Renaissance Religious Art

Diverse artworks depicting biblical themes and figures with rich landscapes and intricate details, showcasing various styles from the Renaissance period.

Holy Conversation by Vittore Carpaccio, (Circa 1460-1526 ), France, Avignon, Musee du Petit-Palais

Lucas Cranach the Elder (1472-1553). German painter. The Law and The Gospel, 1529. National Gallery. Prague. Czech Republic.

Silver Mines ca.1521 Hans Hesse ( active 1497-1521 German) Wood Stadtkirche St. Annen, Annaberg, Germany

TAPIZ-HISTORIA DE AQUILES. Author: PEDRO PABLO RUBENS (1577-1640). Location: MUSEO CATEDRAL. SANTIAGO DE COMPOSTELA. A CORUÑA. SPAIN.

The Temptation of Saint Anthony by Bosch, Hieronymus (c. 1450-1516) Museo del Prado, Madrid c. 1490 The Netherlands Oil on wood Painting Bible

Holy Conversation by Vittore Carpaccio, (Circa 1460-1526 ), France, Avignon, Musee du Petit-Palais

St Christopher Crossing the River. St Christopher reaches the bank with the Christ Child on his shoulder. Landscape filled with strange creatures reminiscent of Hieronymous Bosch. Jan Wellen de Cock (active 1503: d1526) Flemish painter. Oil on wood. Private collection.

Michelangelo Anselmi, Apollo and Marsyas, c 1540 Apollo and Marsyas

Madonna and Child with Saints ca. 1520 Girolamo dai Libri Italian The saints (left to right) are Catherine of Alexandria, Leonard, Augustine, and Apollonia.Painted in about 1520 for the Augustinian church of San Leonardo nel Monte outside Verona, the picture was described at length by the sixteenth-century biographer Giorgio Vasari, who especially admired the landscape and enormous laurel tree. While the Madonna and Child reflect the work of Andrea Mantegna, the distant hill crowned with a fortress and the dead tree are taken over directly from Dürer's well-known engraving of Saint Eustace. The juxtaposition of the dead tree with the flourishing laurel refers to Death and Resurrection, while the peacock is a traditional symbol of immortality.A versatile artist, Girolamo dai Libri was equally famous as an illuminator of books, whence his name dai Libri ("of the books"). Of modern manufacture, the frame is based on Renaissance prototypes.. Madonna and Child with Saints 436518

November or Sagittarius with town of Trento bear hunting swineherd and courtiers with lances fresco from Cycle of Months c.1400 Buonconsiglio Castle

Saint Jerome. Master of the Getty Epistles (French, active about 1520 - about 1549)

Lot and His Family Fleeing from Sodom Albrecht Durer 1471-1528 German National Gallery of Art Washington, D.C.

April or Aries with ploughing with oxen, women in garden and rabbits in forest fresco from Cycle of Months c.1400 Buonconsiglio Castle

'Allegory of Virtue and Vice', 1505. Artist: Lorenzo Lotto.

Venus, Bacchus and Ceres with Mortals in a Love Garden (Elegant Companionship under a Garden Bower), Louis de Caullery, 1590 - 1621

The Judgement of Paris by Cranach, Lucas, the Elder (1472-1553) / Metropolitan Museum of Art, New York / ca 1528 / Germany / Oil on wood / Mythology, Allegory and Literature / 101,9x71,1

'Lion Hunting'. Series of the Cartoons "Hunting Scenes" for Tapestries. Flanders. Dimensions: 292x324 cm. Museum: State Hermitage, St. Petersburg. Author: PIETER BOEL. Abraham van Diepenbeek.

Apple of discord by German master, Oil on canvas, Mid of 16th cen, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 40x56

Lorenzo Lotto, Allegory of Chastity, c 1505 Allegory of Chastity

Pegasus and the Muses by Romanino, Gerolamo (1485/6-1566)/ National Gallery, London/ c.1540/ Italy, Venetian School/ Oil on wood/ Renaissance/ 38x115,4/ Mythology, Allegory and Literature

The massacre of the innocents, by Benvenuto Garofalo (1481-1559).

