Rococo and Mythological Cartouches

Ornate prints featuring cartouches, celebrating themes like the five senses and mythological figures, showcasing intricate designs and decorative elements.

It's Pentecost, and the flowers / in courts, fields, green daalen (...), 1806 - 1830 print The five senses depicted by men and women in five medallions, connected to each other with ribbons and flower ranks. The whole is caught in a frame. Five short verses under the image. Numbered at the top right: No. 221. Print Maker: Netherlands Publisher: Zaltbommel paper letterpress printing the (five) senses

Regards here, children! The zinly features, / or sentences, all vyf depicted by rank and stairs, / and strokes your sentences Zelv 'by the pleasant jewelry, / that in this print -tafreel finds itself further, 1831 - 1854 print Stairs with a few on each step that one of the five senses depicts. From left to right: the feeling, the taste, the smell, hearing and the face. On the stairs also three medallions with portraits. Under the image one fresh in two columns. Numbered at the top right: No. 143. Print Maker: Netherlands Print Maker: Netherlands AMSTERDAMPLASTASTPULISHER: Zaltbommel paper letterpress printing the (five) senses

Cartouche with Young Triton, Livre de Cartouches Réguliers (Book of Regular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Balthazar Sigismond Setlezky, German, 1695 - 1774, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Symmetrical upright cartouche in Rococo style topped with a palmette, a young triton, and a putti holding a staff. Two dolphins at left and right form the top of fountains, which pour water below. Vegetation and armorial trophies complete the ornamental scheme., Munich, Germany, 1738, albums (bound) & books, Bound print, Bound print

Salmacis en hermaphroditus, Virgil, 1569 print The Nymph Salmacis clings to the body of Hermaphroditus. On the left the two melting bodies. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Hermaphroditus and Salmacis changed into a hermaphrodite: at the prayer of the fountain-nymph Salmacis, who holds the bathing Hermaphroditus closely embraced, their bodies fuse (Ovid, Metamorphoses IV 373). story of Hermaphroditus and Salmacis

Cartouche in a picture frame of roller and fitting work with two putti and human bones and skulls as trophies; Coenotaphiorum; Tombs and grave monuments; Pictiors, Statuari, Architecti, Latomi, et Quicunque Principum MagnificOruque Uirorum Memoriae Aaltnae Inseruitis, Adeste & HUC Libellum Uarias Coenotaphiorum, TumuRorum & Mortuorum Monumentorum Formas, 1563. Title Print with a cartouche in a picture frame of roller and fittings. At the top two putti and around human bones and skulls as trophies. At the bottom of two coffins. Four lines of text in the undergarment, in two columns in Latin. The print is part of an album.

Worship of the seven -member beast, Adriaen Collaert (attributed to), after Jan Snellinck (i), 1585 print From the sea comes the seven -piece crowned beast that is honored by the people. From behind a mountain the second beast appears in the form of a ram. In the margin a four -line caption in Latin. Fifteenth print from a series of twenty -four with the revelation of Johannes on Patmos. Antwerp paper engraving the leopard-like beast with seven heads comes out of the sea and is worshipped together with the dragon

La loi lunaire, No 1 (Lunar Law, No 1). Artist: Charles Meryon (French, 1821-1868). Dimensions: plate: 6 1/4 x 9 7/8 in. (15.9 x 24 cm). Date: 1856. Museum: Metropolitan Museum of Art, New York, USA.

Decoration in the stock exchange alley, 1795; From the revolution PLEN see. Decoration in the Beurssteeg in Amsterdam, seen from Dam Square, at the Alliance party on June 19, 1795. Founded by a meeting of deputies of the Batavian clubs, Civilians and Patriotic companies in Amsterdam. Illustration in the Batavian Revolution and Alliance Almanach before 1796.

It's Pentecost, and the flowers / in courts, fields, green daalen (...), 1806 - 1830 print The five senses depicted by men and women in five medallions, connected to each other with ribbons and flower ranks. The whole is caught in a frame. Five short verses under the image. Numbered at the top right: No. 221. Print Maker: Netherlands Publisher: Zaltbommel paper letterpress printing the (five) senses

. Leaf XXVI. From series of 21 numbered cartouches with calligraphy in a picture frame of roller and fitting work with grotesken, garlands and mascarons.

