Renaissance Religious Artwork

Historical religious paintings and tapestries from the Renaissance, highlighting biblical scenes and figures with detailed craftsmanship and rich colors, emphasizing faith and devotion.

"Predella panel showing the Funeral of the Virgin and the Virgin Being Received by Christ in Heaven c. 1425 Tempera and tooled gold on panel by Fra Angelico, Italian"

BASTIANI, Lazzaro (1449-1512). Christ and the Cananeans. end 15th c. Renaissance art. Quattrocento. Oil. ITALY. VENETO. Venice. Gallerie dell'Accademia (Academy Gallery).

PARTE POSTERIOR DEL TRIPTICO STEFANESCHIPARA EL ALTAR MAYOR DE LA ANTIGUA BASILICA DE SAN PEDRO- TEMPLE SOBRE TABLA - 1320/1330. Author: GIOTTO DE BONDONE (1266-1337). Location: MUSEOS VATICANOS-PINACOTECA. VATICANO. Saint Andrew. JACOPO STEFANESCHI. APOSTLE PETER. SAN JUAN EVANGELISTA Y APOSTOL. CELESTINO I PAPA. PAPA CELESTINO I. Apóstol Santiago el Mayor. SAN PABLO APOSTOL-PABLO DE TARSO.

Saint Mark museum. Tapestry in wool with episodes from the Passion of Christ. The Incredulity of Saint Thomas.

Johann Koerbecke Himmelfahrt Christi Painting; tempera on panel; overall: 92.7 x 64.8 cm (36 1/2 x 25 1/2 in.) framed: 117.1 x 85.1 cm (46 1/8 x 33 1/2 in.);

LA CORONACION DE LA VIRGEN-1435-209x206 CM. Author: FRA ANGELICO. Location: LOUVRE MUSEUM-PAINTINGS. France. VIRGIN MARY. DIOS PADRE. PADRE ETERNO. DIOS.

Detail of the ceiling showing the Temptation of Jesus, Room of the Fire in the Borgo, Vatican Museum, Vatican, Rome, Lazio, Italy, Europe

Detail of 'The Death of the Virgin' by Pedro Garcia de Benavarre, 1460-1465. Museum: Museu d'Història de Catalunya, Barcelona.

The Raising of Lazarus. Date/Period: 1310-11. Painting. Tempera and gold on panel. Height: 43.50 mm (1.71 in); Width: 46.40 mm (1.82 in). Author: DUCCIO DI BUONINSEGNA.

"Predella panel showing the Funeral of the Virgin and the Virgin Being Received by Christ in Heaven c. 1425 Tempera and tooled gold on panel by Fra Angelico, Italian"

FLORENCE, TUSCANY/ITALY - OCTOBER 19 : Madonna and child enthroned with angels St Nicholas and St Anthony the Abbot painting in the Uffizi gallery in Florence on October 19, 2019

DETALLE DEL RETABLO MAYOR DE LA CATEDRAL DE SALAMANCA - JESUS CURA A LA HEMORROISA - SIGLO XV - GOTICO INTERNACIONAL. Author: FLORENTINO NICOLAS O DELLI NICOLO. Location: CATEDRAL VIEJA. SALAMANCA. SPAIN.

Triptych with Crucifixion as central panel. Master of Bologna, 15th century.

Departure of Mary from Apostles / Duccio

Descent into Limbo, Frescoes by Andrea di Bonaiuto, 1365-1367, Apsidal Chapel, or Spanish Chapel, Santa Maria Novella, Florence, Tuscany, Italy, Europe

Lorenzetti / Arrest of Christ / fresco

Mosaic on Saint Marks Basilica, Ascension of Christ, Venice, Italy, Europe

Mary and Joseph (The Annunciation retable with 5 Predella scenes) by Angelico, Fra Giovanni, da Fiesole (ca. 1400-1455)/ Museo del Prado, Madrid/ 1430-1432/ Italy, Florentine School/ Tempera on panel/ Renaissance/ Bible

SODOMA, Giovanni Antonio Bazzi, also called Il (1477-1549). ITALY. SIENA. Abbey of Monte Oliveto Maggiore. Fresco painting placed in Chiostro Grande. 'Come Benedetto scomunica due religiose e le assolve poi che furono morte'. Detail depicting a mass celebration in the church. Renaissance art. Fresco.