'Landscape with the Legend of St Christopher'. Netherlands, Early 16th century. Dimensions: 71x98,5 cm. Museum: State Hermitage, St. Petersburg. Author: JAN MANDIJN.

Adoration by Domenico Veneziano, Tempera on panel, circa 1440, circa 1410-1461, Germany, Berlin, Staatliche Museen, D 84

Italy - Lombardy Region - Mantova - Ducal Palace - St. Peter Cures the Lame Man, tapestry - Drawings by Raffaello (1540)

Mythological Scene. Date/Period: Ca. 1524. Painting. Oil on canvas. Height: 1,638 mm (64.48 in); Width: 1,454 mm (57.24 in). Author: Dosso Dossi (Giovanni di Niccolò de Lutero).

Allegory of May: Astrological Symbols of Gemini and Triumph of Apollo (Mese di Maggio: Simboli astrologici dei Gemelli e il Trionfo di Apollo), by Francesco del Cossa, 1469-1470, 15th Century, fresco

Scenes from a Legend. Dated: probably c. 1515/1520. Dimensions: overall: 27.9 x 41.9 cm (11 x 16 1/2 in.) framed (upper left canvas, framed with 1939.1.344.a and .c): 86.52 x 114.3 x 9.21 cm (34 1/16 x 45 x 3 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Giovanni Larciani (Master of the Kress Landscapes).

Saint John the Baptist Bearing Witness by Workshop of Francesco Granacci (Villamagna 1469-1543 Florence) Oil and gold on wood.

Lazarus from Bethany by Jacopo Bassano il vecchio, Oil on canvas, 1544, circa 1510-1592, Holland, Amsterdam, Rijksmuseum, 99,5x138,5

The Rest on the Flight into Egypt, 1470. Cleve, Joos van.

Moses Saved From The Nile Tapestry Textiles (Flemish)

Bernardino Luini, Cephalus Punished at the Hunt, Italian, c. 1480-1532, c. 1520-1522, fresco

Saint John the Baptist Bearing Witness. Artist: Workshop of Francesco Granacci (Italian, Villamagna 1469-1543 Florence). Dimensions: 29 3/4 x 82 1/2 in. (75.6 x 209.6 cm). Date: ca. 1506-7.This panel concluded the series to which the adjacent picture belonged. It shows Saint John the Baptist preaching. The two Pharisees at the left gesture towards the advancing figure of Christ. A work of great distinction, the picture is in many respects superior to the companion panel and must be by another artist. Collaborations of this sort were common in the Renaissance. A tentative attribution has been made to Raffaello Botticini, whose later works, however, never attain this quality. The affinities some of the figures show with the Doni Tondo of Michelangelo further point up the stature of the piece. Michelangelo and Granacci were friends and fellow pupils in the workshop of Domenico Ghirlandaio. Museum: Metropolitan Museum of Art, New York, USA.

The Tempest - Giorgione, circa 1508

Susanna and the Elders, Lotto, Lorenzo, 1517.

Jacopo del Sellaio, Saint John the Baptist, c 1480 Saint John the Baptist

Gathering of Manna (inner, right wing of a triptych). Dating: c. 1510 - c. 1520. Place: Antwerp. Measurements: frame: h 113.5 cm × w 82.5 cm; support: h 102 cm × w 71.2 cm; sightsize: h 110.7 cm × w 69.5 cm. Museum: Rijksmuseum, Amsterdam.

Triptych with the puffy scenes of the Paid; 1558 (1558-00-00-1558-00-00);

Susanna and the Elders by Leandro Bassano, Oil on canvas, 1580s, 1557-1622, Russia, St. Petersburg, State Hermitage

The Wedding of Thetis and Peleus, 1490, by Bartolomeo di Giovanni (1465-1494). Tempera on wood. Early Renaissance. Louvre Museum. Paris. France.