Cartouche with calligraphy, above two children who support their heads; Exercitatio Alphabetics Nova et utillisima .... Leaf X. Cartouche with the text The deer despaired .... from series of 21 numbered cartouches with calligraphy in a picture frame of roller and fitting work with grotesken, garlands and mascarons.

Bound Print, Title Page; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Franz Xaver Andreas Jungwierth (German, 1720-1790); Germany; etching and engraving on paper; 18.5 × 24.7 cm (7 5/16 × 9 3/4 in.)

Wish letter with decorative framework, 1822 print Wish letter with described cartouche within a decorative framework with performances of children offering their mother's wish letters and other figures and activities. Handwritten message in calligraphy (New Year's wish) by J. Meijers to his grandfather. Numbered at the top right: 60. Netherlands paper. ink etching / pen human types. characters (human types). parents with their children

Print (France)

Paris, Langlois, Nicolas (I), France, Ducerceau, Paul Androuet, Frises propres pour les orfévres, sculpteurs, marqueteurs, Title page: Frises propres pour les orfévres, The text is in a cartouche of leaf tendrils. Title page from a series of 6 sheets., print, ornamental print, title page, prints, ornamental prints, height 117 mm, width 262 mm, French, 1630 - 1710-02-01, print maker, printmaker, 1670 - 1685, third quarter 17th century, fourth quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, 1640 - 1703, publisher

. On a stone monument the image of a landscape with a star is in heaven. A sundial in the foreground. At the bottom of a cartouche with a five-line text in French.

Tokens at the completion of the Jaagpad from Leiden to Utrecht, 1664, 1724 - 1726 print Penning at the completion of the Jaagpad from Leiden to Utrecht, 1664. Silver medal. Front: inscription Inside wreath with four coats of arms above pennant with inscription, inside Omnipia. Reverse: crowned coat of arms of Leiden flanked by two lions above the picture of barge for city, inside edge with a changeover and four coats of arms. Northern Netherlands paper etching medal (considered as a piece of sculpture, regardless of its specific function). tow-boat, towing-barge To lead. Utrecht. Old Rhine

Netherlands, Letter of greetings with scenes from the New Testament, recto - handwritten in brown ink, Letter of greetings with a described cartouche within a decorative frame with scenes from the New Testament. Handwritten message in calligraphy (Christmas letter) by Jelmer Jans to her uncle. Numbered top right: 31. Numbered bottom center: 6., print, popular print, letter of greetings, prints, popular prints, verso - stamped, Christmas letter, To my reverend uncle, What a happy message to hear ..., height 419 mm, width 335 mm, height 410 mm, width 328 mm, print maker, printmaker, 1782 - 1782, paper, ink, inkt, etching, colors, calligraphy, pen, Publication (Event), Publication, publisher

Writing example: Litera Graeca Litera Graeca (title on object) Theatrum artis scribendi (series title), Writing example with a title in Latin and six lines of text in Greek. Below that a lower case and upper case alphabet in the same hand. The example is set in a cartouche with four grotesques and a mascaron. The print is part of an album, calligraphy, ornament, cartouche, satyr (s) (in general), sphinx (lion / woman), 'Sfinge' (Ripa), Jodocus Hondius (I), Amsterdam, 1614, paper, engraving, h 155 mm × w 210 mm

Title page with saters and women; Farly Niewe Inuentien (...); Flat decorations and grave monuments. Cartouche in a role framework in which seven saters and two women are. Belongs to series consisting of a title page, a text sheet and 14 blades with grotesken with rollerwork, saters, garlands, trophies, animals and fantasy stations.