The Dormition of the Virgin; (reverse) Christ Carrying the Cross ca. 1510 Hans Schäufelein German Front label: This large, double-sided panel is one of four that formed the wings of a folding triptych. When open, the altarpiece showed episodes from the life of the Virgin Maryhere her death, or dormition. Dürer’s influence is evident in the humanity conveyed in the individualized heads of the apostles and their concentrated mood of quiet sorrow. Schäufelein was among Dürer's most gifted pupils and the one whose style most consistently showed the influence of the great German master. Between 1509 and 1515, he also served in the Augsburg workshop of Hans Holbein the Elder. For more information about this painting, including a reconstruction of the triptych, visit metmuseum.org.Reverse label: When closed, the monumental triptych to which this panel belonged showed scenes from the Passion of Christ. They were painted by an artist known as the Master of Engerda and were based on designs by

Italy - Umbria Region - Assisi (Perugia province). UNESCO World Heritage List, 2000. Church of Santa Maria degli Angeli, Porziuncola. Detail of fresco

Europe, Italy, Venice. San Marco church, religious artwork

CAPILLA DE SAN WENCESLAO - 'PENTECOSTES'. Location: CATEDRAL DE SAN VITO. PRAG. CZECH REPUBLIC. VIRGIN MARY.

Mosaic of the transit of the Virgin, main nave, Monastery of St. Saviour in Chora, 11th century, Istanbul, Turkey.

Bulgaria - Rila Monastery (last rebuilt 1816-1847. UNESCO World Heritage List, 1983). Church of the Nativity of the Virgin. Fresco

Stefaneschi triptych, c.1320, showing Christ the Redeemer, Crucifixion of St Peter & martyrdom of St Paul (detail of lower part)

Marriage of the Virgin Mary and Saint Joseph, by Bartolo di Fredi (ca 1330-1410).

LA MAESTA - CRISTO ANTE CAIFAS - NEGACION DE SAN PEDRO - 1308-1311 - TEMPLE/TABLA - 45,5 x 53,7 cm - GOTICO INTERNACIONAL. Author: DUCCIO DI BUONINSEGNA (1255-1319). Location: MUSEO DELLOPERA DEL DUOMO DE SIENA. SIENA. ITALIA. JESUS. CAIAPHAS. APOSTLE PETER.

fine arts, religious art, Jesus Christ, scenes from life, painting, winged altar, right panel, circa 1370, former Cistercian convent Marienthal, Netze / Waldeck, Europe, Germany, 14th century, middle ages, gothic, religion, christianity, altarpiece, layed in grave, resurrection, pentecost, miracle,

MARTINI, Simone di Martino, called Simone (1284-1344). Maestö. 1315. ITALY. Siena. Public Palace. Detail of saints and apostles. Renaissance art. Trecento. Sienese school. Fresco.

Miracle of Lazarus by Giotto di Bondone, fresco, 1304-1306, 1266-1377, Italy, Padua, Cappella degli Scrovegni, 200x185

Military Parade at Campo di Marte, by Duccio di Buoninsegna, 1308 - 1311, 14th Century, tempera on panel, with gold ground. Italy. Tuscany. Siena. Cathedral. Front, cups. All of The funeral of the Virgin. Mary's body lying down on the baldachin carried by men and apostles. On the background is the city with walls.

Italy, Emilia Romagna, Castell'Arquato, Collegiata Church

Presentation of the Cavalli Family to the Virgin and Child, with Sts George, Martin and James, by Altichiero da Zevio, 1370, 14th Century, fresco. Italy: Veneto: Verona: Sant'Anastasia church: Cavalli Chapel. Detail. Men St George Martin James commanders nobles kneeling knights heads horses shields helmets sword arches ogives/pointed arches rose windows women

Deliver of the Keys to Saint Peter. Date/Period: 1560 - 1620. Painting. Fresco. Author: Michele Alberti.

Crucifixion, by Mariotto di Nardo (1394-1424). San Miniato al Monte (St Minias on the Mountain Basilica), Florence. Italy, 15th century.

Madonna with Child, angels, Saints Francis and Lawrence and the Annunciation, 1420-1430, by a Tuscan Master, panel.

