Rivers and Town Landscapes

Naturalistic drawings and prints depicting serene river landscapes with charming town structures from the 17th to 18th centuries.

River Landscape, Lambert Doomer, 1634 - 1700, draughtsman: Lambert Doomer, 1634 - 1700, paper, brush, h 174 mm × w 306 mm

City on the Water, Anonymous, 1700 - 1800 drawing paper. ink pen / brush prospect of city, town panorama, silhouette of city

Lagoon Van Ventië, Dionigi Valesi valesi valesi valesi valesi valesi valesi vales valesi artigi valesi vales, 1737 - 1766 print View of the Laguna of Venice with the Isola di San Giorgio Maggiore and Giudecca on the left. print maker: Italyafter drawing by: Italyafter painting by: ItalyVeniceVenice paper etching landscapes. island. church (exterior) Island of San Giorgio Maggiore. Island of San Giorgio Maggiore. Venetian lagoon. Judecca. Venice

A ferry depicting a figure and two cows near a fort in a wide river landscape. Originally one of a series of sixty landscape prints, divided into five parts of twelve prints each, Ferry with cattle near a fort in a river landscape Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 120 mm × w 190 mm

Landing Place by a Town mid-late 17th century Style of Jan van Goyen Dutch Although Jan van Goyen favored similar river landscapes and canals in both his paintings and his drawings, this drawing is of another hand. The chalk lines in the figures are too hard and fine, and the washes in the clouds are too crudely applied. The sheet is probably the work of a follower of the artist.. Landing Place by a Town. Style of Jan van Goyen (Dutch, Leiden 1596-1656 The Hague). mid-late 17th century. Black chalk with gray wash. Drawings

River Landscape, Lambert Doomer, 1634 - 1700, draughtsman: Lambert Doomer, 1634 - 1700, paper, brush, h 174 mm × w 306 mm

Flint Castle, Vessels Unloading, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1807, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper, Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 1/4 × 10 1/8 inches (18.4 × 25.7 cm), boat, castle, coast, horses (animals), sailboat, sea

River Scene with Cows 1653 Jan van Goyen Dutch. River Scene with Cows 335556

Leading of the ship De Zon, 1768, Reinier Vinkeles (I), 1769 - 1773 print The launch or expiration of the corner ship De Zon in front of the VOC on the Scheepstimmerwerf at the East India Zeemagazijn in Amsterdam, in the presence of Stadholder William V and Princess Wilhelmina van Pruisen, 2 June 1768. Part of a press series with title print and 14 plates of the Inreming van de Prins and Princess in Amsterdam, 30 May - 4 June 1768. Northern Netherlands paper etching / engraving public festivities on the occasion of royal events. launching a ship East Indian sea warehouse

The jetty, Matthieu van Plattenberg, 1617 - 1660 print Landscape with a face on a jetty. On the left a ruin and right ships at sea. Paris paper etching quay. landscape with ruins

The Weteringspoort in Amsterdam. Draughtsman: Dirk Verrijk. Dating: 1744 - 1786. Measurements: h 205 mm × w 299 mm. Museum: Rijksmuseum, Amsterdam.

Francesco Tironi, The Grand Canal Looking Toward the Salute and the Dogana, 1770s The Grand Canal Looking Toward the Salute and the Dogana

A black chalk and gray-washed drawing by Jan Josefsz. van Goyen depicting a calm water scene with a cow drinking and a sailboat, 1653.

A black chalk drawing by Rembrandt van Rijn showing the Houtopopersburgwal canal with Uilenburg and the Zuiderkerk in Amsterdam, with upper corners later supplemented, circa 1647.

View of the Garden of the Petersburg country estate, Daniël Stopendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 79. Print is part of an album. paper engraving / etching country-house. French or architectonic garden; formal garden Nederhorst den Berg

View of Willebroek near Mechelen, Wencslaus Hollar, after Jan Brueghel (I), 1651 - 1678 print Antwerp paper etching sailing-ship, sailing-boat. river. city-view, and landscape with man-made constructions Willebroek

River Landscape. Aelbert Cuyp; Dutch, 1620-1691. Date: 1645-1691. Dimensions: 145 x 190 mm. Brush and black and yellow ocher watercolors over black chalk on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA.

