Renaissance Religious Paintings

A collection of 16th-century religious artworks depicting themes of mourning, devotion, and figures from Christian narratives. Rich colors and dramatic expressions enhance their emotional depth.

Deposition, 1433-1435, by Rogier van der Weyden (1399-1464), oil on canvas, 220x262 cm.

Do not touch me, by Marcello Venusti 1510-1579, Basilica of St Mary Above Minerva , Rome. Italy, 16th century.

Deposition, 1433-1435, by Rogier van der Weyden (1399-1464), oil on canvas, 220x262 cm.

The Madonna of Loreto, 1603. Caravaggio, Michelangelo M.

Ippolito Borghese (late 16th c-1627). Italian painter. Late-Renaissance. Pieta, 1627. Museum of Capodimonte, Naples, Italy.

The Lamentation ca. 1514-16 Ludovico Mazzolino Italian Mazzolinos quirky devotional panels and narratives were appreciated at the court of Ferrara by patrons such as Duchess Lucrezia Borgia. His figures and landscape are developed in a highly individual and expressive style derived from his study of German prints. This sort of eccentricity is characteristic of Ferrarese painting. This very fine work was once part of the grand collection of the Pio di Savoia family in Rome.. The Lamentation 657683

CARAVAGGIO, Michelangelo Merisi da (1573-1610). Sacrifice of Isaac (Sacrificio di Isacco). ca. 1603. This work was probably sold to Maffeo Barberini in 1603. Baroque art. Oil on canvas. ITALY. TUSCANY. Florence. Galleria degli Uffizi (Uffizi Gallery).

The Equanimity of Anaxarchus (Mediis tranquillus in undis), Fiasella, Domenico (1589-1669)

Torture, Salome with the Head of St. John and the Torturers, Historical, digitally restored reproduction from a 19th century original.

Artist, copy after: Paolo Caliari, called Veronese, Italian, Venice, 1528-1588, Christ in Glory Appearing to Saints Peter andPaul, ca.1550, Oil on canvas, 132.5 × 63.3 cm (52 3/16 × 24 15/16in.), Italian,Venetian, 16thcentury, Paintings

Giovanni Francesco Penni; Giulio Romano / 'The Adoration of the Shepherds', First quarter 16th century, Italian School, Panel, 48 cm x 37 cm, P00322. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Madonna and Child with Saints and Angels. Dated: mid or late 1510s. Dimensions: overall: 155.7 x 135.6 cm (61 5/16 x 53 3/8 in.) framed: 194.3 x 172.1 x 7.6 cm (76 1/2 x 67 3/4 x 3 in.). Medium: oil on panel transferred to hardboard. Museum: National Gallery of Art, Washington DC. Author: LUCA SIGNORELLI.

Italy, Lazio, Rome, Capitoline Museum, Palazzo dei Conservatori, Pinacoteca Capitolina, Ecce Homo, oil on wood, anonymous artist from Emilia 16th century, copy of picture made by Correggio artist

Galeazzo Ghidoni. Italian painter documented between 1582 and 1601. Preaching of the Baptist, 1598. Oil on canvas. From the church of San Mattia, Cremona. Museo Civico Ala Ponzone. Cremona. Lombardy. Italy.

Giorgio Vasari (Disciple of) / 'The Agony in the Garden', First quarter 17th century, Italian School, Panel, 119 cm x 153,5 cm, P00098. Museum: MUSEO DEL PRADO, MADRID, SPAIN. JESUS.

Ancona (Italia, Marche), Pinacoteca Civica Podesti. Francesco Podesti, Il Gioramento degli Anconetani, olio su tela, 1844-1847

'St Jerome and the Angel'. Spain, 1626. Dimensions: 185x133 cm. Museum: State Hermitage, St. Petersburg. Author: JUSEPE DE RIBERA.

