Roman Ruins in Art

Prints showcasing artistic interpretations of ancient Roman ruins, including landscapes, architecture, and figures amidst decaying structures.

ARC the Titus (Bartsch 19) Van Bronckhorst, Jan Gerritsz. Titus Arc (Bartsch 19). Etching.

Away between Ruins, Anonymous, After Willem van Nieulandt (II), 1594 - 1685 print A road with ruins on either side. On the right one is a signboard on the wall. On the road are a man with a stick and a donkey. Print from a series of Roman ruins, consisting of copies to a press series by Willem van Nieulandt. paper etching / engraving landscape with ruins

. A group of hunters on horseback with hunting dogs for a ruin. A river in a Berglandschao in the background. The print is part of a five-part print series with Italian landscapes.

Cave of Nymph Egeria, Nicolas Perelle, After Jan Asselijn, 1655 - 1672 print Numbered in the bottom right: 1. paper etching / engraving landscape with ruins Rome

Seventh face at the Colosseum in Rome; Colossæi ro prospectvs 7; Roman ruins. Seventh face on the ruins of the Colosseum in Rome. On the left is an artist drawing. Print from a series of 25 prints with Roman ruins.

Artist: Giovanni Battista Piranesi, Italian, 1720-1778, Veduta dell Arco di Tito (View of the Arch of Titus), from Vedute di Roma, Etching, platemark: 40.5 × 61.6 cm (15 15/16 × 24 1/4 in.), Made in Italy, Italian, 18th century, Works on Paper - Prints

ARC the Titus (Bartsch 19) Van Bronckhorst, Jan Gerritsz. Titus Arc (Bartsch 19). Etching.

Nieulandt, Willem van (II), Roman ruins and coastal landscapes (series 2), Two ruins, recto center top outside the plate edge - handwritten, On the right the ruin of a tower, on the left another ruin in the landscape. Print is part of a series Roman ruins and coastal landscapes after prints by Willem van Nieulandt. This series is a copy of the series that Claes Jansz Visscher made after Van Nieulandt., print, prints, verso - stamped, 26, height 102 mm, width 157 mm, Northern Netherlands, 1584 - 1635, intermediary draughtsman, after a drawing by, 1594 - 1685, paper, etching, etchings, print maker, printmaker

Terme di Caracalla. Dated: 1793. Dimensions: plate: 27.1 x 37.5 cm (10 11/16 x 14 3/4 in.) sheet: 39 x 49.2 cm (15 3/8 x 19 3/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Christoph Dies.

Water Fountain Giulia Te Rome; View of the castle avanzo, which taking a portion of Water Giulia (...); Gezichten op Rome; Views of Rome designed and engraved by Giambattista Piranesi Architect Ve (Nez) iano. Gezicht Op de Ruïnes Van de Fontana of Water Giulia Te Rome, Één van de Elf Aquaducten Die de Stad Van Water Voorzag. Titel en Verklande Lijst Met Nummers in Overtermard.

Papal ship for anchor on the quay of the port of Messina, Abraham Casembroot, 1603 - 1658 print View of a quay of the port of Messina. In the foreground is a galloy in front of anchor. The ship carries the motto of the papal power. In the foreground a ruin with a few traders. Print from series of thirteen prints with faces of the port of Messina paper etching harbour. quay. warfare; military affairs (+ sailing-ships). Messina

Remains of the temple of the god Canopus at Hadrian's Villa, Tivoli, from Views of Rome Made 1768 Italy. Etching on heavy ivory laid paper . Giovanni Battista Piranesi

A brown and gray feather and black chalk drawing by Bartholomeus Breenbergh depicting the nymph Fivale at the Aqua Julia in Rome, with staffage drawn in graphite pencil.