Loosjes, L., Amsterdam, Fokke, Simon, The Dutch Ice Boats, in Various Positions, Sailing on the Zaan, as Well as Some Dutch Ice Sleds, etc., Dutch Ice Boats on the Zaan, ca. 1775, stamped on the reverse, Ice view on the Zaan with ice boats and skaters. In the foreground on the right are fishermen at a hole in the ice and on the left are figures with ice sleds. In the distance are the contours of the Zaanse Schans, ca. 1775. Below the image is a line of text in Dutch. Marked at the top right: Pl. IX., print, prints, Frederik Muller Historical Plates, height 201 mm, width 262 mm, Northern Netherlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1774 - 1776, paper, papier, etching, etchings, Work conception

Village face of Lemmer, Carel Frederik Bendorp (I), After Jan Bulthuis, 1786 - 1792 print paper etching city-view in general; 'veduta'. harbour Lemmer

Big Vlot and various ships on the Merwede at the De Merwe house near Dordrecht, Ary van Wanum, 1775 drawing paper. ink pen / brush river Merwede. Dordrecht

Scheepjes at a Dijk, Tako Hajo Jelgersma, 1778 drawing paper. ink pen / brush

Ale Porte del Dolo. Dated: c. 1735/1746. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CANALETTO.

. Landscape with a face on a jetty. On the left a ruin and right ships at sea.

W. R. Smith, active 1819-1851, Saltash, Cornwall, 1827-1838. Etching and engraving, with scraping out and touched with graphite ( Engraver's Proof ).

Market scene in Venice, Canaletto, 1707 - 1768 print Market on the Riva Degli Schiavoni in Venice. In the foreground figures on the market. On the right a moored ship. In the background Isola di S. Giorgio Maggiore in mirror image. Venice paper etching market. church (exterior) Island of San Giorgio Maggiore. Venice

Thames Warehouses. Dated: 1859. Dimensions: plate: 7.62 × 20.32 cm (3 × 8 in.) sheet: 13.97 × 26.19 cm (5 1/2 × 10 5/16 in.). Medium: etching and drypoint in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Groothoofdspoort in Dordrecht, Jan van Goyen, 1638 drawing paper. chalk brush city-gate Dordrecht

Arrival in Amsterdam of refugees for the flood, 1825, Alexandre Joseph Boens, after Johannes Christiaan Schotel, 1825 - 1826 print Arrival in the port of Amsterdam of a few small boats with refugees from Noord-Holland who were fled for the flood, 3 February 1825. Part of a group of illustrations from a memorial book of the flood of 1825. print maker: Southern Netherlandsprinter: Brussels paper flood Amsterdam

Interior of the Centraal Museum (Agnietenstraat 1) in Utrecht: room with Northern Dutch art from the collection of the Aartbischoppelelijk Museum

Vissershaven with boats, Richard Adam, 1654 - 1693 print Vissershaven with boats. In the foreground, three men with a rope pull a boat to the bank. On the left a tower. Amsterdam paper etching harbour

Joseph Mallord William Turner, The Tower of London, c. 1794, watercolor over graphite on cream wove paper.

The Return of the Buncintoro from S. Nicolò di Lido, c. 1778, Francesco Guardi, Italian (Venice), Italian (Venice), 1712-1793, 16 1/2 × 27 13/16 in. (41.9 × 70.6 cm) (sight)16 9/16 × 27 9/16 in. (42 × 70 cm) (sheet)25 1/4 × 36 1/8 × 1 3/4 in. (64.1 × 91.8 × 4.4 cm) (outer frame), Pen and brown ink and wash, over black chalk, Italy, 18th century, Venice, the island city whose romance pulls heartstrings all over the world, was once the seat of a powerful maritime empire. To recognize the source of its wealth and power, the city staged an annual ceremony symbolically marrying itself to the sea. The Doge, the citys ruler, set sail aboard his Bucintoro, a magnificent, gilded yacht powered by 168 oarsmen. The destination was a church on one of the barrier islands. There the Doge proclaimed 'Desponsamus te, mare, in signum veri perpetuique dominii' (We wed thee, sea, as a sign of true and everlasting domination) as he dropped a gold ring into the water.

