Renaissance Relief Sculptures

Bronze and silver reliefs depicting biblical and historical narratives, showcasing detailed craftsmanship and narrative depth.

Don Quixote and Sancho Pansa; B Bnowski, Wac Aw (1865-1945); 1936 (1936-00-00-1936-00-00);

The Banquet of Ahasuerus and Esther. Artist: Aurelio Lomi (Italian, Pisa 1556-1622 Genoa ()). Dimensions: 19-1/4 x 15-1/4 in. (48.9 x 38.7 cm). Date: 1600-1617. Museum: Metropolitan Museum of Art, New York, USA.

Moderno, Hercules and a Centaur, 1507 or before Hercules and a Centaur

Death and Funeral of President Carnot, 1894 1894 Medalist: Louis-Oscar Roty French. Death and Funeral of President Carnot, 1894 191260

Valencia, Spain, Europe Art deco stone relief of workers

Carved wooden ornament with putti and goat, in oval frame, crowned with wreath of oak leaves, ornament wood carving sculpture visual material wood plaster paint, d 16.0

The seven wise men of the bamboo forest (common name). Sandstone, molding, celadon. Cernuschi Museum, Asia Museum of Asia in the city of Paris.

Amalfi - Cathedral Door. Giorgio Sommer (Italian, born Germany, 1834 - 1914)

Earth, from the series The Four Elements, c. 1888-89, Frederick G. Smith; Artist: Formerly attributed to Dante Gabriel Rossetti; Artist: Formerly attributed to Frederic James Shields, English, 1833 - 1911, 70 5/8 x 24 7/8 in. (179.39 x 63.18 cm) (image), Pen and ink, brush and wash over graphite, England, 19th century

Lazio Viterbo Viterbo Museo Civico38. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Meeting of Maximilian and the Emperor Frederick 16th century After a composition by Hans Burgkmair German. Meeting of Maximilian and the Emperor Frederick 193498

JARRA DE MARFIL Y PLATA DE CARLOS V NARRA LA HISTORIA DE DIANA Y ACTEON - SIGLO XVI - RENACIMIENTO ALEMAN. Author: ESCUELA ALEMANA. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN. ACTAEON. Charles I (V of the Holly Roman Empire). DIANA CAZADORA-DIOSA EN LA MITOLOGIA ROMANA. CARLOS V ALEMANIA-CARLOS I DE ESPAÑA (1500-1558).

Jupiter and Io 16th century Italian. Jupiter and Io. Italian. 16th century. Gilt bronze. Medals and Plaquettes

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The Apollo Tempel to Bassae in Arcadien Tablica XVI Marchetti, Domenico (1780 1844), Stackelberg, Otto Magnus von (1787 1837)

Sleeping cat , Cats. Théophile Alexandre Steinlen (1859-1923). Lithographs

German 16th Century, Venus and Cupid, mid 16th century Venus and Cupid

Lazio Roma Rome Via di Monserrato7. Hutzel, Max 1960-1990 Street views of unidentified buildings, portals and architectural details, with two views of S. Giovanni in Ayno, now a residence, and one of Piazza de' Ricci. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Carved wooden doors dating from 1530, Cathedral of St. Leonce of Frejus, Var, Provence, Cote d´Azur, France, Europe

Hearing stone with the representation of the two elders from the history of Suzanna, who are led away for stoning, c. 1875 - c. 1900 Hearing stone with the representation of the two elders from the history of Suzanna, who are led away for stoning. On the left a boy is wearing a basket with stones. Netherlands earthenware Hearing stone with the representation of the two elders from the history of Suzanna, who are led away for stoning. On the left a boy is wearing a basket with stones. Netherlands earthenware

Stair Riser with Marine Deities or Boatmen ca. 1st century Pakistan (ancient region Gandhara (Swat Valley) This sculpture and the triangular side relief (13.96.19) are part of a set of twenty-one panels that embellished the stairway of a stupa, likely on the western end of the Swat Valley. The treatment of the anatomy of these athletic men is interesting in terms of both the naturalism and schematization of the musculature. The oars they carry and the acanthus leaves that appear to grow out of their bodies suggest that they are marine deities.. Stair Riser with Marine Deities or Boatmen 38210

