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River Scenes with Boats

Etchings showcasing various river scenes, featuring boats and bridges. The mood is serene with soft, muted colors and gentle contours, capturing tranquil waterways.

Farmer's barge in a canal, in the offing Weesp, draughtsman: Albertus Brondgeest, 17-Apr-1810, paper, brush, h 227 mm × w 297 mm
Farmer's barge in a canal, in the offing Weesp, draughtsman: Albertus Brondgeest, 17-Apr-1810, paper, brush, h 227 mm × w 297 mm
155 assets in this story
4042-77414962
The Channel at Gravelines, in the Direction of the Sea, Georges Seurat,1890,
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The Palace; white and pink. Dated: 1879/1880. Dimensions: sheet: 19.7 × 30 cm (7 3/4 × 11 13/16 in.) framed: 41.91 x 52.07 x 4.13 cm (16 1/2 x 20 1/2 x 1 5/8 in.). Medium: pastel and black chalk on gray-brown wove oatmeal paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.
6145-29227379
A Mill 1829 David Lucas British In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. A Mill. David Lucas (British, Northamptonshire 1802-1881 London). 1829. Mezzotint on chine collé; proof before published state. Prints
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Print made by Joseph Mallord William Turner, 1775-1851, British, Shields Lighthouse, 1820 to 1826. Mezzotint; engraver's proof b.
4443-21830216
Mill near Wijk bij Duurstede, print maker: Johannes Arnoldus Boland, print maker: Petrus Johannes Arendzen, (rejected attribution), after: Jacob Isaacksz van Ruisdael, Amsterdam, c. 1860 - c. 1900, paper, etching, h 238 mm × w 270 mm
4443-21179154
Otto Henry Bacher, A Wet Evening in Venice, American, 1856-1909, c. 1880, etching
4443-21182251
James McNeill Whistler (American, 1834 - 1903), Battersea: Dawn, 1875, etching
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The Bridge Marie in 1899 Fr�d�ric-Anatole Houbron (1851-1908). The Marie Bridge in 1899. Pastel.
4409-17587507
Les Quais, from the Album Paris. Albert Marquet; French, 1875-1947. Date: 1937. Dimensions: 337 × 265 mm (plate); 431 × 345 mm (sheet). Etching in black on white laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
6145-59562857
Two Barken, Harry van Mook, 1898 - 1955 print Two Barken: seen the Stevens from below. paper etching sailing-ship, sailing-boat (with NAME). harbour
4409-17532174
Construction site Sint Agnietenstraat in Amsterdam. Draughtsman: George Hendrik Breitner. Dating: 1903. Place: Amsterdam. Measurements: h 237 mm × w 296 mm. Museum: Rijksmuseum, Amsterdam.
6145-51818610
The Thames James Abbott McNeill Whistler (American, 1834-1903). The Thames, 1896. Linotint on paper, Sheet: 12 7/16 x 8 1/2 in. (31.6 x 21.6 cm). American Art 1896
4409-17473268
Un Débarquement en Angleterre (Landing in England). Dated: 1879. Dimensions: sheet: 34.7 x 21.7 cm (13 11/16 x 8 9/16 in.). Medium: etching, drypoint, aquatint (dust ground and spirit ground), roulette, and burnishing in black on oatmeal paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.
6145-30166370
Millbank 1861 United States. Etching and drypoint in black ink on ivory laid paper . James McNeill Whistler
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Woman on the Estacade in Paris Norbert Goenuette (1854-1894). Woman on the estacade in Paris. Floor, Roulette, Pointe-Dry, soft varnish.
