Renaissance Religious Imagery

Religious paintings celebrating significant biblical events and figures, characterized by detailed depictions and classic themes of worship.

The Madonna and Child with Saint John the Baptist and Saint Nicholas of Bari (The Ansidei Madonna) by Raphael (1483-1520)/ National Gallery, London/ 1505/ Italy, Roman School/ Oil on wood/ Renaissance/ 216,8x148/ Bible

Pieta by Agnolo di Cosimo usually known as Il Bronzino, or Agnolo Bronzino, Basilica of Santa Croce Basilica of the Holy Cross in Florence, Italy Pieta by Agnolo di Cosimo usually known as Il Bronzino, or Agnolo Bronzino, Basilica of Santa Croce Basilica of the Holy Cross in Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20687414

Six Apostles. Artist: Spanish (Oña) Painter (late 15th century). Dimensions: Overall 35 1/8 x 93 in. (89.2 x 236.2 cm). Museum: Metropolitan Museum of Art, New York, USA.

The Annunciation. Dated: 1510/1515. Dimensions: overall: 40.3 x 35.9 cm (15 7/8 x 14 1/8 in.) framed: 49.5 x 44.8 x 4.1 cm (19 1/2 x 17 5/8 x 1 5/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: GIANNICOLA DI PAOLO.

Luini, Bernardino (ca. 1480-1532) National Gallery, London Painting 72,4x85,7 Bible Christ among the Doctors

Vatican pinacoteca,Giotto di Bondone and assistants, Stefaneschi triptych(1320),Vatican museum, Vatican city, Rome, Italy.

Job and His Daughters. Dated: 1799/1800. Dimensions: overall: 27.3 x 38.4 cm (10 3/4 x 15 1/8 in.) framed: 40.6 x 51.4 cm (16 x 20 1/4 in.). Medium: pen and tempera on canvas. Museum: National Gallery of Art, Washington DC. Author: William Blake.

The Crucifixion: Miniature Excised from a Prayer Book, c. 1540-1550. Flanders, Antwerp(). Tempera on vellum; sheet: 10 x 8.4 cm (3 15/16 x 3 5/16 in.). The illuminator is unknown, but his style seems to conform to that known as "Antwerp Mannerism." It emerged among a group of Antwerp painters during the first half of the 1500s. Bolstered by its rich trade and cultural contacts, the port city of Antwerp attracted hundreds of artists-many of them from northern France, the Rhineland, and especially Holland-who joined the local painters’ Guild of Saint Luke, established large painting and sculpture workshops, and fed an expanding market for the production and export of art. Though stylistic traits differed from artist to artist, some defining features of Antwerp Mannerist painting are dramatic gestures, figural arrangements, lavish costumes, vivid, sometimes abrasive coloristic effects, imaginative architecture that freely combines Gothic and Renaissance elements, and demonstrative techn

Painting of Part of the San Pier Maggiore Altarpiece in Florence by Italian Artist Jacopo di Cione and Workshop dated 1370

Saint John the Baptist and Saint Gertrude of Nivelles by Master of St. Gudule (active End of 15th cen.)/ Private Collection/ 1480/ Flanders/ Oil on wood/ Early Netherlandish Art/ 46,5x27/ Bible

'Incredulity of St Thomas'. Italy, Between 1592 and 1594. Dimensions: 157x100 cm. Museum: State Hermitage, St. Petersburg. Author: Leandro Bassano (Leandro da Ponte).

Dorothy Thorpe (Later Lady Charnwood) 1882 Millais, John Everett(1829-1896 British) Private Collection

Foligno (Italy, Umbria, province of Perugia), Oratory of the Nunziatella. Perugino, Baptism and the Eternal Adored by two angels, fresco. Detail

Last Supper, detail, fresco, Domenico Ghirlandaio, 1480, refectory, Convent of the Ognissanti, Florence, Tuscany, Italy, Europe

Mosaics dating from the 14th century, Kariye museum, Istanbul, Turkey, Europe, Eurasia

This triptych, titled Christ a La Paille,was painting in 1617-18 by Peter Paul Rubens for tomb of an Antwerp merchant.

Pintures casa Bofarull, Carles III. Reus. Author: PERE PAU MUNTANYA.

