Renaissance Religious Art

A collection of Renaissance paintings depicting the Virgin Mary, Christ, and various saints in ceremonial settings, characterized by rich colors and expressive figures.

Saint Luke Drawing the Madonna 15th Century Rogier van der Weyden (ca 1399-1464 Netherlandish) Oil on canvas State Hermitage Museum, St. Petersburg, Russia

The Purification of Christ - 1501/35 - oil on panel - Spanish Renaissance- 170 x 139 cm - NP 2172. Author: LEON PICARDO ( / 1541). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. INFANT JESUS. VIRGIN MARY. SAN JOSE ESPOSO DE LA VIRGEN MARIA. SIMEON SACERDOTE. ANA PROFETISA.

Madonna & Child with Saints Jerome & Francis & Two Angels, Pontormo, Jacopo da, 1540.

Triptych: The Adoration of the Magi by Adriaen Isenbrandt (1480-1551) Flemish Northern Renaissance painter. Dated 16th Century

Virgin and Child Enthroned, with Saints Jerome and John the Baptist and a Carthusian Monk. A Carthusian monk kneels in adoration before the enthroned Virgin and Child. He is presented to them by John the Baptist, while the Christ Child hands him a rosary. Standing between them is Saint Jerome, who, like John, lived as a hermit in the wilderness. Both saints thus emphasize the Carthusians reclusive way of life.

Saint Luke Drawing the Madonna 15th Century Rogier van der Weyden (ca 1399-1464 Netherlandish) Oil on canvas State Hermitage Museum, St. Petersburg, Russia

'The Presentation of Jesus at the Temple', ca. 1500, Spanish School, Panel, 203 cm x 100 cm, P01257. Author: MAESTRO DE LA SISLA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. INFANT JESUS. VIRGIN MARY. SAN JOSE ESPOSO DE LA VIRGEN MARIA. SIMEON SACERDOTE.

Master of the Legend of Saint Ursula and workshop (active in Cologne, ca.1480/1490-ca.1510/1515). The Virgin Mary with female Saints. From left to right, St. Catherine, St. Dorothy, St. Mary Magdalene, St. Apollonia, St. Agnes and St. Barbara, 1485. Wallraf-Richartz Museum. Cologne. Germany.

Jacques Daret (around 1403-verses 1468). "The presentation at the temple". 1433-1435. Oil on wood. Museum of Fine Arts of the City of Paris, Petit Palais. Temple presentation Baby Jesus, Bible Scene, Biblical, Catholic, Catholic, Chretian Christian, Christian, Child Jesus, Hule sur Bois, Middle Ages, Middle Age, New Testament, New Testament, Presentation, Present, Biblical Scene, Medieval, Oil on Wood, Present , temple

Adoration of the Magi, by the Master of the Seyfriedberg Altar (active ca 1520-1522), panel, 97x75 cm.

St John appearing to Galla Placidia, by Niccolo Rondinelli (1450-1510).

The Adoration of the Magi. The worship of the wise. Maria is sitting with the Christ child on a shot for a broken classic column at a bow. Left and right the kings with their gifts. Right an old man points to the star in heaven above the stable.

Adoration of the Kings 15th C. Artist Unknown

The Nativity of the Virgin Mary by Benson, Ambrosius (1495-1550) / Museo del Prado, Madrid / ca 1528 / The Netherlands / Oil on wood / Bible / 115x60 / Early Netherlandish Art

Central part of the Triptych showing the Mystic Marriage of St Caterina, by Hans Memling (ca 1430-1494).

ADORACION DE LOS REYES. Author: ESCUELA HISPANO-FLAMENCA (S XVI). Location: MUSEO HOSPITAL DE SANTA CRUZ. Toledo. SPAIN. INFANT JESUS. VIRGIN MARY. Melchor. Gaspar. BALTASAR.

Paolo de San Leocadio (1447-1520). Italian painter, active in Spain. Spanish Renaissance. Circle of the Meeting of St. Ioachim and St. Anna near the Gold Gate of Jerusalem. Beginning of the XVI century. The State Hermitage Museum. Saint Petersburg. Russia.