Umbria Perugia Todi SS. Annunziata, Duomo3. Hutzel, Max 1960-1990 Medieval core collection: exterior and interior views of this 12th-16th century structure. Exterior photo coverage includes the three rose windows, architectural sculpture of the apse and nave walls, bell tower and a sculpted man's head in a roundel with an inscription. Views of the interior, restored in 1958, focus on the nave capitals (c. 1270) which are largely Corinthianesque. Between the acanthus of some pier capitals are sculpted figures, including St. Peter, St. Paul, St. Michael, Christ, and the Virgin with the Holy Spirit.. Hutzel collection: exterior views of the main rose window, portal sculpture (c. 1520) and details of the wooden doors carved with bishops. Interior views include: a large fresco of the Last Judgment by il Faenzone (inspired by Michelangelo's); wood intarsia choirstalls; a painted crucifix in the style of Cimabue (late 13th century); a gothic baptismal font; marble statues; an altarpiece from

Pierre Dautel (1873-1951). Medal of the French Committee during the Turin International Exhibition of Industries and Work. Bronze, 1911. Paris, Carnavalet museum. Medal, numismatics

Gatley, les Egyptiens noyés dans la mer rouge, relief. James Anderson (British, 1813 - 1877)

Relief with allegorical representation of the Ten Commandments, cut from Lindehout, Anonymous, 1869 - 1887 photomechanical print Germanyprinter: Munich Publisher: Munich paper. cardboard collotype the ten commandments represented together Germany

The Triumph of the Church last quarter 16th century Netherlandish. The Triumph of the Church 207640

Bacchus an ariadne ,, 1474 - 1500 Italy bronze (metal) Italy bronze (metal)

Medal awarded to participants of the International Artists Congress in Paris, 1912. Elongated, bell-shaped medal with carrying eye to carrying eye. Facade: sitting half-naked woman, whose right hand supports her head and holding a flat object on her knees with her left hand. Painter utensils at her feet. With signature. Reverse: Building including a laurel wreath with ribbon with inscription. Above and under building inscription.

Ikona - fragment ikonostasu: Objawienie Pańskie (Chrzest w Jordanie). nieznany warsztat prawosławny (988-2000), factory

The Crucifixion. The sculptor Vinckenbrinck made a name for himself with small reliefs carved in boxwood, which were in great demand among art collectors in Amsterdam. This Crucifixion is one of the artists larger works. The relief still retains its original ebony frame.

Part of the Frisian of the Parthenon in Athens, depicted a man and a horse, G. Arosa et Cie, c. 1863 - in or before 1868 photomechanical print This print is part of a cover with 22 prints and 3 text magazines. Paris paper collotype mouldings ~ architecture. horse. adult man Parthenon

Pax, 1500-1600. Made in Southern Italy .

Design for sculpture group in Timpaan with allegory in Amsterdam, Artus Quellinus (I), 1646 - 1650 drawing Design for a sculpture group in a tympanum with allegory at Amsterdam as the center of trade. paper. ink pen / brush specific aspects, allegorical aspects of Mercury; Mercury as patron. Chinese. Asiatic races and peoples. Africans. cities represented allegorically or symbolically. merchant, salesman. piece of sculpture, reproduction of a piece of sculpture. allegory of trade; 'Commertio della vita humana' (Ripa) Amsterdam

Triptych with Scenes from the Life of Christ. German, Cologne. Date: 1350-1375. Dimensions: 25.7 × 17.5 cm (10 1/8 × 6 15/16 in.). Ivory with traces of gold. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

The Massacre of the Innocents. Francesco Bertos; Italian, active c.1693--1733. Date: 1700-1725. Dimensions: 85.1 x 106.7 cm (33 1/2 x 42 in.). Bronze. Origin: Venice. Museum: The Chicago Art Institute, USA.

