Renaissance Religious Art

Vibrant Renaissance artworks depicting biblical scenes with rich colors and detailed characters, illustrating themes of adoration and devotion.

Gozzoli, Benozzo di Lese, called Benozzo (1420-1497). St Dominic Reuscitates Napoleone Orsini. 1461. Renaissance art. Quattrocento. Oil. ITALY. LOMBARDY. Milan. Pinacotheca of Brera.

Gozzoli, Benozzo di Lese, called Benozzo (1420-1497). St Dominic Reuscitates Napoleone Orsini. 1461. Renaissance art. Quattrocento. Oil. ITALY. LOMBARDY. Milan. Pinacotheca of Brera.

The Adoration of the Kings - Sandro Botticelli and Filippino Lippi, circa 1470

Artist: Luca Signorelli, Italian, Cortona, ca. 1450-1523, The Adoration of theMagi, ca.1508, Tempera and oil on panel, 35 × 43.8 cm (13 3/4 × 17 1/4 in.), Onview, Italian,Cortona, 16thcentury, Paintings

Mstr.Landsberg Birth / Mary & Joseph

Salome Asking Herod for the Head of Saint John the Baptist 1455-1460 Italy. Giovanni di Paolo worked within the conservative artistic tradition of Siena, creating rich patterns and an intensely devotional mood in his paintings. Among his finest narrative works are these six panels, part of a series of twelve depicting the life of Saint John the Baptist, the kinsman and prophet of Christ. Other panels from the series are scattered in European and American collections; they may originally have formed the doors of a shrine housing a relic of the saint. In the first of the Art Instituteís panels, the young Baptist enters the wilderness to live as a hermit; later he foretells Christís role as redeemer, is imprisoned, and is finally martyred at the request of Salome, the step-daughter of King Herod.. Tempera on panel . Giovanni di Paolo

Ghirlandaio /Adoration of Shepherds/1485

The Adoration of the Kings is a large oil-on-oak painting by Jan Gossaert (born Jean Gossaert, also known as Jan Mabuse), dated to 1510ñ15, depicting the Adoration of the Magi. Jan Gossaert (c.1478 ñ 1532) was a Flemish painter also known as Jan Mabuse

Virgin Mary sitting on throne by Vittore Crivelli, tempera on panel, circa 1480, circa 1440-1501/2, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 113x190

"LA RESURRECCION DE LAZARO". Miniatura de "Heures de la Tour et Taxis" del siglo XVI. Castillo de Chantilly. Francia.

WEYDEN, Rogier van der (1400-1464). The Deposition from the Cross. ca. 1435. Christ, dead, the Maries and the Saints. Work painted for the chapel of the Crossbowmen in Leuven. There are two copies, one executed by Michel Coxcie placed at El Escorial and another anonymous at the Prado. International gothic. Oil on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Triptych, c1486-1530. Artist: Quentin Metsys I

A scene from St John the Bapiste', Detail, c1500-1540. Artist: Francesco Granacci

Das Gleichnis von den klugen und törichten Jungfrauen, unvollendet, vom Schöpfer: Peter von Cornelius, 1813 - 1816 / The Parable of Wise and Foolish Virgins, unfinished, by Creator: Peter von Cornelius, 1813 - 1816, Historisch, historical, digital improved reproduction of an original artwork from the time / digital restaurierte Reproduktion einer Originalvorlage aus der damaligen Zeit, genaues Originaldatum nicht bekannt.

Scenes from Life of Saint John the Baptist by Francesco Granacci also known as Francesco di Andrea di Marco (Villamagna 1469-1543 Florence) ; Tempera Oil and gold on wood.

Painting titled 'The Nativity' by Piero della Francesca, an Italian painter of the Early Renaissance. Dated 15th Century

The Angel Releases Saint Peter From Prison Filippino Lippi (1457/8-1504 Italian) Cappella Brancacci, Santa Maria del Carmine, Florence, Italy

Jacob Jordaens / 'Offering to Ceres', ca. 1619, Flemish School, Oil on canvas, 165 cm x 112 cm, P01547. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Entombment; Simon Bening (Flemish, about 1483 - 1561); Bruges, Belgium; about 1525 - 1530; Tempera colors, gold paint, and gold leaf on parchment; Leaf: 16.8 x 11.4 cm (6 5,8 x 4 1,2 in.)