The Temptation of Christ, Botticelli, Sandro, 1490.

Sacrifice of Isaac, 1599-1600, by Annibale Carracci (1560-1609), oil on canvas, 45x34 cm.

The Baptism of Christ. Dating: c. 1560 - c. 1565. Measurements: support: h 63.7 cm × w 92 cm; d 11.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan van Scorel (rejected attribution). Maarten van Heemskerck (circle of).

L.Cranach the Elder / Judgement of Paris

Saint George and the Dragon. Date/Period: 1558. Painting. Oil on canvas. Height: 158.3 cm (62.3 in); Width: 100.5 cm (39.5 in). Author: Tintoretto.

Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.

Piero di Cosimo (1462-1522): The Fight between the Lapiths and the Centaurs, c1500-1515.

The Judgment of Paris. Date/Period: 1530. Oil on beech wood. Height: 35 cm (13.7 in); Width: 23.7 cm (9.3 in). Author: Lucas Cranach the Elder.

Andrea Mantegna (c. 1431 1506) Italian Renaissance painter. ' The Court of Mantua' 1471-74. Fresco Camera degli Sposi Ducal Palace, Mantua, Italy). At the left, Ludovico II Gonzaga.

Allegory of Love (Venus terrestre with Eros and Venus celeste with Anteros and two cupids) by Sodoma (1477-1549) / Louvre, Paris / c.1508 / Italy, School of Siena / Oil on wood / Mythology, Allegory and Literature / D 61 / Renaissance

Leandro Bassano / 'The Rape of Europa', Late 16th century, Italian School, Oil on canvas, 93,5 cm x 115,5 cm, P06163. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Aristotle and Phyllis by Cranach, Lucas, the Elder (1472-1553) / Private Collection / 1530 / Germany / Oil on wood / Mythology, Allegory and Literature / 55,3x35,3

The storm, 1507-1508, by Giorgione (1478-ca 1510), oil on canvas, 82x73 cm.

Landscape with Orpheus. Unknown maker, Flemish, 16th century

Three miracles of St. Zenobius approx. 1500, Three Miracles of Saint Zenobius, painting by Sandro Botticelli March 1, 1445 - 1510, one of the most important Italian painters and draftsman of the early Renaissance, historically, digitally restored reproduction of a template, record date not stated

Moses in the Biezen Mandje, Anonymous, 1500 - 1599 painting The mother of Moses kneels at the piping basket in which she launches her son Moses. Next to her is Mirjam, the sister of Moses. On the left on the banks of the Nile is the daughter of Pharaoh with her entourage. She will find Moses. In the background, Hebrew babies are thrown into the Nile from the bridge. Southern Netherlands (possibly) panel. oil paint (paint) the finding of Moses: Pharaoh's daughter comes to bathe with her maidens in the river and discovers the child floating on the water. Pharaoh decrees the drowning of every new male offspring among the Israelites

turkenschlacht. (Roelant Savery 1576 Kortrijk-1639 Ultrecht)

Saint John the Baptist. Dated: c. 1480. Dimensions: overall: 52 x 32.8 cm (20 1/2 x 12 15/16 in.) framed: 67.3 x 48.3 x 7.6 cm (26 1/2 x 19 x 3 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Jacopo del Sellaio.

