Renaissance Religious Portraits

Portraits from the Renaissance era depicting saints, popes, and notable figures, featuring rich colors and detailed representations of clothing and religious motifs.

Portrait of man by Moretto da Brescia, Oil on canvas, circa 1545, circa 1498 - 1554, Great Britain, London, National Gallery, 103, 7x89, 4

Pope Julius III (formerly entitled Pope Paul III), Girolamo Sicciolante (circle of), 1550 - 1600 painting Portrait of Pope Julius III (1478-1555). Knee piece, sitting in an armchair, to the left. Based on the portrait of Pope Paul III by Sebastiano del Piombo in the Galleria Spada. canvas. oil paint (paint) historical persons. pope

The Evangelist Saint Luke. Dating: 1610 - 1615. Measurements: h 68 cm × w 50 cm. Museum: Rijksmuseum, Amsterdam. Author: JOACHIM WTEWAEL.

SaintJerome. Artist: Taddeo di Bartolo, Italian, Siena, ca. 1362-ca.1422

Michelangelo (Michelangelo Buonarroti) (1475-1564). Italian Renaissance painter, architect and sculptor. Portrait. Chromolithography. Historia Universal" by César Cantú. Volume VIII. Published in Barcelona, 1886.

Portrait of man by Moretto da Brescia, Oil on canvas, circa 1545, circa 1498 - 1554, Great Britain, London, National Gallery, 103, 7x89, 4

Anonymous / 'Saint Peter weeping'. XVIII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

SEBASTIANO del PIOMBO, Sebastiano Luciano, also called (1485-1547). Portrait of Andrea Doria. Renaissance art. Oil on canvas. ITALY. LAZIO. Rome. Doria Pamphili Gallery.

'Saint Thomas', 17th century, Oil on canvas, 77 x 65 cm, P1085. Author: Jusepe de Ribera (1591-1652). Location: MUSEUM OF FINE ARTS, CORDOBA, SPAIN.

MONJE OFICIANDO. Author: FRANCISCO DE ZURBARAN (1598-1664) DISCIPULO. Location: BANCO EXTERIOR-COLECCION. MADRID. SPAIN.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche84. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Artist: Lucas van Leyden, Netherlandish, 1494-1533, SaintPaul, ca.1520, Oil on panel, 33 × 24.1 × 1 cm (13 × 9 1/2 × 3/8 in.), Made in The Netherlands, Netherlandish, 16thcentury, Paintings

EL PADRE SANCHO - SIGLO XX. Author: DANIEL VAZQUEZ DIAZ (1882-1969). Location: MUSEUM OF FINE ARTS. Bilbao. Biscay. SPAIN.

Anonymous / 'Saint Augustine'. After 1630. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Saint Nicholas of Tolentino. Date/Period: 1454-1459. Panel. Height: 139.40 mm (5.48 in); Width: 59.20 mm (2.33 in). Author: PIERO DELLA FRANCESCA.

PABLO ., SAN. APOSTOL DE CRISTO . 15 - 67 AC. OLEO DE EL GRECO. MUSEO DEL PRADO . MADRID.

Francisco de Goya y Lucientes / 'Two Friars', 1820-1823, Spanish School, Mural, 142,5 cm x 65,6 cm, P00759. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

St. Pascal. Madrid, Prado museum. Author: GIOVANNI BATTISTA TIEPOLO (1696-1770). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. Saint Paschal Baylon.

RETRATO DEL CARDENAL CISNEROS (1436-1517). Location: CONVENTO DE LAS JUANAS, ALCALÁ DE HENARES, MADRID, SPAIN.

Kohler, corner braw.

Portrait of a peasant. Chełmoński, Józef (1849-1914), painter

VELAZQUEZ, Diego Rodrguez de Silva (1599-1660). Portrait of the Buffoon 'Redbeard', Cristobal de Castaneda. 1635. Buffoon of Philip IV's court. Baroque art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

Portrait of the Tsar Michail I Fyodorovich of Russia (1596-1645) by Russian master / Regional Art Museum, Rostov on Don/ Second Half of the 17th cen./ Russia/ Oil on canvas/ Old Russian Art/ 64x53/ Portrait

Jacopo Tintoretto: Saint Bartholomew

Anonymous / 'Saint Joseph'. XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Ancona (Italia, Marche), Pinacoteca Civica Podesti. Tiziano Vecellio, Pala Gozzi (Madonna in Gloria con i santi Francesco e Biagio), 1520, opera firmata, tecnica mista su tavola

Cardinal Francesco Cennini A25627 Painting; oil on canvas; overall: 117.4 x 96.2 cm (46 1/4 x 37 7/8 in.) framed: 147.6 x 126.7 x 6.9 cm (58 1/8 x 49 7/8 x 2 11/16 in.);

SAN HUGO EN EL REFECTORIO-DET. Author: FRANCISCO DE ZURBARAN. Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN.