Ruïnes van de Abbaye de Saint-Maur, Franz Edmund Weirotter, After Johann Georg Wille, c. 1760 print Paris paper etching abbey, monastery, convent ~ Roman Catholic church. ruin of a building ~ architecture Saint-Maur abbey

Landscape with ruin of a temple; Landscapes with ruins; Regionum, Rurium, Fundorumque, Varii at Ove Amoeni Prospectus. In the foreground the ruin of a round temple pass. In the middle of the ruin a pond. Some human figures camp in the ruins. In the background the sea. The print has been added to a tachefit series with landscapes with ruins.

Landscape with ruin of a temple; Landscapes with ruins; Regionum, Rurium, Fundorumque, Varii at Ove Amoeni Prospectus; RegionVM, RVRVM, FVNDORVMQ, Varii at Ove Amoeni Prospectvs. In the foreground a walker with three dogs passes the ruins of a round temple. In the background a village with a church. The print is part of a ten-part series with landscapes with ruins.

. On the right an old city gate. On top of the city gate a devotion noise. Links travelers at a villa. The sixth print of an eight-language series with bohemian landscapes.

Camera sepolcrale inventata e disegnata conforme al costume, e all'antica magnificenza degl'Imperatori Romani . (Imaginary sepulcral chamber designed according to the fashion and ancient magnficence of the Roman Emperors .). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Plate: 15 13/16 x 10 15/16 in. (40.2 x 27.8 cm)Sheet: 19 1/2 x 13 3/8 in. (49.5 x 34 cm). Series/Portfolio: Prima Parte di Architettura, e Prospettive (Part One of Architecture and Perspectives). Date: ca. 1750. Museum: Metropolitan Museum of Art, New York, USA.

Drinking horse at Ruins, Jan van de Velde (II), 1603 - 1641 print paper etching landscape with ruins. horse

In the Colosseum, Johann Christian Reinhart, 1792 print Nuremberg paper etching / engraving landscapes. landscape with monument Colosseum

Ruïne Van Casteel Feltz, Martinus Antonius CheryTright JR., 1855 print View of the ruin of Feltz Castle in Larochette, with a well with a pulley on the foreground with a bucket. Brussels paper. etching / drypoint ruin of a dwelling, house, castle, etc.. well. wooden container: barrel, cask, bucket

Jan Both, The Ponte Molle The Ponte Molle

Altra Veduta del Tempio della Sibilla in Tivoli (Another View of the Temple of the Sibyl in Tivoli), from Vedute diRoma. Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Temple of Venus or Diana at Baia, 1680 The remains of the temple of Venus or Diana near Baia, located on the coast. In the foreground different figures and a few boats. In the lower margin three lines of text in Italian. The print is part of an album. after print by: Praagpublisher: Rome paper engraving the bathroom The remains of the temple of Venus or Diana near Baia, located on the coast. In the foreground different figures and a few boats. In the lower margin three lines of text in Italian. The print is part of an album. after print by: Praagpublisher: Rome paper engraving the bathroom

Rievaulx Abbey, Yorkshire, 1810. John Sell Cotman (British, 1782-1842). Etching;

Figuren in een rivierlandschap met ruïnes.Three conversing figures and a rider on a path along a river at a ruin of a house. On the other shore a gateway to a lapse tower between trees and some houses.

Gil Blas in De Struikrvers en Vignet Met Gil Blas in Don Gonzales Pacheco, Daniel Nikolaus Chodowiecki, 1779 print On the left, Gil Blas, Don Raphael and Ambrosio kill four bushers who hold a man and a woman imprisoned. On the right the old Don Gonzales Pacheco is on the edge of his bed. Gil Blas is ready with a jacket, another servant offers the old man his shoes. paper etching Literature. violent death by firearms. robber. dressing oneself, getting dressed. getting up from bed

Print, The Lady with the Parasol, 1650; Print Maker: Herman van Swanevelt (ca. 1600 - 1655, Dutch, active Paris and Rome); Netherlands; etching on paper; Plate: 18 × 27.9 cm (7 1/16 in. × 11 in.) Paper: 19.8 × 28.8 cm (7 13/16 × 11 5/16 in.); Bequest of George Campbell Cooper; 1896-3-202

Frontispiece, with Statue of Minerva. Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 24 15/16 × 19 7/16 in. (63.3 × 49.4 cm)Plate: 19 1/4 × 12 11/16 in. (48.9 × 32.2 cm). Series/Portfolio: Vedute di Roma (Views of Rome). Date: ca. 1748. Museum: Metropolitan Museum of Art, New York, USA.