Print, Design for Cartouche with Large and Small Compartments; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Karl Albert von Lespilliez (1723-1796); Published by Nicolas Jean Baptiste de Poilly (France, 1712 - ca. 1758); Germany; etching and engraving on off-white laid paper; Platemark: 35 x 23 cm (13 3/4 x 9 1/16 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

Esther Scroll. Date/Period: Ca. 1641. Ceremonial Art-Paper & Parchment. Pen-and-ink and print on parchment Pen-and-ink and print on parchment. Height: 202 mm (7.95 in); Width: 2,504 mm (98.58 in). Author: Salom Italia.

Print made by William Blake, 1757-1827, British, There Is No Natural Religion, Plate 5, "III From a perception.. " (Bentley a6), ca. 1788. Color-printed relief etching on moderately thick, slightly textured, cream wove paper.

France, French Crown, Paris, Langlois, François, Bella, Stefano della, Raccolta di varii cappricii, Cartouches, Title print with cartouche with a putto, two panther heads and a skull of a ram, verso - stamped, print, title print, ornament print, prints, height 235 mm, width 186 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1646 - 1646, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, issuer, grantor of privilege

Design for a four-poster bed; NUOVE INVENZIONI D'ornamenti d'Architettura E d'Intagli Diversi Utili Ad Argentieri Intagliatori Ricamentori et Altri Professori delle Buose Arti del Disegno. Design for a four-poster bed decorated with military trophies. Print in an album with 22 etchings from a series of originally 32 ornament prints with exuberant baroque designs for altars, pulse chairs, organ cabinets and other ecclesiastical art, followed by designs for four-poster beds, children's clothing and other domestic furniture.

Assignment in Kwabcartouche, Theodorus van Kessel, After Adam van Vianen (I), After Christiaen van Vianen, 1646 - 1652 print The cartouche consists of two compartments, with a weapon trophy in the background. Utrecht paper etching

Design for a banner, giovanni battista foggini (attributed to), c. 1722 - c. 1725 drawing Design for the edge of a banner, with coats of arms for the papal weapon and the doctors' weapons. In midfield there is a sketch of Mary to Hemel with John the Baptist and perhaps the Holy Dominicus, probably to an existing canvas. Florence paper. ink. chalk brush

Title print with title in Cartouche with monkeys to work as goldsmith; Animalivm qvadrvpedvm; Animals in landscapes. Title print with title in cartouche with rollerwork and surrounds to work as a goldsmith as evidenced by the inscription in german.

Bacchus changes his abductors in Dolphins, Virgilius Solis, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Tyrrhenian sailors changed into dolphins: when Bacchus turns himself into a lion and has a vine grow about the ship, the Tyrrhenian sailors out of terror jump into the sea, and are metamorphosed into dolphins (Ovid, Metamorphoses III 662)

Polish Eagle with the Saxon coat of arms. Ohryzko, Jozafat (Petersburg ; drukarnia ; 1859-1863), printing house, Hohenfelden, Georgij Wassilewitsch (1828-1908), graphic artist, Żukowski, Rudolf (1814-1886), draughtsman, cartoonist

Netherlands, Letter of greeting with Mercury and Argus, recto - handwritten in brown ink, Letter of greeting with inscribed cartouche within a decorative frame with a representation of Mercury and Argus. Handwritten message in calligraphy (New Year's letter) by Maria van deen H... to her father and mother., print, folk print, letter of greeting, prints, folk prints, verso - stamped, New Year's letter, Esteemed father and mother, Dear father, dear mother ..., height 416 mm, width 323 mm, Publication (Event), Publication, publisher, 1700 - 1899, paper, ink, inkt, etching, etchings, calligraphy, pen, print maker, printmaker

Considerations, children! The Zinlyke features, / or sentences, all Vyf depicted by rank and stairs, and caresses your phrases Zelv 'by' t pleasant piece of jewelry, that in this print tangreel finds herself. Stairs with a pair on every stair that depicts one of the five senses. From left to right: feeling, taste, smell, hearing and face. On the stairs also three medallions with portraits. Under the image a fresh in two columns. Numbered at the top right: No. 143.