Three scenes from the story of Esther, 1470-1475. The Grand Vizier Aman asks in vain for Esther's mercy. By Italians painters Sandro Botticelli (1445-1510) and Filippino Lippi (1457-1504). Louvre Museum. Paris. France.

Boccaccio Boccaccino (1466/1467-1524/1525). Italian painter. Adoration of the shepherds, ca.1500-1507. Bourbon Collection. National Museum of Capodimonte. Naples. Italy.

Fresco cycle in the Scrovegni Chapel, by Giotto, 1304 - 1306, 14th Century, fresco. Italy, Veneto, Padua, Scrovegni Chapel. Detail. Scenes from the Life of the Virgin of marriage of Mary and Joseph, the other suitors (left group).

Salome Asking Herod for the Head of Saint John the Baptist. Giovanni di Paolo; Italian, 1398-1482. Date: 1455-1460. Dimensions: 69.1 × 36 cm (27 3/16 × 14 3/16 in.); painted surface: 66.7 × 33.7 cm (26 5/16 × 13 1/4 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Benozzo Gozzoli, The Raising of Lazarus, Italian, c. 1421 - 1497, mid 1490s, canvas

The Annunciation, the annunciation (by Sandro Botticelli (1445 - 1510), one of the most important Italian painters and draftsmen of the early Renaissance, historical, digitally restored reproduction from an original.

Adoration of the Shepherds, c. 1500. Northern Italy, late 15th-early 16th Century. Oil on wood; framed: 63 x 51 x 7.8 cm (24 13/16 x 20 1/16 x 3 1/16 in.); unframed: 41.5 x 29.8 cm (16 5/16 x 11 3/4 in.).

Artist: Neri di Bicci, Italian, Florence, 1419-1492/93, A Scene from the Legend of Saint Nicholas ofBari, ca.1460-1470, Tempera on panel, 30.8 × 30.5 cm (12 1/8 × 12 in.), Made in Florence, Italy, Italian,Florence, 15thcentury, Paintings

SANTO DOMINGO DE GUZMAN Y LOS ALBIGENSES - 1493-1499 - O/T - NP 609 - TRANSICION GOTICO RENACIMIENTO - CONJUNTO 9456. Author: PEDRO BERRUGUETE. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Fano (Italia, Marche. prov.incia di Pesaro-Urbino). Chiesa di Santa Maria Nuova, Pietro Vannucci detto Il Perugino, Annunciazione, olio su tavola, 1488-89

Bernardo Parentino (1450-1500). Italian painter. Renaissance. The Adoration of the Magi, 1475. Louvre Museum. Paris. France.

'Susanna and the Elders'. Italy, Circa 1595. Dimensions: 80x213 cm. Museum: State Hermitage, St. Petersburg. Author: Leandro Bassano (Leandro da Ponte).

Master of Delft (active in Netherlands in 1500). Triptych of the Kievit Family. Detail. Wallraf-Richartz Museum. Cologne. Germany.

Robert Campin / 'The Betrothal of the Virgin', ca. 1420, Flemish School, Oil on panel, 77 cm x 88 cm, P01887. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Crucifixion, 14th century, by Antonio Veneziano (active 1369-1419). Detail.

REINA DE SABA REZA FRENTE A UN PUENTE CONSTRUIDO CON EL ARBOL PLANTADO EN LA TUMBA DE ADAN. Author: PIERO DELLA FRANCESCA (1420/92). Location: IGLESIA DE SAN FRANCISCO. Arezzo. ITALIA. Adam. REINA DE SABA. SALOMON REY ESPOSA. Bilqis.

Burial of St Ercolano, a scene from the Siege of Totila, 1461-1466, by Benedetto Bonfigli (1420-1496), fresco, Priors Chapel, Priors Palace, Perugia, Umbria. Detail. Italy, 15th century.