David, Gerard (ca. 1460-1523) National Gallery, London Painting 60x59,2 Bible The Adoration of the Magi

The Adoration of the Magi, Jan Jansz Mostaert, c. 1520 - c. 1525

Virgin of the Consellers, 1443-1445. Detail. Oil on oak wood. 316 x 312,5 x 32,5 cm. From the altar of the chapel of Barcelona City Hall. Museu Nacional d'Art de Catalunya, Barcelona. Author: DALMAU LLUIS.

Madonna and Child with Angels, Memling, Hans, 1485.

The Adoration of the Magi 1526 Quinten Massys This intentionally claustrophobic composition is characteristic of the Antwerp Mannerist style of the first half of the sixteenth century. Finely wrought goldsmith work, produced for the opulent taste of the cosmopolitan community in Antwerp, abounds. The caricature-like features of the Magi and their retinue reveal the artists interest in the exaggerated physiognomic types popularized by Leonardo da Vinci and made available through prints. The highly individualized treatment of the African king reflects the presence of both free and enslaved Black people in Antwerp as a result of trade relations with Portugal. It was this interest in physiognomy that made Massys such a gifted portraitist.. The Adoration of the Magi 436984

PRESENTACION DE LA VIRGEN - DETALLE DEL RETABLO DEDICADO A LA ANUNCIACION - SIGLO XVI - RENACIMIENTO ESPAÑOL. Author: JUAN CORREA DE VIVAR. Location: CONVENTO DE LAS CLARISAS. GRIÑON. MADRID. SPAIN. VIRGIN MARY. SANTA ANA MADRE DE LA VIRGEN MARIA. SAN JOAQUIN-PADRE DE LA VIRGEN MARIA.

RETABLO MAYOR-DET EPIFANIA-S XVI-RENACIMIENTO. Location: IGLESIA DE SAN MARCOS. JEREZ DE LA FRONTERA. Cadiz. SPAIN. JESUS. VIRGIN MARY.

Fano (Italia, Marche. prov.incia di Pesaro-Urbino). Chiesa di Santa Maria Nuova, Giovanni Santi, Visitazione, 1488 circa

The Nativity, 1460-70 Oil on panel Attributed to: Master of the Prado Adoration of the Magi, Oil Painting, Religion, Christian, Christmas, Angel, Virgin Mary, Nativity, Old Master, Baby, Child, Animal, Cow, 15th Century, Animal, Donkey, Religion, Jesus Christ, Religion, New Testament, Animal, Ox

Huber, Wolf (1480/5-1553) National Gallery, London Painting 95,5x68,2 Bible Christ taking leave of his Mother

Adoration of the Kings, by Gerard David, circa 1515, National Gallery, London, England, UK, GB, Europe

Jesús entre los doctores. Date/Period: Last quarter of 15th century. Painting. Oil on panel. Height: 102 cm (40.1 in); Width: 76 cm (29.9 in). Author: DIEGO DE LA CRUZ.

The Circumcision of Christ. Jan Baegert (Germany, 1465-1527). Germany, circa 1495. Paintings. Oil on panel

The Virgin and Child with Saint Peter and Saint Paul, circa 1460 - Workshop of Dirk Bouts

Detail of the Adoration of the Magi Triptych, by Adriaen Isenbrandt, circa 1510-1512, Birmingham Museum & Art Gallery, England

PRESENTACION DE LA VIRGEN. Author: BARTOLOME ESTEBAN MURILLO. Location: PRIVATE COLLECTION. KREUZLINGEN. Switzerland. VIRGIN MARY. SANTA ANA MADRE DE LA VIRGEN MARIA. VIRGEN MARIA NIÑA. SAN JOAQUIN.

fine arts, religious art, Jesus Christ, the Nativity, middle panel of the triptych ""The Nativity"" by Hieronymus Bosch (circa 1450 - 1516), Prado, Madrid, detail,