REVELACION DE LA INDULGENCIA DE LA PORCIUNCULA - SIGLO XVII - O/L - 295x143 - BARROCO ESPAÑOL - NºINV 682 -. Author: CLAUDIO COELLO. Location: ACADEMIA DE SAN FERNANDO-PINTURA. MADRID. SPAIN. JESUS. SAN FRANCISCO DE ASIS. VIRGIN MARY.

Nativity Luca Della Robbia (1400-1482 Italian) Glazed Terracotta National Gallery of Art, Washington, D.C., USA

Neri di Bicci, The Birth of Christ

The Temptation of Christ. Dated: c. 1500/1504. Dimensions: painted surface: 21 x 15.5 cm (8 1/4 x 6 1/8 in.) overall (panel): 21.3 x 16 cm (8 3/8 x 6 5/16 in.) framed: 25.4 x 20.3 cm (10 x 8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: JUAN DE FLANDES.

Funeral monument to Nicolo Brenzoni, by Nanni di Bartolo, Antonio Pisano also known as Pisanello, 1424 - 1426, 15th Century, sculpture and fresco. Italy, Veneto, Verona, San Fermo Maggiore church, left wall. Detail. Virgin announced room bed bookstand.

Madoona and Child Enthroned by Carlo Crivelli; Tempera on wood; Gold ground; 1472

Fano (Italia, Marche. prov.incia di Pesaro-Urbino). Chiesa di Santa Maria Nuova, Pietro Vannucci detto Il Perugino, Pala di Fano (Vergine e Bambino con i santi Giovanni Battista, Ludovico di Tolosa, Francesco d'Assisi, Pietro e la Maria Maddalena; nella cimasa Pietà con San Giuseppe d'Arimatea e San Nicodemo), olio su tavola, 1488-89

Mural, Doge's Palace, San Marco district, Venice, Veneto region, Italy, Europe

Predella panels showing the Resurrection c. 1465 Oil and gold on panels

Preparation for the Crucifixion, early 1600s. Northern Italy, early 17th century. Oil on copper; framed: 73.5 x 63.5 x 6.4 cm (28 15/16 x 25 x 2 1/2 in.); unframed: 55 x 46.2 cm (21 5/8 x 18 3/16 in.).

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Saint John the Baptist. French (Picardy). Date: 1490-1500. Dimensions: Panel: 117 × 52 cm (46 1/16 × 20 1/2 in.); Painted Surface: 115.3 × 49.5 cm (45 3/8 × 19 1/2 in.). Oil on panel. Origin: France. Museum: The Chicago Art Institute, FLORENCIA, USA. Author: French school.

Roger van der Weyden / 'Pietà', ca. 1450, Flemish School, Oil on panel, 46,8 cm x 34,5 cm, P02540. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: ROGIER VAN DER WEYDEN.

Salome with the Head of Saint John the Baptist, 1500s or later. Follower of Bernardino Luini (Italian, c. 1480-c. 1532). Oil on canvas; framed: 72.1 x 87 x 5.7 cm (28 3/8 x 34 1/4 x 2 1/4 in.); unframed: 46.6 x 59.7 cm (18 3/8 x 23 1/2 in.). Salomes dancing so pleased her stepfather Herod that he offered her anything she wanted. Her mother advised Salome to demand John the Baptists head, which Salome presented to her family in an elaborate dish. Despite its biblical source, this work was meant for a domestic setting, whose owner would have admired the elegant presentation of a shocking story.

Saint Valerian, left wing of a triptych, attributed to Master of the Brunswick Diptych, c. 1490 - c. 1500

Young Man Presented to Venus and the Seven Liberal Art, by Sandro Botticelli, fresco, 1483-1485, France, Paris, Musee du Louvre, 1444-1510

IMPOSICION DE LA CASULLA A SAN ILDEFONSO - SIGLO XVII - MANIERISMO ESPAÑOL - TABLA - 40x51 CM - NP 657. Author: EUGENIO CAJES (1574-1634). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Paintings at The Louvre, Paris, France. (Editorial Use Only)

A painting by Italian artist Guariento titled 'Adam and Eve', 1357. From a private collection.

Gods by Paolo Veronese, Oil on canvas, circa 1575, 1528-1588, Hungary, Budapest, Szepmuveszeti Muzeum, 140x140

The Annunciation. Date/Period: 1470 - 1472. Painting. Height: 500 mm (19.68 in); Width: 355 mm (13.97 in). Author: FRANCESCO DEL COSSA.

Beheading of the Baptist, by Antonio Campi (1524-1587).

