Renaissance Prints of Figures

Engravings depicting historical and biblical figures, showcasing attire and cultural motifs from the 15th and 16th centuries, with intricate details in the illustrations.

Matrona Nobile, Christoph Krieger, After Cesare Vecellio, 1598 paper paper

Walkers, Anonymous, 1620 - 1629 print A group of four hikers standing together in a landscape, a river in the background. Part of a series of performances of Dutch Society, ca. 1625. The print with the corresponding verse on a separate magazine. print maker: Northern Netherlandsprint maker: Amsterdam paper engraving / letterpress printing walking, hiking (recreation)

Standing Boy, Willem Drost (attributed to), c. 1650 - c. 1655 drawing Amsterdam paper. ink pen / brush

Tuscan unmarried noble young woman, Christoph Krieger, After Cesare Vecellio, 1598 According to the text of Vecellio, unmarried girls from TopScany never ate the house, except to go to church (eg at Easter). Their hairstyle is simple but elegant and is decorated with a flower wreath. They wear gold earrings. Skirt of white or red 'Ormesino', attached to a body of damask, satin or brokaat, trimmed with lace. Nose cloth (handkerchief) in the hand. (Under the name Nobile Firentina) paper According to the text of Vecellio, unmarried girls from TopScany never ate the house, except to go to church (eg at Easter). Their hairstyle is simple but elegant and is decorated with a flower wreath. They wear gold earrings. Skirt of white or red 'Ormesino', attached to a body of damask, satin or brokaat, trimmed with lace. Nose cloth (handkerchief) in the hand. (Under the name Nobile Firentina) paper

Relief with the robbery of Proserpina, François Perrier, 1645 print Relief with the robbery of Proserpina by Pluto. Ceres drives a car that is pulled by large snakes behind the Pluto car. On the right is a river god. Text in Latin in STUDMARGE. Print is part of an album. paper etching piece of sculpture, reproduction of a piece of sculpture. the rape of Proserpina (by Pluto in his chariot); possibly with Diana and Minerva trying to rescue her. Ceres drives her chariot, drawn by dragons, and holds one or two torches, lit at the fires of Etna

Temple with amor and a fool, Willem Isaacsz. Van Swanenburg, 1610 print Ornamental temple with two columns crowned with fronton. On the fronton a cartouche with amor with a fool. Leiden paper engraving / letterpress printing fool's cap. (story of) Cupid, Amor (Eros). architectural detail

Fight between naked men, some of whom decorated with feathers, Etienne Delaune, 1528 - 1583 print France paper engraving battle. hand-to-hand fighting (~ battle)

Daedalus en Icarus, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance of Daedalus and Icarus floating through the air. Text and window in the lower margin. print maker: Francepublisher: ParisFrance paper etching the flight of Daedalus and Icarus

Saleswoman at Kraam, Anonymous, After Cornelis de Wael, 1613 - 1667 print A woman sells her. Various men have gathered around her stall. One of them looks at the offer. In the margin a caption in Latin. paper engraving merchant, salesman - BB - women engaged in trade and commerce

Two putti by a fire, Cornelis Schut (I), 1618 - 1655 print A putto kneels with a fire and port it with a stick. A second putto shies back from the flames. paper etching Camp-Fire; Watch-Fire. Cupids: 'Amores', 'Amoretti', 'Putti'

Columns with columns of the Tuscan order and the sense of view, 1620 Zuilengang with columns of the Tuscan building order. In the foreground a man with a crossbow and a sitting woman with a mirror in hand. An eagle next to her. They depict the sense. Bottom right: ff. Print is part of an album. Print Maker: The bepublisher: Amsterdam paper etching / engraving Zuilengang with columns of the Tuscan building order. In the foreground a man with a crossbow and a sitting woman with a mirror in hand. An eagle next to her. They depict the sense. Bottom right: ff. Print is part of an album. Print Maker: The bepublisher: Amsterdam paper etching / engraving

Martin Luther Bible: Four Horsemen of Apocalypse 1523AD Manuscripts American Bible Society, New York

Portrait of David Roelands, at the age of 44, François Schillemans, 1616 Portrait of David Roelands, schoolmaster and calligraph in Vlissingen, writing. To the left of the portrait is in calligraphy: pray and ghy sult ontanghen. On the right is the other way around: finding soeckt and ghy sult. The print is part of an album. print maker: Middelburgpublisher: Flushing paper engraving Portrait of David Roelands, schoolmaster and calligraph in Vlissingen, writing. To the left of the portrait is in calligraphy: pray and ghy sult ontanghen. On the right is the other way around: finding soeckt and ghy sult. The print is part of an album. print maker: Middelburgpublisher: Flushing paper engraving