Madonna and Child surrounded by five saints, Pala Colonna, by Raffaello Sanzio da Urbino, also Raphael da Urbino, Raffaello Santi, Raffaello Sanzio, Raphael, Italian painter, Italy, digitally restored reproduction of a work of art (public domain) from c. 1500, Europe

Italy - Piedmont - Biella. Church of the Santissima Trinità. Interior. Anselmo Allasina, Jesus' childhood. Fresco, 17th century

fine arts, Coter, Colijn de, (circa 1446 - 1538), painting, ""Adoration of the Magi"", circa 1500, Museum of Fine Arts, Ghent, religious art, Flanders, renaissance, religion, christianity, birth, Jesus Christ, the three Magi, Mary, child, Joseph, presents, gold, incense, Bethlehem, christmas, stable, crown, animals, angel, Belgium,

Detalle del retablo del Condestable don Pedro de Portugal o de la Epifanía, 1464-1465. Capilla de Santa Mónica de Barcelona. Author: Jaume Huguet.

The Marriage of the Virgin ca. 1690 José Sánchez. The Marriage of the Virgin. José Sánchez (Mexican, active 1686-95). Mexican. ca. 1690. Oil on canvas. Made in Mexico City, Mexico

fine arts, Traut, Wolf (circa 1480 / 1485 - 1520), painting, ""The holy kin"", detail, central panel of Altershofener Sippenaltar, 1514, oil on panel, 168 cm x 114 cm, Bavarian National museum, Munich, Germany, Europe, 16th century, renaissance, religion, christianity, religious art, Jesus Christ, child, Saint Mary, Madonna, Anne, altar,

Adoration of the Magi Francesco Montemezzano (ca.1540-aft1602 Italian) The Bowater Corporation Ltd.

The Nativity - Jacques Daret, circa 1435

Madonna del Baldacchino, by Raffaello Sanzio da Urbino, also Raffael da Urbino, Raffaello Santi, Raffaello Sanzio, Raffael, Italian painter, Italy, di...

Rogier v.d.Weyden,Descent from Cross, D.

The Adoration of the Magi, Jacob Cornelisz van Oostsanen, 1517

The Presentation of Christ in the Temple; 1645; Oil on canvas Charles Le Brun; French; 1619-90

Memorial tablet, Master of the Spes Nostra, c. 1500

'The Nativity', 1435-1438, Oil on panel, 49,5 x 36,9 cm. Author: ROGIER VAN DER WEYDEN (1399-1464) ROGIER DE LA PAS. Location: CATEDRAL-CAPILLA REAL-INTERIOR. GRANADA. SPAIN. INFANT JESUS. VIRGIN MARY. SAN JOSE ESPOSO DE LA VIRGEN MARIA.

Painting titled 'The Adoration of the Kings' by Jan Gossaert (1478-1532) a French painter and member of the Guild of Saint Luke

The Holy Kinship, Geertgen to Sint Jans (workshop of), c. 1495 painting Church interior with the holy vast, all relatives of Christ. On the left Saint Anna, next to her Mary with the Christ child. Behind them are Joachim and Joseph. On the right Elisabeth with John the Baptist as a child, also Maria Salome and Maria Cleophas. Alpheüs, Zebedee and Zacharias are located at the altar. For the altar, the disciples, still as children, Simon, Jacobus and Johannes. Judas Thaddeüs lights a candle on the choir closing for the altar. On the altar is a sculpture group of the sacrifice of Abraham. Haarlem paneel: oak (wood). oil paint (paint) extended representations of 'Anna selbdritt' (Joseph and Joachim, three husbands, three daughters with seven children). interior of church. piece of sculpture, reproduction of a piece of sculpture. Abraham picks up the knife to kill Isaac

LA CIRCUNCISION DE JESUS. Author: FRANCISCO DE ZURBARAN. Location: MUSEUM OF FINE ARTS. Grenoble. France. CHILD JESUS. SIMEON SACERDOTE.