Agony in theGarden. Artist, attributed to: Francesco Botticini, Italian, Florence, 1446-1497 Artist, follower of: Domenico Ghirlandaio, Italian, Florence, 1449-1494

The Lamentation by Lucas Cranach, 1518, UK, Birmingham, City Art Gallery

Religious illustration with head of John the Baptist by Master of the Gent Adulteress, Oil on wood, circa 1530, active circa 1530, Private Collection

Annunciation, Legend of the True Cross, Fresco Cycle, Piero della Francesca, Bacci Chapel, Cappella Bacci, Cappella Maggiore, 1452-1466, Basilica of St Francis, Basilica di San Francesco, Arezzo, Tuscany, Italy, Europe

The Nativity. Dated: probably c. 1445. Dimensions: overall: 23.2 x 55.3 cm (9 1/8 x 21 3/4 in.) framed: 27.9 x 59.7 x 5.7 cm (11 x 23 1/2 x 2 1/4 in.). Medium: oil and tempera () on panel. Museum: National Gallery of Art, Washington DC. Author: Fra Filippo Lippi and Workshop.

fine arts, Girolamo da Treviso, (1498 - 1544), painting, ""adoration of the Magi"", Municipal Museum, Treviso,

'The Adoration of the Shepherds', c1450. Artist: Andrea Mantegna

Flemish school. The fountain of Grace. La fuente de le Gracia. Madrid, El Prado. Author: JAN VAN EYCK (1385-1441). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

ANCHETA, JUAN DE. ESCULTOR ESPAÑOL. AZPEITIA 1540 - 15881588. PRESENTACION DE JESUS EN EL TEMPLO. RELIEVE. REAL MONASTERIO DE LAS HUELGAS. BURGOS.

ARTE RENACIMIENTO. ESPAÑA. BARTOLOME BERMEJO (h.1440-h.1498). Pintor español. "PIEDAD DESPLA" (1490). Pintura sobre tabla. Museo de la Catedral de Barcelona. Cataluña.

The Sermon of St. John the Baptist. Date/Period: 1537 - 1540. Painting. On panel. Height: 47 cm (18.5 in); Width: 38 cm (14.9 in). Author: Lucas Cranach the Elder.

San Sanseverino Marche (Italia, Marche - provincia di Macerata), Pinacoteca Civica P. Tacchi Venturi”, Bernardino di Betto, noto come Pinturicchio, Madonna col Bambino, angeli e committente

Shepherd and shepherdess. Pastoral. Flemish tapestry, early 16th cent. BELGIUM.

National Gallery, London, England, UK, GB, Europe

The Lamentation ca. 1330-35 Master of the Codex of Saint George Italian The grieving faces and bold gestures on this exquisitey painted panel, highlighted against a stark gold ground, dramatically convey the emotion of the Passion of the Christ. This panel, along with its companion (acc. no. 61.200.1), are among the few surviving works by the so-called Master of the Codex of Saint George, who is named for a missal he illuminated now in the Biblioteca Apolistica Vaticana, Vatican City. Although trained in Florence, the Master of the Codex of Saint George spent much of his career in Avignon, home of the papal court from 1309 to 1377, where he assimilated characteristics of Sienese and French paintings of the period.The panels were once thought to constitute a complete devotional diptych, but careful examination has shown that they were originally part of a folding polyptych probably composed of six panels organized in an accordion-like fashion, with the pairs of panels closing over one a

S MARTIN RECIBE INVESTIDURA CABALLERO. Author: SIMONE MARTINI (1280-1344). Location: BASILICA DE SAN FRANCISCO. ASSISI. ITALIA. SAINT MARTIN OF TOURS.

Angel of Annunciation, and Virgin Annunciate, by Giovanni Bellini, circa 1500, Galleria dell'Accademia, Venice, Italy, Europe

Stories of St John, 1502 fresco by Filippino Lippi (1457-1504), detail. Strozzi Chapel, Church of Santa Maria Novella, Florence. Italy. 16th century.