Nilo , Antiquities, Sculpture, Gods. Nicholas Catsimpoolas Collection

Drawing, Caritas, Design for a Stained Glass Window; Francis Augustus Lathrop (American, 1849 - 1909); USA; brush and watercolor, white gouache, graphite on tracing paper; 45.7 × 11.4 cm (18 × 4 1/2 in.); 1914-38-366

Diptych with the Story of Salvation, anonymous, c. 1375 Ivory diptych with cut performances in relief. On the left wing the crucifixion and the birth of Christ, depicted, on the right wing are the last judgment and worship of the kings. Meuse Area ivory cutting Ivory diptych with cut performances in relief. On the left wing the crucifixion and the birth of Christ, depicted, on the right wing are the last judgment and worship of the kings. Meuse Area ivory cutting

Baucis and Philemon Entertaining Jupiter and Mercury, Sebastian Steiner (attributed to workshop of), c. 1865 Jupiter and Mercury are guests in the Hut of Philemon and Baucis. On the thatched roof the downward eagle (Jupiter), sitting on a lightning bolt. The goose is in front of Baucis. In the relief the cut caption: Chacun Peut se Contanter de Son Sort. With list. Innsbruck (possibly) linden Jupiter and Mercury are guests in the Hut of Philemon and Baucis. On the thatched roof the downward eagle (Jupiter), sitting on a lightning bolt. The goose is in front of Baucis. In the relief the cut caption: Chacun Peut se Contanter de Son Sort. With list. Innsbruck (possibly) linden

Unknown architect, pillar with sculptures (without date): View pillar with presented sculptures and beam zone, repeated on a smaller scale. Pencil on transparent, 16.6 x 5.8 cm (including scan edges) N.N. : Pfeiler mit Skulpturen

Limestone grave marker 4th century B.C. Cypriot Two men reclining at a banquet are represented in the upper panel, while a couple seen from the waist up fill the space below. The Cypriots were among the first to represent banquets on funerary monuments. As on the sarcophagus (74.51.2451) nearby, such a scene may have simply evoked the pleasures of daily life or it may have been intended to elevate the deceased to a heroic level.. Limestone grave marker 242036

The Triumph of Justice. Dated: c. 1600. Dimensions: overall: 6.5 x 12.4 cm (2 9/16 x 4 7/8 in.) gross weight: 170 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: German or South Netherlandish 17th Century.

detail in relief from Nelson's Column monument in Trafalgar Square in central London built to commemorate Admiral Horatio Nelson, who died at the Battle of Trafalgar in 1805.

Cameo. Wedgwood Manufactory; England, founded 1759. Date: 1775-1800. Dimensions: 1.9 × 5.1 cm (3/4 × 2 in.). Stoneware (jasperware). Origin: Burslem. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Roma Rome Gesu64. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Christ, caught away. In the foreground of an Ascending Landscape, Christ is taken away by four men from the court of olives to Jerusalem, indicated by a tree on the right and a part of a gate, left. For him, the executioner states that holds the cord with which his wrists are bound. Behind the latter the head of a third figure, right a soldier with lance and a sword. Two riders go in the background; Among the gate a half-lime, probably Peter. Christ is in tunic; The first executioner carries a turban and a knee-sized shirt, held together by a cord to the medicine; The second pants fried on the pipes, a shirt, which is only one shoulder, and a hat; The soldier a pseudo-Roman costume and a helmet with feather.

Plaat met vrouwenfiguur in basreliëf.Plate of pottery with baseliof a representation of the AeterNa Juventas or eternal youth. The front is yellow glazed with a few rifles brown. In oak table

The Three Goddesses from the Judgment of Paris 16th century Flemish. The Three Goddesses from the Judgment of Paris. Flemish. 16th century. Ivory. Natural Substances-Ivory

The Artist to His Friends, 1890 1890 Medalist: Louis-Oscar Roty French. The Artist to His Friends, 1890 187525 Artist: Medalist: Louis-Oscar Roty, French, Paris 18461911 Paris, The Artist to His Friends, 1890, 1890, Bronze, struck, silvered, 2 2 1/8 in. (51 54 cm). The Metropolitan Museum of Art, New York. Gift of Samuel P. Avery, 1893 (93.10.30a, b)

Detail of the Decoration of the Pediment of the Pavillon Sully, Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Universal Exposition, Paris, 1900. Artist: Victor David Brenner (American (born Lithuania), Kaunas 1871-1924 New York). Dimensions: 1 3/4 x 1 1/8 in. (4.4 x 2.9 cm). Date: 1900. Museum: Metropolitan Museum of Art, New York, USA.