Altar Of Katharina-Middle Panel 1506 Lucas Cranach the Elder (1472-1553 German) Oil On Wood Panel Gemaldegalerie, Dresden, Germany

Meeting of Jacob and Rachel at the well, Italianate mural painting, mid 16th century studiolo

The Parable of the Sower, by Da Ponte Jacopo known as Bassano, 16th Century, 1560-1560, oil on canvas, cm 140 x 130

The Procession to Calvary 1564 Pieter Bruegel the Elder (ca.1525-1569/Flemish) Oil on Wood Panel Kunsthistorisches Museum, Vienna, Austria

Italy - Trentino Alto Adige region - Trento - Buonconsiglio castle, Eagle Tower. 15th century. The Cycle of the Months, November. Fresco

The Reign of Comus removed from the Studiolo of Isabella d'Este in the Ducal Palace of Mantua

EYCK, Hubert van (1370-1426). The Ghent Altarpiece or Adoration of the Mystic Lamb. 1425-1432. BELGIUM. Ghent. Saint Bavo Cathedral. The Hermits. Interior of right hand wing of The Ghent Altarpiece. Flemish art. Oil on wood.

Religious illustration with Saint Francis by Benozzo Gozzoli, fresco, 1452, circa 1420-1497, Italy, Montefalco, Museo comunale di San Francesco

Contest between Apollo and Marsyas, by Cima da Conegliano (ca 1459-1517), oil on canvas.

Tobias and the Angel. Artist: Davide Ghirlandaio (David Bigordi) (Italian, Florence 1452-1525 Florence). Dimensions: 6 1/4 x 16 1/4 in. (15.9 x 41.3 cm). Date: ca. 1479.Davide Ghirlandaio painted these three enchanting scenes about 1479 for the base (predella) of an important altarpiece commissioned from his brother, Domenico, for the church of San Giusto alle Mura outside Florence. Two further scenes are known; the main panel is in the Uffizi in Florence.According to legend, at the burial of Saint Zenobius a dead tree sprang to life when it was touched by the saint's bier. The baptistery and campanile of the cathedral of Florence provide the setting. Florence appears in the background of the scene where Tobias catches a fish whose innards will heal his father's blindness. Museum: Metropolitan Museum of Art, New York, USA.

The Banquet in the Pine Forest', 1482-1483. Artist: Sandro Botticelli. Sandro Botticelli was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de' Medici.

Andromeda liberata da Perseo / Andromeda freed by Perseus. Date/Period: 1510 - ca. 1515. Painting. Oil on panel. Height: 70 cm (27.5 in); Width: 123 cm (48.4 in). Author: PIERO DI COSIMO.

Shepherd, tender of hogs. Flemish tapestry, Le Main Chaud, early 16th cent. BELGIUM.

Pieter Huys (ca.1519-ca.1584). Flemish Renaissance painter. The Hell, 1570. Fight of angels, demons and infernal torments. Prado Museum. Madrid, Spain.

Hendrik van Balen; Jan Brueghel 'el Viejo' / 'Cybele and the Seasons in a Garland of Fruit', Before 1618, Flemish School, Oil on panel, 106 cm x 75 cm, P01414. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Medieval Italian Trento Buoncosiglio Castle. Eagle Tower. Fresco cycle Twelve Month Allegory by the Bohemian painter Wenceslas. XV century.

Panel with three Angels and Tobias, ca 1470, by Francesco Botticini (1446-1497) and Andrea del Verrocchio (1437-1488), 135x154 cm. Detail.

Hunting, by Giovanni Francesco Barbieri, known as Guercino (1591-1666), fresco, 52x100 cm.

St George and the Princess, by Antonio Pisano also known as Pisanello, 1433 - 1438, 15th Century, detached and torn fresco. Italy, Veneto, Verona, Sant'Anastasia Church, Pellegrini Chapel, formerly on the entry's arch. Detail. Right episode, St George meeting the princess, boat sailing vessel sail sea waves.

the dutch sprichworter. 1559. (Pieter bruegel dA; 1525/30 breda; brussel -1569)

Group of drinkers, ca 1548, by Marcello Fogolino (born between 1483-1488, died 1548), fresco, Palazzo Lantieri, Gorizia, Friuli-Venezia Giulia. Italy, 16th century.