Madonna adored by St Mary Magdalene, St Brigid and the Cadamosto family (Pala Cadamosto), painting by the Lodi school, 17th century.

Virgin and Child with SaintAnne. Artist: Unknown Artist: Haarlem School

Fano (Italia, Marche. prov.incia di Pesaro-Urbino). Chiesa di Santa Maria Nuova, Giovanni Santi, Visitazione, 1488 circa

The Adoration Of The Magi Dieric Bouts the Elder (C.1415-1475 Netherlandish)

Birth of Jesus, the central panel of a triptych, by Jan de Beer (ca 1475-1528), oil on canvas, 156x123 cm.

VIRGEN CON NIÑO Y ANGELES - SIGLO XV. Author: DIRK BOUTS (1410-1475) DIERIC. Location: CATEDRAL-CAPILLA REAL-INTERIOR. GRANADA. SPAIN.

Madonna and Child with Saints', c1470-1523. Artist: Perugino. Perugino (1446-1523) born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance.

National Museum of Ancient Art. The adoration of the Magi. Detail. Gregorio Lopes. 16th century. Oil on oak panel.

The Birth of Mary, Anonymous, Germany, c. 1520

The Visitation, 17th century Colonial school, La Paz, Bolivia

The Mystic Betrothal of St. Catherine - 1660 - 207x163 cm - oil on canvas - Spanish Baroque - NP 659. Author: MATEO CEREZO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. INFANT JESUS. VIRGIN MARY. SAN JOSE ESPOSO DE LA VIRGEN MARIA. SAN JUAN BAUTISTA NIÑO / SAN JUANITO. SANTA CATALINA DE ALEJANDRIA SIGLO IV.

Virgin and Child, flanked by Saints Benedict and Quentin, 1500-05, by Francesco Marmitta (c.1460-1505) who was an Italian painter and jeweller

fine arts, Memling, Hans (circa 1435 - 1494), painting, ""Anbetung der K_nige"" (Adoration of the Magi), Prado, Madrid

Angels showing the Cross to Child Jesus. unknown, painter

'El milagro del caballero de Colonia', ca. 1510-1512, Oil on panel, 108 x 78 cm. Author: PAOLO SAN LEOCADIO (1445-1520). Location: COLEGIO CORPUS CHRISTI. Valencia. SPAIN. INFANT JESUS. VIRGIN MARY. VIRGEN DE LOS CABALLEROS.

Angy Cross Malm to Christ; XVII century (1600-00-00-1699-00-00);Baby Jesus (iconogr.), Mother of God with the Child, Angels, Crosses (execution tool), Silesian painting

Christ in Glory with St Lawrence, St Cecilia, St Agnes and St Eustace, by Crespi Giovan Battista known as Cerano, 17th Century, . Italy: Lombardy: Como: Villa Guardia: Church of Santi Cosma e Damiano. Detail. Saints women St Cecilia St Agnes lamb palm tree martyr's palm leaf martyrdom stave chiaroscuro yellow red blue

Christ Blessing the Children ca. 1545-50 Lucas Cranach the Younger and Workshop German The story of Christ Blessing the Children is found in the Gospels. When children are brought to Christ for blessing, and his disciples raise objections, Christ counters with the words inscribed across the top of this panel: "Suffer the little children to come unto me, and forbid them not: for of such is the kingdom of God" (Mark 10:14). The painting and its pendant, Christ and the Adulteress (seen to the right), share the theme of the free dispensation of divine grace, a central tenet of Lutheranism. Their small size suggests that they were meant for a private setting.. Christ Blessing the Children 436035

ZURBARAN, Francisco de (1598-1664). The Miraculous Deliver of the True Portrait of Saint Dominic at Monastery of Soriano. 1626. SPAIN. Sevilla. Church of the Magdalene. Baroque art. Oil on canvas.

