Renaissance Portraits of Women

Colorful and elegant Renaissance portraits of women wearing elaborate dresses and jewelry, reflecting historical fashion and charm.

Portrait of Margaret of Austria (1584-1611), Pourbus, Frans (II), (School)

Portrait of a Woman, c. 1550. Agnolo Bronzino (Italian, 1503-1572). Oil on wood; framed: 81.5 x 68.5 x 5 cm (32 1/16 x 26 15/16 x 1 15/16 in.); unframed: 60 x 48.8 cm (23 5/8 x 19 3/16 in.).

ELEANOR of Austria (1498-1558). Queen of Portugal (1519-1521) and France (1530-1547) married to Manuel I and Francis I. Renaissance art. Painting. FRANCE. PICARDY. OISE. Chantilly. Mus_e Cond_ (Cond_ Museum).

Bernardino Luini Lady with a Flea Fur Painting; oil on panel; overall: 77 x 57.5 cm (30 5/16 x 22 5/8 in.) framed: 119.54 x 103.51 x 10.64 cm (47 1/16 x 40 3/4 x 4 3/16 in.);

Portrait of Aletta Hanemans, by Frans Hals, 1625, Royal Art Gallery, Mauritshuis Museum, The Hague, Netherlands, Europe

Portrait of Margaret of Austria (1584-1611), Pourbus, Frans (II), (School)

Crown portrait of a woman in a white cap; around 1670-1680 (1670-00-00-1680-00-00);cap, women's portraits, coffin portraits, transmission (provenance)

Jacopo Robusti Tintoretto (Attribution) / 'Portrait of a Young Lady', 16th century, Italian School, Canvas, 114 cm x 100 cm, P00484. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Austria, Vienna, Portrait of Eleonora of Austria (Eleanor of Habsburg, Brussels, 1498 Taraveruela, 1558), Queen of France, 1530

Portrait of Sophia de Vervou (Saepke or Sophia de Vervou).Portrait of Sophia de Vervou. Standing, Facial, a feather range in the right hand, gloves in the left hand holding a table. At the top left the family crest.

Gulliver with the farmer's daughter, Glumdalclitch. Date: First published: 1726

Saint Mary Magdalene by Master of the Parrot, (Master with the Parrot) (active 1525-1550) Private Collection Flanders Oil on wood Painting Bible

Portrait of Brechtje Overrijn van Schoterbosch, Cornelis van der Voort, 1614

Portrait of Mertijntje van Ceters. Dating: 1623. Place: Northern Netherlands. Measurements: support: h 103.9 cm × w 76.5 cm; d 5.2 cm. Museum: Rijksmuseum, Amsterdam.

Paintings by Rogier van der Weyden, born as Rogier de la Pasture, * 1399 or 1400 in Tournai, Flanders June 18, 1464 in Brussels, Duchy of Burgundy, Flemish painter, portrait of a lady, historical, digitally restored reproduction of a template from the 19th century, Record Date Not Stated

Head of a woman looking ahead. Rijckere, Bernaert de (ca 1535-1590), painter

Portrait of Sibylla Kessel, painting by Bartholomaeuse Bruyn the Elder, Historical, digitally restored reproduction from a 19th century original

Eliaesz, Nicolaes, Portrait of a 22-year-old woman, 1628, painting, 120 cm x 87 cm, Photo no. 27819.1-4, 2.2.1994, photographer: Jukka Romu, photo type: LAAKADIA, content description: Eliasz, Nicolaes (Pickenoy): Portrait of a 22-year-old woman, 1628, oil on wood, 120 x 87, Tribute to collar 16.2.-21.3.1994,

Elizabeth I (1533-1603) Queen of England and Ireland from 1558, last Tudor monarch. The Phoenix portrait attributed to Nicholas Hilliard (1537-1619) 1575

Bordone / Woman from the Fugger FamilyBordone, Paris. 1500-1571.

MARIA JOSEFA AMALIA DE SAJONIA. Author: LUIS DE LA CRUZ Y RIOS (1776-1853). Location: PALACIO REAL-PINTURA. MADRID. SPAIN. Maria Josepha Amalia of Saxony. ESPOSA DE FERNANDO VII-REINA DE ESPAÑA.