The Book of Job: Pl. 20, There were not found Women fair as the Daughters of Job / in all the Land, 1825. William Blake (British, 1757-1827). Engraving;

Netherlands, Cartoon of a clash between students and police, verso - stamped, In the middle students are sitting between police officers with drawn sabres. Around them various scenes in which figures with cow heads play a role. On the left a leaning tower, on the right a drawbridge., print, prints, height 300 mm, width 446 mm, print maker, printmaker, 1809 - 1899, paper, papier, lithografie (techniek)

FARSA Y EGLOGAS-PAGINA ILUSTRADA CON ESCUDO RELIGIOSO - IMPRESO EN SALAMANCA- HACIA 1514. Author: LUCAS FERNANDEZ (1474-1542). Location: ACADEMIA DE LA LENGUA-COLECCION. MADRID. SPAIN.

Cartouche with calligraphy, at the bottom of two lions, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1569 print Sheet XXIX. Cartouche with the text Irkönig Unnd Regents .... On the rolling work at the top is a pillow on the left and right on which is a trumpet -blazing putto. From series of 21 numbered cartouches with calligraphy in a frame of rolling and fittings with grotesken, garlands and mascarons. print maker: Netherlands (possibly)print maker: Netherlandsafter design by: Netherlands (possibly)publisher: Antwerp (possibly) paper engraving

Print (France); Published by François Chéreau, the younger (French, 1717 - 1755)

De Kleine Mens Hopman Van Duvelshoek, 1716, 1716 The little man Hopman van Duvelshoek. In the caption verses in German, French and Dutch. Print printed within a decorative frame of a separate album with a singing and a violin -playing little person. Numbered right in the middle: 47. Part of the Dutch -bound edition from 1716 of a series of caricatures of small people, known as the dwarf toneel, copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching The little man Hopman van Duvelshoek. In the caption verses in German, French and Dutch. Print printed within a decorative frame of a separate album with a singing and a violin -playing little person. Numbered right in the middle: 47. Part of the Dutch -bound edition from 1716 of a series of caricatures of small people, known as the dwarf toneel, copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amste

Plusievrs Pieces et Ornements Darquebuzerie (4th extended edition) ca. 1776 Initial eight-plate edition by Claude Simonin French The prints in this pattern book were among the most influential means by which the French fashion of firearms ornament spread throughout Europe and remained the leading style from the late seventeenth century through to the late eighteenth century. The initial eight-plate edition, by the engraver Claude Simonin (deceased by 1693), was published in 1684 and reissued in 1685. The Parisian gunmaker Laurent le Languedoc issued editions with eight and thirteen plates, including designs by the engraver De Lacollombe (active about 1702-1736), in 1705. The three plates shown here are from the expanded edition produced by the engraver Gilles-Antoine Demarteau (1756-1802) in about 1776. The noted arms historian Dr. James D. Lavin acquired this pattern book in Spain in the 1960s. It is annotated in Spanish and shows clears signs of use in an active workshop.. Plusievrs

Photo of the New Year's Square of the Haarlem Christmas Guild, 1606, 1862 photograph Photo of the New Year's Square of the Haarlem Christmas Guild or Holy Christmas Guild, 1606. The worship of the child by the shepherds, in Cartouche with assignment in the edge. With caption of 9 lines in Dutch. Present copy offered by members of the board of the Holy Christmas Guild. Haarlemafter print by: Northern Netherlands photographic support. cardboard adoration of the Christ-child by the shepherds; Mary and Joseph present Haarlem

Iphis in Een Jongeman Veranderd, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing Iphis changed into a young man: in response to Iphis' prayer, Isis changes her into a young man to enable her to marry Ianthe (Ovid, Metamorphoses IX 785). scrollwork, strapwork ~ ornament. transgender, transsexual

A Latin text in a cartouche. To the left of it a figure in armor (a horseman, judging by the reins he holds in his hand), to the right of it a soldier without armor, below the text a skull. This print is part of a series of 22 numbered prints: a title print, 20 prints depicting one or more different types of (mostly harnessed) riders, and one print depicting an equestrian fight., Title print for print series The Equestrian School The Equestrian School (series title), print maker: Jacob de Gheyn (II), (workshop of), print maker: Zacharias Dolendo, (possibly), Jacob de Gheyn (II), (mentioned on object), print maker: Leiden, print maker: Netherlands, publisher: Leiden, 1599, paper, engraving, h 159 mm × w 206 mm