Misal de Santa Eulalia. Detalle del Juicio final. Misal manuscrito. Miniaturas de Rafael Destorrents (hacia 1400-1405). 34,3 x 26,5 cm. Folio primero. Capítol de la Catedral de Barcelona, Archivo Capitular. Barcelona.

washing of the feet of the apostles by Jesus, predella of the Passion of the Lord, Francesc Comes, 1390-1415, tempera on wood, monastery of Puig de Maria, Majorca, Spain.

Basilica of Saint Francis of Assisi, Umbria, Italy. Lower church transept fresco.

Marriage of the Virgin, by Zuccari Federico, 1542 - 1609, 16th Century, 17th Century, fresco. Italy, Marche, Loreto, Ancona, Santa Casa Basilica. Whole artwork. Wedding of the Virgin priest turban dog crowd group spiral columns yellow green white azure: light blue blue orange grey brown round arch.

The Pentecost ca. 1446 Artist Unknown Fresco Saint Sebastien Chapel, Lanslevillard, France

Judas' kiss, by the Master of Rubio (14th century), predella of the altarpiece from the Church of Santa Maria, Rubio, painting on wood.

Last Supper, fresco

Madonna and Child enthroned between Saints, Basilica of Santa Croce Basilica of the Holy Cross - famous Franciscan church in Florence, Italy Madonna and Child enthroned between Saints, Basilica of Santa Croce Basilica of the Holy Cross - famous Franciscan church in Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20353937

RETABLO DE ESPALARGUES-ASCENSION XTO DESDE LA ROCA DE MOISES. Location: MUSEUM OF FINE ARTS. Sevilla. Seville. SPAIN. JESUS. VIRGIN MARY.

marientriptychon 1410/20. (Master of the opposite clan altars;)

Scenes from the New Testament, Byzantine Minas Cathedral with colourful frescoes, Heraklion

Initial V: The Ascension.

Saints mosaic, Baptistery of Saint John, Florence, Italy. Baptistery created 1050 to 1150, mosaics by Friar Jacobus in 1200's.

Italy, Venice, la "Serenissima", St Mark's Basilica, mosaic : "Last Judgement"

Deposition from Cross/ Martini / 1335/37

Stories of the Passion of The Last Supper, by Giotto, 1304 - 1306, 14th Century, fresco. Italy, Veneto, Padua, Scrovegni Chapel. Scenes from the Life of Christ of Last Supper, Christ apostles white beige pink blue red halos. aureoles dark apostles mantle. cloak drapery. draping.

Virgin Mary with baby Jesus and Angels, statue from portal of the church of St. Matthew in Budapest, Hungary Virgin Mary with baby Jesus and Angels, statue from portal of the church of St. Matthew in Budapest, Hungary Copyright: xZoonar.com/ZvonimirxAtletix 20610942

Jesus-Christ with the Justice and the Mercy. Detail of the celling. Room of the Fire in the Borgo. Vatican Museum. Rome. Italy.

Middle Rhine Altar, ca. 1410. Detail. Pentecost. Catharijneconvent Museum. Utrecht. Netherlands.

Madonna Between Saints and Donors, by De Passeri (De Passeris) Andrea, 1487 - 1517, 16th Century, panel. Italy, Lombardy, Como, Duomo. All Madonna Virgin Child Christ Resurrection believer kneeling donor cherubs angels red yellow black white brown shades: tones: hues.

The original Coronation of the Virgin by the Italian Renaissance painter Fra Angelico (1395 - 1455). Located in the Uffizi Gallery of Florence. Dated 1432

Apostles, by Niccolo di Pietro (died 1415-1416), section of the predella, 19x100 cm.

Polyptych, by Giusto de' Menabuoi Giusto Padovano, 1360 - 1362, 14th Century, tempera on panel. Italy: Veneto: Padua: Baptistery. Detail. Left panels predella saints Gospel's episodes gold cymatium moulding

The Kiss of Judas, fresco

Military Parade at Campo di Marte, by Duccio di Buoninsegna, 1308 - 1311, 14th Century, tempera on panel, with gold ground. Italy. Tuscany. Siena. Cathedral. Front, cups, third panel from the left. All of Parting from the Apostles. Mary lying down on bed in her room, surrounded by the apostles.