Portrait of Sibylla Kessel, painting by Bartholomause Bruyn the Elder, Historical, digitally restored reproduction from a 19th century original..

Portrait or Brechtje Overrijn van Schoterbosch (1592-1618), Cornelis van der Voort, 1614 painting Portrait of Brechtje van Schoterbosch (1592-1618). Wife of Dirck Hasselaer. Knee piece, standing, chain with pendant in the right hand. Pendant of SK-A-1242. panel. oil paint (paint) historical persons - BB - woman

Przeszo Przyszoci A prize, lucas (m.; 1515 1586)

Portrait of Josina Jansdr de Carpentier (1601-34), Anonymous, 1632 painting Portrait of Josina Jansdr. De Carpentier (1601-34). Bust to the left. Part of a series of seven oval portraits by Cornelis Samuelsz van Esch, his wife Josina Jansdr de Carpentier, their three daughters and two sons (SK-A-1747-A/G). copper (metal). oil paint (paint) historical persons - BB - woman

Violante, Titian (1488-1576)

Portrait of a Woman. Dating: c. 1540 - c. 1550. Place: Northern Netherlands. Measurements: support: h 27.2 cm × w 22.2 cm; t 0.5 cm; d 3.8 cm. Museum: Rijksmuseum, Amsterdam.

England, Kent, Hever, Hever Castle, Portrait of Anne Boleyn

Saint Barbara. Jean Bellegambe; French, c. 1470-1535/36. Date: 1515-1525. Dimensions: 32 3/8 × 11 1/16 in. (82.3 × 28.2 cm; painted surface: 32 1/8 × 10 3/4 in. (81.7 × 27.3 cm). Oil on panel. Origin: Belgium. Museum: The Chicago Art Institute, USA. Author: Jean Bellegambe.

Anónimo siglo XVI/ Retrato de Clara Eugenia, 1591 - 1592. Óleo sobre lienzo, 194x109 cm. Depositado en la Embajada de España en París.

Saint Catherine. Jean Bellegambe; French, c. 1470-1535/36. Date: 1515-1525. Dimensions: 32 1/2 × 11 1/16 in. (82.5 × 28.1 cm); painted surface 32 1/8 × 10 3/4 in. (81.5 × 27.3 cm). Oil on panel. Origin: France. Museum: The Chicago Art Institute, USA. Author: Jean Bellegambe.

Portrait of Maddalena Doni, 1506, by Raphael Sanzio (1483-1520), oil on wood, 63x45 cm.

Portrait of Johanna Le Maire, Wife or Pieter van Son. Portrait of Johanna Le Maire, since 1622 wife of Pieter van Son. Hip, standing, gloves in the right hand. At the top left the family crest. Pendant of SK-A-4956.

Portrait of a Lady, Half Length, in a Ruff and Dark Dress, Holding a Portrait Miniature of a Gentleman. Attributed to Lodovico Carracci (1555-1619). Oil on panel, 69.9 x 54.6cm.

Eleanor of Hapsburg, Joos van Cleve, (1485-c1541/Netherlandish)

Lais of Corinth, The picture shows the ancient Greek hetaera (courtesan) Laïs of Corinth, who was known for her beauty and her very high prices, the woman sits behind a balustrade on which gold coins lie, alluding to her profession as an expensive courtesan, authentic reproduction of a work of art, painting, drawing by Hans Holbein the Elder (born 1465 in Augsburg, died 1524 in Basel or Isenheim), German painter of the Renaissance, historical

Przeszoc Przyszoci unknown

Eleonora di Toledo by Agnolo Bronzino, circa 1545, oil on wood, 1503-1572, Czech Republic, Prague, National Gallery

fine arts, painting, miniature, portrait of an unkown lady, mid 17th century, Bavarian National Museum, Munich,

'The Wife of the Goldsmith of Augsburg, Jörg Zörer, at the age of 28', 1531, Oil on panel, 68 cm x 51 cm, P02184. Author: CHRISTOPH AMBERGER. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Portrait of a Woman. Dating: 1540 - 1565. Measurements: h 114 cm × w 82 cm; d 15 cm. Museum: Rijksmuseum, Amsterdam. Author: Pier Francesco Foschi (attributed to). Jacopo Pontormo (rejected attribution).