The architect. The Bouwmeester. A standing man, half as half, in the right hand a passer, a scale model of a building in the left hand. Sometimes interpreted as Iram, the architect of the Temple of Solomon. Sketch for the painting in the Municipal Museum of The Hague.

'St Peter'. Flanders. Dimensions: 63,2x51,7 cm. Museum: State Hermitage, St. Petersburg. Author: Anthony Van Dyck.

Ming in a Renaissance outfit; Menzel, Adolph (1815-1905); around 1850 (1845-00-00-1855-00-00);Gesellschaft der Kunstfreunde (Breslau), Sayn-Wittgenstein, Karolina (1819-1887), Sayn-Wittgenstein, Karolina (1819-1887)-collections, Schlesisches Museum der Bilden Künste (Wrocław-1880-1945) , German (culture), German pastels, busts, men's bust, German drawings

Portrait of a philosopher. Szyndler, Pantaleon (1846-1905), painter

San Giuseppe con il bastone fiorito (San Giuseppe con il bastone fiorito), by Giuseppe Maria Crespi known as lo Spagnuolo (or Spagnolo), 1725-1730, 18th Century, oil on canvas, 75 x 50 cm

Umbria Terni Stroncone S. Francesco2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saint Jerome Albrecht Durer 1471-1528 German Museu Nacional De Arte Antigua Lisbon Portugal

Costume Paintings 1701 Jean Baptiste Vanmour

Portrait of Cardinal Richelieu (1585-1642) a French clergyman, nobleman, and statesman by Philippe de Champaigne (1602-1674) a founding member of the Académie de peinture et de sculpture. Dated 17th Century

Saint Catherine of Siena 1510-1515 Italy. A gifted follower of Perugino, Lo Spagna expanded on the masterís calm style in numerous works made for Perugia and the surrounding region of Umbria. This panel represents Catherine Benincasa of Siena (1347ñ1380), who was one of the major religious figures and most influential women of the late Middle Ages. Affiliated with the Dominican order, she was renowned for her devotion to the poor and sick, as well as for her mystical visions. In one such vision, she saw herself marked with Christís wounds from his crucifixion, known as the stigmata. These marks are faintly visible on the backs of her hands in the present work and serve to identify her.. Tempera and oil on panel . Spagna, Lo

Luca Giordano / 'San Pedro arrepentido, o Las lágrimas de San Pedro', ca. 1697, Italian School, Oil on canvas, 66 cm x 55 cm, P00173. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Boyar before the campaign by Shamshin, Pyotr Mikhailovich (1811-1895) Regional M. Vrubel Art Museum, Omsk 1871 Oil on canvas 65x54,5 Russia Russian Painting of 19th cen. Genre Painting

Ribera, Jusepe de, Amsterdam, Vaillant, Bernard, Philosophers after Spanish examples, Zeno of Cittium with book, verso - stamped, print, prints, height 380 mm, width 290 mm, Northern Netherlands, 1632-11-06 - 1698-08-29, print maker, printmaker, 1672 - 1672, paper, mezzotint, Spanish, 1591 - 1652

Goldsmith's art, France, 16th century. Limoges enamel oval pendant depicting Winter, 1570-1580. Attributed to Pierre Courteys (circa 1520-circa 1586).

Cornelis Nuyts (1574-1661), Amsterdam merchant, The Netherlands, Jürgen Ovens, 1658

Peter's face, detail from the Last Supper fresco, by Andrea del Castagno (1421-1457), 1450, in the refectory, Convent of Sant'Apollonia, Florence. Italy, 15th century.

Stigmatisation of St. Francis, Lucas Cranach the Elder, circa 1502, Belvedere Museum, Vienna, Austria

Isaiah by Jean Louis Ernest Meissonier, 1838. Isaiah was a Hebrew prophet from the 8th century BC. Oil painting on oak panel.

Rembrandt Harmenszoon van Rijn (1606-1669). Dutch painter. Haman Recognizes his Fate, 1660-1665. The State Hermitage Museum. Saint Petersburg. Russia.