Colosseum, with golfers; Colosseum Romae; Roman ruins. Face in the Colosseum with a few golfers in the foreground. In the background two men on a donkey. Print from a series of six with representations from Roman ruins.

. Shepherds, women and children with their sheep rest for two overgrown ruins.

Landscape with a bridge on the left Marie-Th�r�se, Duchess of Angoul�me (Born Marie-Th�r�se de France) (1778-1851). Landscape with a bridge on the left. Black and Lavis Pencil, 1801-1825.

Sadeler, Marcus, Major, Isaac, Trojan Horse, verso - stamped in red, print, prints, height 140 mm, width 227 mm, German, 1576 - 1642, print maker, printmaker, 1586 - 1630, paper, engraving, engraving (printing process), Publication (Event), Publication, 1614-04-11 - 1650, publisher

Ruins of the palace substructures of Septimius Severus, Rome, Gerard ter Borch (I), c. 1607 - c. 1609 drawing Rome paper. ink. pencil Boog van Constantine

View of the ruins of the Colosseum, Anonymous, After Hendrick van Cleve, 1585 print View of the ruins of the Colosseum, from the inside. In the foreground a carriage and a few walkers. On the left a sexing couple. The print is part of a series that depicts different places in the Mediterranean. print maker: Antwerpafter design by: Antwerppublisher: Haarlem paper engraving ruin of a building ~ architecture Colosseum

Amsterdam, Esveldt Holtrop, Jan Steven van, Perelle, Nicolas, Danckerts, Cornelis (I), Spiegel der natuur en school der teekenkunde, Landschappen met rond frame, Landschap met cijfers bij een haven, Landschap met cijfers bij een haven aan een haven op een rocky kust. On the right a column. The print is part of an album., print, prent, albumblad, prints, prenten, height 129 mm, width 127 mm, 1604-06-13 - 1656-04-27, print maker, prentmaker, 1614 - 1656, paper, papier, etching, etchings, Work conception, Frans, 1631 - 1695, after a design by, Publication (Event), Publication, 1777 - 1833-11-20, publisher

A 1636-1652 etching by Jan Both showing the Milvian Bridge and a mule driver on Via Appia, illustrating architectural features, road travel, and human activity.

Temple of Diana; Templum Dianae Romae; Roman ruins. View of the ruin of the Temple of Diana in Rome. With two seated figures in the foreground. Perspective dotted lines connect the buildings with the foreground and the horizon. Reading: Linea Horizontalis (Legsmid) and: Base (in the middle). In Circle. At the top: C.XC. Print from a series of six with representations from Roman ruins.

Elegant Ruiter company at Stadspoort, Jean Pelletier, After Philips Wouwerman, 1746 - 1780 print paper engraving / etching City-Gate. Assembly, 'Departure for hunting'

Scene from Il Triompho della Pieta 1640-69 Giovanni Battista Galestruzzi. Scene from Il Triompho della Pieta. Giovanni Battista Galestruzzi (Italian, Florence, 1615 or 1618-after 1669). 1640-69. Etching. Prints

Ruin of the Thermen of Caracalla, Willem van Nieulandt (II), 1594 - 1618 print The overgrown ruins of the Thermen of Caracalla in Rome. In the foreground two shepherds with a herd goats. In the background the city of Rome. Print from a series of Roman ruins. paper etching landscape with ruins (+ city(-scape) with figures, staffage). herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc. Rome

View of a city on a river, c. 1765 - c. 1814 print Print from a series with river faces. In an oval frame a face on a river with houses located along the riverbank. In the foreground three figures and a figure in a boat on the river. In lying oval. paper etching river