Lady Lee (Margaret Wyatt, born about 1509). Artist: Workshop of Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: 17 3/8 × 13 3/8 in. (44.1 × 34 cm). Date: early 1540s.Lady Lee, born Margaret Wyatt, grew up in a family closely connected to the court of Henry VIII. Her father, Henry Wyatt, served as treasurer of the king's chamber, and her brother, Thomas, was the foremost Tudor poet and an ambassador. She is shown here at the age of thirty-four, sumptuously dressed in the courtly fashion of the early 1540s. The painting is close to the manner of Holbein, but the attention paid to decorative effects and linear details at the expense of life-like portrayal of the sitter is indicative of workshop production. The portrait was likely based on a Holbein drawing. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of Elisabeth Bellinghausen c. 1520- after 1570, Bartholomäus Bruyn de Oude, 1538 - 1539

A Little Girl', c1520 Artist: Jan Gossaert. The sitter is traditionally identified as Jacqueline, youngest daughter of Adolphe de Bourgogne. From the National Gallery, London.

Portrait of Anna Eleonora Stolberg-Wernigerode (1651-1690) prince Anhalt-Kethen; around 1680-1690 (1680-00-00-1690-00-00);Friedersdorf-collection, Stolberg-Wernigerode, Anna Eleonora (1651-1690), jewels, French painting, pearls, female portraits, representative portraits

Lady Lee (Margaret Wyatt, born about 1509) early 1540s Workshop of Hans Holbein the Younger German Lady Lee, born Margaret Wyatt, grew up in a family closely connected to the court of Henry VIII. Her father, Henry Wyatt, served as treasurer of the kings chamber, and her brother, Thomas, was the foremost Tudor poet and an ambassador. She is shown here at the age of thirty-four, sumptuously dressed in the courtly fashion of the early 1540s. The painting is close to the manner of Holbein, but the attention paid to decorative effects and linear details at the expense of lifelike portrayal of the sitter is indicative of workshop production. The portrait was likely based on a Holbein drawing.. Lady Lee (Margaret Wyatt, born about 1509) 436665

Follower of Leonardo da Vinci, Portrait of a Young Lady, c 1500 Portrait of a Young Lady

Saint Catherine 1515-1525 France. Jean Bellegambe worked in Douai, in a part of northern France that was once part of the county of Flanders. These panels are the wings of a triptych, a three-paneled folding altarpiece, whose center (now in the MusÈes Royaux des Beaux-Arts, Brussels) shows the Virgin and Child enthroned under an elaborate architectural canopy. The two elegant saints are identifiable by their attributes for Catherine, the wheel upon which she was tortured and the sword with which she was martyred; and for Barbara, the tower where her father locked her up to keep her safe from suitors. Saint Catherine also holds a ring, which the Christ Child in the Brussels panel reaches to grasp, thus indicating that their mystical union was the subject of the triptych. The tops of the two wings have been rounded off to mask their original function as moveable shutters to the left and right of the center panel. The backs and fronts of the wings were also separated; the backs of the win

Portrait of Anna of Lorraine, Consort of René de Chlon, Prince of Orange, possibly copy after Jan van Scorel, after 1542

Portrait of CHRISTINA of Lorraine

Portrait of a young Woman, Anonymous, 1480 - 1499

Isabella Romola de Medici (31 August 1542 to 16 July 1576) was the third of eleven children and the second eldest daughter of Cosimo I de Medici, the first Grand Duke of Tuscany, and his first wife Eleonora Alvarez de Toledo y Osorio, painting by Alessandro Allori, digitally restored reproduction from an original of the time

Rembrandt van Rijn, Saskia van Uylenburgh, the Wife of the Artist, probably begun 1634 1635 and completed 1638 1640 Saskia van Uylenburgh, the Wife of the Artist

ISABEL CLARA EUGENIA. INFANTA DE ESPAÑA , HIJA DE FELIPE II.SEGOVIA 1566-1633. OLEO ANONIMO. CONVENTO DE LAS DESCALZAS REALES . MADRID. PATRIMONIO NACIONAL.