After Carpaccio, St George And The Dragon, 1885 Charles Fairfax Murray, After Carpaccio, Vittore Carpaccio c.1465, 1525, 1526 was an Italian painter of the Venetian school, Armour, Sword, Watercolour, Animal, Horse, Dragon, Religion, Saint

St. Jerome in the Desert c. 1499 Pietro Vannucci Perugino (c.1450-1523/Italian) Musee des Beaux-Arts, Caen

The Ottheinrich Bible was commissioned in c.1425 by the Royal Court of Bavaria. The unusually large manuscript was not completed until the following century when the German painter and engraver, Matthias Gerung, was offered 60 Rhenish guilders and winter clothes to illustrate the text. The Bible carries the name of the benefactor who supported its completion. Ottheinrich (1502-1559) was the Prince of Neuburg, Elector Palatine, soldier, pilgrim, reformer and art patron.

The Madonna of the Magnificent. Painted in circular form, the work depicts the Virgin Mary being crowned by two angels whilst she writes the opening of the Manificat. By Sandro Botticelli (1445 - 1510) Italian painter of the Early Renaissance. Dated 1481

Przeszo Przyszoci Gozzoli, Benozzo (ca 1421 1497)

Study for "The Destruction of Sodom" 1843 Camille Corot French This small sketch records Corots composition for The Destruction of Sodom (29.100.18) as the artist conceived it in 1843. That year, the large painting was rejected by the jurors of the Paris Salon but it was accepted when Corot resubmitted it in 1844.. Study for "The Destruction of Sodom" 435985

Saint Jerome in the Wilderness, Bartolommeo, Fra (1472-1517)

Struggle between Love and Chastity, 1503-1505, by Pietro Perugino (ca 1450-1523), tempera on canvas, 160x191 cm.

Saint Nicholas of Tolentino Saving a Shipwreck. Date/Period: 1457. Painting. Tempera and gold on panel with vertical grain Tempera and gold on panel with vertical grain. Height: 521.21 mm (20.52 in); Width: 422.40 mm (16.62 in). Author: Giovanni di Paolo (Giovanni di Paolo di Grazia).

The Baptism of Christ; Simon Bening, Flemish, about 1483 - 1561; Bruges, Belgium, Europe; about 1525 - 1530; Tempera colors, gold paint, and gold leaf on parchment; Leaf: 16.8 x 11.4 cm (6 5/8 x 4 1/2 in.)

Man making barrels by Leandro Bassano, oil on canvas, 1557-1622, Russia, Tula, State Art Museum, 80x121

Jacopo Bassano, The Miraculous Draught of Fishes, 1545 The Miraculous Draught of Fishes

Christ and the Samaritan Woman. Alessandro Magnasco (Italian, 1667 - 1749)

N.Poussin / Cupids and Genii / 1630

Woman metamorphosing into tree, from The Battle Between Love and Chastity 1503 (detail) (from studio of Isabelle d'Este, Ducal Palace, Mantua)

Woman with water jug. Standing woman with bare breasts pouring water in a jar. Probably the personification temperantia. Part of a series of four allegorical women's figures (SK-A-3424/3427).

Sleeping Endymion, by Giovanni Battista Cima da Conegliano (ca 1459-1517), oil on panel, diameter 24 cm.

Liberating Andromeda, 1510-1513, by Piero di Cosimo (1462-1515), oil on canvas 70x123 cm.

The Infant Bacchus. Dated: probably 1505/1510. Dimensions: overall: 50.1 x 39 cm (19 11/16 x 15 3/8 in.) framed: 72.7 x 61.3 x 8.3 cm (28 5/8 x 24 1/8 x 3 1/4 in.). Medium: oil on panel transferred to panel. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BELLINI.

Pope Sylvester and Emperor Constantine stories, by Prospero Fontana (1512-1597), fresco, hall, Palazzina della Viola, Bologna, Emilia-Romagna. Italy, 16th century.

Glorification of Commerce and Science, Anonymous, 1625 - 1649

Anonymous / 'Infernal Landscape'. Ca. 1565. Oil on panel. Museum: Museo del Prado, Madrid, España.

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