Rich Man who Went away Sorrowful Heinrich Hoffmann (1824-1911 /German)

Italian School. Jesus Falling during his Martyrdom - detail. Madrid, Prado museum. Author: RAFAEL SANZIO O RAFAEL DE URBINO (1483-1520). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Bliżej Kultury Publisher by A.E. Seemann in Leipzig

Painting titled 'The Manchester Madonna' by Michelangelo (1475-1564) an Italian sculptor, painter, architect, poet, and engineer of the High Renaissance. Dated 15th Century

Spanish school. Saint John Baptist. San Juan Bautista. Cadiz, archeological and Fine Arts museum. Spain. Author: FRANCISCO DE ZURBARAN (1598-1664). Location: MUSEO DE CADIZ-BELLAS ARTES. Cadiz. SPAIN.

Death of the Virgin, 16th-17th century, School of Carlo Saraceni, Italian, (Venice), c. 1579 - 1620, 14 7/16 x 11 5/16 in. (36.67 x 28.73 cm) (sight)21 1/8 x 18 1/2 in. (53.66 x 46.99 cm) (outer frame), Oil on copper, Italy, 16th-17th century

Christ's Second Visit to the House of Mary and Martha. Dating: c. 1515 - c. 1520. Place: Leiden. Measurements: support: h 55 cm × w 44.5 cm × h 54.5 cm (painted surface) × w 43 cm (painted surface). Museum: Rijksmuseum, Amsterdam. Author: Cornelis Engebrechtsz.

Roger van der Weyden (Disciple of) / 'Crucifixion', ca. 1510, Flemish School, Oil on panel, 47 cm x 31 cm, P01886. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Cupid and Psyche - Palace Green Murals - Psyche entering the Portals of Olympus. Date/Period: 1872/1881. Painting. Oil on canvas. Width: 3288 mm. Height: 1980 mm. Author: Edward Burne-Jones.

Easter Morning. Date/Period: Ca. 1818. Painting. Oil on canvas. Height: 1,310 mm (51.57 in); Width: 1,020 mm (40.15 in). Author: Johann Friedrich Overbeck.

Anonymous / 'Saint Jerome'. Ca. 1630. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Hieronymus Bosch / 'The Mocking of Christ (The Crowning with Thorns)', 1490-1500, Oil on table, 73 x 59 cm. Museum: NATIONAL GALLERY, LONDRES, UK.

Jean-François Bremond (1807-1868). "Sketch for the Saint-Jacques-Saint-Christophe-de-la-Villette church:" The martyrdom of Saint Christophe ". Oil on canvas, around 1843. Museum of Fine Arts of the city of Paris, Petit Palais. 52011-8 Catholic, Chretian Chretian, Saint-Jacques-Saint-Christophe-de-la-Villette Church, sketch, martyr, martyr, oil on canvas

Jacopo del Sellaio / Orpheus Underworld

José de Ribera / 'Saint Mary of Egypt', 1641, Spanish School, Oil on canvas, 197 cm x 183 cm, P01106. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Bliej Kultury Publisher by A.E. Seemann in Leipzig, Theotokopuli (El Greco), Domenico (1547 1614)

Juan de Juanes / 'The Martyrdom of Saint Stephen', ca. 1562, Spanish School, Oil on panel, 160 cm x 123 cm, P00841. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Way to Cavalry, circa 1545 - Jacopo Bassano

Portrait of Saint Jerome by Mattia Preti, Oil on canvas, 1613-1699, Russia, Oranienbaum, State Open-air Museum Oranienbaum

The Incredulity of Thomas. The Incredulity of St Thomas. Dating: c. 1622. Measurements: support: h 108.8 cm × w 136.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Hendrick Ter Brugghen.

Antonio del Castillo Saavedra / 'Saint Jerome'. 1635. Oil on canvas. Museum: Museo del Prado, Madrid, España. Author: ANTONIO DEL CASTILLO SAAVEDRA.

The Agony in the Garden, Giovanni Bellini, circa 1465,

The washing of feet, by Giovanni Francesco Caroto (ca 1480-1555), oil on canvas.