MARGARET of Valois and France, also Queen Margot, 1553-1615, sister of Henry III

Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille. Artist: Jacometto (Jacometto Veneziano) (Italian, active Venice by ca. 1472-died before 1498). Dimensions: Overall 4 x 2 7/8 in. (10.2 x 7.3 cm); recto and verso, painted surface 3 3/4 x 2 1/2 in. (9.5 x 6.4 cm). Date: ca. 1485-95.This exquisite and enigmatic portrait and its pendant (1975.1.86) are most likely the works by the Venetian painter and illuminator Jacometto, recorded by the connoisseur Marcantonio Michiel in the collection of a Venetian patrician in 1543. Michiel, who praised them as "a most perfect work," identified the man as Alvise Contarini and the woman as a "nun of San Secondo" (a Benedictine convent in Venice). The paired portraits and the allusion to fidelity on the verso of the male effigy (a roebuck chained beneath the Greek word AIEI, meaning "forever") would normally suggest a married couple; however, her possible status as a nun makes it difficult to determine their relationship. I

Female portrait by Antonio Pollaiuolo, Tempera on panel, 1475, circa 1431-1498, Italy, Florence, Galleria degli Uffizi, 55x34

Portrait of a Woman. Artist: Adriaen Hanneman (Dutch, The Hague 1603/4-1671 The Hague). Dimensions: 31 1/2 x 25 in. (80 x 63.5 cm). Date: ca. 1653.Hanneman was a highly successful portraitist in The Hague, where his Dutch version of Van Dyck's style ideally suited the court city's cosmopolitan patrons. This portrait of an elegant young woman dates from about 1653. The detailed passages of lace were probably painted by an assistant. Museum: Metropolitan Museum of Art, New York, USA.

Vecellio di Gregorio Tiziano (c.1490-1576). Italian Renaissance painter. Venetian school. Portrait of a Young Woman, ca. 1536. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia.

Portrait of a Woman, Possibly Maria Trip, by Rembrandt van Rijn, 1639, Dutch painting, oil on panel. She was the daughter of a wealthy Amsterdam merchant, and wears exquisite lace and pearls. She holds an expensive folding fan with a knobbed handle (BSLOC_2016_3_12)

Elizabeth of Austria (1554-1592) Queen of France. Portrait by French Renaissance painter Franc_ois Clouet (1510-1572), 1571. Museum of Louvre. Paris, France.

Bernhard Strigel, Margarethe Vöhlin, Wife of Hans Roth (obverse), 1527 Margarethe Vöhlin, Wife of Hans Roth obverse

Mary Queen of Scots, after Nicholas Hilliard, 16th century, National Portrait Gallery, London, England, UK, Europe,

England,London,Aldwych,Somerset House,Courtauld Gallery and Museum,Drawing of Helena Fourment by Rubens dated 1630

Alonso Sánchez Coello / 'Lady with Fan', 1570-1573, Spanish School, Oil on panel, 62,6 cm x 55 cm, P01142. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Portrait of a Lady, half length, wearing a Dark Dress with Red Sleeves and a Headress, and Holding a Ring. Circle of Jan van Scorel (1495-1562). Oil on panel, 37 x 27 Cm.

Portrait of Maria van Strijp, by Johannes Verspronck, 1652, Dutch painting, oil on panel. The sitter sits sideways on a chair with its back to the viewer, a playful device taken from portraits by Frans Hals (BSLOC_2016_3_75)

Rafael Santi Portet of Isabeli de Requesens (Formerly Considered A Portrait of Joanna Aragońska); Louvre, Paris. Card No. 114 In: The galleries of Europe. Painting of old masters in the colors of the originals. Volume 6, publisher of E. A. Seemann, Leipzig 1911. Publisher by A.E. Seemann in Leipzig, Santi, Raffaello (1483 1520)

Portrait of a woman, enamel, painted on copper, 16th century, (1931). Artist: Leonard Limosin

Artista franco fiammingo, ritratto di gentildonna, 1410 15 Painting; oil on panel; painted surface: 52 x 36.6 cm (20 1/2 x 14 7/16 in.) overall (panel): 53 x 37.6 cm (20 7/8 x 14 13/16 in.) framed: 74.1 x 61.3 x 5.4 cm (29 3/16 x 24 1/8 x 2 1/8 in.);

Painting by Antonio Pisanello (in Pisa; - around 1455 in Rome), actually Antonio di Puccio Pisano and sometimes also as Vittore Pisano, portrait of a princess from the Este family, historical, digitally restored reproduction from an original from the 19th century, Painting by Antonio Pisanello (in Pisa; - around 1455 in Rome), actually Antonio di Puccio Pisano and sometimes also as Vittore Pisano, portrait of a princess from the Este family, historical, digitally restored reproduction from an original from the 19th century'.