Kabel, Adriaen van der, work, Port, line etching, graphics, 15.5 cm x 23.5 cm, Photo no. 29157, 20.9.95, photographer: Pirje Mykkänen, photo type: LAAKADIA, content description: landscape, harbor, sailing ships, boats, human figures, swimmers, building (several), church, towers, wall; catalog number 23,

River landscapes. Plate 1. Untitled., Jan de Visscher, etcher, 1650-1660, Netherlands, etching, Jan de Visscher (c. 1636-before 1712) was a Dutch Golden Age printmaker who became a painter in later life. According to Arnold Houbraken, the great early biographer of Dutch artists, he was an able etcher who made famous prints in his lifetime after the works of Nicolaes Pietersz Berchem, Jan van Goyen (as here), Adriaen van Ostade and Philips Wouwerman. He became an able pupil of the landscape painter Michiel Carree at the advanced age of 56. Houbraken spoke to Carree personally about his art, who claimed that Visscher became as good as he was at Italianate landscapes although no paintings by Visscher's hand are known today. Jan de Visscher had two brothers, Cornelis Visscher and Lambert de Visscher. Although he spent his earlier life in Haarlem, he was registered in Amsterdam in 1692. His death was not recorded, and since he is referred to in the past tense when Houbraken was writing, he

View of Amersfoort, ca. 1790, 1824 - 1825 View of Amersfoort, seen from the Eem, ca. 1790. In the title on the print it is incorrectly stated that it is Delft. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. print maker: Netherlandspublisher: Amsterdam paper etching / engraving Delft. Delftse Schie View of Amersfoort, seen from the Eem, ca. 1790. In the title on the print it is incorrectly stated that it is Delft. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. print maker: Netherlandspublisher: Amsterdam paper etching / engraving Delft. Delftse Schie

No. 30. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Water mill and Overtoom; L'Arte di render I Fiumi Navigabili, in Varij Modi, Con Altre Nuove Inventioni, E Varij Altri Segreti. A landscape with a river. An Overtoom and a water mill in the foreground. A man pulls his ship over the Overtoom. Numbered upper left and top right: 15.

Claude Lorrain, Harbor Scene with Rising Sun (Le soleil levant), 1634 Harbor Scene with Rising Sun (Le soleil levant)

Depiction of a fishing boat with women fishing in front of a tent on the riverbank by Albert Flamen using brown feather.

View of a Canal with Three Windmills. Artist: Jan Hulswit (Dutch, Amsterdam 1766-1822 Nieuwer-Amstel). Dimensions: sheet: 8 1/8 x 13 1/8 in. (20.7 x 33.4 cm). Date: late 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

The Grand Canal, Venice, draughtsman: Canaletto, draughtsman: Bernardo Bellotto, (rejected attribution), c. 1738 - c. 1740, paper, pen, h 266 mm × w 389 mm

Hoeker op de Nering, ca. 1725, 1720 - 1730 A Hoeker fishes at sea to Haring, ca. 1725. Part of the series about the Haringvangst. Printed on the same leaf as No. 9. print maker: Northern Netherlandspublisher: Amsterdam paper etching A Hoeker fishes at sea to Haring, ca. 1725. Part of the series about the Haringvangst. Printed on the same leaf as No. 9. print maker: Northern Netherlandspublisher: Amsterdam paper etching

View of Naesse castle with Lake Furesø from the West. Artist: Erik Pauelsen (Danish, Bygom 1749-1790 Copenhagen). Dimensions: sheet: 5 11/16 x 8 1/16 in. (14.4 x 20.5 cm). Date: ca. 1780-84. Museum: Metropolitan Museum of Art, New York, USA.

Men pulling a barge from the ice on the shore, print maker: Izaak Jansz. de Wit, (mentioned on object), print maker: Joannes Pieter Visser Bender, (mentioned on object), intermediary draughtsman: Jacob Cats (1741-1799), (mentioned on object), Haarlem, 1795 - 1809, paper, etching, h 197 mm × w 256 mm

Belgium, View from the coast of Flanders during the Bombardment of Antwerp, Bombardment of Antwerp, 1830, verso - stamped, Bombardment of Antwerp by Dutch warships under the command of Baron Chassé, on 27 October 1830. The Dutch frigates on the Scheldt. View of the city from the other side of the Scheldt, the Flemish Head., print, engraving, prints, engravings, Frederik Muller Historieplaten, height 233 mm, width 288 mm, print maker, printmaker, 1830 - 1831, paper, papier, lithografie (technique)

Floating Dock at Rotherhithe, James C. Allen, active 1821-1831, British, after François Louis Thomas Francia, 1772-1839, French, active in Britain, undated, Engraving on smooth, moderately thick, white wove paper, Sheet: 8 5/16 × 10 3/8 inches (21.1 × 26.4 cm), Plate: 6 3/8 × 9 1/2 inches (16.2 × 24.1 cm), and Image: 5 1/2 × 8 1/8 inches (14 × 20.6 cm)

Landscape with a lighthouse in a harbor; Landscapes; Amenissimae Aliquot Requculae. Landscape with a lighthouse in a harbor. A smoke plume rises. Right on the other side, on the horizon, a second burning lighthouse. Ninth print of part four of a series of in total sixty prints with landscapes, spread over five parts of each twelve prints.