Wittavorspoport te utter, Herman SOUTLEVES, 1646 print Some riders at the Wittevrouwenpoort in Utrecht. Utrecht paper etching horse Wittevrouwenpoort

Le Christ au puits de Samarie, Jean-Laurent Legeay, French, ca. 1710-86, Jean-Laurent Legeay, French, ca. 1710-86, Etching, France, 1768, published 1770, architecture, Print, Print

Landscape with a sarcophagus and a fountain, Jan van Ossbeeck (attributed to), after Bartholomeus Breenbergh, 1647 - 1674 print unknown paper etching landscape with ruins. sarcophagus

Triumphal arch covered in foliage with mounted troops below, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598. Artist: Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: Sheet (Trimmed): 8 7/16 × 5 13/16 in. (21.4 × 14.7 cm). Series/Portfolio: Descrittione de gli apparati fatti in Bologna per la venuta di N.S. Papa Clemente VIII. Date: 1599.Plate from the 1599 edition of 'Descrittione de gli apparati fatti in Bologna per la venuta di N.S. Papa Clemente VIII', a book containing a description of the festivities for Pope Clement VIII's entry to Bologna and nine etchings by Reni illustrating the temporary decorations for the event. Originally published by Vittorio Benacci in Bologna in 1598 with eight plates by Reni. A second edition in 1599 contained this additional plate and a later edition (undated) was published by Gioseffo Longhi. Museum: Metropolitan Museum of Art, New York, USA.

Plate 5: women collecting plants and carrying them over their heads, a male onlooker at right and a castle at right in the background, from "Lieder eines Malers mit Randzeichnungen seiner Freunde" 1836 Eduard Julius Friedrich Bendemann. Plate 5: women collecting plants and carrying them over their heads, a male onlooker at right and a castle at right in the background, from "Lieder eines Malers mit Randzeichnungen seiner Freunde". Lieder eines Malers mit Randzeichnungen seiner Freunde. Eduard Julius Friedrich Bendemann (German, Berlin 1811-1889 Düsseldorf). 1836. Etching. Prints

Ruins with a Seated Man, and a Covered Wagon in the Distance. Dated: 1758. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Paul Sandby.

Landscape with ruin and a pond; Landscapes with ruins; Regionum, Rurium, Fundorumque, Varii at Ove Amoeni Prospectus. In the foreground the bank of a river. Next to the shore is a large ruin with a pond in the middle. The print is part of a ten-part series with landscapes with ruins.

In front of a house, a group of people watch the slaughter of a pig, Slaughter scene, print maker: Frédéric Théodore Faber, (mentioned on object), Adriaen van Ostade, (mentioned on object), unknown: L. J. Nieuwenhuys, (mentioned on object), print maker: Brussels, Haarlem, unknown: Brussels, 1806, paper, etching, h 196 mm × w 155 mm

Landscape with ruins and fantasy architecture and two women with child in the foreground, 1560 - 1570 print Landscape with ruins and fantasy architecture and two women with child in the foreground. Print from a series of landscapes with ruins and fantasy architecture. paper etching fantastic architecture, unrealistic architectural fantasies

View of Antius Lupus's grave, near Rome, Anonymous, 1705 print Numbered in the bottom right: 54. Amsterdam paper etching grave, tomb Rome

River and City, 1925. Elbridge Gerry Peirce (American, 1900-). Etching;

Grote Kalkoven, Cornelis Visscher (II), After Pieter Bodding van Laer, 1638 - 1658 print Workers are working hard at a large lime oven, which stands on the edge of a river. A group of workers pauses for the oven; They eat and have conversations. Two cows and two boats on the waterfront. In the background a church, a bridge and many houses. Haarlem paper etching lime works. resting - BB - out of doors. eating. cow. river. church (exterior)

City with towers on the water; Roman ruins and coastal landscapes (series 2). City with different towers on the water. A road runs under a gate in the foreground. Print is part of a series of Roman ruins and coastal landscapes to the prints of Willem van Nieulandt. This series is a copy of the series, who made Claes Jansz Visscher to Van Nieulandt.

