Renaissance Religious Engravings

A collection of copper engravings showcasing religious themes, featuring angels, the Virgin Mary, and symbolic iconography in detailed, expressive styles.

Copper engraving and etching by Jean Audran created between 1687 and 1722 depicting the Eucharist with detailed religious imagery characteristic of late 17th to early 18th-century European printmaking.

A 1600-1634 copper engraving by Raphael Sadeler the Elder depicting the Annunciation to Mary, showing the angel Gabriel, Mary, gestures, and sacred setting.

Copper engraving by Philipp Galle depicting the holy towel of Jesus being venerated by angels, reflecting religious iconography of the 16th century.

Copper engraving by an unknown engraver from mid 16th to 17th century depicting the Virgin Mary preaching, with detailed religious figures and composition.

This copper engraving by Jacob Matham, created between 1590 and 1602, depicts the penitent Mary Magdalene, emphasizing devotional expression and detailed religious symbolism.

Copper engraving and etching by Dirck Volkertszoon Coornhert depicting the recent court and the six works of mercy, created in 1552.

Copper engraving by Crispin van de Passe from 1584-1637 depicting the mystical marriage of St. Katharina and the Holy Family, showing figures, gestures, and religious symbols.

Copper engraving and etching by Jean Audran created between 1687 and 1722 depicting the Eucharist with detailed religious imagery characteristic of late 17th to early 18th-century European printmaking.

Etching from the 17th-18th century depicting a saint and the birth of Christ, showing Mary, Joseph, and the infant Jesus.

Christoffel van Sichem I's copper engraving depicts the presentation of Mary in the temple, illustrating a biblical scene from the late 16th to early 17th century.

Etching by Giovanni Battista Franco depicting the Annunciation to Mary, created between 1560 and 1580, showing the angel Gabriel delivering the message in a domestic or architectural setting.

Etching by Carlo Maratta depicting the mystical marriage of St. Katharina, created between 1645 and 1660, showing a religious ceremony with symbolic figures.

Etching by Charles Nicolas Cochin the Younger from 1730-1790 depicting St. Augustine delivering a sermon, showing audience, gestures, and religious setting.

Copper engraving by Cornelis Galle the Younger II from 1627-1678 depicting Saints Vinzenz and Jacobus the Elder. The print shows figures, gestures, attire, facial expressions, and symbolic attributes in 17th-century European style.

This etching by Pietro Testa depicts the Adoration of the Magi, created between 1628 and 1650. The scene shows the three kings presenting gifts to the Christ Child with accompanying figures.

Copper engraving by Cornelis Cort depicting the Holy Family with St. Anna and Joachim, and the Coronation of Mary, created around 1560-1563.

Étienne Jeaurat engraved 'Birth of Christ' in 1717, depicting the nativity scene with Mary, Joseph, infant Jesus, and attendants in copper engraving and etching format.

Copper engraving by Cherubino Alberti depicting Mary being crowned by Christ, created in 1572. The composition includes surrounding angels and symbolic elements.

Copper engraving by Cornelis Cort depicting St. Bernhard carrying the instruments of Christ's Passion and St. Francis of Assisi, created between 1555 and 1575.

Copper engraving by Jan-Baptist Barbé depicting portraits of apostles and evangelists, produced between 1600 and 1649.

Copper engraving by Johann Sadeler the Elder depicting Saints Bruno and Guilielmus, created in the 17th century, illustrating religious figures, attire, and 17th-century devotional context.

Copper engraving by Cornelis Galle the Elder from 1625-1640 depicting Christ carrying the cross, showing figures, cross, and symbolic Christian elements in European 17th-century style.

Etching by John Greenwood depicting the twelve-year-old Jesus in the temple, showing Jesus, elders, temple interior, gestures, and attire, created between 1740 and 1792.

Copper engraving by Hieronymus Wierix depicting a saint, created between 1570 and 1619, showcasing Flemish engraving techniques and religious imagery of the 16th and early 17th centuries.

Copper engraving depicting the rapture of Saint Cecilia, showing the saint in a religious and musical context, created between 1610 and 1750.

