Rhine River Landscapes

Various historical prints depict scenic views along the Rhine River, featuring castles, towns, and dramatic landscapes, reflecting artistic styles from different eras.

Tolburcht Pfalzgrafenstein in the Rhine seen from the north, Jan van Call (II), 1694 - 1697 print View of the Tolburcht Pfalzgrafenstein in the Rhine. In the background the city of Kaub with Gutenfels on the top of the hill. Print from a series of 71 prints with Rhine landscapes, faces on royal palaces and cityscapes from The Hague and Amsterdam. Amsterdam paper etching castle. toll gate. river Kaub. Pfaffenporte **. Rhine

The Sphinx, and the statues of Memnon at Thebes, Egypt still image. Book illustrations. 1807. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Great Sphinx (Egypt), colossi , Egypt , Thebes (Extinct city), Amenhotep III, King of Egypt , Statues, Sphinxes , Egypt , Jîzah, Sculpture , Egypt , Thebes (Extinct city)

'Legend of St Elizabeth'. Germany, 1816-1817. Dimensions: 15,3x20,4 cm. Museum: State Hermitage, St. Petersburg. Author: CARL PHILIPP FOHR.

Das Tännengebirge bei Salzburg (The Tännengebirge near Salzburg), 1830, VI Bll. Malerische Ansichten aus den Umgebungen von Salzburg (Six Plates. Picturesque Views of the Environs of Salzburg) Hoff-Budde 193-198, etching on wove paper, plate: 16 x 20.3 cm (6 5/16 x 8 in.), sheet: 22.6 x 28.4 cm (8 7/8 x 11 3/16 in.), Hoff-Budde 1922, no. 193, State vi/vi, Ludwig Richter (artist) German, 1803 - 1884

Print made by Richard Parkes Bonington, 1802-1828, British, Ancienne Tour Près de Lanark, 1826. Lithograph on moderately thick, smooth, cream wove paper.

Les chaumières (TheCottages). Artist: Maxime Lalanne, French, 1827-1886 After: Jan van Goyen, Dutch, 1596-1656Printer: François Liénard, French, 1827-1886

Antwerp, Peeters, Jacob, Jan (I), Vorsterman, Lucas (II), Short description and directions of the places in this book(...), Topographical views, Oran e Marsaguiur, View of Oran, Algeria, verso - stamped, print, prints, height 120 mm, width 266 mm, Southern Netherlands, 1624-05-27, print maker, printmaker, 1683 - 1685, paper, papier, etching, etchings, Work conception, 1624 - 1680, after a design by, Publication (Event), Publication, 1637 - 1695, publisher

Franz Innocenz Josef Kobell watercolor of an ideal landscape featuring a large rock and an Arcadian figure holding a staff, with traces of cover paint and glossy areas, 1800.

Ruin of a grave at Faleria, Johann Christian Reinhart, 1771 - 1847 print Nuremberg paper etching / engraving landscapes. landscape with monument. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

John Sell Cotman, 1782-1842, British, Tan-y-Bwlch, North Wales, ca. 1806. Graphite on medium, moderately textured, white wove paper.

The Great Cascatella at Tivoli, plate thirteen from the Ruins of Rome Published 1798 England. Hand-colored aquatint on paper . M. Dubourg

Hedging and Ditching, plate 47 from Liber Studiorum Published 1812 England. Etching and engraving in brown on off-white paper . Joseph Mallord William Turner

Renier Zeeman (around 1623-1667). Some sea ports n ° 8: Port scene with weighing buildings (Hollstein 103). Eat, 1656. Museum of Fine Arts of the City of Paris, Petit Palais. Eat, XVIIth XVIIth XVII 17th 17th 17th century, engraving

Print made by Edward Francis Finden, 1791-1857, British, Sèvres, 1820. Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé.

William Miller, 1796-1882, British, Malmaison, 1835. Etching and engraving, first published state.