Saint Jerome in his study. Cleve, Joos van (ca 1485-1540/1541), painter

Leal Souvenir (Loyal Remembrance) by Eyck, Jan van (1390-1441)/ National Gallery, London/ 1432/ The Netherlands/ Oil on wood/ Early Netherlandish Art/ 33,3x18,9/ Portrait

Photo production of a painted portrait of Julius II by Rafaël in the Galleria Pitti in Florence, Fratelli Alinari (Attributed to), After Rafaël, 1852 - 1890 photograph Florence paper. cardboard albumen print picture, painting. historical persons Palazzo Pitti

Portrait of Jakob Fugger, 1459 - 1525, German businessman, digitally edited Portrait of Jakob Fugger, 1459 - 1525, German businessman, digitally edited Copyright: xZoonar.com/Heinz-DieterxFalkensteinx 21911384

Benvenuto Cellini, 1500-1571. Italian sculptor and goldsmith Engraved by Hinchcliff after Vasari. From the book ""Memoirs of Benvenuto Cellini, a Florentine Artist"" written by himself and translated by T. Roscoe. Published London 1847.

Metsu, Gabriël, Amsterdam, Cootwijck, Jurriaan, Reading old woman, verso engraved, An old woman sits on a chair and reads from a sheet of paper. The print has a Dutch caption., print, prints, verso cardboard and verso print - stamped, height 320 mm, width 232 mm, Northern Netherlands, 1714-05-10 - 1798-01-16, print maker, printmaker, 1760 - 1760, paper, papier, prenttekening, crayonmanier, 1629-01 - 1667-10-24, intermediary draughtsman

The Majesty, by Martini Simone, 1313 - 1315, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala del Mappamondo. Detail. Tondo with figure of a Prophet (not identified) sheet inscription halo: aureole leaves volutes red green yellow gold.

Abruzzo, L'Aquila, L'Aquila, S. Maria di Collemaggio, Italy, 20th century, photo, photography, Europe

Portrait of John the Fearless, Duke of Burgundy by Netherlandish master / Royal Museum of Fine Arts, Antwerp / Mid of the 15th cen. / Flanders / Oil on wood / Portrait / 21x14 / Early Netherlandish Art

St Mauro, right panel of the Polyptych of Cervara, 1506-1510, by Gerard David (ca 1460-1523), oil on oak panel, 152.5x64 cm.

Francisco de Zurbaran (1598-1664). Spanish painter. Saint Andrew, 1635-1640. Museum of Fine Arts. Budapest, Hungary.

Head of Saint John the Baptist on a Charger ca. 1500 Aelbert Bouts Netherlandish This grisly depiction of John the Baptist's severed head was once an extremely popular image, due to the saints growing cult in the Middle Ages. Since John was considered to be Christs forerunner and herald, his execution was interpreted as a metaphor for the latters crucifixion. This panel is one of more than twenty versions which were produced through the transfer of the design from a common workshop pattern in the circles of Dieric Bouts and his son Aelbert. The mimetic potential of oil painting is used here to create the illusion of a real head on a real platter.. Head of Saint John the Baptist on a Charger 435759

Tuscany Siena Montalcino Museo Diocesano23. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Hand-painted glass shelf in wooden frame for illumination cabinet, picture of scholar with pen-feather, books and hourglass, slideshelf slide picture glass paint wood oak leg, dimensions) handpainted Hand-painted glass plate for illumination cabinet in wide oak frame The frame is rejuvenated on the sides and shows wear and discolouration: the plates were pushed into an illumination cabinet from above. At the back left and right above two small legs fastening points for the illumination cabinet. Image of man of age with glasses and beard seated behind table on which number of books an inkpot candle and an hourglass The man is working on knife to sharpen his feather pen optics folk life

Emilia-Romagna Ravenna Bagnacavallo Museo Civico1. Hutzel, Max 1960-1990 Post-medieval: Paintings on canvas; manuscripts Antiquities: cippi (Gracchi), cippi fragments, bipedal bricks, terracotta amphorae German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Antonio van Dyck / 'Saint Francis of Assisi in Ecstasy', 1627-1632, Flemish School, Oil on canvas, 123 cm x 105,5 cm, P01478. Museum: MUSEO DEL PRADO, MADRID, SPAIN. SAN FRANCISCO DE ASÍS.

MARISCAL DON DIEGO CABALLERO JUNTO A SU SOBRINO - DETALLE DEL RETABLO DE LA PURIFICACION - SIGLO XVI - RENACIMIENTO FLAMENCO. Author: PEDRO CAMPAÑA (1503-1580) PEETER KEMPENEER. Location: CATEDRAL-INTERIOR. Sevilla. Seville. SPAIN. CABALLERO DIEGO / MARISCAL DIEGO CABALLERO.