Copper engraving by Hieronymus Wierix created between 1573 and 1619 depicting Christ putting evil in chains, showing human figure, symbolic gesture, and religious narrative in late 16th- and early 17th-century style.

Copper engraving and etching by Pieter de Jode depicting the penitent Mary Magdalene, showing her in devotional posture with symbolic objects representing repentance in the late 17th century.

Copper engraving by Gerard Edelinck, 1660-1707, depicting Christian figures and scenes, showing gestures, attire, and composition in religious representation.

Copper engraving by Jan Collaert the Younger depicting the Passion, death, and resurrection of Jesus. Produced between 1584 and 1587, it includes crucifixion, resurrection, biblical figures, and Christian iconography.

Copper engraving and etching by François Verdier between 1690 and 1749 depicting the Nativity with figures of Christ, Mary, and surrounding characters.

Etching by Pietro Faccini depicting Saint Francis of Assisi holding the child Jesus, showing devotional and religious iconography, produced between 1580 and 1602.

Copper engraving by Karel van Mallery depicting Saints Scholastica and Lucia, created between 1591 and 1635.

Copper engraving by Michel Lasne depicting Saint Francis receiving the child Jesus, produced between 1617 and 1667.

Copper engraving by Johann Sadeler the Elder depicting Saints Hendrik and Leonardus, created in the 17th century, illustrating religious figures, attire, and 17th-century devotional imagery.

The etching by various artists from 1700-1756 depicts St. Eustachius, showing the saint figure, attire, posture, gestures, and surrounding religious symbols in early 18th-century European style.

Copper engraving by Lucas Vorsterman depicting a title sheet with ecclesia, produced in 1623, showing architectural and religious elements in a detailed composition.

Copper engraving, etching, and lithograph by Christoph Schwarz depicting Christ on the cross with accompanying figures and Saint Magdalena. The work spans 16th-19th-century European religious print traditions.

Copper engraving by Guillaume Vallet from 1654-1661 depicting the Ascension of the Virgin Mary. The print shows Baroque religious composition with detailed linework.

Etching by Michael Willmann depicting Saint Antonius of Padua and Saint Francis of Assisi, created between 1645 and 1706, showing religious figures and attributes.

Copper engraving and etching by Lambert Lombard depicting the four evangelists, created in 1554, showing symbolic representations of the authors of the Gospels.

Etching by Paul van Somer from 1660-1700 showing biblical scenes: Abraham with three angels and Lot with angels, depicting figures, gestures, and narrative.

Antonie Wierix II created a copper engraving between 1565 and 1619 depicting St. Dominikus and St. Antonius with traditional religious garments and attributes.

Copper engraving by Johann Sadeler the Elder depicting Saints Peter and Robert, created in the 17th century, illustrating religious figures, attire, and 17th-century devotional context.

Reproduction of Christ for Pontius Pilatus by Albrecht Dürer, Simonau & Tooey, After Albrecht Dürer, c. 1866 - in or before 1871 photomechanical print maker: Brusselsafter print by: Neurenberg paper Passion of Christ. Christ before Pontius Pilate (Matthew 27:11-26; Mark 15:2-15; Luke 23:2-7, 23:13-25; John 18:28 - 19:16)

Etching depicting the Holy Family with Maria, child, and Johannesknaben, created by Hans von Aachen in the 18th century.

Copper engraving published by Raphael Sadeler the Elder depicting St. Francis in meditation, created between 1580 and 1632, illustrating 16th- and 17th-century European religious art and Christian saints.

Copper engraving and etching by Hans von Aachen from around 1614 depicting the resurrection of Christ, with figures observing and surrounding landscape elements, showing early 17th-century European religious print style.

Etching by Martin Speer from 1715-1765 depicting the Holy Family, showing figures of Mary, Joseph, and the infant Jesus in a devotional scene.

This etching by Bernhard Rode, created between 1748 and 1797, depicts the Crucifixion of Christ, emphasizing the cross, the figure of Christ, and surrounding mourners, reflecting 18th-century religious art.