Noli Me Tangere 1500-1505 Italy. Peruginoís serene and decorous art was widely influential in his native region of Umbria and beyond, most famously through his contact with the young Raphael. These four panels, together with another one depicting the Resurrection, now at the Metropolitan Museum of Art, New York, once constituted a predellaóa series of small pictures, often with narrative content, forming the base of an altarpiece. In this case, the painting that was positioned above the predella as the focal point of the altarpiece is unidentified. The predella scenes depict moments when Christís special nature was revealed his birth, his baptism by Saint John the Baptist in the river Jordan, his conversation with a woman of Samaria at the well of the patriarch Jacob, the Resurrection, and his appearance to Mary Magdalene after the Resurrection.. Tempera on panel, transferred to canvas . Perugino

MOISES PRUEBA ORO Y FUEGO. Author: GIORGIONE. Location: GALERIA DE LOS UFFIZI. Florenz. ITALIA.

Le mariage mystique de saint François d'Assise. Date/Period: 1444. Painting. Oil on canvas. Height: 940 mm (37 in); Width: 560 mm (22.04 in). Author: Stefano di Gionvanni dit Sassetta.

The Adoration of the Shepherds probably after 1520 Catena (Vincenzo di Biagio) Italian Catenas painting was inspired by the artists with whom he was in closest contact. First among these was his friend the great Venetian painter Giorgione, but there are also allusions in his work to Albrecht Dürer and Giovanni Bellini. Painted about 1520, the Adoration has great charm, but must have already seemed old-fashioned in its approach to composition and the handling of paint in light of the work of Titian.. The Adoration of the Shepherds. Catena (Vincenzo di Biagio) (Italian, Venetian, active by 1506-died 1531). probably after 1520. Oil on canvas. Paintings

TABLA CON LAS FIGURAS DE SANTA APOLONIA Y SANTA MARIA MAGDALENA - 1507-1508. Author: JUAN DE FLANDES (1465-1519). Location: ESCUELAS MENORES-MUSEO UNIVERSITARIO. SALAMANCA. SPAIN.

'Central panel from triptych the 'Adoration of the Magi', 1479-1480. Creator: Hans Memling.

The Adoration of the Kings, 1542 - Jacopo Bassano

Easter Morning, 1818, by Johann Friedrich Overbeck (1789-1869), oil on canvas.

Saint Francis before the Pope (The Approva of the Franciscan Rule). Spinello Aretino (Spinello di Luca Spinello); Italian, 1445/52-1410. Date: 1390-1400. Dimensions: 88.7 × 62.9 cm (34 7/8 × 24 3/4 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: SPINELLO ARETINO.

Samson and Delilah, Lucas Cranach the Elder, circa 1528-1530, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

The Adoration of the Magi. Artist: Quentin Metsys (Netherlandish, Leuven 1466-1530 Kiel). Dimensions: 40 1/2 x 31 1/2 in. (102.9 x 80 cm). Date: 1526.This intentionally claustrophobic composition is characteristic of the Antwerp Mannerist style of the first half of the sixteenth century. The scene is viewed up close, with half-length, gesticulating figures separated from the viewer by a fictive ledge. Finely wrought goldsmith work--such as was actually produced for the opulent taste of the cosmopolitan community in Antwerp--abounds. The caricature-like features of the Magi and their retinue reveal the artist's interest in the extreme physiognomic types popularized by Leonardo da Vinci and made available through prints. It was this interest in the psychology of physiognomy that made Metsys such a gifted portraitist. Museum: Metropolitan Museum of Art, New York, USA. Author: QUENTIN METSYS.

Cupid and Psyche - Palace Green Murals - Psyche at the Shrines of Juno and Ceres, 1881. By Sir Edward Burne-Jones and Walter Crane. A scene from William Morris' 'The Earthly Paradise'.

Gothic Art. Spain. 15th century. The flight into Egypt. Tempera on wood. Anonymous. Museum of Fine Arts. Zaragoza. Aragon.

BEAUGRANT, GUIOT ESCULTOR DE ORIGEN FLAMENCO ACTIVO EN VIZCAYA ENTRE 1530 - 1549. " DESCENDIMIENTO ". JESUCRISTO COLEGIATA DE ZENARRUZA. VIZCAYA.

Louvre museum, Paris, France.Sebastiano Luciani, dit Sebastiano del Piombo, The Visitation.oil on panel transferred to canvas, about 1519.