Mithridates van Pontus, Michel Wolgemut (workshop of), 1493 print A flower chalice with a king. In his hands a government apple and a scepter. The text identifies him as Mithridates (from Pontus). The print is part of an album. paper letterpress printing male persons from classical history

Panorama of Vienna Successoribus, from, Thesaurus Politicus, by Daniel Meisner, Eberhard Kieser -, engraver

View of the surroundings of Culemborg, Jan Weissenbruch, 1837 - 1880 print On the left a sailboat sails over a river. Along the water you can see a road with a cart and some figures. To the right of the road is a boat near a house and behind the house is a tree. Culemborg (possibly) paper. etching / drypoint landscapes. river. sailing-ship, sailing-boat. 'en route', traveller under way. road, path. housing. rowing-boat, canoe, etc.. trees Culemborg

Hirsch chases: How to know about Zaig should have seen the deer with eyes at the highest summer time

Woman with scepter and crown, anonymous, 1497 print Woman with scepter and crown. Italian book pressure is on the Verso. Italy paper female sex; woman. crown (symbol of sovereignty). sceptre, staff (symbol of sovereignty)

Man with two columns / deer between the snakes, Anonymous, After Aegidius Sadeler (II), 1666 print An emblem with two performances. Above a naked man with two columns on his shoulders. There is an arrow and bow on the floor. Under a landscape with a deer. Snakes bite to his legs. These are the foreignovers of King Charles IX of France. paper engraving / letterpress printing hoofed animals: deer. snakes. column, pillar ~ architecture

D. Juan de Austria. El Señor D. Juan de Austria.. Beratón, José, 1747-1796. Prints, Portraits. 1791. General Research Division. Spaniards

Carriage for an inn, Jacob Elias van Varelen, 1799 print paper etching four-wheeled vehicle drawn by three animals. hotel, hostelry, inn

Landscape with resting people, Jacques-Philippe Le Bas, c. 1736 print Paris paper etching (traveller) resting in the open air. landscapes (+ landscape with figures, staffage)

Portrait of a queen of France, Claes Jansz. Visscher (II), After Matthäus Merian (I), 1618 Portrait of a queen of France, possibly Anna of Austria. She is dressed in Ermijnen Mantel, wears a crown and has a fan in her hand. Amsterdam paper etching Europeans (FRENCHMEN) (+ women). clothes, costume (+ women's clothes). fan (+ women's clothes). queen, empress, etc. (wife of a ruler)

On a straight line a part of a circle with a water mill at the bottom, Sébastien Leclerc (I), 1669 print print maker: Francepublisher: Paris paper etching / letterpress printing planimetry, geometry. watermill in landscape

Abruzzo L'Aquila Celano Museum43. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia03. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Montalcino Museo Civico42. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Trojan in Kuras, Christoph Krieger, After Cesare Vecellio, 1598 Trojaan in Kuras on which long shoulder mantle; sword in hand. Round hat on the head. Ornament paper Trojaan in Kuras on which long shoulder mantle; sword in hand. Round hat on the head. Ornament paper

Print (France)

Vrouwenkop, Jacob Hoolaart, 1728 - 1789 print Dordrecht paper etching adult woman

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia58. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Keizer Anastasius I, Michel Wolgemut (workshop of), 1493 print Half a king, aimed forward. The man has a scepter and a government apple in his hands. The performance is part of the Success Roman emperors in the Liber Chronicarum. The text identifies the man as emperor Anastasius I. The print is part of an album. paper letterpress printing king. emperor

Woman with horn of abundance and scale with fruits, anonymous, 1497 print Woman with horn of abundance and bowl with fruit. Italian book pressure is on Verso. Italy paper female sex; woman. 'Cornucopia', Horn of Plenty

Melancholisch temperament, Virgil, 1524 - 1562 print Nuremberg paper engraving melancholic temperament

View of a village on the water, Anthonie Waterloo, 1630 - 1717 print On the water is a village with a church. In the water sailing ships. Left front a woman does the laundry. At the top left, the letter D is displayed. Amsterdam (possibly) paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone). village. church (exterior). sailing-ship, sailing-boat. laundering