Isabel of Portugal with St Elizabeth', 1457-1460. Artist: Petrus Christus. Petrus Christus (1410-1475) was an Early Netherlandish painter active in Bruges from 1444, where, along with Hans Memling.

Mary (1542-1587). Queen of Scotland (1542-1567). Painting.

Painting by Lucas Cranach the Elder titled 'Salome', c1504-1553. Salome holding a platter with John the Baptist's decapitated head on it.

Portrait of a Woman, attributed to Hendrik Gerritsz. Pot, 1638

Lucrezia Sommaria, Painting by Ridolfo Ghirlandaio (1483-1561), Historical, digitally restored reproduction of a historical original.

Michiel Jansz. van Mierevelt (1566-1641). Dutch Golden Age painter. Portrait of a Young Woman, 1633. Wallraf-Richartz Museum. Cologne. Germany.

Queen Henrietta Maria, 1609-1669, David Des Granges, ca. 1611-in or before 1672, British, formerly attributed to John Hoskins, ca. 1590-1665, British, after Anthony van Dyck, 1599-1641, Flemish, active in Britain (1620-21; 1632-34; 1635-41), after 1636, Gouache on vellum laid onto gesso-backed card, Sheet: 3 3/8 x 2 5/8 inches (8.6 x 6.7 cm) and Frame: 3 7/8 x 3 3/8 x 1/2 inches (9.8 x 8.6 x 1.3 cm), costume, jewels, lace, lady, oval, pearls, portrait, queen (person), royalty, tree, woman

Bust Of A Woman (Interpreted As The Portrait Of Lucrezia Borgia) Bartolomeo di Venezia(1502-1546 Italian) Oil On Wood Stadelsches Kulturinstitut, Frankfurt am Main, Germany

Coninxloo, Pieter van (-1513) National Gallery, London Painting 23,2x15,2 Portrait Margaret of Austria (1480-1530)

Moretto da Brescia, Portrait of a Lady in White, Italian, 1498-1554, c. 1540, oil on canvas

Mary of Austria, queen of Hungary and wife of Louis II (1505/1558). 16th century. Madrid, Prado museum. Spain. Author: Frans Luycx. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. MARIA DE AUSTRIA REINA DE HUNGRIA. JUANA LA LOCA HIJOS. CARLOS V HERMANOS. FELIPE I EL HERMOSO HIJOS. AUSTRIA MARIA. MARIA DE HUNGRIA. LUIS II HUNGRIA ESPOSA.

The Suicide of Lucretia. Date/Period: Ca. 1535. Painting. Oil on panel. Height: 39.5 cm (15.5 in); Width: 27.5 cm (10.8 in). Author: Lucas Cranach the Elder. Master of the Mass of Saint Gregory.

FEDERIGO GONZAGA, by Francesco Francia, 1510, Italian Renaissance painting, tempera on wood. The great Renaissance collector Isabella dEste, Marquess of Mantua, commissioned this portrait of her son Federigo Gonzaga, when he was taken to the papal court in Rome as hostage. Frederick became Duke of Mantua, and built the Palazzo Te, a mannerist masterpiece designed and decorated by Giulio Romano, outside Mantua (BSLOC_2017_16_77)

Elizabeth, Countess of Kellie. Date/Period: Ca. 1619. Painting. Oil on canvas. Height: 2,057 mm (80.98 in); Width: 1,232 mm (48.50 in). Author: Paul van Somer I.