View of the Vesuvius, Israel Silvestre, 1645 - 1691 print France paper etching city-view, and landscape with man-made constructions Mount Vesuvius

Inverlochy Castle, Invernesshire, Henry Griffiths, 1835-1849, British, after Thomas Allom, 1804-1872, British, Published by George Virtue, ca. 1820-1908, British, 1836, Etching and line engraving on moderately thick, slightly textured, cream wove paper, Sheet: 8 1/2 x 11 3/16 inches (21.6 x 28.4 cm) and Image: 4 1/2 x 6 3/4 inches (11.5 x 17.2 cm), architectural subject, armed forces, battle, castle, escape, hills, horse (animal), landscape, mountains, pointing, ruins, running, sailboat, troops, Fort William, Highland, Inverlochy Castle, Lochy, River (stream), Scotland, United Kingdom

View near Bristol, Edward Francis Burney, 1760-1848, British, undated, Watercolor and pen and black ink on medium, moderately textured, cream laid paper, Sheet: 6 × 7 1/4 inches (15.2 × 18.4 cm), bay (body of water), figures (representations), landscape, night, ships

Hazenjacht, Charles Aubry, 1836 - 1837 print This print is part of a cover with twelve prints. Various hunting techniques are explained in word and image around the main performance. Paris paper hare-hunting, rabbit-hunting. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt')

Joseph Mössmer gouache painting titled 'Winnerproof', depicting figures and landscape in 1832 with detailed composition and natural elements.

Monuments on Easter Island (Rapa Nui), encountered by Captain Cook on his second voyage, 1772-1775. Engraving by W. Woollett after W. Hodges, 1777.

Prisco onor pur dura... Dated: c. 1760. Dimensions: plate: 21.2 x 29.5 cm (8 3/8 x 11 5/8 in.) sheet: 29.9 x 43.8 cm (11 3/4 x 17 1/4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph Wagner after Canaletto.

Peace conference on Île des Faisans with the Kings Louis XIV and Philip IV (left part), L. Richer, c. 1660 print On either side of the river, the kings arrive with their armies and court. publisher: ParisFrance paper etching peace negotiations New Aquitaine

William Miller, 1796-1882, British, Between Clairmont & Mauves, 1833. Line engraving, engraver's proof.

View of the Grotto by Heilbrunn, near Salzburg. Dated: 1780s. Dimensions: sheet: 55.9 x 44.6 cm (22 x 17 9/16 in.) mount: 73.2 x 59.8 cm (28 13/16 x 23 9/16 in.). Medium: aquatint printed in brown with white heightening, on original mount with engraved title affixed. Museum: National Gallery of Art, Washington DC. Author: after Schellinger Johann Gottlieb Prestel.

Solitude, William Woollett, 1735-1785, British, and William Ellis, 1747-1810, British, after Richard Wilson RA, 1714-1782, British, active in Italy (1750-56), 1778, Line engraving and etching on moderately thick, slightly textured, cream laid paper, Sheet: 17 1/2 x 21 7/8in. (44.5 x 55.6cm) and Plate: 21 5/8 x 21 7/8 inches (54.9 x 55.6 cm), churches, crosses, groves, landscape, lions, monks, pedestals, plants, ponds, rocks (landforms), ruins, sculptures, trees

Chteau de Larderole, 1832. Eugène Isabey (French, 1803-1886). Lithograph;

Hebiborough Sands, James C. Allen, active 1821-1831, British, after Joseph Mallord William Turner, 1775-1851, British, c.1830, Etching and engraving on thick, slightly textured, beige, wove paper, Sheet: 17 3/4 × 12 3/8 inches (45.1 × 31.4 cm), Plate: 6 3/4 × 5 1/8 inches (17.1 × 13 cm), Chine collé: 6 3/8 × 4 13/16 inches (16.2 × 12.2 cm), and Image: 4 3/4 × 4 inches (12.1 × 10.2 cm)