Rhea Silvia, Michel Wolgemut (workshop of), 1493 print A flower challenge with a queen, turned forward. She has a scepter in her hands. The performance is part of the Survival Roman kings in the Liber Chronicarum. The text identifies the woman as Rhea Silvia, mother of Romulus and Remus. The print is part of an album. paper letterpress printing (story of) Rhea Silvia. queen, empress, etc. (wife of a ruler)

Maria Thersia, Johann Adam Stockmann, Artist

Milestone near Sloten, Claes Jansz. Visscher (II), 1612 - 1652 print Face the milestone to be closed. In addition to the milestone, a farmer's cart and some low houses. Two figures are talking to the right on the edge of the road. Amsterdam paper etching milestone. conversation, dialogue; conversation piece Locks

Funeral parade of Willem Frederik, count of Nassau-Dietz (page 4), 1665, 1666 print Funeral procession of Willem Frederik, count of Nassau-Dietz, in Leeuwarden on January 6, 1665. Part of the funeral procession. Plate no. 4 in an ensemble of 24 (out of 25) unassined numbered plates (without text magazines) that together form a long frieze. Leeuwarden paper engraving cortege, funeral procession Leeuwarden

Look at the heroes here , Emperor Leopold I and the winners of the waste battle , Johann Azelt -, Copper Engraver

Paus Calixtus III, Michel Wolgemut (workshop of), 1493 print A flower challenge with a pope. He is wearing a tiara and has a staff with a double cross in his hands. The performance is part of the succession popes in the Liber Chronicarum. The man identifies the man as Pope Calixtus III. The print is part of an album. paper letterpress printing pope

Abruzzo L'Aquila Celano Museum13. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Disappeared guys, Mist disposal Illustration from Ostmark, Independent Tagblatt for German Culture and Politics , September st, After, Hans Johann Schließmann Schliessmann -, drawer

River landscape with wooden bridge, Caspar Jacobsz. Philips, 1766 print River landscape with a wooden burg on which a man. In the foreground a fisherman in a rowing boat. Amsterdam paper etching landscape with bridge, viaduct or aqueduct. fisherman

Science and Handwerk, Anonymous, 1620 - 1629 print Science and craftsmanship. In a landscape in the foreground on the left three scholars, on the right a fisherman at his net. Hills in the background. Part of a series of performances of Dutch Society, ca. 1625. The print with the corresponding verse on a separate magazine. print maker: Northern Netherlandsprint maker: Amsterdam paper engraving / letterpress printing aspects of science in general. fisherman

Abruzzo L'Aquila Celano Museum79. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lady Queen Anne she sits in the sun, As fair as a lily, as white as a swan ... Date: 1886

Portrait of J.F. Herrbertus standing with pen and paper in the hand at a globe. In the margin: Ioannes Franciscvs Herrebertv, left: i.i. Van Opstal del.: Right: Ma .. Bouché Feci, Martin Bouche, After Caspar Jacob van Opstal (II), 1650 - 1693 print paper engraving

Appearance of riders above Jerusalem, Anonymous, After Hans Sebald Beham, 1530 - 1533 print paper riders are seen in the sky above the city of Jerusalem (2 Maccabees 5:2) Jerusalem

Study ofHeads. Artist: Adolf Friedrich Erdmann von Menzel, German, 1815-1905

Portrait van Peter Hieronymus Frisch, Stephan Strauch, 1655 - 1677 print Nuremberg paper etching historical persons

Human Skeleton, Peter de Wale (I), 1530 print On the left the rear view of a human skeleton with images of the signs of the zodiac connected by banderollen to certain parts of the skeleton. On the right the front view of a human skeleton with bander rolls that display the names of the different bones. In the middle a cartouche with further explanation about the number of bones and their names. Antwerp paper (human) skeleton. zodiacal man; zodiac combined with parts of the human body

Guardian Angel Raphael leads Tobias by Hand, Marcantonio Raimondi, 1500 - 1527 print Guardian angel Raphael takes the young Tobias on the hand. Tobias holds a fish. paper engraving The Archangel Raphael. The Journey to Ecbatana (Tobit 4-6)

Adoration of Christ Child by workshop of Jean Fouquet, watercolor on parchment, 1450-1499, USA, New York, Morgan Library & Museum, 16,2x10,6