Attributed to Moderno, Hercules and the Nemean Lion, late 15th early 16th century Hercules and the Nemean Lion

Terracotta figureines showing a Thracian fighting a Hoplomachus. Roman, 1st-2nd Century AD. Both these types of gladiators had distinctively small shields. The Thracian's (right) was rectangular, that of the Hoplomachus was round The Hoplomachus could also be armed with a spear

The Judgment of Paris, 1914. Pierre-Auguste Renoir (French, 1841-1919), and Ricard Guinó (Spanish, 1890-1973). Bronze; overall: 74.3 x 90.2 x 17.2 cm (29 1/4 x 35 1/2 x 6 3/4 in.).

Bronze Plaquette from Italy of Como ElectricExhibition. Artist: Unknown

URNA CINERARIA DE ANTONIA MAXUMA - MARMOL - 49 x 49 x 37 cm. Author: CIRCULO DE PIRANESI. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN. JUPITER AMMON.

Carved Intaglio Gemstone with standing figures of Hermes andFortuna

"Nudity". Dupuis, Daniel (1849-1899), male medallist

Scythian Art, 3rd century BC, Russia, St. Petersburg, Collection of Peter the Great, State Hermitage, 15, 2x8, 5

1e Prix: Claude Debussy reverse. Dated: c. 1893. Dimensions: overall (diameter): 6.84 cm (2 11/16 in.) gross weight: 156.59 gr (0.345 lb.) axis: 12:00. Medium: silver. Museum: National Gallery of Art, Washington DC. Author: Marie-Alexandre-Lucien Coudray.

The ghost of Creusa disappearing from Aeneas near the burning wall of Troy probably Italian early 19th century The intaglio is one of six known fakes at the Met from the storied gems collection of Prince Stanislaw Poniatowski of Poland. Carried out in a classicizing style indebted to Antonio Canova, the gem bears a false signature intended to announce its authorship by one of the celebrated carvers of ancient Greece. The deception of the Poniatowski gems - most of which are nineteenth-century forgeries - was discovered in 1895. The Museums six were mounted in velvet boxes by Tiffany & Co.

After a model by Massimiliano Soldani Benzi, Hagar and the Angel, before 1743 Hagar and the Angel

Surviving bronze bands of the Balawat Gates (858-824 BC) from the palace of Shalmaneser III, Iraq. Bronze strips embossed with scenes of Shalmaneser's campaigns. First depictions trees and mountains in Assyrian art. Currently at the British Museum, London.

Moliere; Tri-Centenaire(1622-1922). Subject: Jean-Baptiste Molière, French, 1622-1673 Artist: Georges-Henri Prud’homme, French, 1873-1947

Macierzyństwo. Wittig, Edward (1879-1941), sculptor

Reconstruction of the west pediment of the Parthenon according to a drawing by K. Schwerzek (1896) Acropolis museum, Athens. the contest between Athena and Poseidon during their competition for the honour of becoming the city's patron. Athena and Poseidon appear at the centre of the composition, diverging from one another in strong diagonal forms, with the goddess holding the olive tree and the god of the sea raising his trident to strike the earth. At their flanks, they are framed by two active groups of horses pulling chariots, while a crowd of legendary personalities from Athenian mythology fills the space out to the acute corners of the pediment.

Relief with dancing Mänade

Societe Royale La Grande Harmonie, Penning beaten in honor of A.J.P. Cluysenaar, architect of the new building, Laurent Joseph Hart, 1842 history medal Bronze medal. Front: breastpiece man inside change. Downside: interior of the new room of the Societe Royale between inscriptions; Cut: map and signature Brussels bronze (metal) striking (metalworking) Brussels

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