Frescoes, Feodorovsky Cathedral, UNESCO World Heritage Site, Yaroslavl, Golden Ring, Yaroslavl Oblast, Russia, Europe

Mosaic of the Deposition of Christ; in the Church of the Holy Sepulchre. The Church of the Holy Sepulchre in Jerusalem is identified as the place both of the crucifixion and the tomb of Jesus of Nazareth. Originally built by the mother of Emperor Constantine in 330 A.D. The original Byzantine church was destroyed by the Persians in AD 614.

Master of the Glorification of the Virgin (active in Cologne, second half of the 15th century). Glorification of Mary, ca.1470. Wallraf-Richartz Museum. Cologne. Germany.

Creation of Man and Woman Fresco Giusto di Giovanni Menabuoi (op. 1363-1393/Italian) Baptistry of the Cathedral, Padua

Adoration of the Trinity by all the Saints, 1511, by Albrecht Durer (1471-1528), oil on canvas, 135x123 cm.

Virgin and Holy Ghost in Saint_Nicolas de Veroce church, Haute Savoie, France, Europe

Lippo Memmi (1291-1356). Italian painter from Siena. The Assumption of the Virgin, 1340. Alte Pinakothek. Munich. Germany.

Austria, Vienna, Illustration of Dante Alighieri's Divine Comedy (Heaven, Song XIII) by Franz von Bayros, detail

Mosaic of the transit of the Virgin, main nave, Monastery of St. Saviour in Chora, 11th century, Istanbul, Turkey.

The Ascension. Culture: Italian. Dimensions: 11 3/8 x 16 1/2 in. (28.9 x 41.9 cm). Date: 14th century. Museum: Metropolitan Museum of Art, New York, USA.

Italy, Veneto, Padua, Capella degli Scrovegni, The Lament Over the Dead Christ, fresco by Giotto.

Transfiguration, Cell 6, by Fra Beato Angelico, 1440-42, Convent of San Marco, Florence, Tuscany, Italy, Europe

Madonna and Child with Saints. Artist: Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398-1482 Siena). Dimensions: Central panel 82 3/4 x 25 7/8 in. (210.2 x 65.7 cm); left panels 70 7/8 x 16 7/8 in. (180 x 42.9 cm), 70 7/8 x 16 3/4 in. (180 x 42.5 cm); right panels 70 7/8 x 16 7/8 in. (180 x 42.9 cm), 70 7/8 x 16 3/4 in. (180 x 42.5 cm). Date: 1454.This multi-panel altarpiece (polyptych) was painted to decorate a chapel in a church belonging to the Augustinian order, possibly in Cortona. Saint Nicholas of Tolentino was canonized in 1446 and wears the Augustinian habit. The altarpiece would have been completed with five pinnacles showing the evangelists and Christ, a base (predella) showing the history of Saint John the Baptist, and pilasters with small figures of saints. The archaizing style, with highly stylized figures on a gold background, is indicative of Giovanni di Paolo's preference for the work of his great fourteenth-century forebears. For more information a

Madonna and Child Enthroned Master of Monte Oliveto Italian This portable triptych is by an anonymous master who was deeply influenced by Duccio. The narrative scenes of the Passion of Christ are related to the comparable scenes of Duccio's great altarpiece, the Maestà. The work probably dates between 1315 and 1320.. Madonna and Child Enthroned. Master of Monte Oliveto (Italian, active Siena ca. 1305-35). Tempera on wood, gold ground. Paintings

Deposition of Christ or "Lamentation", a fresco by Florentine painter, Giotto di Bondone. Circa 1304-1306.

Predella of the Altarpiece of St Anne (Wolf Huber), Christ's sweat cloth 1521, St, Saint, Saint

dormicion de la Virgen rodeada por los apostoles, retablo del siglo XV, capilla de las Animas,iglesia gotica de Santa Eulalia, siglos XIV-XIX, plaza de Santa Eularia, Mallorca, Islas Baleares, España.

LORENZETTI, Pietro (1280-1348). Entry of Christ into Jerusalem. ca. 1320. ITALY. Assisi. Lower Basilica of San Francesco d'Assisi (St Francis). Located in the church transept. Renaissance art. Trecento. Fresco.

The Annunciation - Detail from the Dormition of the Blessed Virgin. Madrid, Prado museum. Author: GUIDO DI PIETRO (1400/1455) FRA ANGELICO o FRAY AN. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. VIRGIN MARY.