Supper at Emmaus - 1606 - 141x175 cm - oil on canvas - Italian Baroque. Author: MICHELANGELO MERISI DA CARAVAGGIO (1573-1610). Location: PINACOTECA DI BRERA. Milan. ITALIA. JESUS. CRISTO RESUCITADO.

Christ in Limbo. Dated: probably 1491. Dimensions: painted surface: 42.1 x 46.6 cm (16 9/16 x 18 3/8 in.) overall size: 43 x 48.7 cm (16 15/16 x 19 3/16 in.) framed (with three other paintings): 59.7 x 283.2 x 5.4 cm (23 1/2 x 111 1/2 x 2 1/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: BENVENUTO DI GIOVANNI.

Italy - Tuscany Region - Pisa - Cathedral - Moses breaks the tables of the law (1540) by Domenico Beccafumi - Oil on canvas

Campania Napoli Naples S. Lorenzo Maggiore061. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

SAN PABLO - LIENZO 0,78x0,65 m -. Author: JOSE DE RIBERA. Location: MUSEO GEROLAMINI. NEAPEL. ITALIA. SAN PABLO APOSTOL-PABLO DE TARSO.

Triptych of Willem Moreel by Memling, Hans (1433/40-1494) / Groeningemuseum, Bruges / 1484 / The Netherlands / Oil on wood / Bible / Early Netherlandish Art

Saint Jerome by Savoldo, Giovanni Girolamo (1480/85-1548)/ National Gallery, London/ c. 1527-1530/ Italy, School of Lombardy/ Oil on canvas/ Renaissance/ 121x160,4/ Bible

Edouard Manet; French; 1832-1883; The Dead Christ with Angels; 1864; Oil on canvas.

The Resurrection. Dated: probably 1491. Dimensions: painted surface: 42.1 x 47.4 cm (16 9/16 x 18 11/16 in.) overall size: 43.5 x 49.7 cm (17 1/8 x 19 9/16 in.) framed (with three other paintings): 59.7 x 283.2 x 5.4 cm (23 1/2 x 111 1/2 x 2 1/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: BENVENUTO DI GIOVANNI.

DESCANSO EN LA HUIDA A EGIPTO. Author: LUCA GIORDANO. Location: PALACIO REAL-PINTURAS. Aranjuez. MADRID. SPAIN.

Cristo coronado de espinas/1510. Museum: REAL MONASTERIO DE EL ESCORAL ESCORIAL ESPAÑA. Author: HIERONYMUS BOSCH.

Weyden, Rogier, van der (ca. 1399-1464) Museo del Prado, Madrid Painting 220x262 Bible The Descent from the Cross

Raphael (1483-1520). The Deposition. 1507. Renaissance art. Cinquecento. Oil on wood. ITALY. LAZIO. Rome. Borghese Gallery and Museum.

Benozzo Gozzoli (Florence, ca. 1420/22 -Pistoia, 1497). Saint Jerome and the blessed Bartolo Buompedoni of San Gimignano (ca. 1464 - 1467). Tempera and gold on panel. 22.3 x 43.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Saint Sebastian. 3rd century. C.1520. Painting by a Venetian or Northern italian School. Gemaldegalerie. Berlin. Germany.

The son of Theophilus, detail from the Raising of the son of Theophilus, fresco by Tommaso Masaccio (1401-1428) completed by Filippo Lippi (1406-1469). Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th-16th century.

Francisco de Osona; Rodrigo de Osona / 'Nativity', ca. 1500, Spanish School, Oil on panel, 78 cm x 44 cm, P02834. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Adoration of the Magi, panel of the Triptych from the Uffizi Gallery, with the Ascension, the Adoration of the Magi and the Circumcision, 1463-1464, by Andrea Mantegna (1431-1506). Tempera on wood, 86x161.5 cm.

The Tribute Money, fresco by Tommaso Masaccio (1401-1428), detail. Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th century.