Copper engraving by Johann Sadeler the Elder from the 17th century depicting Saints Egidius and Ivan, focusing on detailed figures and religious iconography.

1820-1845 steel engraving by Josef von Führich depicting the baptism and St. Elisabeth, showing figures, posture, and religious context.

Copper engraving by Lucas Kilian from the 16th-17th century depicting the proclamation to Mary, showing figures, gestures, and composition.

Copper engraving by Johann Sadeler the Elder from 1594 depicting a saint, showing figure, pose, garments, and religious symbolism.

Copper engraving by Hieronymus Wierix depicting the crucifixion of Christ, created between 1573 and 1619.

Etching by Charles Mellin from 1617-1649 showing the coronation of Maria with St. Georg and John the Baptist, including religious figures and iconography.

17th-century etching showing the resurrection of Lazarus and Christ blessing children, depicting figures, gestures, and landscape, by an unidentified engraver.

Copper engraving by Nicolaes de Bruyn depicting Saints Paul, John, Cecilia, Peter, and Mary Magdalene, created between 1591 and 1656.

A copper engraving and etching by Bernard Picart created between 1723 and 1743 depicting a wedding ceremony of Portuguese Jews, showing figures, attire, and ritual practices.

Copper engraving by Abraham Hogenberg titled 'The Passion of Christ', created before 1653.

Copper engraving by Karl Audran between 1614 and 1674 depicting Francis of Assisi, showing the saint in a religious composition with symbolic attributes.

Etching by Pietro Antonio de Pietri depicting the Rosary Madonna, created between 1680 and 1716, showing the figure of Madonna holding a rosary with symbolic attributes.

Copper engraving by Gilles Rousselet from 1620-1686 depicting Evangelist John on the island of Patmos, showing figure, posture, and drapery.

Etching by Vespasiano Strada depicting the Holy Virgin with child between 1600 and 1622, showing figures, robes, gesture, and religious symbols.

Copper engraving title leaf by Raphael Sadeler the Younger from 1621 depicting St. Elisabeth. The print shows the saint with emblematic religious symbols and serves as the frontispiece to a devotional work.

Copper engraving and etching by Raphael Sadeler the Elder showing the nativity with infant Christ, Mary, Joseph, and surrounding figures, dated 1580-1632.

This copper engraving and etching by Adriaen Collaert from around 1580 depicts female hermits, emphasizing figures, religious gestures, attire, and contemplative settings.

Etching by Raffaello Schiaminossi depicting St. Francis of Assisi receiving the stigmata, created between 1550 and 1622, showing the saint, religious symbols, and sixteenth- to seventeenth-century Italian devotional style.

Copper engraving and etching by Nicolas Delaunay titled 'The Small Preacher,' created between 1760 and 1792, depicting a young preacher delivering a sermon. The work emphasizes religious instruction and public speaking in the 18th century.

Copper engraving by Camillo Procaccini from 1591-1633 depicting the death communion of Saint Francis of Assisi, showing detailed 16th- and 17th-century religious scene in European style.

Copper engraving and etching by Matthäus Greuter from 1580-1638 depicting the resurrection of Jesus Christ with figures, gestures, drapery, and symbolic elements in a religious composition.

An etching and copper engraving by Domenico Maria Bonaveri showing St. Anna teaching Maria, created between 1670 and 1731, illustrating religious instruction and figures.

Woodcut from the 16th century by an unidentified monogrammist depicting the proclamation, a scene from the life of Jesus, showing figures, gestures, and biblical narrative.

Copper engraving and etching depicting Maria Lactans, the Virgin Mary nursing the infant Jesus, created between 1610 and 1750.

An etching by Jan Georg van Vliet depicting the circumcision of Christ and the interaction with a Samaritan, created between 1630 and 1668.

Etching by Ludwig Emil Grimm depicting Saint Elisabeth leaving Wartburg in 1227 and receiving the Holy Lord's Supper near death, created between 1810 and 1863, illustrating historical and religious figures.

Copper engraving by Johan Barra (1601-1634) depicting Saint Genevieve. The print shows detailed representation of the saint, including traditional clothing and symbolic elements of holiness.