Unbek.Meister, Vision des hl. Bernhard - -

The Nativity. Master of Pulkau; Bavarian or Austrian, active c. 1505-1520. Date: 1507-1510. Dimensions: 44 5/8 × 29 3/16 in. (111.4 × 74.1 cm)Painted surface: 43 5/8 × 28 5/16 in. (110.8 × 73.5 cm). Oil on panel. Origin: Austria. Museum: The Chicago Art Institute, Chicago, USA.

The Deposition. Date/Period: Ca. 1490. Painting. Oil on panel. Height: 610 mm (24.01 in); Width: 997 mm (39.25 in). Author: Follower of Rogier van der Weyden.

Altarpiece of St. Vicent. Master of Estopanya, Huesca. Tempera and gold leaf on wood. 14th century. National Art Museum of Catalonia. Barcelona, Catalonia, Spain. Author: Master of Estopanya active in Aragon / Catalonia.

San Ginesio (Italia, Marche, provincia di Macerata), Pinacoteca Comunale Gentili. Stefano Folchetti, Madonna in trono col Bambino e i santi Bendetto, Rocco, Sebastiano e Bernardo, 1492

Saints Michael and Francis. Artist: Juan de Flandes (Netherlandish, active by 1496-died 1519 Palencia). Dimensions: Overall, with added strips at right and bottom, 36 7/8 x 34 1/4 in. (93.7 x 87 cm); painted surface 35 3/8 x 32 3/4 in. (89.9 x 83.2 cm). Date: ca. 1505-9.This panel was originally part of a large Spanish altarpiece. The artist has placed both figures within niches, but in contrast to the frontal, ascetic image of Saint Francis, who is neatly contained within the shallow space, Michael extends beyond his niche. Stabbing the dragon at his feet, the archangel gazes earthward at the apocalyptic vision--a walled, smoking city--that is reflected in his decorative shield. This latter detail still hints at Juan de Flandes's Netherlandish origin. The introduction of a gold background and the broad painting technique, however, reveal his efforts to adapt his style to Spanish taste. Museum: Metropolitan Museum of Art, New York, USA. Author: JUAN DE FLANDES.

Saint John on Patmos; Paris, France; 1544; Tempera colors and gold paint on uterine parchment; Leaf: 14.3 x 8.1 cm (5 5,8 x 3 3,16 in.)

The Lamentation. Dated: c. 1550. Dimensions: overall: 21.6 x 14.5 cm (8 1/2 x 5 11/16 in.). Medium: gouache heightened with gold on vellum. Museum: National Gallery of Art, Washington DC. Author: GIULIO CLOVIO.

Paris (1st arr.), France Athalie chased from the Temple, Antoine Coypel, Louvre museum , (French - Paris ( Ier arr. ) , France Athalie chassée du temple , Antoine Coypel , musée du Louvre). Museum, Christianity, Painting, Religion , Art, France, Paris, Louvre museum: Athalie chased from the Temple (Coypel, n ° 167)

Ivan the Terrible by Lebedev, Klavdi Vasilyevich (1852-1916) / Private Collection / 1904 / Russia / Oil on canvas / History / 32x38,5 / History painting

An Allegory (Vision of a Knight) by Raphael (1483-1520)/ National Gallery, London/ c. 1504/ Italy, Roman School/ Oil on wood/ Renaissance/ 17,1x17,3/ Mythology, Allegory and Literature

Altarpiece entitled Blessed Agostino Novello and stories of his life, ca 1330, by Simone Martini (1283-1344), oil on canvas, 200x256 cm.

Meeting of King Solomon and the Queen of Sheba, detail, Legend of the True Cross, Fresco Cycle, Piero della Francesca, Bacci Chapel, Cappella Bacci, Cappella Maggiore, 1452-1466, Basilica of St Francis, Basilica di San Francesco, Arezzo, Tuscany, Italy, Europe

CURACION DEL REY MARTI I DE CATALUÑA Y ARAGÓN (1541-1542). Museum: MUSEO DIOCESANO DE BARCELONA. Author: PERE NUNYES. ENRIC FERNANDES.