Corinth: Temple of Neptune. Théodore Caruelle d'Aligny; French, 1798-1871. Date: 1845. Dimensions: 326 × 480 mm (image); 493 × 594 mm (plate); 340 × 487 mm (primary support); 496 × 634 mm (secondary support). Etching on ivory China paper, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Eighth Face on the Colosseum in Rome, Jacques Androuet (Attributed to), After Hieronymus Cock, 1551 - 1584 print Eighth face on the ruins of the Colosseum in Rome. A man chases a woman with a sword in his hand. He grabs her by the hair. This print is part of an album. France paper etching ruin of a building ~ architecture Colosseum

Landscape with ruins and shepherd with sheep, anonymous, after Esaias van de Velde, 1610 - 1617 print Haarlem paper etching landscape with ruins

Print, Design for Fountain with a Couple; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Georg Siegmond Roesch; Published by Nicolas Jean Baptiste de Poilly (France, 1712 - ca. 1758); France; etching and engraving on off-white laid paper; Platemark: 35.8 x 23.5 cm (14 1/8 x 9 1/4 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

No. 92. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

French crown, Rome, Swanevelt, Herman van, Title page and twelve views of Rome, Ruin with four round arches, verso lower left - stamped, Walkers rest at a ruin with four round arches in (the immediate vicinity of) Rome., print, prent, prints, height 88 mm, width 142 mm, Northern Netherlands, 1604 - 1655, print maker, printmaker, 1629 - 1655, paper, papier, etching, etchings, Work conception, after own design of, granter of privilege

View of Rouen. Eugène Isabey (French, 1803-1886); printed by Lemercier et Compagnie (French, 19th century). Date: 1832. Dimensions: 306 × 222 mm (image); 359 × 256 mm (primary support); 452 × 338 mm (secondary support). Lithograph in black on ivory China paper, laid down on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Waterput, Hubert Robert, 1763 - 1766 print A woman, seen on the back, at a water well made of a Roman sarcophagus. Seventh print from a series of ten. Rome paper etching well. sarcophagus

Aquatint by Wilhelm Alexander Wolfgang von Kobell depicting Bohemians asking for alms, created in 1802.

Pont at a bridge and ruin; Landscapes; Amenissimae Aliquot Requculae. A ferry on which figures and a cart with pulling animals on the water at a stone bridge and a ruin with a tower. On the right on the shore two figures. Seventh print of part two of a series of in total sixty prints with landscapes, spread over five parts of each twelve prints.

Legeay, Jean Laurent, Architectuurfantasie, blad 19, Vasi inventione, print, prent, prints, prenten, height 195 mm, width 170 mm, print maker, prentmaker, 1767 - 1768, paper, papier, etching, etchings

Street in the Voorstad at Zonblantings, Matthäus Merian (I), After Adam Elsheimer, 1603 - 1645 print paper etching night. street (+ city(-scape) with figures, staffage)

Rüine at Baarland; Vestigi delle Antichita di Roma, Tivoli, Pozzuolo et Altri Luochi. According to the caption remains of antiques at Baarland, located in the countryside in South Beveland. In the foreground three cows, a man and a milkmaid. On the right the sea with ships and a carriage on the beach. In the underwear three lines text in Italian. The print is part of an album.

Riders and a carriage with six horses in a landscape, Jean Moyreau, After Philips Wouwerman, 1752 print France paper etching passenger carriage. riding a horse, ass, or mule; rider, horseman

Southern river landscape with ruins, right wandering fairground customers with dogs and monkey, Southern river landscape with ruins and fairground customers, draughtsman: anonymous, 1700 - 1800, paper, brush, h 295 mm × w 480 mm

The Tunnel in the Park. Dated: 1912. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Artist: Joachim von Sandrart, German, 1606-1688, A Horn and Two Tall Eastern Vases in a Landscape with ClassicalRuins, ca.1680, Etching, image: 33.1 × 21.9 cm (13 1/16 × 8 5/8in.), Made in Germany, German, 17thcentury, Works on Paper -Prints