Saint Romanus of Antioch and Saint Barulas. Francisco de Zurbarán; Spanish, 1598-1664. Date: 1638. Dimensions: 246.5 × 160.1 cm (97 × 73 in.). Oil on canvas. Origin: Spain. Museum: The Chicago Art Institute, USA.

Giovanni Battista Gaulli / 'Retrato del papa Alejandro VII', 1670-1671, Óleo sobre lienzo, 67 x 56 cm. Museum: Metropolitan Museum of Art, New York.

Cardinal Fernando Niño de Guevara (1541-1609) ca. 1600 El Greco (Domenikos Theotokopoulos) Greek This intense portrait depicts Fernando Niño de Guevara (1541-1609), who in 1596 was named cardinal and is dressed as such here. In 1599 he became Inquisitor General of Spain but resigned in 1602 to serve the rest of his life as Archbishop of Seville. The painting probably dates from the spring of 1600 when the cardinal was in Toledo with Philip III and members of the Madrid court. El Greco had lived in Venice and in the Farnese Palace in Rome, where Titians portraits (such as those of the Farnese Pope Paul III) would have revealed to the Greek painter the psychological possibilities of portraiture.. Cardinal Fernando Niño de Guevara (1541-1609). El Greco (Domenikos Theotokopoulos) (Greek, Iráklion (Candia) 1541-1614 Toledo). ca. 1600. Oil on canvas. Paintings

Anonymous (Copy de El Greco) / 'Saint Basil the Great', Middle 17th century, Spanish School, Oil on canvas, 241 cm x 162,5 cm, P00831. Museum: MUSEO DEL PRADO, MADRID, SPAIN. SAN BASILIO.

Lazio Frosinone Ausonia Santuario di S. Maria del Piano63. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Grand Vizier, workshop of Jean Baptiste Vanmour, 1700 - 1737

Sofonisba Anguissola / 'Giovanni Battista Caselli, Poet from Cremona'. 1557 - 1558. Oil on canvas. Museum: Museo del Prado, Madrid, España.

MANUEL TREMULLES I ROIG/ RETRATO OBISPO ASCENSI SALES, 1770. CATEDRAL DE BARCELONA.

TTITIA, Tiziano Vecello, also called (1490-1576). Interrupted Concert. ca. 1512. Renaissance art. Oil on canvas. ITALY. TUSCANY. Florence. Galleria d'Arte Moderna. Palazzo Pitti (Gallery of Modern Art. Pitti Palace).

Maestro de Becerril / 'David', ca. 1525, Spanish School, Oil on panel, 91,3 cm x 87,4 cm, P08021. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

James I The Conqueror (1208-1276). King of Aragon (1213-1276). Panel of Sala del Consell. The dominions of the Crown. The Balearic Islands (conquered between 1229 and 1235) and Valencia (1238). SPAIN. CATALONIA. Barcelona. National Art Museum of Catalonia.

Benedetto, Diana (ca 1482-1525) National Portrait Gallery, London Painting 76,2x59,1 Bible Salvator Mundi

SAN FRANCISCO DE BORJA - 1624 - ESCULTURA BARROCA. Author: Juan Martínez Montañés. Location: IGLESIA DE LA ANUNCIACION. Sevilla. Seville. SPAIN. DUQUE DE GANDIA. FRANZ VON BORGIA. FRANCISCO DE BORJA Y TRASTAMARA. BORJA Y TRASTAMARA FRANCISCO.

Salvator Mundi. Date/Period: Probably between ca. 1510 and ca. 1520. Painting. Oil on panel. Height: 76.2 cm (30 in); Width: 59.1 cm (23.2 in). Author: Benedetto Rusconi.