4443-73250027
Whistler, James Abbott McNeill, A set of twenty-six etchings, The Riva, nr. 2, Riva del Sciavoni, verso middle left - stamped, The wide quay Riva del Sciavoni, along the water in Venice., print, prent, prints, enten, JW imp, recto lower left - pencil, height 210 mm, width 305 mm, American, 1834-07-10 - 1903-07-17, print maker, printmaker, 1879 - 1880, fourth quarter 19th century, paper, etching, etchings, drypoint, dry needle, color printing, Work conception, after own design of, printer
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Public Wharf, Quai de la Gare Made 1908 France. Etching on cream laid paper . Louis Auguste Lepère
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The Tall Bridge. James McNeill Whistler; American, 1834-1903. Date: 1878. Dimensions: 280 x 191 mm (image); 308 x 191 mm (with printer's legend); 327 x 217 mm (sheet). Lithotint, in black ink, with scraping, on ivory plate paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.
4443-73179129
Schjerfbeck, Helene, work, Picture book, 1938, lithography, hand-colored with chalk, graphics, sheet width 57 cm, leaf height 44.5 cm, Helena Sofia Helene Schjerfbeck 1862 - 1946, Finnish modernist painter, known for her realist works, self-portraits, landscapes and still lifes, finland.
4409-17523436
The Buoy (La balise). Date: 1894. Dimensions: 21.8 cm x 30 cm, 17.8 cm x 22.1 cm, 17.8 cm x 21.1 cm. Museum: Van Gogh Museum, Amsterdam. Author: PAUL SIGNAC.
6145-29134364
Landscape with a Fisherman. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1861. Prints; etchings. Etching and drypoint, with drypoint cancellation
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Three men standing in the water take a sailing boat to the side. Draughtsman: Adolf le Comte. Dating: 1860 - 1921. Measurements: h 145 mm × w 230 mm. Museum: Rijksmuseum, Amsterdam.
6145-30220415
Bleach Charles Jacquin. The bleach of bleach. Pigment process. 1903.
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Rotherhithe 2. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1860. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection
4409-17566889
Souvenir of Coney Island. Robert Frederick Blum; American, 1857-1903. Date: 1880. Dimensions: 69 x 72 mm (image/plate); 331 x 240 mm (sheet). Etching on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.
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Rue Longue Cadwallader Washburn (American, 1866-1965). , 1907. Drypoint on laid paper, Plate: 7 7/8 x 5 5/16 in. (20 x 13.5 cm). American Art 1907
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Joseph Pennell, Whitehall Court, 1903 Whitehall Court
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Mills on shore on both sides of the Morspoort in Leiden. Draughtsman: Jan de Bisschop. Draughtsman: Constantijn Huygens (II). Dating: 1668 - 1697. Measurements: h 84 mm × w 146 mm. Museum: Rijksmuseum, Amsterdam.
4409-17542642
Face the Forum Romanum at night. Draughtsman: Thomas Cool. Dating: 1861 - 1904. Measurements: h 74 mm × w 127 mm. Museum: Rijksmuseum, Amsterdam.
6145-59592807
Mill aan Water, Wijk bij Duurstede, Willem Witsen, c. 1906 print Right at the mill a house. paper windmill in landscape Wijk bij Duurstede
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Little Hell Gate, Harlem. Artist: Henry Farrer (American, London 1844-1903 New York). Dimensions: plate: 3 7/8 x 6 in. (9.9 x 15.2 cm)sheet: 4 1/8 x 6 1/4 in. (10.5 x 15.9 cm). Date: ca. 1880-89. Museum: Metropolitan Museum of Art, New York, USA.
6145-30386209
Untitled woodengraving by E.A. Abbey () of two ladies on a wooden footbridge - illustration for William Black’s Judith Shakespeare (). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897
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View in Venice, Willem Witsen, 1870 - 1923, draughtsman: Willem Witsen, 1870 - 1923, paper, h 242 mm × w 306 mm
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Adrià Gual / Boceto escenográfico. "Camí d'Orient", Acto cuarto, 1902. Institut del Teatre de Barcelona.
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Une Jetée en Angleterre (A Pier in England). Dated: 1879. Dimensions: plate: 29.9 x 20 cm (11 3/4 x 7 7/8 in.) sheet: 44.5 x 31 cm (17 1/2 x 12 3/16 in.). Medium: drypoint, roulette, aquatint, spit-bite, softground with sandpaper, and etching () in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.