Three heads under the same cap (IT)

Netherlands, Greeting letter with Adam and Eve in paradise, recto - handwritten in brown ink, Greeting letter with described cartouche within a decorative frame with representations of Adam and Eve in paradise. Handwritten message in calligraphy (New Year's greeting) by Cornelis van Putten to his meu. Numbered top right: 48. Numbered bottom center: 9., print, picture, folk print, greeting letter, prints, pictures, folk prints, verso - stamped, New Year's wish, to my very: beloved and, Honored Meuje, My Meu with love and pleasure ..., height 407 mm, width 319 mm, height 382 mm, print maker, printmaker, 1767 - 1767, paper, ink, inkt, etching, etchings, colors, calligraphy, pen, Publication (Event), Publication, publisher

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 31 (recto) October 1, 1604 Pietro Paulo Tozzi Italian Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Design is composed of a central rectangle upon which calligraphic text is printed in black. Surrounding the top and right sides of this middle section are triangular motifs ornamented with different floral patterns. Surrounding the left and bottom sides are squares decorated with diverse geometric and linear floral motifs.. Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 31 (recto) 358089

Rabutin-Chantal, Marie de.

Karta tytułowa "Denkwürdigkeiten aus der Brandenburgisch-Preussischen Geschichte". Menzel, Adolph (1815-1905), graphic artist, Sachse, Ludwig & Co (Berlin ; zakład litograficzny, wydawnictwo ; 1827-1949), publisher

Design for a Cartouche, Plate 1 from 'Neü inventierte sehr dienstiche Schilde oder Cartouches' Printed ca. 1750-56 Jeremias Wachsmuth Ornament print with a design for a cartouche, bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a Cartouche, Plate 1 from 'Neü inventierte sehr dienstiche Schilde oder Cartouches'. After Johannes Rumpp (Central European, active Augsburg ca. 1730-1750). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Jeremias Wachsmuth (German, 1712-1771)

Cartouche with horizontal putto by skull, Georges Reverdy, 1536 - 1569 print paper engraving Vanity" symbols. ornament ~ cartouche

Genealogical tree of the Krasi family, part Lower law; unknown, Krasi ski, Wincenty (1783-1858); 1848 (1848-00-00-1848-00-00);

Jupiter en Mercury in Het Huis van Philemon en Baucis, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing Philemon and his wife Baucis hospitably entertain Jupiter and Mercury in travellers' guise; possibly a goose, which they try to kill for the occasion, flies to the visitors for refuge. scrollwork, strapwork ~ ornament

Print (France)

Cartouche with title flanked by a woman and a putto; The third-party new ornaments. .

Drawing, Sepulchral Monument for Improvisor Rochetti; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined; Image: 21.6 x 33.9 cm (8 1/2 x 13 3/8 in.)

Company in a wooded area, Bartholomeus van Lochom, After Hans Janssen, c. 1630 print Amsterdam paper engraving

Page from Ackermann's 'Repository of the Arts, Science etc,', Medium: a.) paper and textile swatches (fibers not identified), Component 'a' is a page from Ackermann's Repository No. IV, April 1809. Page contains printed graphics and two textile swatches: a swatch of red and blue block printed fabric and a swatch of white woven fabric. One swatch missing., England, 1809, sample books, Page from Ackermann's 'Repository of the Arts, Science etc,'

Long Leeve Oranje / W.C.H. Friso, 1761 - 1804 print Hanging portrait of William IV in an oval decorative frame of Oranjeboom branches. In the middle of a coat of arms. Under the show a twelve -line verse in two columns. Numbered in the middle right: No. 60. Amsterdam paper letterpress printing equestrian state-portrait. armorial bearing, heraldry

Songs of Innocence and of Experience, Plate 8, 'The Little Black Boy' (Bentley 9), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), branches, child, children, dusk, leaf, literary theme, mother, sitting, sunset, text, tree, vine, women

Cartouche with rollerwork; History of Moses after the Exodus; Historia moisis in deserto per crispinianum vanden Broeck sex fol:; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Title in cartouche with rollerwork. Title print for a series of prints about the history of Moses after the Exodus. Print is part of an album.