An etching by Hieronymus Hopfer from 1500-1550 showing Judith and Saint Catherine, including scenes of Saint Catherine's clearing, figures, and attire.

Etching by Matthias Oesterreich from 1735-1778 depicting the personification of religion as an allegorical figure, showing attributes and symbolic elements.

Copper engraving by Theodorus van Merlen depicting Maria Regina with the Christ child and Mary in the sky, showing religious figures, gestures, clouds, and 17th-century devotional composition.

This 1839 etching by Josef von Führich depicts Jesus with Mary, the four great church teachers, and symbols of the four evangelists, showing religious iconography.

Copper engraving and etching by Philipp Galle depicting the Annunciation to Mary, created between 1550 and 1612, illustrating 16th-century religious scenes and biblical narrative.

Copper engraving by Étienne Baudet from 1658-1711 depicting Mary with Augustine of Hippo and William of Aquitaine, showing figures, gestures, and attire.

This etching by Simone Cantarini depicts Saint Antonius of Padua holding the Christ Child, created between 1630 and 1648. The work focuses on religious devotion and figure representation.

Copper engraving and etching by Michel Aubert from 1727 depicting Christ accepting the cross, showing figures, cross, and symbolic Christian elements in European 18th-century style.

Etching by Francois Joullain depicting the biblical scene 'Behold the Man,' showing Jesus presented before a crowd with figures arranged in a religious composition.

Copper engraving by the Wierix family depicting a saint, produced between 1570 and 1620, reflecting collaborative Flemish engraving techniques and religious imagery of the period.

Copper engraving and etching by an unidentified engraver from 1676-1721 showing Christ presented in the temple, including figures, altar, and architectural setting.

Copper engraving and etching by Jacob Matthias Schmutzer from 1748-1811 depicting a saint and the Holy Family, showing figures, composition, and religious attributes.

A 16th-century copper engraving and etching by Jacob Binck showing various Christian representations, including biblical figures and scenes.

Woodcut by Hans Springinklee from 1519 depicting the birth of Christ, showing the infant Jesus with Mary and Joseph, often in a stable setting with accompanying animals and figures.

Copper engraving by an unknown monogrammist depicting a saint, showing human figure, religious posture, and iconographic attributes, created in the first half of the 16th century.

This etching by Edouard Rosotte, circa 1862, depicts Jesus in the midst of the doctors, showing figures, gestures, and expressions in a biblical scene within 19th-century European art.

Copper engraving and etching by Claude Duflos from 1680-1727 depicting Saint Dominique, showing the figure, religious attire, and symbolic elements in detailed 17th-18th-century composition.

Etching by Bartolomeo Schedoni from 1600-1615 depicting the Holy Family, showing Jesus, Mary, and Joseph in a religious composition.

An etching by Wenzel Hollar showing Saint Francis in meditation, created between 1627 and 1677, depicting the saint seated in a contemplative posture within a natural or architectural setting.

Copper engraving and etching by Abraham Blooteling depicting the Holy Family with a birdcage, produced between 1656 and 1690, showing religious figures and Flemish engraving technique.

Christ and the Samaritan woman; Vita Iesu Salvatoris varish iconibus ab Adriano Collaert Expressa. Christ and the Samaritan woman at De Put. Part of the print series about the life of Christ: Vita Iesu Salvatoris varish iconibus ab Adriano Collaert Expressa. In PrentalBum with two series of 34 and 25 engravings respectively with scenes from the life and breast story of Christ.

Copper engraving by Crispijn van den Queborn depicting the Adoration of the Shepherds, produced between 1620 and 1652, illustrating a biblical scene from the Nativity.

Etching by Claude Vignon between 1613 and 1670 depicting John the Baptist delivering a sermon, showing religious figures and narrative elements.

Etching and copper engraving by Karl Agricola from 1807-1809 showing the sleeping Jesus in a boat with an angel beside him after the cross acceptance.

A steel engraving by Josef von Führich depicting Christian representations, created between 1815 and 1853. The work emphasizes religious figures, scenes, and composition.

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