Under the Hill at Milford, John Christian Schetky, 1778-1874, British, 1819, Watercolor over graphite on thick, slightly textured, cream wove paper, Sheet: 7 5/8 × 7 inches (19.4 × 17.8 cm)

Landscape with ruin and some farmers, draughtsman: G.F. Buijs, (possibly), draughtsman: C.A. Buijs, (rejected attribution), c. 1700 - c. 1800, paper, pen, brush, h 232 mm × w 281 mm

Neapolitan Shepherd. Artist: After François Boucher (French, Paris 1703-1770 Paris); Jean Daullé (French, Abbeville 1703-1763 Paris). Dimensions: Sheet (trimmed): 11 7/8 × 14 1/8 in. (30.1 × 35.8 cm). Date: 1758. Museum: Metropolitan Museum of Art, New York, USA.

Face on a bear yacht; Vorstellung Einer Bären Hatz; Yacht scenes. Leged at the top right: 122. Left number numbered: 32.

Philosopher Empedocles near the peaks of Etna, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk

Malmesbury Abbey, J. C. Varrall, active 1815-1827, after Joseph Mallord William Turner, 1775-1851, British, 1829, Line engraving, 3rd state on moderately thick, moderately textured, cream, wove paper, Sheet: 10 3/4 × 14 7/8 inches (27.3 × 37.8 cm), Plate: 9 3/16 × 12 1/4 inches (23.3 × 31.1 cm), and Image: 6 3/8 × 9 3/16 inches (16.2 × 23.3 cm)

Horseed at a border post. Outside a city leaves a rider drinking his horse at a river while he loves a different horse. Other figures and riders in the area. Some figures in the river, a boy with a fishing is located at the landmark.

Bliżej Kultury Hellmuth (Fl. CA 1840 1843), Dubois de Montpéreux, Frédéric (1798 1850), lithography of H. Nicolet (Neuchtel)

Samuel Rawle, 1771-1860, British, Brignall Church, 1821. Line engraving and etching on moderately thick, slightly textured, cream, wove paper, with cream, chine colle.

No. 26. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Two men riding J.F Grimaldi. Two men on horseback (B 5). Etching.

Fishermen, George Morland, 1763-1804, British, 1793, Hand colored mezzotint, Sheet: 17 13/16 x 21 15/16in. (45.2 x 55.7cm)

View of the Great Haven and the Sea Fleet of Palermo, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk. watercolor (paint) brush / pen

The Siren's Grotto at Tivoli, Felice Giani, Italian, 1758-1823, Black chalk, pen and black ink, brush and brown watercolor on cream laid paper, On recto: two artists are shown, drawing. Three men at the bottom of the falls. Houses of Tivoli visible at the top. Framing line and caption: Tivoli 10 - la grotto della sirena;” 20” at the top. On verso: sketches for ceiling with fifteen panels, quarter of a ceiling with winged genii, plant candelabra, three curved friezes with grotesque animals. 21” above., Italy, ca. 1813, landscapes, Drawing, Drawing

Sir Richard Colt Hoare, 1758-1838, British, One from Views in Saxony, France, Spain, Reba, Italy, Sicily.., ca. 1817. Watercolor and black ink over graphite on wove paper.

Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35). Artist and publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 x 10 3/8 in. (17.8 x 26.4 cm)sheet: 8 1/2 x 11 1/2 in. (21.6 x 29.2 cm). Date: June 1, 1811.Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for "Book of Studies"), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. In a few instances, as here, Turner also developed the tone, using aquatint and mezzotint to describe a Scottish loch bordered by mountains with the foreground enlivened by boats and fishermen near a pier, a floating buoy, and the fluke of a submerged anchor piercing the water. Despite the engraved title, the image does not represent Loch Fyne, but the smaller adjacent Loch Shira, and the "M" in the upper margin indicates Turner's categor

Encecladus in battle at Mount Etna. Engraved illustration from 'The Temple of the Muses', 1733. This book represented remarkable events of antiquity drawn and engraved by Bernard Picart (1673-1733). In Greek mythology, Encecladus was one of the Giants, the offspring of Gaia (Earth), and Uranus (Sky). Encecladus was the traditional opponent of Athena during the Gigantomachy, the war between the Giants and the gods, and was said to be buried under Mount Etna in Sicily.