Portrait of a Young Woman, Unknown artist, sixteenth century, Formerly Steven van der Meulen, active 1543-1563, Netherlandish, active in Britain (from 1560), naturalized 1562, 1567, Oil on panel, Support (PTG): 36 1/2 x 28 inches (92.7 x 71.1 cm), art, brocade, caryatids, caul (costume component), collar, columns (architectural elements), corset, costume, embroidery, farthingale, gilded, gold (color), gold braid, gown, headpiece, jewels, laurel, leaves, pendant (jewelry), petticoat, portrait, red, relief, ruff, trim, Tudor, woman

Artist: Bernardino Fungai, Italian, Siena, 1460-1516, VirginAnnunciate, ca.1495, Tempera on panel, 32.2 × 21.1 cm (12 11/16 × 8 5/16in.), Made in Siena, Italy, Italian,Siena, 15thcentury, Paintings

Portrait of Elisabeth Bellinghausen (1493-1555); Portrait of a Young Woman. Portrait of Elisabeth Bellinghausen. Portrait of the young woman in half, sitting behind a balustrade, a sprig of bitter sweets in the right hand. To the neck a golden chain, around the agent a wide belt with a golden buckle. She wears a beaded hat on the head. The portrait is a daughter of prof. Peter Bellinghausen, Chancellor of Cologne. The painting is a pendant of the portrait of Jacobus Omphalius (residence unknown).

A Female Head by Master of the Female Half-Lengths, (Workshop) / National Gallery, London/ Mid of 16th cen./ The Netherlands/ Oil on wood/ Early Netherlandish Art/ 26x18,7/ Portrait

Sofonisba Anguissola / 'The Queen Anne of Austria', 1573, Italian School, Oil on canvas, 86 cm x 67,5 cm, P01284. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Woman's face, detail from the Darmstadt Madonna or Meyer Madonna, 1526-28, by Hans Holbein the Younger (1497-1543), oil on panel, 146.5 x 102 cm, detail.

Agnolo Bronzino A Young Woman and Her Little Boy Google Art Project Painting; oil on panel; overall: 99.5 x 76 cm (39 3/16 x 29 15/16 in.) framed: 134.6 x 111.1 x 6.7 cm (53 x 43 3/4 x 2 5/8 in.);

fine arts, Campin, Robert, (circa 1375 - 1444), painting, ""A woman"", circa 1435, oil / tempera on oak panel, 40,6 cm x 28,1 cm, National Gallery, London,

Antonio Moro / 'Maria of Austria, Holy Roman Empress', 1551, Flemish School, Oil on canvas, 181 cm x 90 cm, P02110. Museum: MUSEO DEL PRADO, MADRID, SPAIN. MARÍA DE AUSTRIA Y PORTUGAL.

La belle ferronniere is a portrait of a lady, usually attributed to Leonardo da Vinci. It is also known as Portrait of an Unknown Woman. The painting's title, applied as early as the seventeenth century, identifying the sitter as the wife or daughter of an ironmonger (a ferronniere), was said to be discreetly alluding to a reputed mistress of Francis I, of France, married to a certain Le Ferron. Leonardo da Vinci (1452-1519), Italian artist and polymath

'Allegory of History'. Spain, 1615-1616. Dimensions: 113x81 cm. Museum: State Hermitage, St. Petersburg. Author: JUSEPE DE RIBERA.

Eleanor of Provence, ca. 1223 to 1291, Queen of King Henry III of England. From the book Our Queen Mothers by Elizabeth Villiers, Historical, digitally restored reproduction from a 19th century original, Record date not stated

Anne of Denmark, studio of Nicholas Hilliard, ca. 1547-1619, British, after 1574, Gouache on vellum laid onto card, Sheet: 2 3/8 x 1 7/8 inches (6 x 4.8 cm), Mount: 2 3/8 x 1 7/8 inches (6 x 4.8 cm), and Frame: 3 x 2 inches (7.6 x 5.1 cm), portrait, queen (person)

Contemporary miniature portrait of Elizabeth I of England. Artist: Nicholas Hilliard

Andrea Solario (ca. 1465-1524). Italian Renaissance painter. Female portrait, 1505-1507. Oil on wooden panel (55 x 42 cm). Pinacoteca Castello Sforzesco, Milan, Italy.

Queen Elizabeth I, (c1920s). Artist: Unknown

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