Seascape with a fortress, Reinier Nooms, 1651 - 1652 print Seasing view with a fortress on a cliff. A rowing boat is loaded on the coast. A rowing boat with a crew on the way to the sailing ship. print maker: Netherlandspublisher: Amsterdam paper etching / engraving sea (seascape). fortress. traffic and transport (+ getting in; mounting; embarkation)

Print made by J. Wells, active 1780-1791, View of the Town and Harbour of Ostend, 1804. Etching and aquatint on medium, slightly textured, cream wove paper.

Coastal view with sailing ships and church tower. Draughtsman: R.A.C. Ziesenis (mentioned on object). Dating: 1832. Measurements: h 153 mm × w 216 mm. Museum: Rijksmuseum, Amsterdam.

Winter face with figures at boats at a boathouse. Draughtsman: Adrianus Eversen. Dating: 1828 - 1897. Measurements: h 177 mm × w 251 mm. Museum: Rijksmuseum, Amsterdam.

James McNeill Whistler, Thames Police, 1859 Thames Police

No. 29. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Simon de Vlieger illustrated a fish market on the beach of Egmond, created with brown ink, gray and brown wash, watercolor, and graphite on brownish paper.

Lemmer, approx. 1790, Carel Frederik Bendorp (I), After Jan Bulthuis, 1824 - 1825 print paper etching harbour. village Lemmer

Sailing ships, five men on the side. Draughtsman: Jan Arends. Dating: 1748 - 1805. Measurements: h 275 mm × w 398 mm. Museum: Rijksmuseum, Amsterdam.

View of the copper mine at Falun, Johannes Jacobsz van den Aveele, 1701 The print is part of an album. Stockholm paper etching Falun The print is part of an album. Stockholm paper etching Falun

Cafès - Chantants, 1886. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

S. Anthonis Marckt met de Waegh. Artist: Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623-1664 Amsterdam). Dimensions: sheet: 5 1/2 x 9 7/8 in. (14 x 25.1 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Breaking Up of the Agamemnon, No II 1880 England. Etching on cream wove paper . Francis Seymour Haden

Bastion on a river; Landscapes to Gerrit van der Horst. River landscape with activity at a fort. Two guns on the ramparts and in the distance a tower in the water where many boats and sailing ships. Fifth print from a series of five.

Dahlberg, Erik Jönssen, Reitz, Erik, Suecia Antiqua et Hodierna, Enekopia, Norr Telge, View of Enköping and Norrtälje, The print is part of an album., print, album sheet, prints, height 257 mm, width 371 mm, print maker, printmaker, 1695 - 1695, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

View of the Amstel at the Runmolen and Cotton Printer, Matthijs Pool, 1708 - 1740 print View of the Weesperzijde and the Amstel at the height of the Runmolen and Cotton Printing company. Numbered in the bottom right: 5. paper etching / engraving river. windmill. sailing-ship, sailing-boat Amstel (river). Weesperzijde

The Bay of Naples with Vesuvius in the Background 1843 Christen Købke Danish Købke is regarded as the most important painter of Denmark's golden age, although his career was cut short by his early death at the age of thirty-eight. His most ambitious compositions were inspired by the German artist Caspar David Friedrich (1774-1840) and thus include grandly Romantic land- and seascapes. The Museum's drawing is closely related to a painting (Toledo Museum of Art) that Købke completed after a two-year sojourn in Italy.. The Bay of Naples with Vesuvius in the Background. Christen Købke (Danish, Copenhagen 1810-1848 Copenhagen). 1843. Graphite with graphite framing line. Drawings

View of Cologne, 1726, 1726 print View of Cologne, in the foreground travelers. Plate no. 194 in part VIII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching Cologne

An Imaginary View of a Venetian Lagoon, with a Fortress by the Shore. Francesco Guardi (Italian, 1712 - 1793)

View of the village of Jaarsveld. Draughtsman: Roelant Roghman. Dating: 1637 - 1692. Measurements: h 222 mm × w 315 mm. Museum: Rijksmuseum, Amsterdam.