Theater with personification of Volharding (Persverantia), 1578, 1578 - 1579 Theater with personification of Volharding (Persverantia) with a horse. On the opposite page a cartouche with the verse that stood above the stage. Theater performance during the entry of Matthias in Brussels, January 18, 1578. Antwerp paper Brussels Theater with personification of Volharding (Persverantia) with a horse. On the opposite page a cartouche with the verse that stood above the stage. Theater performance during the entry of Matthias in Brussels, January 18, 1578. Antwerp paper Brussels

Two men, one of whom with a stick in hand, Arnoud Schaepkens, 1831 - 1904 print paper etching adult man

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia97. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Celano Museum28. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Seated warrior with Hellebaard, Alexander Ver Huell (attributed to), after Alexander Ver Huell, 1832 - 1897 print Netherlands paper photolithography the soldier; the soldier's life. helved weapons, polearms (for striking, hacking, thrusting): halberd

Callot. Last. Portrait of Maximilian Jacques Callot (1592-1635), according to Albrecht D�rer (1471-1528). Portrait of Maximilian (Maximilian 1st of the Saint-Empire). Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia54. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Leda and De Zwaan, Anonymous, After Virgilius Solis, 1524 - 1612 print Nuremberg paper engraving Jupiter, in the shape of a swan, and Leda

Hertogen van Brabant, Anonymous, 1735 Leaf with forty portraits of the dukes of Brabant. Part of an atlas with 223 maps of countries and cities and war scenes in Europe in the period ca. 1690-1735. print maker: Northern Netherlandspublisher: Amsterdam paper etching Brabant Leaf with forty portraits of the dukes of Brabant. Part of an atlas with 223 maps of countries and cities and war scenes in Europe in the period ca. 1690-1735. print maker: Northern Netherlandspublisher: Amsterdam paper etching Brabant

Carpenter's apprentice working with a large square. Engraving after one of the stalls, called "Misericords" (1457-1470), in Rouen Cathedral. Later colouration. "Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

Rebus. (TF)

Air, 1580 - 1584 print The air element, personalized by a naked man sitting in the clouds. He is surrounded by birds and flying insects. He holds the symbol of air, the chameleon, in his hand. In every corner of the print the four winds, as heads blowing with convex cheeks. Under the show a verse in Latin. This print is part of an album. parchment (animal material). paper engraving air (one of the four elements). salamander (fabulous animal); salamander as spirit of fire. winds. birds

Menning with the portrait of Charles XII and the names of Swedish kings, Anonymous, After Nicolas Chevalier, 1685 - 1720 print Design of a round medal with, in six concentric circles, the names of Swedish kings and their year of government, starting with King Fro () And ending with King Magnus II. In the middle of the medal the portrait of Charles XII. Amsterdam paper etching seal (symbol of sovereignty). king

Throne of justice, Willem Isaacsz. van Swanenburg, after Joachim Wtewael, 1606 print There are several figures around a monumental structure with an ornamental cartouche with the title Thronus Justitiae, which relate to the judiciary. In the middle is a judge with staff and legislative books, literally on this throne of justice. Right and left in the niches are King David, with harp, and King Solomon. In the middle of the top is justice with sword and scales. She is flanked by Moses with the tables of the law, as a representative of the old covenant, and Christ with the cross and a heart with Christ monogram, as a representative of the new covenant. Bottom left the right Otanes with the skin of his father Sisamnes and below the eye of Zaleuch is out. print maker: Leidenpublisher: Antwerp paper engraving Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Christ. Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod,

Tuscany Siena Montalcino Museo Civico3. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mauritius, Benedikt Stecher: Roth, Christoph Melchior

Abruzzo L'Aquila Celano Museum74. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ex Libris Van Virginio Bianchi-Valentini, Anonymous, After Guido Zuccaro, 1932 paper printing block sailing-ship, sailing-boat. winds. sea

God Father by Master of Guillaume Lambert, watercolour on parchment, 1475-1499, active 1475-1499, USA, Philadelphia, Free Library of Philadelphia

RAM, Antonio Tempesta, in OR Before 1650 print paper etching ram

Amor at a lion, Jan Gerard Waldorp, 1780 print Title vignette with Amor standing in front of a lion. Under the performance the impressum. Amsterdam paper etching / letterpress printing (story of) Cupid, Amor (Eros). beasts of prey, predatory animals: lion

Portret van Jacobus Willemsen, Reinier Angle (I), After Jean Appelius, 1774 print Portrait of Jacobus Willemsen, professor in theology and pastor in Middelburg. For him a table on which some books. Middelburg paper etching / engraving book. book - MM - book open

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