Interior of a Cave ca. 1741 Antoine Benoist. Interior of a Cave. Antoine Benoist (French, Soissons (Aisne) 1721-1770 London). ca. 1741. Engraving. Prints

Veduta del Colle Capitolino, presa dalle falde del Colle Aventino from Sette Colli, 1825. Pinelli, Bartolomeo. 1825 This copy of the suite was shown in the 1956 exhibition Mostra di Bartolomeo Pinelli. See the Itinerario, which accompanies, Incisa della Rochetta, Giovanni. Bartolomeo Pinelli. Roma: Amici dei Musei di Roma, 1956. Title from: Itinerario. The Veduta del Colle Capitolino, presa dalle falde del Colle Aventino displays Alessandro Castignari's collector's mark on the verso (Lugt 86a). Ref.: Pacini, Renato. Bartolomeo Pinelli e la Roma del tempo suo. Milano: S.A. Fratelli Treves Editori, 1935, p. 115, 134-135. Imprint: Rome. The suite consists of views of the seven hills of Rome, both drawn and etched by Pinelli in 1825, according to the inscriptions. Anna Laetitia Pecci-Blunt collected prints, published works, drawings and paintings thematically focused upon the city of Rome. Her collection included views, plans, maps of Rome and depictions of the inhabitants of the city in p

Design for a print, Ruins near a wide river Regionum, Rurium, Fundorumque (...) (series title), draughtsman: Hendrick van Cleve, 1584, paper, pen, brush, h 196 mm × w 285 mm

Antiqvvs circi martial cvm monvm adiacentia prospectvs ad Viam Appiam , Cities & towns, Sculpture, Tombs & sepulchral monuments, Fantastic architecture, Conjectural works. The Antonio Cardinal Tosti Collection

Villa d'Este, Tivoli. Dated: 1744/1750. Dimensions: sheet: 11.9 x 18 cm (4 11/16 x 7 1/16 in.) page size: 42.5 x 27.7 cm (16 3/4 x 10 7/8 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph-Marie Vien.

Giovanni Battista Piranesi, Arco di Rimino fabbricato da Augusto, 1748 Arco di Rimino fabbricato da Augusto

Etched by Joseph Mallord William Turner, 1775-1851, British, East Gate, Winchelsea, Sussex, 1819. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper.

Crypt with a Kneeling Mourner 1830-40 Anonymous, Italian, 19th century Italian. Crypt with a Kneeling Mourner 390176

The Stable in Bethlehem 1520-1540 France. For this Nativity scene Gourmont used the backdrop of a caved-in classical building to herald the dawning of a new era. Much grander even in ruins than an actual stable would have been at the time of Jesusís birth, the setting emphasizes the contrast between the elaborate architecture of Antiquity and the humble beginnings of Christianity.Only one documented painting and about thirty engravings testify to the extraordinary art of Jean de Gourmont. This, his most famous engraving, was completed during his visit to Lyons, and reveals the artistís extraordinary command of perspective.. Engraving in black on ivory laid paper . Jean de Gourmont

The Sawhorse, plate 12 from Carceri dInvenzione (Imaginary Prisons). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Saxon Arch. Dated: 1810. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: George Cuitt the Younger.

Unsited sheet with five performances, one of a historical event from 1783, 1790 - 1796 print Unsuded sheet with 5 performances on one copper plate, one of a historical event and 4 illustrations for an unknown novel. Presentation of the exercise of the Amsterdam bourgeoisie on the Drillveld in the presence of the Baron van der Capellen to den Pol, 26 April 1783. Northern Netherlands paper etching / engraving military training Drill field

Leeuw, Govert van der, Italian landscapes, Hilly landscape with a view of a city, recto - blind embossing, on the right a building with a freestanding campanile. In the foreground a shepherd rests with a small flock. The print is part of a nine-part series of prints depicting Italian landscapes., print, prints, verso - stamped, height 109 mm, width 138 mm, 1645 - 1688-07-03, print maker, printmaker, 1655 - 1688, paper, papier, etching