Frontispiece for the Vedute Delitiose. 1680. Mannini, Giacomo Antonio, 1646-1732. Prints, Frontispieces. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Noordelijke Nederlanden, Passe, Crispijn van de (II), Calender, According to the new and old style, on the Year of Our Lord and Salichmakers Jesus Christ, 1645, Frame for a calendar, Northern Netherlands, top center - engraved, Sheet with a frame of five plates printed around a large white field in which an almanac or calendar for the year 1645 can be pasted. On either side 6 plates of the 12 months. At the top an allegorical representation of the state of the world. On the left the worldly and spiritual princes gamble about the fate of the citizen and farmer. On the right civil life and the world in turmoil. In the background wars on land and at sea, in the sky, the horsemen of the Apocalypse and the comet of 1628. In the center, the philosophers Democritus and Heraclitus are talking at a globe under a fool's cap. This conversation is printed at the bottom in 12 four-line verses., print, calendar, prints, Frederik Muller History plates, Calendar in the new and old style, on the Year o

Design for a Cartouche, Plate 1 from 'Neü inventierte sehr dienstiche Schilde oder Cartouches'. Artist: After Johannes Rumpp (Central European, active Augsburg ca. 1730-1750). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Engraver: Jeremias Wachsmuth (German, 1712-1771). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with a design for a cartouche, bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Weapons of Willem I, Prince of Orange, Anna van Saxes and Louise de Coligny.Weapons of Willem I, Anna and Louise. In a cartouche Six Lines or Dutch text.

SpotpRent on Pause Clemens Xi, 1705, 1706 print Grotesk Portrait of Pope Clemens XI, 1705. Head of the Pope in the way of Arcimboldo made up of all kinds of objects related to the Catholic Church. Second magazine in the series of 10 magazines with cartoons on the Jesuits entitled Roma Pertubata, 1706. Amsterdam paper etching Reformation (Roman Catholic Church vs. Protestantism). pope

Hagendorn, Johann Ludwig .

Rebus with thirteen performances, Isaac Weissenbruch, 1836 - 1912 print Netherlands paper rebus

Frame, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Frame., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Abruzzo L'Aquila Celano Museum85. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

H.C. Henneberg (1826-1893); Johan Thomas Lundbye (1818-1848), Framing with Great Axes, (1842)

A hunter goes to Jagt and shoots a man / it a heart or deer or what he can shoot, 1725 - 1780 print Leaf with a large representation of two hunters on horseback, hunting deer, caught in a decorative frame with tendrils and flowers. Numbered at the top right: 4. Amsterdam paper letterpress printing floral interlace ~ ornament. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'). hunter. hoofed animals: deer

Print, Title Page; Designed by Jean-Baptiste Pillement (French, 1728-1808); Print Maker: Jean-Jacques Avril the Elder (French, 1744 - 1831), François-Joseph Coulubrier (French, active 1751 - 1793); Published by Chez Le Pere et Avaulez; France; etching on laid paper

Coat of arms of the University of Oxford.Opened Book with the motto 'Dominus Illuminatio Mea' With an ox site on di

Striped lion, striped lion, Images of the Bavarian cannons, which were brought back to Munich by the French army on January , -foggy cannons, Richard Purnickl -, lithographer

Bewatering, Johann Eckhard Löffler, 1681 print Cologne (possibly) paper engraving / etching garden. watering plants. Abstract Ideas and Concepts (+ emblematical representation of concept)

Songs of Innocence and of Experience: The Blossom: Merry Merry Sparrow ca. 1825 William Blake British. Songs of Innocence and of Experience: The Blossom: Merry Merry Sparrow 347908

Greeting letter with Alexander the Great who visits Diogenes in the tub. Greeting letter with described cartouche within a decorative frame with a representation of Alexander the Great that Diogenes visits in the tub. Handwritten message in calligraphy (fair price) by Antje Visser to her uncle and Peet. Numbered at the top right: No. 6.