Decoration of the Camera degli Sposi (Camera Picta), by Mantegna Andrea, 1465 - 1474, 15th Century, fresco and dry tempera. Italy. Lombardy. Mantua. Ducal Palace. North wall or the chimney wall. The Court. Detail of face of the Marquis Ludovico III Gonzaga red pink yellow gold hat head gear/headdress face

Campania Caserta Teano Cathedral1. Hutzel, Max 1960-1990 Medieval: Built 1116, remodelled by Andrea Vaccaro in 1630, restored in years following damage in second world war. Includes re-used Roman capitals. Architecture, architectural sculpture; sculpture including painted wooded crucifix (c.1330-31) and pulpit (13th century) with mosaic and relief. The Cripta di S. Paride acts as a small museum containing roman, medieval, and modern marble. Post-medieval: Choir stall (MCMLVII); paintings by Francesco de Mura in the Cappella di S. Paride; marble fragments from the Cripta di S. Paride Antiquities: spolia Object Notes: Originally dedicated to S. Terenziano, now dedicated to S. Clemente German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etr

Apostle, fresco on the tambour of the dome by Isidoro Bianchi (1581-1662), 1623-1634, after its restoration, Church of Santa Maria dei Ghirli, Campione d'Italia, Lombardy. Italy, 17th century.

Portrait of Ramon del Valle-Inclan (1866-1936), 1922, Oil on canvas, 199 x 135 cm. Museum: Museo Nacional Centro de Arte Reina Sofía (MNCARS), MADRID, SPAIN. Author: JUAN ECHEVARRÍA. RAMON DEL VALLE-INCLÁN.

Braque Family Triptych, by Rogier van der Weyden, 1450-52, Musee du Louvre, Paris France, Europe

Portrait of a Man and Boy. Dimensions: overall: 113 x 94.3 cm (44 1/2 x 37 1/8 in.) framed: 142.6 x 124.4 x 7.6 cm (56 1/8 x 49 x 3 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Follower of Jacopo Tintoretto.

Portrait of the Ferrara Court Jester Gonella, Fouquet, Jean (1420-1481)

Antonio Mohedano (Attribution) / 'John the Evangelist', Spanish School, Fresco, 233 cm x 130 cm, P02911. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Richard Dadd, 1817-1886, British, Portrait of a Monk, 1857. Watercolor over graphite on moderately thick, slightly textured, beige laid paper.

Cardinal Ippolito de' Medici and Monsignor Mario Bracci by Girolamo da Carpi (1501-1556)/ National Gallery, London/ after 1532/ Italy, Bolognese School/ Oil on wood/ Renaissance/ 138x111,8/ Portrait

Titian and Workshop , Vincenzo Cappello, c 1550 1560 Vincenzo Cappello

Ferdinand Magellan (1480-1521). Portuguese explorer. Portrait by the Circle of Sebastiano del Piombo (16th century). San Fernando Royal Academy of Fine Arts. Madrid, Spain.

Lazio Frosinone Casamari Abbazia di Casamari4. Hutzel, Max 1960-1990 Prints of views, the exterior and its portico, portals and other walls. Interior photos of the church and its vaulting with particular attention paid to the altar. There are also photos of the cloister and the abbey interior, particularly the Sala Capitolare and the Refectory. There are many details of the varied nature of the columns and capitals. There are also some negatives of manuscripts in the library. Object Notes: Hutzel photo campaign date: February 23, 1983. There are more than one set of notes. Also, there is a second set of negatives in 35mm which are listed at the end of the negative numbers. They were noted by Hutzel as general shots and are not the set from which the prints we have were made. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentati

An Elderly PriestStanding. Artist: Giuseppe Aureli, Italian, 1858-1929

Saint Mark. Carlo Dolci (1616-1686). Oil on canvas, octagonal. 101.5 x 83 cm.

Print made by William Pether, ca. 1738-1821, British, Rabbi with a White Turban, 1778. Mezzotint on moderately thick, moderately textured, cream laid paper.

Portrait of a Man; Francesco Salviati, Italian, 1510 - 1563; about 1544 - 1548; Oil on panel; Unframed: 108.9 x 86.4 cm (42 7/8 x 34 in.), Framed (Display): 135.9 x 113.3 x 14.3 x 7.6 cm (53 1/2 x 44 5/8 x 5 5/8 x 3 in.)

SAN FRANCISCO - SIGLO XVII. Location: PRIVATE COLLECTION. MADRID. SPANIEN. SAN FRANCISCO DE ASIS.

Pablo Picasso / 'Man in a beret', 1895, Oil on canvas 50,5 x 36 cm, MPB 110.058. Museum: Museo Picasso, Barcelona.

ZURBARAN, Francisco de (1598-1664). Saint Lawrence. 1636. Baroque art. Oil on canvas. RUSSIA. SAINT PETERSBURG. Saint Petersburg. State Hermitage Museum.

Albrecht Dürer. François Forster (French, 1790-1872). Engraving;

William Of Aquitaine In Penance, by Domenico Antonio Vaccaro (1678-1745), oil on canvas.

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