Granite rocks of strange shapes, Uezi Island, Central Africa. Travel to unexplored Africa, the mysterious continent of Henry Morton Stanley. Old 19th century engraved illustration, El Mundo Ilustrado 1880

Virginia City, Nevada Territory.. Brown, Grafton Tyler (1841-1918). Kuchel, Charles Conrad (b. 1820). Prints. 1861. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Virginia City (Nev.)

Val of Shanganagh, Dún Laoghaire, with Boats Written 1843 England. Brush and brown wash over graphite on cream wove paper . Elizabeth Murray

Le torrent et la riviere (The Torrent and theRiver). Dated: published 1756. Medium: hand-colored etching. Museum: National Gallery of Art, Washington DC. Author: Louis-Simon Lempereur after Jean-Baptiste Oudry.

Arcadian landscape with dancing figures; Arcadian landscape / passage d'arcadie. In the foreground in an arcadic landscape a boy embraces a woman who plays triangel. Links in the forest make shepherdess a round dance. On the right a bridge over a river and a temple against high mountains. The landscape is illuminated by the right by sunlight. In the middle of the margin a putto with the coat of arms of society Felix Meritis.

Danube views, Lower Austria, Weißenkirchen Markt, After, Jakob Alt -, Drawer, Adolf Friedrich Kunike -, Lithographer, Adolf Friedrich Kunike -, editor

Interior View of the Roman Baths at Trier , 1826. Johann Anton Ramboux (German, 1790-1866). Lithograph with tint stone; sheet: 56.1 x 75.2 cm (22 1/16 x 29 5/8 in.); image: 38 x 49.4 cm (14 15/16 x 19 7/16 in.).

Grotto of the Sirens, plate thirty from the Ruins of Rome. M. Dubourg, (English, active 1786-1838); published by J. Merigot (Italian, Unknown). Date: 1798. Dimensions: 330 × 448 mm (sheet). Hand-colored aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA. Author: M. DUBOURG.

Koło on the Warta River. Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist, Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), workshop

Corinth: Temple of Neptune and the Acrocorinth. Théodore Caruelle d'Aligny; French, 1798-1871. Date: 1846. Dimensions: 325 × 478 mm (image); 440 × 595 mm (plate); 335 × 483 mm (primary support); 500 × 640 mm (secondary support). Etching on ivory China paper, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Alpine Scene first half 19th century Henri Boug d'Orschwiller. Alpine Scene. Henri Boug d'Orschwiller (French, Colmar 1783-1859 Paris). first half 19th century. Hand colored lithograph. Prints

Drawing, View of Naples (or vicinity); Italy; brush and gouache on paper

Uitzicht bij raam van Capucijner klooster van Taormine. Vue prise d'une fenêtre des Capucins à Toarmine (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 181 mm × w 528 mm. Museum: Rijksmuseum, Amsterdam.

'Monologue of a Wayfarer'. From the Album No 2 "Souveni d'Italie". 1785 - 1787. Dimensions: 26,4x38,2 cm. Museum: State Hermitage, St. Petersburg. Author: Jean François Thomas de Thomon.

Under the composition: Gaza from the album Palestine Lemaitre, Gaucherel, Léon (1816 1886)

Title print with boats at water feature, Anonymous, Nicolas Perelle, After Adam Perelle, After Gabriel Perelle, 1628 - 1679 print paper etching / engraving river (+ landscape with figures, staffage)

Robert Brandard, 1805-1862, British, Quilleboeuf, 1834. Line engraving.

Radicofane. pencil and watercolor on paper. Date: 1841. Museum: Smithsonian American Art Museum.

