severe Counter-Reformation movement suppressed by Louis XIV), has been described as combining "a scrupulous perfectionism verging on coldness with an inner life of deep intensity." This picture was painted for the private chapel of Queen Anne of Austria (1601-1666), the widowed wife of Louis XIII. The chapel, a small oval room in the Palais Royal, Paris, was decorated by the most prominent French painters of the day. Museum: Metropolitan Museum of Art, New York, USA.

Rest on the Flight into Egypt, 1514, by Hans Baldung (1484 or 1485-1545), oil on panel, 49x39 cm.

Saint Jerome. Date/Period: 1520/1530. Tempera colors and gold paint on parchment. Width: 10.3 cm. Height: 16.5 cm. Author: Master of the Getty Epistles.

of 3