A Regatta on the Grand Canal. Francesco Guardi (Italian, 1712 - 1793)

Night landscape with a view of village, Christiaan Josi, After Aert van der Neer, 1821 print Night landscape with boats on a speed and a face on a village. North Netherlands paper etching night ~ landscape (sometimes titled 'Nox')

Seymour-Haden, Francis (Sir), The Amstel (a Memorandum), The Amstel, verso middle - stamped, View of the Amstel from the Amstel Hotel in Amsterdam., print, prints, Seymour Haden, recto lower right - pencil, height 150 mm, width 227 mm, English, 1818-09-16 - 1910-06-01, print maker, printmaker, 1873 - 1873, third quarter 19th century, paper, etching, etchings, Work conception, after own design by

A View of Erith, Looking Up the Thames, Print made by John Boydell, 1720-1804, British, after John Boydell, 1720-1804, British, Published by John Boydell, 1720-1804, British, 1750, Etching with hand coloring on moderately thick, rough, cream wove paper, Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm), Plate: 10 5/16 x 16 13/16 inches (26.2 x 42.7 cm), and Image: 9 7/16 x 16 3/8 inches (24 x 41.6 cm), architectural subject, barges, bathing, beach, boats, buildings, city, cityscape, clouds, coats, costume, dinghies, dogs (animals), frolicking, genre subject, hats, houses, labor, leisure, marine art, men, nudes, oars, punts, river, rowboats, rowing, sailboats, sand, seamen, ships, shore (landform), stairs, swimming, trees, walls, women, yachts, England, Erith, Europe, Greater London, Thames, United Kingdom

Face locking Göksholm, Johannes Jacobsz van den Aveele, 1702 The print is part of an album. Stockholm paper etching Slot Göksholm The print is part of an album. Stockholm paper etching Slot Göksholm

Pesciera during the bombing on May , Franz Josef Xaver Sandmann -, Lithographer, after, Charlotte Caroline Freifrau von Welden -, Drawer, Johann Rauh -, printer, Leopold Theodor Neumann -, publisher

The Punta di San Giobbe, with the Island of San Secondo in the Distance 1764-1835 Giacomo Guardi Italian. The Punta di San Giobbe, with the Island of San Secondo in the Distance 338957

Diff�rentes Vues d'Amsterdam n � 5: The Veer van der Uytersche Schuyten Kaey (Hollstein 17) Renier Zeeman (Around 1623-1667). Different views of Amsterdam # 5: The Veer van der Uytersche Shoot-Schuyten Kaey (Hollstein 17). Floor, Mid-17th Century. Museum of Fine Arts of the City of Paris, Small Palace.

Yacht Tavern, Erith 1865 England. Etching from a zinc plate on ivory China paper . Francis Seymour Haden

The highly ornamented first gondola of Ambassador Giovanni Battista Colloreado entering Venice. Artist: Giovanni Antonio Faldoni (Italian, ca. 1690-ca. 1770); After Luca Carlevaris (Italian, Udine 1663/65-1730 Venice). Dimensions: Sheet: 16 9/16 × 27 3/8 in. (42 × 69.5 cm). Date: 1720-30. Museum: Metropolitan Museum of Art, New York, USA.

Another view of Amsterdam (Autre vue d'Amsterdam), a group of four men stand in center on a seashore, a boat being built to right, a rowboat on shore to left, two ships to left in the background, from 'Views of seaports' (Vues de ports de mar) 1647 Stefano della Bella Italian. Another view of Amsterdam (Autre vue d'Amsterdam), a group of four men stand in center on a seashore, a boat being built to right, a rowboat on shore to left, two ships to left in the background, from 'Views of seaports' (Vues de ports de mar) 413353

Ice Entertainment.

Print, Peep-show, Vue Generale de la Ville d'Amsterdan du Côté de Tye (A General View of the City of Amsterdam from the Tye); France; engraving in ink with washes of watercolor on paper, mounted on scrapbook page; 25.8 × 39.5 cm (10 3/16 × 15 9/16 in.); 1901-30-29

Schip in een baai voor een havenfront. Gezichten rond de Middellandse Zee (series title). Draughtsman: Johan Teyler. Dating: 1679 - 1683. Measurements: h 120 mm × w 232 mm. Museum: Rijksmuseum, Amsterdam.

View of Dordrecht from the water, Jan van Goyen (possibly), 1647, draughtsman: Jan van Goyen, (possibly), draughtsman: Aelbert Cuyp, (rejected attribution), 1647, paper, brush, h 104 mm × w 160 mm

Cologne, Print made by Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1824, Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé, Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm), Plate: 16 1/2 × 21 1/2 inches (41.9 × 54.6 cm), Chine collé: 16 1/8 × 21 1/8 inches (41 × 53.7 cm), and Image: 13 1/8 × 18 1/2 inches (33.3 × 47 cm)

River face with man in sailboat and dark cloudy sky.