6145-59431811
Reproduction to a photo, painting, drawing or print, various manufacturers, c. 1860 - c. 1915 photograph Netherlands paper. photographic support gelatin silver print
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At Vlissingen (A Flessingue). Dimensions: 40.8 cm x 53.4 cm, 26.6 cm x 40.7 cm. Museum: Van Gogh Museum, Amsterdam. Author: PAUL SIGNAC.
6145-55179671
The pool. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1859. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection
4409-17567544
The Trout Pool. Franz von Stuck; German, 1863-1928. Date: 1889-1890. Dimensions: 278 x 232 mm (plate); 491 x 365 mm (sheet). Etching in dark brown on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.
6145-59066908
Chartres; Szczek, Marceli (1892-1943); after 1913 (1913-00-00-1938-00-00);France, graphics, cathedral (chartres), towns, message (provenance), École de Paris (style)
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Flood at the blocking ship in Nussdorf , Moritz Ledeli -, drawer
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Drewniany most na kanale. Jabłczyński, Feliks (1865-1928), graphic artist
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Harbour Scene Paul Signac (French, 1863-1935). Harbour Scene, ca. 1894. Lithograph in six colors on wove paper, 15 3/4 × 12 3/4 in. (40 × 32.4 cm). With his friend the painter Georges Seurat, Paul Signac developed a style called Divisionism, which relies on the viewers eye to optically blend the artists small marks of bright, contrasting color. This luminous color lithograph, related to an oil painting of the same subject, harmonizes contrasting shades of blue and orange to convey a sense of a lightfilled port and sunstruck waves. The technology of color lithography may in fact have been an influence on Divisionist technique: as early as the 1840s, lithographers were relying on patterns of stippled dots in contrasting colors to produce the illusion of a wider color range in their prints. European Art ca. 1894
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Effet de Nuit. Charles-François Daubigny (French, 1817 - 1878)
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Pont Saint Michel, Paris. Albert Marquet; French, 1875-1947. Date: 1905-1915. Dimensions: 12 1/2 × 15 5/8 in. Oil on canvas. Origin: France. Museum: The Chicago Art Institute, USA.
6145-30208453
Sketch for the Municipal Council of the City Hall of Alfortville: View of Alfortville taken from the heights of Charenton. Arus, Raoul. Sketch for the Municipal Council of the City Hall of Alfortville: View of Alfortville taken from the heights of Charenton. Oil on canvas. 1896.
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The Channel of Gravelines, by Georges Seurat (1859-1891).
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William Marlow, The Tiber with Saint Peter's and the Castel S Angelo (recto), 1765 1768 The Tiber with Saint Peter's and the Castel S. Angelo (recto)
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'The Riva, Number Two', c1880, (1904). Artist: James Abbott McNeill Whistler.
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Finis, Willem Bastiaan Tholen, 1870 - 1914 print Mast of a sunken ship protrudes above the water. paper etching sinking (movement in water). sailing-ship, sailing-boat
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Watercolour - Mary, Queen of the World Cathedral Ernst Neumann (1907-1956)
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Venetian Set: No. 1, Palazzo Ca d'Oro, Venice. Sidney Mackenzie Litten (British, 1887-1934). Etching;
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Les pêcheurs. Below left margin: painted by H. Leroux. Below the right margin: engraved by Leenhoff. In the margin: les pecheurs'. Publié par Boussod 1885, print maker: Ferdinand Leenhoff, after: H. Leroux, printer: Valadon & Cie. Kunsthandel Boussod, 1851 - 1914, paper, etching, engraving
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Tn. "Leonardo Da Vinci" "Italia" Societa di Navigazione Genova. 1963. Buttolph, Frank, 1850-1924. Menus. Rare Book Division
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Sailboats moored in the port, Bastia, Corsica, France