Flood in Holland, 1702, 1702 print Flood in Holland, 5 and 6 April 1702. The Virgin of Holland with a map Noord-Holland on which the area affected by the flooding is indicated. In the background the storm and broken dikes. On the leaf under the plate a verse and a list of the names of the affected villages and farmlands. Amsterdam paper etching / letterpress printing Dike-Break North Holland

Figure of Rudolf von Sachsenhausen in a knight's costume in the so -called Caesarean cathedral Bart Omiey in Frankfurt am Main; Lesser, Aleksander (1814-1884); 1839 (1839-00-00-1839-00-00);Frankfurt am Main (Germany), Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884)- collections, Lesser, Wiktor Stanisław Zygmunt (Baron- 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron- 1853- 1935) - collection, Germany, Rudolf von Sachsenhausen (ante 1318-1371), Rudolf von Sachsenhausen (ante 1318-1371) - iconography, 14th century, Dar (provenance), cathedral of St. Bartłomiej (Frankfurt am Main - Germany), personalities, foreign personalities, knights, knights, sculpture (artist), Gothic sculpture, shields, clothing, men's clothing, weapons, armor

Allegory on the administration of the city of Amsterdam with weapons of government members, Gerard de Lairesse, 1672 print A frame with different weapons from Amsterdam government members is crowned in the middle of the personification of the Amsterdam Government (Politia). Her hand rests on a rudder decorated with sailing ship, she wears a book under her arm. To the left of Politia, the blindfolded justice (scale) is followed by caution (mirror). Diagonally below this two, father points time (winged hourglass) on the different weapons in the frame. Among him is the Personified abundance with fruits and choirs in her hands at two putti that bundle arrows together, symbol of unity. To the right of Politia is Minerva who symbolizes wisdom with an olive branch, next to her the trumpet flies fame. Under the fame, a putto with his torch burns the Personified War and the grinding discord is chained. Amsterdam paper etching cities represented allegorically or symbolically. good government. ar

The Book of Job: Pl. 20, There were not found Women fair as the Daughters of Job / in all the Land, 1825. William Blake (British, 1757-1827). Engraving;

Sampler, Jane Yates, Medium: silk embroidery, wool foundation Technique: tent, cross, satin, eyelet and stem stitches on plain weave, In the center, a prayer with flowering sprays on either side; at the top, alphabets and verse; below scene with shepherd and shepherdess and animals on a lawn before a house., England, 1779, embroidery & stitching, Sampler

Androclus

Brune, Johan de (the Elder), Le Prestre, Looff, Johannes, Frederik Hendrik on a triumphal chariot, Frederik Hendrik, Prince of Orange-Nassau, is drawn by two horses on a triumphal chariot and laurelled by an angel. At the front of the chariot sits Victoria, the personification of victory. On the right in the air, Fame blows a trumpet. With calligraphed Dutch ode in two columns., print, prints, height 490 mm, width 380 mm, - 1651-12-22, print maker, printmaker, 1627 - 1651, silk, engraving, engraving (printing process), Work conception, after a design by, Dutch, 1588-05-29 - 1658-11-07, writer

Dedication to Giovanni Bottari, from Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte de quali se veggono in Roma e parte per lItalia (Some Views of Triumphal Arches and Other Monuments Erected by the Romans Some of Which Are in Rome and Some Elsewhere in Italy). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Songs of Innocence and of Experience, Plate 44, 'A Little Girl Lost' (Bentley 51), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 4 3/4 x 2 7/8 inches (12.1 x 7.3 cm), birds, branches, historical subject, leaf, text, vegetation, vines

James I and Anne of Denmark 1651 Renold Elstrack. James I and Anne of Denmark. 1651. Engraving. John Speed (British, Farndon, Cheshire 1551/52-1629 London). Renold Elstrack (British, 1570-1625). James I, King of England, Scotland and Ireland (British, Edinburgh 1566-1625 Theobalds). Prints

Escutcheon with a Landscape. Jacques Bailly (French, 1634 - 1679)

Abruzzo L'Aquila Celano Museum18. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print, Title Page; Designed by François-Thomas Mondon (French, ca. 1709 - 1755); Print Maker: Antoine Aveline (French, 1691 - 1743); France; etching and engraving on laid paper

Image of four paintings with written comments.