The Virgin and Child with Four Holy Virgins, Master of the Virgo inter Virgines, c. 1495 - c. 1500 painting Mary with the Christ child and the Saints Catharina, Cecilia, Barbara and Ursula, sitting in a fenced court (from a monastery). Outside the court, two men on the left, probably Johannes and Jacobus. On the right two women, probably the Saints Mary Magdalena and Margaretha. Northern Netherlands panel. oil paint (paint) 'Virgo inter Virgines'. the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel. the virgin martyr Cecilia of Rome; possible attributes: falcon, musical instruments, organ, wreath of roses and lilies. the virgin martyr Barbara; possible attributes: book, cannon(ball), crown, cross, chalice with wafer, Dioscuros (her father), peacock feather, sword, torches, mason's tools, tower. the virgin martyr Ursula of Cologne; possible attributes: arrow, banner with red cross, cloak of ermine, crown, ship.

Pilate washing hands, crucifixion, śś. Florian, Katarzyna. Right external wing with altar retabulum from Lusina.DePozyt, 1891 (object incorrectly entered in the inventory of museums, deleted on the basis of the consent of the Ministry of Culture and National Heritage from 18.04.2016)

Saint Ivo, Protector of Widows and Orphans, Empoli, Jacopo Chimenti da, 1615.

Memorial tablet, Master of the Spes Nostra, c. 1500 painting Four regular canons of the chapter of Sion by St. Augustine two to two meditating on either side of an open grave about the transience of earthly existence. There is a half -moving corpse in the grave. On the left the saint Hieronymus, on the right Saint Augustine. Maria and Elisabeth are sitting on a sofa. In the background a walled Kloosterhof in which the Christ child plays on a hobby horse in the company of Engelen. Northern Netherlands panel. oil paint (paint) Visitation (possibly Joseph and/or Zacharias present) (Luke 1:39-56) (+ donor(s), supplicant(s), whether or not with patron saint(s)). Christ-child playing with angels ~ Madonna-representations. fenced or walled garden; 'Hortus Conclusus'. Augustine, bishop of Hippo; possible attributes: arrows piercing his breast, book, child with spoon, flaming heart, heart (pierced with arrows), pen. the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's

Paumgartner Altarpiece (Middle Panel) ca. 1502 Albrecht Durer (1471-1528 German) Oil on lime panel Alte Pinakothek, Munich, Germany

Panel of an Altarpiece with Circumcision of Christ, on verso is Resurrection of Christ, Master of Alkmaar (attributed to), c. 1520 - c. 1535 painting Wing of a triptych with the circumcision on the inside. In a church, the Christ child is circumcised by the high priest, Mary and Joseph hold the child. Several men and women around it. In the corners at the top small representations of the sacrifice of Abraham and the creation of the copper snake. On the outside of the panel the representation of resurrection of Christ. Christ with cross -staff leaves the grave among sleeping soldiers. Pendant of SK-A-1307. panel. oil paint (paint) circumcision of the Christ-child by the priest in the temple (Luke 2:21). Resurrection of Christ

The Birth Of John The Baptist Jacopo Tintoretto (1518-1594 Italian) Hermitage Museum, St. Petersburg, Russia

SAN FELIX, Master of (16th century). A scene of Saint Andrew's life. 16th century. SPAIN. Valencia. Cathedral. Miracle's chapel. Renaissance art. Oil on wood.

Shah Abbas the Great (or Shah Abbas I) (Persian: ??? ???? ????) (January 27, 1571 - January 19, 1629) was Shah (king) of Iran, and generally considered the greatest ruler of the Safavid dynasty. He was the third son of Shah Mohammad. Abbas came to the throne during a troubled time for Iran. Under his weak-willed father, the country was riven with discord between the different factions of the Qizilbash army, who killed Abbas' mother and elder brother. Meanwhile, Iran's enemies, the Ottoman Empire and the Uzbeks, exploited this political chaos to seize territory for themselves. In 1587, one of the Qizilbash leaders, Murshid Qoli Khan, overthrew Shah Mohammed in a coup and placed the 16-year-old Abbas on the throne. But Abbas was no puppet and soon seized power for himself. He reduced the influence of the Qizilbash in the government and the military and reformed the army, enabling him to fight the Ottomans and Uzbeks and reconquer Iran's lost provinces. He also took back land from the P

Pentecost by Juan de Flandes (ca. 1465-1519) / Museo del Prado, Madrid / 1514-1519 / The Netherlands / Oil on wood / Bible / 110x84 / Early Netherlandish Art

Sorrowful women under the Crucifix, painting inside the chapel of Tratzberg Castle, Jenbach, Tyrol, Austria, 16th century, detail.