Gerard van Honthorst (1592-1656). Flemish painter. Merry Company, 1622. Alte Pinakothek. Munich. Germany.

St Jerome', by Jan Sanders van Hemessen, 1543.

Giampietrino (1 Half of 16th cen.) National Gallery, London Painting 59,7x47 Bible Christ Carrying the Cross

Andrea Sabatini da Salerno (1484-1530), Italian painter. Deposition, ca.1520. Bourbon Collection. National Museum of Capodimonte. Naples. Italy.

The Flagellation. Artist: Master of the Berswordt Altar (German, Westphalian, active ca. 1400-35). Dimensions: 22 3/4 x 16 7/8 in. (57.8 x 42.9 cm). Date: ca. 1400.These panels were among thirty scenes of an extensive narrative cycle that formed part of a large altarpiece from the Neustädter Marienkirche in Bielefeld, Westphalia. They were created two decades before panel painting underwent a qualitative revolution in the art of Jan van Eyck, Robert Campin and Rogier van der Weyden, who achieved a new sense of realism in their works. The artist, one of the foremost painters of the International Gothic style in northwest Germany, still adhered to the traditional gilded background, although the inclusion of a horizon and some schematic natural motifs indicate an outdoor setting for both scenes. Museum: Metropolitan Museum of Art, New York, USA.

'Madonna of the Harpies', 1517. Artist: Andrea del Sarto.

Return of the Prodigal Son / Spada

Socrates and the mirror ("Nosce te Ipsum"); Kellerhoven, Moritz (1758-1830), Zanchi, Antonio (1631-1722), XVII/ XVIII (1660-00-00-1730-00-00);Socrates (philosopher - Ca 470-399 A.C.), boys, gift (provenance), philosophers, books, mirror, oval, turban

CRISTO AGUARDANDO LA FLAGELACION - SIGLO XVI - RENACIMIENTO FLAMENCO. Author: JAN GOSSAERT MABUSE (1478-1532). Location: COLEGIO SEMINARIO CORPUS CHRISTI O DEL PATRIARCA. Valencia. SPAIN.

Love leading the Pilgrim, Tapestry, 1909 Designed by Sir Edward Burne-Jones. Made by Morris & Co. From the workshop of William Morris., Applied Arts, Textiles, Tapestry, Nature, Love

Paumgartner Family Altarpiece, C.1502, Durer, Albrecht (1471-1528/German), Oil/Limewood Panel, Alte Pinakothek, Munich, Germany

Hieronim; Unknown Dutch painter; XVII century (1601-00-00-1700-00-00);Hieronim (St. - 331/347-419 Cars 420), Skull (anatom.), Book (attribute), Dutch painting, message (provenance)

The Banquet of Ahasuerus and Queen Vashti, panel from Esther and Ahasuerus' wedding chest, ca 1490, by Jacopo del Sellaio (ca 1441-1493), tempera on wood panel.

TRIPTICO IMPROPERIOS-TABLA LATERAL-PRENDIMIENTO. Author: JHERONIMUS VAN AKEN-EL BOSCO-J. BOSCH. Location: MUSEO PROVINCIAL. Valencia. SPAIN.

Benvenuto di Giovanni, The Resurrection, probably 1491 The Resurrection

Saint John the Baptist. Agnolo Bronzino (Italian, 1503 - 1572)

Carlo Crivelli, Salvator Mundi, c. 1470-72, tempera and gold possibly with oil on panel.

Prometheus bound, by Anthony Van Dyck (1599-1641).

National Museum of Ancient Art. Altarpiece of Sao Francesco de Evora. The last Supper. 16th century. Oil on oak panel.