Family tree of the House Oranje-Nassau. Family tree of the Oranje-Nassau house, from Willem I to Willem IV. In the middle of a cartouche seven weapons and Dutch text about the Republic of the Seven United Netherlands. There around the branches of a tree a number of weapons and in fourteen cartouches names, titles, dates and death dates. In the middle above the arms of William IV with a crown, decorated with the garter and the motto of the garter of the garter, and on a banderole three lines of Dutch text. In the middle of sixteen portraits, each in a circle with a peripheral.

Wooden stitch illustration by Moritz von Schwind for Eduard Duller's depiction of Archduke Carl of Austria, showing military uniform and formal pose, 1847.

Two putti and a vase with roses, Claude Mellan (attributed to), 1608 - 1688 print paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'. Flowers: Rose

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 44, "With one accord....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 13, "Nurse's Song" (Bentley 24), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Handwriting with sketches for assignments. Philip Tiedeman notebook with sketches for assignments from the years 1694-1697. Designs for: Title pages, paintings, ranges, game cards, interiors and prints. In band of parchment coated with marbled paper.

New Year's in the Hoornse Klapperwacht for the year 1795, 1788 - 1794 print New Year's in the Klapperwacht (Night Watch) of the city of Hoorn for the year 1795. Dedicated to the administrators and residents of Hoorn. Two members of the guard standing at an Oranjeboom with the Wapen van Hoorn, in the background the square De Roode Steen in Hoorn with the old town hall, the Waag and the Statencollege. On the magazine under the show a verse and a song in three columns. Hoorn (North Holland) paper letterpress printing night patrol Hoorn (North Holland). Waag (Hoorn). Statencollege (Hoorn). Town Hall (Hoorn)

Southern Netherlands, Duvivier, Guillaume (18th century), Amsterdam, Picart, Bernard, Het Groote Tafereel der Dwaasheid, Veritable Portrait du tres fameux Seigneur messire Quinquenpoix, True image of Mr. Quinquempoix, 1720, verso - stamped, True image of Mr. Quinquempoix. Portrait medallion of John Law as Mr. Quinquempoix above a brewing kettle in which coins are transformed into shares. Witches' cauldron with devils, owls and other creatures. Above the portrait Folly with a crown of peacock feathers and holly leaves. Above this a banderole with: No. 1 Of Stront or Koning. This plate printed within a larger plate with title and verses in French on either side. Print 37 in the series The Great Scene of Folly with cartoons on the Windhandel or Actiehandel of 1720., print, cartoon, prints, height 154 mm, width 104 mm, height 225 mm, width 322 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings, engraving, engraving (pri

Mounted messengers from Duke William of Normandy racing to Count Guy I of Ponthieu, and William on his throne receiving a Saxon messenger in his palace. Chromolithograph by William Mossman after an illustration by Charles Stothard made for the Society of Antiquaries in Rev. John Collingwood Bruces The Bayeux Tapestry Elucidated, John Russell Smith, London, 1856.

Gild or Fairy OS, 1761- 1804 print Leaf with a large representation of a guild-os (also called Kermisos or Priceos), decorated with floral wreaths. The show is caught in a list of flower vines and chalices. Under the show a verse in two columns. Numbered at the top right: No. 89. publisher: Amsterdamprint maker: Netherlands paper letterpress printing ox. floral interlace ~ ornament. prize-ox

Songs of Innocence and of Experience: Night (second plate): When wolves and tygers howl for prey ca. 1825 William Blake British. Songs of Innocence and of Experience: Night (second plate): When wolves and tygers howl for prey 347930

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