Resurrection of young Napoleon Orsini, 1890-1905, lunette frescoed by Jean Baptiste Besson, Convent of San Sisto Vecchio, Rome. Italy, 20th century.

Two Wings of a Triptych with the Donor, Thomas Isaacq, accompanied by Saint Thomas (left, outer wing), and the Donor's Wife accompanied by Saint Margaret (right, outer wing). Dating: c. 1505 - c. 1510. Measurements: support: h 89.8 cm × w 28.7 cm; d 9 cm. Museum: Rijksmuseum, Amsterdam. Author: Master of the Magdalen Legend.

'The Resurrection of Lazarus', 1514-1519, Oil on wood, 110 x 84 cm, P02935. Author: JUAN DE FLANDES (1465-1519). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JESUS. LAZARUS OF BETHANY. MARTA DE BETANIA S I.

LA VERONICA. Author: EL GRECO. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Illustration with Saint Dominic by Sandro Botticelli, tempera on canvas , 1490s, 1445-1510, Russia, St. Petersburg , State Hermitage, 44, 5x26

R. van der Weyden / Annunciation

North Corridor, Great Hall. Family mural in lunette from the Family and Education series by Charles Sprague Pearce. Library of Congress Thomas Jefferson Building, Washington, D.C.

Martyrdom of Sts Nazarius and Celsus, by Procaccini Camillo, 17th Century, 1618, monochrome oil on canvas, cm 62 x 67

SAN FRANCISCO RECIBIENDO REDOMA. Author: ALONSO MIGUEL DE TOBAR (1678-1758). Location: ACADEMIA DE SAN FERNANDO-PINTURA. MADRID. SPAIN. SAN FRANCISCO DE ASIS.

Slander, 1494-1495, by Sandro Botticelli (1445-1510), tempera on wood, 62x91 cm. Detail.

"Oil on canvas by Bartolomeo Altomonte depicting Saint John Nepomuk, focusing on figure and gesture."

SANTO TOMAS () Y UN DONANTE - HACIA 1525-1532 - OLEO/TABLA - 104 x 57 cm - NP 1304 - ESCUELA FLAMENCA. Author: AMBROSIUS BENSON (1484-1550). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SANTO TOMAS APOSTOL.

Panel from the Maesta Altarpiece: The Annunciation', 1311. Artist: Duccio di Buoninsegna. Duccio di Buoninsegna (c1255-1320) was an Italian painter active in Siena, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy.

Bliżej Kultury Publisher by A.E. Seemann in Leipzig

PERUGINO, Pietro Vannucci, called Il (1448-1523). The Dead Christ. end 15th c.-1523. Renaissance art. Quattrocento. Oil on wood. ITALY. UMBRIA. Perugia. Galleria Nazionale dell'Umbria (National Gallery of Umbria).

B.Luini / Salome / ptg.

Triptych with the Last Supper and Donors circle of Jacob Cornelisz van Oostsanen, alias Jacob War van Amsterdam (c. 1472/77 - in or before 1533). This triptych is the earliest known and best-preserved . It is still in its original frame. The donors are depicted on the wings

Saint Louis of Toulouse by Cosme Tura (Cosimo di Domenico di Bonaventura); Tempera on canvas; Stretched over wood; Transferred from wood; Gold ground; 15th century

Fresco on house, valbondione, Italy

The Holy Night , 1528-1530, by Antonio Allegri, known as Correggio (1489-ca 1534). Oil on canvas, 256.5x188 cm .

First meeting of the Order of the Golden Fleece held by Philip III the Good, Duke of Burgundy, 10 January 1430 by Albrier, Joseph (1791-1863) / Musee de l'Histoire de France, Chateau de Versailles / 1836 / France / Oil on wood / History / 27x25,5 / Class

Judgement of Solomon. Engraving, 16th century. Colored.

Vicente Carducho / 'La aparición de Basilio de Borgoña a su discípulo Hugo de Lincoln', 1632, Spanish School, Canvas, 337,5 cm x 298,5 cm, P02501. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Fresco cycle in the Scrovegni Chapel, by Giotto, 1304 - 1306, 14th Century, fresco. Italy, Veneto, Padua, Scrovegni Chapel. Ornamental bands of the creation of Adam Christ halo. aureole quatrefoil frame. cornice.