Robert Campin (c. 1375- 1444). Identified as the Master of Flemalle. Flemish painter. Trinity (Left Wing of a Diptych), 1430s. Oil on panel. The State Hermitage Museum. Saint Petersburg. Russia.

The Coronation of the Virgin. Dated: c. 1475. Dimensions: overall: 90.5 x 222.9 cm (35 5/8 x 87 3/4 in.) framed: 99.1 x 229.9 x 7.6 cm (39 x 90 1/2 x 3 in.). Medium: tempera and oil on poplar panel. Museum: National Gallery of Art, Washington DC. Author: FILIPPINO LIPPI.

SAN JERONIMO PENITENTE. Author: MEISTER VON SEO DE URGEL. Location: MUSEU NACIONAL D'ART CATALUNYA, BARCELONA, SPAIN.

Detail from the painting titled 'The Adoration of the Kings' by Jan Gossaert (1478-1532) a French painter and member of the Guild of Saint Luke. Dated 16th Century

The Circumcision by Bartolomeo Veneto, painted 1506, Pais, France, Europe

MANTEGNA, Andrea (1431-1506). Death of the Virgin. 1462. Scene with the Virgin surrounded by eleven Apostles. In the bcakgroung, view of Mantua, more specifically the bridge of Saint Giorgio between the lakes 'mezzo' and 'inferiore'. Renaissance art. Oil on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Pierre Louis Delaval (1790-1868). "Sketch for the Saint-Philippe-du-Roule church:" Saint Philippe leaving his family to follow Jesus Christ ". Oil on canvas, lead mine. 1826-1826. Museum of Fine Arts of the city of Paris, small Palace. Figurative art, religious art, sketch, holy history, Christian iconography, religious iconography, saint

"The Reconciliation of Romans and Sabines Late 1480s; Tempera and gold on panel by Jacopo del Sellaio (Jacopo di Archangelo), Italian (active Florence), 1441/42 - 1493"

Central panel of the Triptych of Jan Floreins by Memling, Hans (1433/40-1494) / Memlingmuseum, Bruges / 1479 / The Netherlands / Oil on wood / Bible / 57,4x46,3 / Early Netherlandish Art

The Agony in the Garden; about 1320; Egg tempera on wood panel Unknown Artist; Florence

Massolino da Panicale, Tommaso di Cristoforo Fini, called (1383-1440). Italian painter. Foundation of the Church of Santa Maria Maggiore in Rome, 1423-1428. Tempera on gold on panel. Farnese Collection. National Museum of Capodimonte. Naples. Italy.

Italy - Tuscany region - Siena - The Palazzo Pubblico (Town Hall), Hall of the Nine (also known as Sala della Pace). Ambrogio Lorenzetti (1319-1347), Effects of Good and Bad Government on Town and Country. Allegory of Good Government (1337-1343), Commutative Justice. Fresco detail

The Rest on the Flight into Egypt Netherlandish (Antwerp) Painters Growing demand for panel paintings in early sixteenth-century Antwerp, encouraged artists to specialize and collaborate; this picture was probably the result of such a collaboration. The charming landscape is comparable to those ascribed to the Master of the Female Half-Lengths, who apparently trained in Joachim Patinir's workshop, while the Virgin and Child may be from the workshop of Quentin Massys.. The Rest on the Flight into Egypt. Netherlandish (Antwerp) Painters (mid-16th century). Oil on wood. Paintings

Epifania, Fernando Gallego o su taller, 1495, oleo sobre tabla, Museo Diocesano de Salamanca, Catedral Vieja, Salamanca, comunidad autónoma de Castilla y León, Spain.

Saint John the Baptist, Jacopo del Sellaio, circa 1480, National Gallery of Art, Washington DC, USA, North America

Ludovico Mazzolino (1480-ca. 1528). Italian painter. Virgin and Child on the throne with Saint Andrew and Saint Peter, ca. 1500-1520. Oil on panel. Ala Ponzone Civic Museum. Cremona. Italy.

The Ansidei Madonna, 1505, (1911). Artist: Raphael

Italy, Veneto, Padua, Capella degli Scrovegni, Giotto fresco detail.

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