Romain Cazes (v.1810-1881). "The mission of the apostles". Sketch for the Saint-François-Xavier church. Around 1868. Museum of Fine Arts of the City of Paris, Petit Palais. 39233-2 Apotre, Bible, Catholic, Christian Chretian, Christ, Saint-Francois-Xavier Church, sketch, mission, biblical scene, saint

Religious painting in the Hospices de Beaune, a medieval hospital in the town of Beaune in the Burgundy region of eastern France.

Devout women at the tomb, by and anonymous artist from Novgorod School, 15th Century.

Military Parade at Campo di Marte, by Duccio di Buoninsegna, 1308 - 1311, 14th Century, tempera on panel, with gold ground. Italy. Tuscany. Siena. Cathedral. Front, cusps, first panel from the right. All of Burial of the Virgin. The apostles placing in the sepulcher the Mary's body with a shroud. On the background, foreshortened view of rocky hills and trees.

The Deposition of Christ; about 1470; Paint on panel Carlo Crivelli; Italian; 1430/35-95

Gothic altar cut from linden wood, parish church of St. Wolfgang, Kefermarkt, Muehlviertel, Upper Austria, Austria, Europe

The original 'Coronation of the Virgin' by the Italian Renaissance painter Fra Angelico (1395 - 1455). Located in the Uffizi Gallery of Florence. Dated 1432

DETALLE DEL RETABLO MAYOR DE LA CATEDRAL DE SALAMANCA - LA MAGDALENA A LOS PIES DE JESUS - SIGLO XV - GOTICO INTERNACIONAL. Author: FLORENTINO NICOLAS O DELLI NICOLO. Location: CATEDRAL VIEJA. SALAMANCA. SPAIN. JESUS. MARY MAGDALENE.

Bulgaria - Rhodope Mountains - Rila Monastery (UNESCO World Heritage List, 1983). Fresco

The Ascension of Christ, altarpiece from Verdu, 1432-34, by Jaume Ferrer II known as The Younger (active between 1430 and 1460-1470), oil on canvas, 159x93 cm.

Military Parade at Campo di Marte, by Duccio di Buoninsegna, 1308 - 1311, 14th Century, tempera on panel, with gold ground. Italy. Tuscany. Siena. Cathedral. Front, main register. Detail of right section of table with angels and saints, red cloaks/mantles catching the eyes

Renunciation of Worldly Goods, Frescoes on the Life of St Francis, by Domenico Ghirlandaio, 1483-85, Capella Sassetti, Sassetti Chapel, Chiesa di Santa Trinita, Church of Santa Trinita, Florence, Tuscany, Italy, Europe

N.A., USA, AZ, Tucson, San Xavier del Bac Mission Interior

Transfiguration of Jesus in the presence of James, Peter and John. Codex of Predis (1476). Royal Library. Turin. Italy.

Italy - Veneto region - Padua. Scrovegni Chapel. Giotto (c. 1267-1337). Flight into Egypt. Fresco

Virgin and Child with Saints (Boston Polyptych) by Martini, Simone, di (1280/85-1344) / Isabella Stewart Gardner Museum, Boston / Gothic / Between 1321 and 1325 / Italy, School of Siena / Tempera on panel / Bible / 235x405

LA MAESTA - APARICION DE CRISTO A LOS APOSTOLES ENTRE LAS PUERTAS CERRADAS - 1308-1311 - TEMPLE/TABLA - 39,7 x 52,2 cm - GOTICO INTERNACIONAL. Author: DUCCIO DI BUONINSEGNA (1255-1319). Location: MUSEO DELLOPERA DEL DUOMO DE SIENA. SIENA. ITALIA. JESUS. CRISTO RESUCITADO.

Cappella Palatina, Palace Chapel, Court Chapel of the Palazzo dei Normanni, Palermo, Sicily, Italy, Europe

Simone Martini, Lippo Memmi/ Annunciation with St. Maxima and St. Ansanus. 1333. Tempera on wood, gold background. 184 x 168 cm. Museum: Uffizi Gallery, FLORENCIA, ITALIA.

Martyrdom of St Julian, altarpiece by Paolo Veronese (1528-88), Church of San Giuliano, Rimini, Italy. Detail.

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