. A river with a sailing ship. In the foreground fishermen at work. The print is part of a series of landscapes.

Bars, 1824, 1824 - 1825 A Dutch barge in a migration, ca. 1824-1825. Bottom right: pl. 6. Part of a sheet metal from ca. 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. print maker: Netherlandspublisher: Amsterdam paper etching Netherlands A Dutch barge in a migration, ca. 1824-1825. Bottom right: pl. 6. Part of a sheet metal from ca. 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. print maker: Netherlandspublisher: Amsterdam paper etching Netherlands

Shipping and Warehouses, Robert Cleveley, 1747-1809, British, undated, Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm) and Contemporary drawn border: 6 7/8 × 9 3/8 inches (17.5 × 23.8 cm), fleet, marine art, port, rowboat, shipping, ships, warehouses

Wijck

unknown artist, nineteenth century, Somerset House, In its Original State, 1809. Hand colored engraving.

Ruins on the Aventijn, 1624 - 1650 Remains of the buildings on the Aventine. In the foreground the river Tiber with ships. In the lower margin three lines of text in Italian. The print is part of an album. Prague paper engraving / etching Rome. Tiber. Aventijn Remains of the buildings on the Aventine. In the foreground the river Tiber with ships. In the lower margin three lines of text in Italian. The print is part of an album. Prague paper engraving / etching Rome. Tiber. Aventijn

The Prospect of the Town of Montrose, Artist Unknown

Exit from the port of S. Bruson; Veduta dell'uscita delle porte verso S. bruson (...); Le delicie della brenta; Les Delices de la Brenta; Faces on the Brenta River. View of the exit of the port of S. Bruson and the Brenta River. Different gondolas sail on the water. Numbered in the middle of: XIII and bottom right: Tom: II. This print is part of an album.

Francis Seymour Haden, Harry Kelly's, Putney, 1865 Harry Kelly's, Putney

View of the Haven in Genoa, Georg Balthasar Probst, 1742 - 1801 print Ships and boats sail on the water. In the foreground there are groups of figures with goods on the waterfront. Numbered at the top right: 113. Numbered in the bottom left: 30. publisher: Augsburgprint maker: Germany paper. cardboard. watercolor (paint) etching / brush sea (seascape) (+ landscape with figures, staffage). harbour. rowing-boat, canoe, etc.. sailing-ship, sailing-boat Knee

Thomas Picken, active 1838-died 1870, British, Greenwich Hospital, 1852. Hand colored lithograph.

View of the city wall of Utrecht, Herman Saftleven, 1619 - 1685, View of the city wall of Utrecht between the Weerdpoort and the Wittevrouwenpoort., draughtsman: Herman Saftleven, 1619 - 1685, paper, brush, h 86 mm × w 157 mm

Custom House August 1, 1808 Designed and etched by Thomas Rowlandson. Custom House. Microcosm of London, pl. 29. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). August 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Widok Canal Grande na wysokości Santa Croce, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

A View of the Sea from the Palace of the Vice Roy at Naples, Print made by unknown artist, (Dubois), Published by John Bowles, 1701-1779, British, undated, Etching and line engraving on medium, slightly textured, cream laid paper, laid on contemporary mount made of moderately thick, moderately textured, blued white laid paper, Mount: 9 1/2 x 12 7/8 inches (24.1 x 32.7 cm), Sheet: 8 7/8 x 11 9/16 inches (22.5 x 29.4 cm), Plate: 8 1/8 x 10 1/4 inches (20.6 x 26 cm), and Image: 7 3/8 x 9 13/16 inches (18.7 x 24.9 cm), architectural subject, architecture, capes (outerwear), cityscape, coats, columns (architectural elements), costume, dock, dog (animal), feathers, flags, garden, genre subject, gesture, Grand Tour, gulf, harbor, hats, marine art, masts, men, oars, palace, pillars, pointing, ramp, reliefs, rowboats, rowing, sails, sea, ships, slipway, steps, talking, trees, Campania, Gulf of Naples, Italy, Naples, Napoli, Royal Palace of Naples

View of Vianen, J. van Kamp, 1739 drawing paper. ink. watercolor (paint). chalk pen / brush prospect of city, town panorama, silhouette of city Vianen

Marseilles, France during the 18th century. Engraved by Pibaraud after LeBreton.From ""Histoire de la Revolution Francaise"" by Louis Blanc.

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