Shadow of Death, by William Holman Hunt, 1870-1873, Manchester City Art Gallery, Manchester, England, UK, GB

1580-83 oil on canvas painted by the Greek artist El Greco Domenico Theotocopuli Monasterio de El Escorial Madrid Spain Espana Europe EU vertical tourism tourist attraction destination travel vacation holiday art artistic painting culture cultural

Saint Ursula and Her Maidens ca. 1410 Niccolò di Pietro Italian Saint Ursula is shown with some of the eleven thousand virgins with whom she is said to have been martyred by the Huns around 383 A.D. A leading late Gothic painter in Venice, Niccolò di Pietro seems to have had contact with northern, perhaps Bohemian, art, and was deeply influenced as well by Michelino da Besozzo and Gentile da Fabriano, both of whom were active in the city. The decorative richness of Niccolòs paintings derives from Venices trade with the middle east and the importation of Islamic textiles.. Saint Ursula and Her Maidens 437222

The Martyrdom of Saint Lawrence Lorenzo di Niccolò (Italian, Florentine, documented 1393-1412). , ca. 1412. Tempera and tooled gold on poplar panel, 12 7/8 x 14 3/16 in. (32.7 x 36 cm). European Art ca. 1412

Città della Pieve (Italy, Umbria, province of Perugia), Cathedral of Saints Gervasio and Protasio. Perugino, Baptism of Christ, painted on wood. Detail

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo47. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Renaissance Art. Espan_a.16th century. Luis de Morales, the Divine (c. 1510-1586). Spanish painter. Ecce Homo. Cathedral Museum. Avila. Castile and Leon.

The Entombment of Christ. Artist: Juan Rodríguez Juárez (Mexican, 1675-1728). Dimensions: 10 3/16 × 7 3/4 in. (25.9 × 19.7 cm)Framed: 17 3/4 × 15 3/4 × 1 1/2 in. (45.1 × 40 × 3.8 cm). Date: ca. 1702.Juan Rodríguez Juárez was a third generation painter who belonged to a celebrated artistic dynasty whose members included Luis Juárez (c. 1585-1639), José Juárez (1617-1661), Antonio Rodríguez (1636-1691), and Nicolás Rodríguez Juárez (1667-1734). He was a versatile artist who excelled as a painter of altarpieces and ecclesiastical decorations, as well as portraits, castas, and small devotional paintings such as The Entombment of Christ. This beautifully preserved work exemplifies his status as a key transitional figure in New Spanish painting. His stylistic trajectory, which is firmly rooted in the late 17th century, also reflects the innovations that marked painting in Mexico during the first quarter of the 18th century. As the co-founder of an informal academy, he is also a key figure in

Italy, Lombardy, Soncino, Santa Maria Delle Grazie, fresco

The Empyrean, 1819-1824, fresco by Philipp Veit (1793-1877), Dante Hall, Casino Massimo, Rome. Italy, 19th century.

Saint John the Baptist and the Franciscan Heinrich von Werl by Campin, Robert (ca. 1375-1444) Museo del Prado, Madrid 1437 The Netherlands Oil on wood Painting Bible

Scenes from the Passion of Christ: The Agony in the Garden left panel. Dated: 1380s. Dimensions: painted surface: 47 × 23.8 cm (18 1/2 × 9 3/8 in.) overall: 56.7 × 29.3 × 3.3 cm (22 5/16 × 11 9/16 × 1 5/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA VANNI.

Ecce gay. Dating: 1800 - 1857. Measurements: h 125 cm × w 95 cm. Museum: Rijksmuseum, Amsterdam. Author: Woutherus Mol. Peter Paul Rubens (copy after).

St Luke at his desk, detail from the altarpiece of St Luke, 1453-1454, by Andrea Mantegna (1431-1506), tempera on wood, 177x230 cm.

The Crucifixion with Saint Jerome and Saint Francis. Dated: c. 1445/1450. Dimensions: overall: 61.5 x 49.1 cm (24 3/16 x 19 5/16 in.) framed: 96.5 x 75.6 x 10.2 cm (38 x 29 3/4 x 4 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Pesellino.

According to Greek mythology, Persephone was the daughter of Zeus and demeter and wife of Hades, ruler of the Underworld. Hades had seized Persephone but was persuaded to let her return to earth each year for six months (the time varies according to the version of the legend). This painting by Lord Frederic Leighton in 1891 is housed in the Leeds, England, Art Gallery. It shows the messenger god Hermes bringing Persephone back to earth and being greeted by her mother.