The Lion Bas-Reliefs, plate 5 from Imaginary Prisons 1761 Italy. Etching and engraving on heavy ivory laid paper . Giovanni Battista Piranesi

Drawers at ruins; Ruins; Iacobus Androuetius du Cerceau lectoral s Cum NECTUS Essem Duodecim Fragmenta Structurae Veteris (...). There is a draftsman to draw on a staircase. Two nursing around the background. On the arches two artists who are a statue. This print is part of an album.

Moreau, Louis Gabriel, Ruin by the water, verso bottom center - stamped, Ruins of a building in a landscape, in the distance a body of water., print, prints, height 121 mm, width 167 mm, 1740 - 1806, print maker, printmaker, 1770 - 1779, third quarter 18th century, fourth quarter 18th century, paper, pencil, etching, etchings, Work conception, after own design by

The Grand Piazza. Dated: 1780s. Medium: etching, engraving, sulphur tint or open bite, burnishing date should be read as "published 1780s". Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BATTISTA PIRANESI.

Landscape with Portico where Samuel David Ointment, Richard Earlom, After Claude Lorrain, 1774 print London paper etching sacrifice of animals ~ Jewish religion. Samuel anointing David in the presence of his father Jesse and his brothers

Architectural Capriccio. Francesco Guardi (Italy, Venice, 1712-1793). Italy, circa 1770-1780. Drawings. Pen and brown ink with wash on dark gray paper, with touches of white

Rüine, Anthonie van den Bos, after Bartholomeus Breenbergh, 1778 - 1838 print Ruin of a castle, in the foreground two figures at a water basin. Netherlands paper etching ruin of a dwelling, house, castle, etc.

Landschap met ruïne.In a hilly landscape with a ruin of a castle hiking an elegantly dressed lady and gentleman. With ornamental frame.

Classical Ruins with Equestrian Statue and Round Temple. Marco Ricci (Italy, Belluno, 1676-1730). Italy, 1730. Prints; etchings. Etching

Thermen van Caracalla, on the outside, 1624 - 1650 Ruins of the Thermen of Caracalla in Rome, on the outside. In the foreground, among other things, a man with shovel. In the lower margin two lines of text in Italian. The print is part of an album. Prague paper engraving / etching Rome. Thermen from Caracalla Ruins of the Thermen of Caracalla in Rome, on the outside. In the foreground, among other things, a man with shovel. In the lower margin two lines of text in Italian. The print is part of an album. Prague paper engraving / etching Rome. Thermen from Caracalla

Autre vue de linterieure du Pronaos, qui a déjà été décrit, et dessiné, dans la planche précédente. (Another View of the Pronaos Described and Drawn in the Preceding Plate), from Différentes vues de … Pesto (Different Views of … Paestum). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Veduta di altra parte della camera sepolcrale di L. Arrunzio , Archaeological sites, Tombs & sepulchral monuments, Arruntius, L. Lucius, active 43 B.C.-17 B.C.. The Antonio Cardinal Tosti Collection

Carceri Series, Plate XII, Giovanni Battista Piranesi, Italian, 1720-1778, Etching, Horizontal rectangle. A low vaulted chamber, with torture instruments in the foreground and steps leading to a platform in the left background. Upper right, Calcografia number 360., Italy, 1745, Print, Print

Copper engraving and etching by Aegidius Sadeler the Younger around 1606 depicting ancient Roman ruins in a landscape, showing architectural details, foreground, and surrounding terrain.

Copper engraving by Aegidius Sadeler the Younger depicting the months of January and February, created in 1615.

Ruins of the baths of Caracalla, Rome, Gerard ter Borch (I), c. 1609, draughtsman: Gerard ter Borch (I), (mentioned on object), Rome, c. 1609, paper, h 197 mm × w 250 mm

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