Teyler, Johan, Netherlands, Standing duck to the right, This print is part of an album., print, album sheet, prints, height 106 mm, width 164 mm, print maker, printmaker, 1688 - 1698, paper, papier, engraving, engraving (printing process), à la poupée, colour printing, counterproof, counterprint, Northern Netherlands, 1648 - 1712, supervision

View of the Devil's Bridge in the Gotthardpas, Anonymous, Johann Carl Wiederhold, 1770 - 1826 print Göttingen paper etching landscape with bridge, viaduct or aqueduct. bridge Gotthardpas

In villa Mecenate a Tivoli. Reinhart, Johann Christian (1761-1847), graphic artist

Bagneres-de-Bigorre, France, Henry Swinburne, 1743-1803, British, undted, Pen and gray ink, black ink, graphite, and gray wash on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm) and Sheet: 5 13/16 × 8 3/16 inches (14.8 × 20.8 cm)

Scene on the Branch of the Sacramento (From "California: Its Past, Present, and Future..) 1850 Illustration Newberry Library, Chicago, Illinois, USA

Engraving depicting the Lanyon Quoit, a dolmen in Cornwall. A dolmen is a single-chamber megalithic tomb. Dated 19th Century

Benjamin Thomas Pouncey, active 1772-1799, British, Building of a Cutter, 1783. Engraving with watercolor.

James T. Willmore, 1800-1863, British, The Laterne of St. Cloud, 1835. Line engraving.

Nicolas Pérignon illustrated Castrian at Lyon using pen and watercolor.

Grays "Elegy Written in a Country Churchyard" Robert Hills British Related author Thomas Gray British before 1844 Hills here responds to Thomas Grays "Elegy written in a Country Churchyard" (1751), a poem written to commemorate a young poet friend, Richard West. Both poem and watercolor encapsulate central aspects of Romanticism--offering a meditation on mortality and presenting Nature as both sympathetic to human emotion and as a bridge to the Divine. Hills was part of a group of young artists who experimented with watercolor's expressive potential, and founded the Society of Painters in Watercolours in 1804 to encouraged new public appreciation for the medium. Since HIll was known for his animal, as well as landscape, studies, it is perhaps surprising that no animal appears here. But, since contemporary viewers would have known Grays poem by heart, Hills likely expected them to recall the opening stanzas which evoke a range of animal sounds:The curfew tolls the knell of parting day,

Print made by Bradshaw & Blacklock, active ca.1850, British, Haddon Hall, after 1850. Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper.

Harlech Castle and Snowdon. Dated: c. 1805. Dimensions: Overall: 28.8 x 50.7 cm (11 5/16 x 19 15/16 in.) mat: 55.9 x 71.1 cm (22 x 28 in.). Medium: watercolor over graphite with sponging-out on wove paper. Museum: National Gallery of Art, Washington DC. Author: John Varley.

View of the city of Santander, 1575 View of the city of Santander with the bay in the foreground. Entirely in the foreground a woman with a child on her arm, a woman and a man by a donkey. Print is part of an album. print maker: Cologneprint maker: CologneThe Hague paper etching / engraving / letterpress printing Santander View of the city of Santander with the bay in the foreground. Entirely in the foreground a woman with a child on her arm, a woman and a man by a donkey. Print is part of an album. print maker: Cologneprint maker: CologneThe Hague paper etching / engraving / letterpress printing Santander

Drachenfels. Dated: 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

CARNAC ; THE ALIGNMENT OFMENHIRS AT KERMARIO Date: 1877

Sign in the bird's flight; Romuli und Remi Entscheidung Aus Dem Vogel-Flug; Romulus and Remus. Romulus and Remus search for a sign in a flight of birds. The number of birds determines who of the twins has the right to set up a city and to indicate its name. Romulus stands on the left of the Tiber River and sees more birds flying past then Remuse on the right. At the top right numbered: 209. Left below numbered: 51.

On the Nile, Egypt. William Clarkson Stanfield, R.A. (1793-1867). Dated 1846, Pencil and watercolour heightened with white, 222 x 368mm.