Madonna and Child Enthroned, Botticelli, Sandro, .

Memorial tablet. This memorial tablet’ was painted in commemoration of the four canons depicted on it. The partially decayed corpse in the open tomb reminds the viewer of his own mortality and asks for his prayers: Whoever passes by, look and weep. What you are, I once was, what I am, you will become, I beseech you to pray for me’.

Neroccio de' Landi, Madonna and Child with Saint Anthony Abbot and Saint Sigismund, c 1490 1495 Madonna and Child with Saint Anthony Abbot and Saint Sigismund

Paris (1st arr.), France La Visitation, Ghirlandio, Louvre museum , (French - Paris ( Ier arr. ) , France La Visitation , Ghirlandaio , musée du Louvre). Museum, Christianity, Painting, Religion , Art, France, Paris, Louvre museum: the Visitation (Il Ghirlandajo)

Adoration of Christ Child by Master of Liesborn, oil on wood, circa 1470-1480, 15th century, Great Britain, London, National Gallery, 23, 2x38, 7

Pentecost 1520-1525 Flanders. Oil on panel . Follower of Bernard van Orley

The Adoration of the Magi, 1460, wooden panel

The National Museum. Presentation at the temple. 1499. Fir wood panels from the cathedral in Hamburg. Warsaw. Poland.

Birth of Virgin Mary / Cologne / c.1463

Madonna and Child Between St Blaise and St Anthony the Abbot, by Campi Galeazzo, 1517, 16th Century, oil on panel. Italy, Lombardy, Milan, Brera Art Gallery. Whole artwork. Madonna and Child between St Biagio and St Anthony the Abbot iron combs as symbols of Martyrdom pastoral staff: crosier miter: mitre habit: tunic stick: cane bell attributes: symbols floor with geometric patterns: desi.

Adoration of the Kings. Date: 15th century. tempera on wood. Museum: Smithsonian American Art Museum.

The Adoration of the Magi, Altdorfer, Albrecht (c. 1480-1538)

Christ appears to the Virgin by Frey Carlos (active 1517-1535). Portuguese School 16th century. Details.

fine arts, religious art, Jesus Christus, nativity, ""Adoration of the shepherds"" painting by Jan de Beer (ca. 1475 - 1528), Wallraf-Richartz-Museum, Cologne, Germany,

Meeting of Saints Joachim and Anne at the Golden Gate by Benson, Ambrosius (1495-1550) / Museo del Prado, Madrid / ca 1528 / The Netherlands / Oil on wood / Bible / 115x60 / Early Netherlandish Art

Adoration of the Magi, 1520-1525. By Italian painter Bernardino Luini (1480-1532). Detail. Fresco. Painted for the Oratorio de Greco Milanese, Italy. Louvre Museum. Paris. France. High Renaissance.

Art History museum, Kunsthistorisches Museum.Hans HolbeinThe Elder. The coronation of the Virgin. 1490. Vienna. Austria.

Story of the Prophet Moses, The Discovery of Moses as a Baby, Allegorical Family Portrait, Painting by Rijckere, Bernaert, c. 1570, Historic, digitally restored reproduction from an 18th or 19th century original

Master of La Seu de Urgell (active in Perpignan, last third of 15th century). Annunciation, ca.1495. From the Chapel of Nuestra Senora de Gracia, Puigcerda. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

Panel from a triptych showing Joseph of Arimathea and Nicodemus Askoing Pilate for the Body of Christ Late 15th century Oil on panel

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