Junger Mann vor den Sieben Freien Künsten (ca. 1484), Young man in front of the Seven liberal arts, Painting by Sandro Botticelli (1 March 1445, 1510), one of the most important Italian painters and draughtsmen of the early Renaissance, Historic, digitally restored reproduction from an original, Record date not stated

Federico Da Montefeltro with Virgin Mary, Jesus Christ and saints by Piero della Francesca, Oil on wood, circa 1471-1472, circa 1415-1492, Italy, Milan, Pinacoteca di Brera, 248x170

Saint Francis Collecting the Blood of Christ. Date/Period: 1490 - 1500. Panel. Height: 20 mm (0.78 in); Width: 16.30 mm (0.64 in). Author: Carlo Crivelli.

Roger van der Weyden / 'The Descent from the Cross', c. 1435, Oil on panel, 220 × 262 cm, P02825. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: ROGIER VAN DER WEYDEN. SAINT JOSEPH. JESUS. MARY MAGDALENE. SAN JUAN EVANGELISTA.

The Triumph of Christ. Dimensions: overall (approximate): 38.5 x 51.8 cm (15 3/16 x 20 3/8 in.). Medium: pen and brown ink with brown wash and touches of black chalk, heightened with white, on laid paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BATTISTA DELLA ROVERE.

Frescos at Lady Waterford Hall, Ford village, Northumberland, England, UK

The dream of Joseph. 1632. (Francesco Cairo; 1607 Milan Milan-1665)

Vicente Carducho / 'Prisión y muerte de los diez miembros de la cartuja de Londres', 1632, Spanish School, Canvas, 337 cm x 297,5 cm, P05460. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Anonymous / 'Saint John the Baptist'. XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Saint Helena and her daughter. Santa Elena y su hija. Oil on Canvas (174 x 124 cm). Madrid, El Prado. Author: FRAY JOAQUIN JUNCOSA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

JOSE MARIA JARA. PINTOR MEXICO 1866-1939. " EL VELORIO " OLEO 1889. MUSEO NACIONAL DE ARTE. MEXICO DF.

Girolamo and Cardinal Marco Corner Investing Marco, Abbot of Carrara, with His Benefice. Dated: c. 1520. Dimensions: overall: 99.8 x 132.1 cm (39 5/16 x 52 in.) framed: 137.8 x 170.2 x 11.6 cm (54 1/4 x 67 x 4 9/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Titian and Workshop.

Supper at Emmaus. Painting. Watercolor. Height: 213 mm (8.38 in); Width: 257 mm (10.11 in). Author: RICHARD COSWAY.

Francesco Granacci (1469-1543). Italian painter. Life of the Young Tobias. Detail. Gemaldegalerie. Berlin. Germany.

Tables of an altarpiece of Christ by Bartolomé Bermejo (1440-1501) Spanish painter with Flemish painting techniques. Dated 15th Century

Salvator Mundi. Dating: 1650 - 1700. Measurements: h 64.5 cm × w 49.5 cm × t 1.1 cm; d 7.3 cm. Museum: Rijksmuseum, Amsterdam. Author: Anthony van Dyck (copy after).

COELLO, Claudio (1642-1693). The Triumph of Saint Augistine. 1664. Baroque art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Giovanni Girolamo Savoldo, Elijah Fed by the Raven, c 1510 Elijah Fed by the Raven

Saint George and Saint Sebastian; About 1507-10; Oil on wood panel Andrea Solario; Italian; about 1465-before 1524

Piet , 1494-95

Stories of St John, 1502 fresco by Filippino Lippi (1457-1504), detail. Strozzi Chapel, Church of Santa Maria Novella, Florence. Italy. 16th century.

Die Beweinung des toten Christus (1495, 1500), The Lamentation over the Dead Christ, Painting by Sandro Botticelli (1 March 1445, 1510), one of the most important Italian painters and draughtsmen of the early Renaissance, Historic, digitally restored reproduction from an original, Record date not stated

POESIA DE AMERICA: LOS ATLETAS COSMICOS - 1943 - OLEO/TELA - 117x79 cm. Author: SALVADOR DALI. Location: TEATRO-MUSEO DALI / FUNDACION GALA DALI. Figueras. GERONA. SPAIN.

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