Gallerie dell'Accademia. Agony in the Garden, by Marco Basaiti. Detail. Wood panel. 1516.

Man with Wench, Gerrit Lundens, 1660 - 1686 painting A man caught a drunken woman fallen asleep. The woman has a pipe in the left hand, on the right a table with a wine jug. horn (animal material). oil paint (paint). wood (plant material) drunkenness. sleeping in chair. pipe ~ tobacco. spying on someone - AA - female human figure

'Stained Glass of Theobald von Erlach'. Switzerland, 1519. Dimensions: 51x31 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous master.

Jan Mabuse (1478-1532). Flemish painter. Danae. 1527. Style: Northern Renaissance. Alte Pinakothek. Munich. Germany.

JUANES, Juan de (1523-1579). The Last Supper. ca. 1550. Renaissance art. Oil on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Multiplication of bread and fish, ca. 1620, Palazzo Duccale, Royal Palace, Castle San Giorgio, Mantua, Lombardy, Italy, Mantua, Lombardy, Italy, Europe

Agradecimiento del Papa al Duque de Alba/1815-19. Museum: MUSEE INGRES MONTAUBAN FRANCIA. Author: Jean-Auguste-Dominique Ingres.

Italian school. Lorenzo the Magnificent with philosophers and writers. 16th century. Florence, Palazzo Vecchio. Author: GIORGIO VASARI (1511-1574). Location: PALACIO VECCHIO INTERIOR. Florenz. ITALIA. MEDICIS LORENZO DE. LORENZO EL MAGNIFICO. DUQUE DE URBINO. LORENZO DUQUE DE URBINO.

Detail of house facades on the town hall square with old historic painted houses, Stein am Rhein, Schaffhausen, Switzerland, Europe

Axel Helsted (1847-1907), the moon disease, 1891

Abruzzo, L'Aquila, L'Aquila, S. Marco, Italy, 20th century, photo, photography, Europe

Villa Manin from the 17th century, residence of Ludovico Manin, the last Doge of Venice, Codroipo, Friuli, Italy, Codroipo, Friuli, Italy, Europe

St Wolfgang and the Devil, Life of St Wolfgang, 1471-1475, by Michael Pacher (ca 1435-1498), oil on canvas, 103x91 cm.

The sorrowful, 1842, by Francesco Hayez (1791-1882), oil on canvas, 68x58 cm.

Bartolomé Esteban Murillo / 'Saint Ferdinand, King of Castille, Leon and Asturias'. Ca. 1672. Oil on canvas. Museum: Museo del Prado, Madrid, España.

'Portrait of Charles de Longueval'. Flanders, 1621. Dimensions: 62x50 cm. Museum: State Hermitage, St. Petersburg. Author: Peter Paul Rubens (Pietro Pauolo).

The Worship of the Five Wounds; Simon Bening, Flemish, about 1483 - 1561; Bruges, Belgium, Europe; about 1525 - 1530; Tempera colors, gold paint, and gold leaf on parchment; Leaf: 16.8 x 11.4 cm (6 5/8 x 4 1/2 in.)

Italy, Vecellio, Orazio, Titian, Bonasone, Giulio, Crucified Christ with Three Angels, verso - stamped, Christ on the Cross in a Landscape. Three Floating Angels Catch the Blood of Christ in Cups., print, prints, height 292 mm, width 181 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, etching, etchings, Work conception, 1488 - 1576-08-27, after a design by, 1528 - 1576

Detail from Via Veritatis, The Way of Truth, Frescoes by Andrea di Bonaiuto, 1365-1367, Apsidal Chapel, or Spanish Chapel, Santa Maria Novella, Florence, Tuscany, Italy, Europe

"Three Treasurers of the City of Venice (Marco da Molin, Carlo Cornaro and Nicolò Zane ; 1571. (Jacopo Robusti Tintoretto 1518 - Venice 1594)"

'Hagar in the Desert'. Holland, 1668. Dimensions: 47x35 cm. Museum: State Hermitage, St. Petersburg. Author: Jan de Braij.

The Slaughtered Pig - Barent Fabritius, 1656

The miracle of the baby who fell from the balcony, detail from the altarpiece entitled Blessed Agostino Novello and stories of his life, ca 1330, by Simone Martini (1283-1344), oil on canvas, 200x256 cm.

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