Peekskill Landing (Hudson River), illustration for Nathaniel Parker Williss book American Scenery. Artist: E. Benjamin, British, active 19th century After: William Henry Bartlett, British, 1809-1854 Publisher: George Virtue, British, 1793-1868

Artist: Isidore Laurent Deroy, French, 1797-1886, Vue de San-Francisco; Vista deSan-Fransisco, Lithograph printed in colors, sheet: 47 × 60.5 cm (18 1/2 × 23 13/16in.), Made in United States, American, 19thcentury, Works on Paper -Prints

'The Tomb of Kosciusko', 1837. Artist: R Young.

James Mason, 1710-1783, British, Pembroke Town and Castle, 1775. Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper.

On the right the head of a sphinx sticking out of the sand, Landscape with pyramids and a caravan General view of the pyramids Egyptian-Pages third sixteenth Egyptian-Pages , print maker: Leendert de Koningh, (mentioned on object), Otto Baron Howen, (mentioned on object), printer: Steuerwald & Co., (mentioned on object), Egypte, printer: Dordrecht, 1830, paper, h 255 mm × w 350 mm

Edward Goodall, 1795-1870, British, Florence, 1827. Line engraving, 3rd state on moderately thick, slightly textured, cream, wove paper.

Watercolor over pencil by Simon Petrus Klotz depicting Pan lamenting the transformation of the nymph Syrinx into reeds, with black edging lines, dated 1798.

Scenery of The Upper Mississippi An Indian Village Currier & Ives, Nath. & James A. 1857-1907 American Library of Congress Washington, DC

Print made by Alfred W. Cooper, active 1850-1901, British, Excelsior (tail piece), undated. Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper.

Samuel Davis, 1757-1819, British, From Rungpore Rangpur, ca. 1783. Watercolor and graphite and pen and brown ink on medium, slightly textured, cream laid paper.

Jean Baptiste Isabey, Fontaine de Jardin Borghese, 1822 Fontaine de Jardin Borghese

View of Port Orotava, Tenerife, from El Limpio de Las Calaveras, Alfred Diston, active 1818-1829, undated, Watercolor, pen and black ink, brown ink, and gray ink on moderately thick, moderately textured, beige, wove paper, Sheet: 14 1/2 × 19 1/16 inches (36.8 × 48.4 cm) and Image: 12 5/8 × 18 1/2 inches (32.1 × 47 cm)

Water, anonymous, after Cornelis Bloemaert (II), after Abraham Bloemaert, c. 1643 - 1679 print DIY fishermen's huts are on the edge of the sea. In the foreground, a fisherman is tied a net. paper engraving water (one of the four elements)

Siebengebirge, volcanic low mountain range on the right bank of the Rhine, North Rhine-Westphalia, Germany, authentic reproduction of a school mural, historic, around 1900

Remember Carnac, Morbihan, vintage engraved illustration. Magasin Pittoresque 1845.

Widok Ossiachu. Kłosy (Warszawa ; drzeworytnia ; 1865-1890), printing house, Gorazdowski, Edward (1843-1901), graphic artist, Gierymski, Aleksander (1850-1901), draughtsman, cartoonist

West Point, from Phillipstown. Dated: published 1831. Dimensions: plate: 49.8 x 65.5 cm (19 5/8 x 25 13/16 in.) sheet: 57 x 72.8 cm (22 7/16 x 28 11/16 in.). Medium: color aquatint with touches of engraving, hand-colored, on wove paper. Museum: National Gallery of Art, Washington DC. Author: WILLIAM JAMES BENNETT.

Abbotsford, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1841, Line engraving

Watercolor by Christian Jank from around 1860 depicting a scene in Florence with figures at play.

Artist: James C. Clapp, American, After: J.C. Sharp, American, active 19th century, WilliamsCollege, Lithograph with color, sheet: 23 × 30.3 cm (9 1/16 × 11 15/16in.), Made in United States, American, 19thcentury, Works on Paper -Prints

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